In Search of Black Assassins

I

THE DIVINE LINK, DONALD J. DRUMPF & AFRICA

Shemayet (user–MA’AT–ra-setp-en-ra Monthu-in-the-two-lands) Mahalia Jackson’s Trouble of the World is no simple minded tear jerker. Don’t get that twisted. It is complex ageless sacred  inner sanctum temple music personified. Shemayet connects Heaven and Earth. Shemayet is the “God [Goddess] Voice” and “Divine Vibration” that link fellow man with each other and the Divine. Shemayet, the divine voice and vibration, is discussed further below.

Donald Drumpf & Dark Satanic Global Cabal

President select Donald J. Drumpf believes, so he said that Africa is a “Shithole” country. Don’t get it twisted from my title. Africa is the mother country of the universe, and I mean it literally.  Donald J. Drumpf means the terms “Shithole” and “Shithouse” to be applied to Africa both as an adjective, and a noun.[1] Please excuse my language in this post. I mean no disrespect to the elders or the people. It is not used intentional just for the sake of being evil, foul and vulgar. “Shithole” and “Shithouse” appear only to demonstrate how irrational, insidious, fraudulent, idiotic and evil racism is. Additional, whenever it is Kemet, it is the Mother Continent, AFRICA.

Throughout the generations in this country, our elders stress that if Anglo Saxons and Aryans as a whole knew better that they would do better. And, many believe that Drumpf’s offensive statement disparaging the Mother Continent that we often call the “Mother Country”  is the result of being badly misinformed.  I don’t believe for one minute that it is true, particularly in regards to Donald J. Drumpf and the Dark Satanic Circles. They are motivated by EVIL for the sake of EVIL, and trickery. Many tried to warn the nation of the ultimate EVIL of DRUMPF before he stepped into the OVAL Office.

Now, DRUMPF, Mike Pence and the Dark Satanic Circle has the entire U.S. government in a strangle hold. Even if some knew better about the Mother Country, they would cover their eyes, and continue their EVIL plans of mass exploitation, deception, and genocide. The Donald J. Drumpf statement about Africa is purely deliberate. IT IS JOSEF GOEBBELS’ UNTRUTH THAT SHALL NOT HAVE A LIFE OF ITS OWN.

II

LUCIFER’S COONS

We have persistently demanded that society present and treat us in a dignified manner.

We have always rejected wicked racist notions, and black stereotypical caricatures casting black people as monkeys (coons) – less than human.

Racist caricatures of Black people are intentionally designed to humiliate, demean and depreciate our human, cultural and social value in global civil societies.

“These images are intended to be ironic, and to cater to the White notion that Black coons are too stupid to understand that their efforts to assimilate into White culture only emphasize their inherent inferiority.”[2]

Freemason Jay Z- Lucifer’s Hip Hop COON

“Do What Thou Wilt” Aleister Crowley, The Great BEAST 666 & Jay Z

Shawn Corey Carter known professionally as JAY-Z is a satanic hip hop black rapper and businessman. He is one of the most highly corporate promoted and bestselling MASONIC New Age “musicians” of all time, having sold more than 100 million records, while receiving 21 Grammy Awards for what has become the “music” and “art” promoted by and spoon fed by Luciferians to the masses.

Jay Z (Jaybo) with Simian Oran Outan Face

If that wasn’t enough for Jay-Z to promote the Luciferian agenda to depreciate traditional black folk art and promote the “music” created and promoted by Masonic Luciferians for mass consumption and CHAOS, he has reached for a new low to attack, demean our right of humanity, and to self-determination.

Jay Z’s deliberate mass corporate denigration of black people and their culture in the images and notions of antebellum Simian Coonery is a violation of our human rights (International Covenant on Civil and Political Rights (ICCPR), Article 27).

Jay Z- Jaybo the Hip Hop Coon

The deliberate wicked association and depiction of Blacks as monkeys and apes (coons) are significant visible imagery implants that the antebellum South used to justify African Human Bondage, and the SHITHOUSE institution of American Slavery.

Dark Baphomet Knights Templar Mark Romanek

Jay-Z has combined with a racist Ashkenazi Kabbalah-Zohar Russian Jewish descendant, film maker Mark Romanek, to manufacture and distribute images that wickedly globally defame, demean, humiliate, and insult Black people, Huey P. Newton, and the Black Panther Party for Self Defense (BPP) with offensive simian coon images. Brother Huey was no coon associated with coonery.[3]

I can still hear that click-click- the lock and load of Huey’s shotgun. Huey didn’t play!

I also recall Huey’s Smile when I was only a seed. I was that “Little Ghetto Boy” running around a college campus getting high and chasing young ladies. While I was so high gloating on myself rolling around in utter chaos and nothingness, I often found myself under the scolding eyes of Laverne. She was Huey’s most significant other. Whenever I found myself under scorn, I always looked at Huey, because I knew that I was shamefully stumbling around responsibility and manhood. I was what I was. I thought that he would despise me. But, he never did. Brother Huey would give me a slight smile, but it was a smile nonetheless from one of the most powerful, feared and respected young brothers in the community. It came to represent in me, the Faith in a Mustard Seed. In the BPP, they often called me, Little Brother.

I further recall when Brother Huey first took the picture, above. We (BPP) were in awe, speechless and spellbound when we saw it, because the symbolic imagery was so powerful, moving and beautiful. There was something unspoken and sacred to us about the picture that those that understand seek to mock and belittle. This is the Huey P. Newton that made a statement to the world of his unconditional and undeniable love for his African-ness that spiritually made our bonds and love for him and the Mother Continent so much stronger. Brother Huey didn’t have to wear an African Dashiki to prove anything to anybody. They are still afraid of everlasting images of resistance of Huey P. Newton. Wickedly representing Brother Huey as a simian coon will not change our undying love and respect for him.

Freemason Jay Z pays tribute to the blood drinking and flesh eating cannibal, Lucifer’s High Priestess, MARINA ABRAMOVIC.

In 2009, Atlantic Records has combined with Jay Z the Coon to deliver a deal with Lucifer to promote and distribute his album, The Blueprint 3. The album was self-distributed by Atlantic Records; his music videos are distributed and partially owned by Atlantic Records.[4]

Cardi B- Lucifer’s Coon Daughter

I first heard of Belcalis Almanzar, known professionally as Cardi B, promoted on the Wendy Williams Show. They are undeniable self- confessed Coon Daughters of Lucifer. I was under the false impression that Cardi B  was an up and coming traditional R&B vocalist until she opened their mouth to rap something about “Bodak Yellow“.

Devil Horns- Bodak Yellow & Church of Satan

Cardi B says as a theme of that rap,

It’s Cardi, ayy
Said, “I’m the shit, they can’t fuck with me if they wanted to…

Said little bitch, you can’t fuck with me
If you wanted to
These expensive, these is red bottoms
These is bloody shoes.[5]

“Bodak Yellow” is the ever persistent language of sadistic divide and violence. I sat in front of the TV and watched her perform for a few minutes.  I was startled and confused to discover that Cardi B lacked any remarkable musical talent or abilities. I immediately turned off the idiot box. In 2017, Bodak Yellow (Money Moves) topped the Billboard Hot 100 chart number 1.[6]

She may have been initiated into HollyWeird’s Satanic Sex Magic 99 Lodge headed by Warlock Charlie Sheen.

Adolf Hitler belonged to the Satanic German Masonic 99 Lodge.

The title “Bodak Yellow” is related to the insidious stereotypical color code and reference to her skin, and the rapper Dieuson Octave “Kodak Black.”

Kodak Black, Atlantic Records Rap Artist

Kodak Black is a mind (MK ULTRA) control troubled and confused young man in and out of jail on various criminal offenses.

But, he is an Atlantic Records rap artist.[7]

Kodak Black has come to believe that he is a Kabbalah-Zohar Satanic Israeli Jew. His puppet-master can spin him on a dime to make him believe anything.

Cardi B is a hood chick proudly associated with Blood Street Gangs. She is a former stripper born and raised in the Bronx, NY.[8]

In February 2017, Cardi B, the Luciferian “Gangsta Bitch Music rap artist signed a multi-million dollar deal with Atlantic Records to promote among the masses a vicious chaotic SHITHOLE Satanic lifestyle.

Donny Hathaway

Donny Hathaway was an Atlantic Records vocalist and musician when he was thrown out a 15th story hotel window in New York City. Donny’s most infamous last words before he was killed,  “White people are trying to kill me, they have my brain hooked up to a machine, trying to steal my songs and sound.” Music and Sound is important. How important? EXTREMELY! EXTREMELY IMPORTANT!

From Donny to Jay Z and Cardi B, it makes me want to cry … Because, they are promoted globally as the dualistic opposites of Donny. Hemayet Donny linked us with Heaven and the Divine. They seek to DELIVER us to the DEVIL AND HELL.

III 

FROM THE SECRET MANHATTAN PROJECT TO ATLANTIC RECORDS

From 1947, the Tavistock Institute, Frankfurt School, Alsos Mission/Manhattan Nuclear Bomb Project, and the U.S. government have clandestinely combined to try to depreciate, control and shape the art of black folk music (gospels, spirituals, chants, blues, jazz, rhythm & blues). For clarity, I will call them, Scepter (Emblem of Imperial Power). Scepter’s interests in the art of black folk music have never revolved around appreciating it or honoring its value, legacy or sacredness. Their interest are destroying and replacing it, and developing the black music into a major tool of satanic mass population control and manipulation.

“As L. Marcus (1974) writes in his excellent investigation piece; ‘Reesian methods rely, completely and consciously, on the destruction of the mental life of world society and a forced march into universal sadism.”…. Within this lies their affinity- men as mindless beasts whose minds, according to Tavistock, are something to be manipulated and destroyed.

…. “The Tavistock- and Reesian method- that the class war should be waged with “weapons that affect morale more than they take life”- has become, in the post-war period, the primary weapon system of the Rockefeller forces, including their own covert arm, the Central Intelligence Agency.’ ”[9]

The function of Reesian-Lewinite Brainwashing is to deliberately recreate infantile paranoid states of mind. The “Reesian Method” was developed by John Rawlings Rees.

J.R. Rees, Knight of the Most Excellent Order of the British Empire, was one of the key figures at the original Tavistock Clinic and became its medical director from 1933. Rees was appointed consulting psychiatrist to the British Army during WWII, and obtained the rank of brigadier general. After the war, he was a member of a group who referred to themselves as the ‘invisible college’. This group orchestrated “Operation Phoenix“, making plans for Tavistock to rise from the ashes of war. They founded the Tavistock Institute with funding from the Rockefeller Foundation.[10]

Phoenix, Fire & Benben Stone

The Phoenix is neither Greek nor Roman mythology. It is very deep ancient African (Shithole) cosmology that we shall discuss further in detail. Nevertheless to begin with the Benben Stone was the up thrust (explosive) sacred stone of Heliopolis; benu (bennu) describes a bird (The Phoenix) that was an important avian deity. Originally of solar associations, the Benu bird came to be connected with three important gods consisting of Atum, Re and Ashur (Osiris). As an aspect of God Atum, the Benu bird was said to have flown over the waters of Nun before the original creation. According to this tradition, the bird came to rest on a rock from which its cry broke the primeval silence and this determined what was and what was not to be in the unfolding creation.[11]

London Olympics, Phoenix Launch from the Conical Benben Stone

If you believe that Shithouse Benu Bird (Phoenix) and Benben Stone was a foregone passing occult fancy of British intelligence, think again. The concept was a major theme in the closing ceremonies of the 2012 London Summer Olympics.[12]

Lewinite refers to Dr. Kurt Lewin, a German Kabbalah-Zohar Jewish Frankfurt School refugee who had been brought to the U.S. by the Rockefeller family. He joined Tavistock Clinic or Institute sometime about 1946. Author Jim Keith, who died in mysterious circumstances, has written:

“Lewin is credited with much of the original Tavistock research into mass brainwashing applying the results of repeated trauma and torture (of individuals) in mind control to society at large.”[13]

At Atlantic Records, Scepter thru its agents Theo Adorno and Thomas John “Tom” Dowd had controlled its sound studios since it was founded in 1947. It earned a reputation as one of the most important American recording labels, specializing in Jazz, R&B and soul recordings by Black musicians including Donny Hathaway, John Coltrane, Aretha Franklin, Ray Charles, Sam and Dave, Ruth Brown, Otis Reading, and so many others. For black artists, signing with major recording labels was a literal pact with the DEVIL.

Atlantic Records’ business partner, Jerry Wexler, was a son of Polish and German Ashkenazi Kabbalah -Zohar Jews.  According to Wexler, Atlantic was in the business of Luciferian Shitholing “taking the gospel songs and putting the devil’s words to them.” They weren’t representing Black culture, but a self-destructive Black sub-culture in violation of our human rights. They were promoting icons that spoke for society’s underbelly: unrestrained sexuality, violence, and drugs.[14]

In 1967, Atlantic Records became a wholly owned subsidiary of Warner Bros.-Seven Arts.[15] Since 1989, it is a subsidiary of Time Warner, formed as a merger between the conglomerates Time, Inc. and Warner Communications.[16]

Theo Adorno was a Frankfurt School and Tavistock musicologist scholar involved in musical research. Adorno was interested in perverting the aesthetics of mass culture, as a part of a social engineering strategy through criticism, particularly music. The path of so-called pop culture and its subculture associates which emerged in the 1960s was shaped in significant part by Adorno. Perhaps the best known propaganda works of Adorno are The Authoritarian Personality, Dialectic of Enlightenment and Negative Dialectics.

Both Tavistock and the Frankfurt School paid close attention to Nazi Third Reich propaganda techniques, which they willingly incorporated into their research. The aim of the project, as stated in (Theodore) Adorno’s “Introduction to the Sociology of Music,”… was to “program a mass culture as a form of extensive social control that would steadily degrade [Shithole] its consumers.”[17]

As an institutional corporate European policy, Adorno and Scepter finds no intrinsic value in the genres of traditional black music.

“On Jazz, Adorno wrote,

The relationship between jazz and black people is similar to that between salon music and the wandering fiddle players whom it so firmly believes it has transcended – the gypsies. According to Bartok, the gypsies are supplied with this music by the cities; like commodity consumption itself, the manufacture (Herstellung) of jazz is also an urban phenomenon and the skin of the black man functions as much as a coloristic effect as does the silver of the saxophone. In no way does a triumphant vitality make its entrance in these bright musical commodities; the European-American entertainment business has subsequently hired the [supposed] triumphant victors to appear as their flunkies and as figures in advertisements, and their triumph is merely a confusing parody of colonial imperialism. To the extent that we can speak of black elements in the beginnings of jazz, in Ragtime perhaps, it is still less archaic-primitive self-expression than the music of slaves; even in the autochtonal [aboriginal] music of the African interior, syncopation within the example of a maintained measured time seems only to belong to the lower [social] level. Psychologically, the primal structure of jazz (Ur-Jau.) may most closely suggest the spontaneous singing of servant girls.[18]

Don’t get it twisted. I don’t intend to argue tit for tat to prove Adorno and Scepter wrong about Black Folk Music. If he was alive today, I would touch not one hair of Adorno. My love is primarily for the people- to point out the contradictions. Then, it becomes the duty of the masses to defend its dignity as a people, and respond to the enemy as necessary. They have never failed. Adorno’s mass corporate assertion that Black Folk Music is tantamount to the mere CRIES OF SLAVES is the untruth. IT IS JOSEF GOEBBELS’ UNTRUTH THAT SHALL NOT HAVE A LIFE OF ITS OWN.

At age 18, Thomas John “Tom” Dowd was drafted into the military with the rank of sergeant. He continued his work in physics at Columbia University. Refugees from National Socialist- Nazi Germany, the Frankfurt School changed venue and moved to Columbia University in New York City in 1934. The U.S. Office of Scientific Research and Development (OSRD) recruited heavily from Columbia for the Manhattan Project. The OSRD was also interested in psychology and psycho-acoustics.[19]

Psychoacoustics is essentially the study of the perception of sound. This includes how we listen, our psychological responses, and the physiological impact of music and sound on the human nervous system. Psychoacoustics involves music- sound, frequency, and vibration.[20] In physics, sound is a vibration that typically propagates as an audible wave of pressure, through a transmission medium such as a gas, liquid or solid.[21] The vibratory nature of matter is mentioned in the Bible.  John’s Gospel starts with “In the beginning was the Word…” (John 1:1) and teaches us that this vibration is from God, and is God Himself. The “Word” in this verse is the Greek word “logos”. We know that speech means not just any kind of a vibration, but a vibration that carries information, is uttered by a living person and embodies a concept or an idea. In this case, it means that the living Creator, our Father God, created an intelligent vibration which then created everything else. The new theory named “The Geometric Concept of Matter”, confirms that matter is a vibratory structure and explains that what we know as gravity is a direct consequence of that particular vibration.[22]

Dr. Andrija Puharich was known as a brilliant, but notorious CIA MK ULTRA/MONARCH (subproject 58) medical physician and electronics expert consultant.[23] In 1990, Dr. Puharich found a way to split water molecules by tuning in on the vibrations of their atoms and breaking the molecules into hydrogen, which could become fuel, and oxygen. A former   physician, Puharich discovered the water-splitting technique a dozen years ago but has only recently presented his findings publicly. Originally, he was investigating the Psychoacoustic DISRUPTIVE EFFECT of electrical resonances on blood clots and noticed a peculiar thing: in dilute blood, a SPECIFIC FREQUENCY made bubbles appear in the liquid. Lab analysis showed that the bubbles were composed of oxygen and hydrogen. A barrel-shaped cavity contains the water in Puharich’s recently refined system.  He introduces alternating current at A KEY FREQUENCY of 600 cycles per second.

The cavity resonates with the impulses in somewhat the same way the body of a violin resonates with the sound of one string, ADDING HIGHER AND LOWER HARMONICS TO THE PRINCIPAL TONE. The additional harmonics, Puharich says, cause the proton in the hydrogen atom TO ROTATE, further forcing the hydrogen to split from the oxygen.[24]

In 2014 for the first time, scientists captured the sound a single atom makes when it moves. They found the atom makes a “D-note,” about 20 octaves above the highest note on the piano and a pitch inaudible to the human ear.[25] Musical notes in ancient Kemet were regarded as spiritual elements, and were conceived as independent structural entities.[26] D is a musical note a whole tone above C, and is known as Re.[27]

The nearest concept or element to that of “justice” in Kemet (Africa) is the notion of MA-AT, which is personified as a goddess, the daughter of Atum, and after the 18th dynasty as the daughter of RE, who establishes MA-AT at the time of creation.[28]

If vibration is a source of creation, pursuant to Knights of the Black Sun’s Satanic Principle of Dualism, opposite of creation vibration are destruction, ruin and end. OSRD’s S-1 Section later became the Manhattan Project and developed the first atomic weapons.[29] Dowd worked on the Manhattan Project. He planned to obtain a degree in nuclear physics when he completed his work on the Manhattan Project. However, because his work was top secret, the university did not recognize it, and Dowd decided not to continue, since the university’s curriculum would not have been able to further his physics education. His research for the military was more advanced than academic courses at that time.[30]

The question is why were Scepter (Global Satanic Cabal), Adorno (International Social Scientist), and Dowd (Top Secret Nuclear Scientist) so deeply mixing in the kool- aide of Black Folk Music if it is out of Shithouse Africa, and amounts to no little more than the spontaneous singing of servant girls? If it was such archaic-primitive self-expressions “the music of slaves”, it would die a natural death. So, you would seem to believe.

IV

AFRICA & THE BIG BANG 

Science, Creation of the Universe

Scientists have gathered a lot of evidence and information about the Universe. They have used their observations to develop a theory called the Big Bang. The theory states that about 13.7 billion years ago all the matter in the Universe was concentrated into a single incredibly tiny point. This began to enlarge rapidly in a hot explosion, and it is still expanding today. Scientists have also detected a Cosmic Microwave Background Radiation (CMBR). This is received from all parts of the Universe and is thought to be the heat left over from the original explosion.[31]

Kemet, Creation of the Universe

God Atum (Atom)

“We are the gods of the atoms that make up ourselves, but we are also the atoms of the gods that make up the universe.” – 33 degree Freemason Manly P. Hall

The African God Atum is the most ancient secret “Science of the Atom.”

Hermopolis in Africa was a provincial capital of the Two Lands of Kemet since the Old Kingdom period. The Old Kingdom is the period in the third millennium (2686-2181 BC) also known as the “Age of the Pyramids” or “Age of the Pyramid Builders” as it includes the great 4th Dynasty when King Sneferu perfected the art of pyramid building and the pyramids of Giza were constructed under the kings Khufu, Khafre, and Menkaure.[32]

God Thoth, Wisdom and Music

Hermopolis means “the city of Hermes” in Greek. The Greeks gave it that name because it was a major cult center of the god Thoth who they associated with their god Hermes, but the people of ancient Kemet knew it as Khmunu (“the City of the Eight“). The Hermopolitans claimed that their theory of creation was older than any other in Africa and that it was the Ogdoad who gave birth to both the Sun and God Atum.

The Ogdoad was a system of eight deities, four gods and their consorts (the number four was considered to represent completeness). Each pair represented the male and female aspects of the four creative powers or sources. Nun and Naunet represented the primeval (ocean) waters; Heh and Hauhet represented eternity; Kuk and Kuaket represented darkness; and Amun and Amunet represented air (or that which is hidden). However, the gods differ from one source to another. Primeval darkness was sometimes represented by Gereh and Gerehet and Heh and Hehet are sometimes included as forces of chaos, possibly representing the currents of the primeval waters. When God Amun rose in prominence as a creator god in his own right, he and Amunet were replaced by Nia and Niat, gods of the void.

These eight elements interacted causing an explosion (The Big Bang) and the burst of energy which was released caused the mound (located at Hermopolis, but originally known as the “Isle of Flame“) to rise from the water. It was thought the gods and goddesses of the Ogdoad then ruled the earth during the Golden Age. When they died they took up residence in the “Duat” (or “Tuat” – the Underworld). The ensured that the Nile continued to flow, that the inundation would come every year and caused the sun to rise each day.[33]

Tutankhamen, Tutankhaten, Tutankhamon possibly Nibhurrereya (as referenced in the Amarna letters) was a pharaoh of the 18th dynasty (ruled 1332–1323 BC), during the period of the Golden Age of the New Kingdom. In his tomb, some very remarkable virtually timeless and priceless “Big Bang” artifacts were found.[34]

One of artifacts was a scarab pectoral necklace inlaid with carnelian, lapis lazuli, calcite, obsidian turquoise, and red, blue, green, black and white glass. Geologists performed a chemical composition test on King Tut’s scarab necklace and determined the scarab was made out of mysterious desert glass. Chemical and geological evidence suggest the greenish-yellow desert glass was made in an impact by either a meteorite or comet on the desert sand 500 miles from his home.

The glass that formed the scarab was formed as a result of meteor impact in the far distant past. Specimens of natural glass found in Kemetic deserts are products of meteorite slamming earth 100,000 to 200,000 years ago. Known locally as Dakhla glass, it represents first clear evidence of a meteorite impact. At time of impact, the Dakhla Oasis (Africa), in western part of modern-day Egypt, resembled other African savannas and was inhabited by early humans, according to archaeological evidence.

Scientists also found that a dagger’s blade found in King Tut’s tomb had a composition of iron, nickel and cobalt that strongly suggests it also had been of extraterrestrial origin. What’s more, it is nearly identical to the composition of a prehistoric meteor found in the seaport city of Marsa Matruh, 150 miles west of Alexandria.[35]

Benben Stone

Meteorites play an essential role in ancient Kemetic cosmology. For example, the “Benben ” stone worshiped in the sun temple of the god Ra at Heliopolis is thought to have possibly been a meteorite. The word “Benben ” is derived from the verb “weben”, meaning “to rise”, “rise in brilliance”  “to shine”.[36] From the beginning of the 19th Dynasty (approximately 1295 BC) a new hieroglyphic word for iron appeared: “bi-A-n-pt”, which literally translates as “Iron From the Sky”.

Heliopolis in Africa was also one of the oldest cities of ancient Kemet occupied since the Predynastic Period. It was principally notable as the cult center of the sun god Atum, who came to be identified with Ra and then Horus. The primary temple of the city was known as the Great House or House of Atum. Its priests maintained that Atum or Ra- Re was the first being, rising self-created from the primeval waters.[37]

According to Heliopolis-era creation stories in the beginning, Atum emerged from the Isfet (chaos) of Nu (primordial (ocean) waters). Atum created the god Shu (personification of air/cool dryness) and goddess Tefnut (personification of moisture) from Nu. Shu is depicted in the Kemet iconography as an ostrich feather.

“I have grasped the stake… I take the measuring cord in the company of Seshat. I consider the progressive movements of the stars. My eye is fixed upon the Bull’s Thigh [Ursa Major]. I count off time … and establish the corners of the Temple”.

The above text is an inscription from the Temple of Horus at Edfu accompanying the relief showing “Stretching the Cord” Ceremony.[38] It has been suggested that the temples of prehistoric Kemet were located according to geodetic (science of measurement of the earth) principles. These temples include some of the greatest colossus structures ever built on earth with precision and purpose.

Baalbek (Heliopolis (On) Megaliths 

Romans knew the site of Baalbek in Lebanon by its Greek name, Heliopolis (On). Baalbek is named for Baal, the Canaanite deity – cousin of Kemet.

The “Stone of the South” at Baalbek, Lebanon is the largest worked monolith on Earth, weighing in at a staggering 1242 tons. 

Map showing Baalbek in relation to Giza (Heliopolis)

The style of masonry and colossus construction employed is similar to what we find on the Giza plateau, an area that was also once called Heliopolis (On) in Kemet.

Baalbek’s connection to Giza and the pyramid complex is also interesting, as the wooden boats that were found buried on the Giza plateau are made from Cedar-wood, from trees that potentially come from the famous Cedar forests that once thrived on the slopes that Baalbek sits upon.

Baalbek- Stone of the South

Both sites were equinoctial, they both show the same incredibly skilled masonry techniques, and they are separated by almost exact degrees of longitude and latitude.

Great Pyramid Giza, Megalith Stones 50- 70 Tons

Additionally, geometric alignments have been shown to extend from both Giza and Karnak (Thebes).[39]

What power on earth build the mysterious virtually impossible Colossal Megalithic Monuments across the planet with purpose …

that modern science has no answers to?

V

HEKA & MA’AT – NOTHING IS STRONGER ON EARTH

HEKA & MA’AT, Brother and Sister at Creation

MA’AT is said to have been born of the sun god Ra (ATUM- ATOM) at the beginning of creation through the power HEKA, who was magic personified. Her name means “that which is straight” implying order, justice, and harmony. She is thought to have been present from the beginning of time when, from the primordial waters of Nun, the Benben (first mound of dry land) rose with ATUM (or Ra, the sun god) standing upon it in the presence of the invisible HEKA. In the moment that RA- RE SPOKE THE WORLD INTO CREATION, MA’AT was born. Her spirit of harmony and balance infused the creation and caused the world to operate rationally according to purpose.[40]

“…to me belonged the universe before you gods had come into being. You have come afterwards because I am Heka.” – Coffin texts, part of spell 261, First Intermediate Period to Middle Kingdom.

To reaffirm: “I am one with Atum when he still floated alone in Nun, the waters of chaos, before any of his strength had gone into creating the cosmos. I am Atum at his most inexhaustible – the potence and potential of all that is to be. This is my magic protection and it’s older and greater than all the gods together!” – Book of Coming Forth By Day, New Kingdom.

While HEKA is the medium that can influence existence it was the principle of MAAT adhered to by the people of Kemet that kept HEKA functioning as that fundamental medium. It circulates in the universe. HEKA has no EVIL connotation. It is a divine energy and force that existed before creation and dualism. It is a force that even the gods and goddesses draw from.

Any alignment of the physical with the spiritual, of earthly with heavenly forces, required the activation of HEKA and resulted in MA’AT. HEKA is beyond which there is NOTHING STRONGER.

The mysterious Benben  Stone first appeared during Sep Tepi or “point of first creation,” as a “mound,” after the waters of “Creation,” called Nun had subsided.  The Benben Stone has also been described as a conical and pyramidal-shaped object based upon ancient eyewitness reports. The Beben Stone was said to represent the cosmic seed of all life produced from the “sperm” of Atum (Atom), the Supreme God.[41]

The Benben Stone exemplified the cosmically consummated spiritual connection between heaven and earth.  As the primordial Womb, the Benben Stone carried the great cosmic seed of life, Atum’s spirit, the ‘light’.[42]

The Benben Stone of Heliopolis is said to have been shaped like a mound or pyramid, and was displayed on top of a tall pillar worshipped in the primary temple dedicated to God Atum, which was known by the name Per-Aat (pr-at; “Great House“).

However, there appears to have been another temple in Heliopolis the “Mansion of the Benben”, also known as the “Mansion of the Phoenix”, which is believed to have been a sacred precinct in which in the middle of an open courtyard, stood a stone pillar, on top of which sat the “benben stone”. It was seen as the solidified seed of Atum, the Stone of Creation, a magical stone, and some have concluded that it was of meteoric origin, “shining” in the sky, but when fallen on earth, black.[43]

Ancient Kemet’s metallurgists and chemists worked with meteorite materials for thousands of years. They had developed infinite knowledge of its content on an orderly scientific basis. Two kinds of lead can exist in different parts of the same meteorite. The results for the stone meteorite samples show a more radiogenic lead than can be accounted for by their lead to uranium. By counting the radiogenic lead atoms and the remaining uranium atoms in a fragment, the time elapsed since the uranium began to decay in the rock can be calculated. In other words, meteorites contain elements of extraterrestrial uranium atoms.[44] According to the theories developed, the Earth’s uranium was produced in one or more Big Bang supernovae (“An explosive brightening of a star in which the energy radiated by it increases by a factor of ten billion … A supernova explosion occurs when a star has burned up all its available nuclear fuel and the core collapses catastrophically.” – Oxford Dictionary of Physics).

The main process concerned was the rapid capture of neutrons on seed nuclei at rates greater than disintegration through radioactivity. The neutron fluxes required are believed to occur during the catastrophically explosive stellar events called supernovae. Gravitational compression of iron (the island of nuclear stability, incapable of further exothermic fusion reactions) and sudden collapse in the center of a massive star triggers the explosive ejection of much of the star into space, together with a flood of neutrons. Remnants of hundreds of supernovae have been found, and scientists “witnessed” one in Magellanic Clouds in 1987. The Earth’s uranium was produced through this process in one or more supernovae, and that this material was inherited by the solar system of which the Earth is a part.[45]

Nuclear energy is energy in the nucleus (core) of an atom. Atoms are tiny particles that make up every object in the universe. There is enormous energy in the bonds that hold atoms together. It is usually in a form of heavy metal, naturally occurring in most rocks, soil, and even in the ocean. It is found in many places in the world. Energy from uranium is called nuclear energy.[46] Nuclear energy is stored energy that holds the nucleus of an atom together. If the nucleus of an atom is split or fused with another atom, this releases or explodes huge amounts of energy. The Sun (Ra-Re) and uranium both possess direct nuclear energy. It’s been said that all of the Sun and stars in the sky are powered by “Fusion“. It’s the opposite of Fission energy.

Scientists have come to the conclusion that the people of ancient Kemet deliberately added lead salts to their black eyeliner to ward off bacterial infections. In samples of ancient Kemetic eyeliner, scientists identified 2 (two) types of lead salt not found in nature. That means that ancient Kemetic eyeliner had to be purposefully synthesized by an advanced scientific process. Making lead salt is a complicated and delicate process that requires laboratory weeks. In lab experiments, research scientists added lead salts to human skin cells called “keratinocytes”, which were grown in the lab. The researchers hypothesized that the lead would stress the cells and cause them to make hydrogen peroxide, nitric oxide, and other compounds involved in the body’s immune response. And indeed, cells treated with lead began pumping out more nitric oxide than did control cells.

They determined that nitric oxide sets off a series of biochemical processes in the body that ultimately send immune cells called macrophages to the site of infection, where they engulf invading organisms. The nitric oxide released by keratinocytes possessed the power and energy to directly kill eye-disease-causing bacteria on the skin or near the eye by breaking down a bacterium’s structure or DNA.[47] The people of Kemet believed that this makeup also had a “magical” role in which the ancient gods Horus and Ra-Re would protect wearers against several illnesses.

In earlier research, the scientists analyzed 52 samples from ancient Kemetic makeup containers preserved in the Louvre museum in Paris. They identified four (4) different lead-based substances in the makeup. In a new study, they found that the substances boosted production of nitric oxide by up to 240 per cent in cultured human skin cells. Eye infections caused by bacteria can be a serious problem in tropical marshy areas such as the Nile area during flood. [48]

Elements of lead were indeed synthesized in a lab in antiquity.  Modern science shows that there are no other conclusions. Luis Pellegrini, former director of the magazine Planeta, current director of the digital magazine Oásis, journalist, writer, translator, author of the books “The winged feet of Mercury” and “The Tree of Time“, both by Axis Mundi Editora, and “Madame Blavatsky “, said he believed that the ancient people of Kemet knew the atomic decomposition and uranium. It was one of the issues known to their priests and rulers.[49],[50] The mechanical and metal analysis of the sandstone samples extracted from the corridor leading to the royal chamber in the pyramid of Khufu in 1986 contain sand “specifically” on the proportion of heavy metals and some of the ratio of 7.7% and this gives two possibilities:

1. The pharaohs used the uranium “and of course the necessary special settings“.
2. Either they separated the uranium from the sand “and this indicates that the Pharaohs deliberately prepared the sand in particular and the process of separation“[51]

It is generally understood that one of the priests in the picture pour sand to move the monument, while the priest above him appear to be a HEKA/MA’AT chironomist, discussed below. However in lieu of new scientific evidence, the priest is pouring heavy metal (uranium) sand and salts while the other priest control its divine energy and force (HEKA) with the sound and voice of MA’AT.

In other words, Kemet’s metallurgists and chemists knew about the special extraterrestrial nuclear energy properties of heavy metals like iron. They had a complex system to determine the different properties of lead and uranium in rocks and meteorites, and scientifically separate them. They also knew about the special nuclear energy properties of the uranium atoms in the Benben Stone. That’s why it is associated with the ocean also containing ageless supernova uranium particles, the creation mound; and the fire and explosion that sparked the birth of God Atum (Atom), and launch the Benu Bird (Phoenix).

Karnak is the modern-day name for the ancient site of the Temple of Amun at Thebes in Kemet. The people of Kemet called the site Nesut-Towi, “Throne of the Two Lands“, Ipet-Iset, “The Finest of Seats” as well as Ipt-Swt, “Selected Spot” (also given as Ipetsut, “The Most Select of Places“). Thebes was yet another city that claimed that it was the first city founded on the primordial mound which rose from the waters of chaos at the beginning of the world. At that time, the creator-God Atum (sometimes Ptah) stood on the mound to begin the work of creation. The site of the temple was thought to be this original ground and the temple was raised at this spot for that reason. Karnak is believed to have been an ancient observatory as well as a place of worship where the God Amun would interact directly with the people of earth.[52]

Shemayet Nehmes Bastet

Shemayet Nehmes Bastet

According to an inscription on a wooden plaque found in her tomb, Nehmes Bastet was “chantress [shemayet] of Amun” – voice and vibration of the gods during the Twenty-Second Dynasty (945-712 BC). She was a vocalist and a master of the MA’AT ‘s harmony and the harp.

She was the daughter of the High Priest of Amun. The discovery of her tomb is important because it shows that the Valley of the Kings was also used for the burial of highly respected and beloved temple singers and musicians.  Nehmes Bastet was undoubtedly an eminent and valued member of the priesthood and the people because until the discovery of her tomb, the only tombs found in the historic Valley of Kings were those linked to Kemet’s ancient royal families.[53] Nehmes Bastet’s title of Shemayet (user- MA’AT– ra-setp-en-ra Monthu-in-the-two-lands) brings us back to Goddess MA-AT. The Shemayet was the master of the production of sound or vibration (singing or chant), “herw (literally, ‘voice’)” associated with those gods deemed to be skilled in creative power and forces of “magic” personified– HEKA.

Sheymayet Whitney Houston

Someone on TWITTER respectfully honored Whitney Houston with title Shemayet Nehmes Bastet.

Sheymayet Meresamun

Meresamun

Sheymayet Meresamun (“Amun Loves Her”) was another highly celebrated singer in Kemet. She was an inner sanctum singer-priestess in about 800 BC.[54] Her coffin states that she was a “Singer in the Interior of the Temple of Amun” at Karnak. She also had been a part of the divine choir.

See her, her hand shaking the rattles to give pleasure to the god, her father Amun. How lovely she moves, her hair bound with ribbon, songstress with perfect features….Pleasure there is in her lip’s motions…. her heart is all kindness, her words gentle to those upon earth. One lives just to hear her voice.

The percussive rhythm of their ritual rattles (sistrums) and beaded necklaces (menats) was meant to calm the god and make him more amenable to protecting and helping mankind. Three times a day, a priest ceremonially opened the doors of Amun’s inner sanctuary, purified the divine statue, offered it food and drink, and then adorned it with clothing, jewelry and perfumes. While this was going on, grand ladies like Priestess Meresamun would make music and sing to the god with a sweet voice.[55]

Shemayet Diesehebsed

The fragment of sandstone relief, above, shows two women: Diese-heb-sed to the left and the God’s Wife of Amun, Amunirdis II or Amenirdis II, to the right. Both women wear fine, almost transparent linen gowns and sandals with looped toes.” The “god’s wife wears the vulture headdress.” “Inscriptions from other sources indicate that Diese-heb-sed was an attendant of Amunirdis. In that subservient role, she stands with her arms passively at her sides as Amunirdis raises her hands in adoration of the deity who was once shown to the right.

Pharaoh Taharqa

The above block came from the now lost tomb or tomb chapel of Diesehebsed of the 25^th Dynasty of Kemet. Amenirdis II was the daughter of the Pharaoh Taharqa, and adopted daughter of the God’s Wife of Amun Shepenwepet II.[56]  Shemayet Diesehebsed also bore the title “Singer in the Interior of the Temple of Amun” at Karnak, indicating that she was part of a divine chorus that entertained the god during offering rituals. He father was a priest of Amun and Scribe of the Offering Table.[57],[58]

Shemayet Tjayasetimu

Temple singer of the inner sanctum and royal choir, Shemayet Tjayasetimu of the 26th Dynasty, left behind her elaborate image on her gilded sarcophagus in ancient Thebes in 800 BC. She was also a chantress of God Amun at the Temple of Karnak.  She died a celebrated and beloved singer of the temple at 7 years old.  She was granted the best mummification. She had been wrapped in painted bandages; her face was covered with a delicate veil hidden by a golden mask. She had been placed in a gilded sarcophagus.[59]

The detail above shows a clarinetist, flutists, a chironomist, dancers, and hand clappers. In the whole banquet scene there is an “eleven- man ensemble, consisting of two harpists, two flautists, a man playing an unusually long clarinet, and six chironomists.” see Lisa Manniche, Music and Musicians in Ancient Egypt, page 29. In ancient Kemet, “chironomists” practiced the art known as ‘chironomy’, whereby a series of hand-gestures would direct the musicians, akin to modern conducting. Overall, the Kemetic musical tuning, performance, and singing had to observe strict rules to keep ORDER OF MA-AT. Why?

Goddess MA-AT, identified with the principle of order, equilibrium and musical cosmic harmony that is found not only in the inner-most sanctuary of the temple, but also on the decoration on the harp– Harpist of MA-AT. Kemetic temple hieroglyphs considered MA-AT to be the Queen of [musical] Harmony.[60] Recall in the moment that RA- RE SPOKE THE WORLD INTO CREATION from atop the Benben Stone mound. MA’AT was born in the presence of the invisible HEKA. She is HEKA personified. Her spirit of harmony and balance infused the creation and caused the world to operate rationally according to purpose. The title of Shemayet (user–MA’AT–ra-setp-en-ra Monthu-in-the-two-lands) means the master ritual chanter or singer for the gods.

Nobody is certain what the invisible HEKA may be that was present on the Benben Stone with God Atum and Goddess MA’AT at creation. The strict rules of ORDER OF MA-AT personified in HEKA was strictly observed and transcended across religion, all disciplines, science and architecture- pyramid and colossus construction in ancient Giza, Heliopolis (On), Kemet, Heliopolis (On), Lebanon, and across the ancient world. HEKA is an invisible creative power and energetic force that I believe is related to the nuclear/atomic energy,  frequency and vibration of the Benben Stone. Recall that sound and vibration (words-voice) can possibly split and manipulate the power of extraterrestrial (universe) ultra-compressed explosive nuclear atoms in heavy metals like uranium in ways we still don’t understand.

From the example of celebrated 7 year old Shemayet  Tjayasetimu of the 26^th Dynasty, the sound(s)-voice of HEKA personified in MA’AT may be acquired or inherited. She was undoubtedly a very remarkable and musical master child prodigy. The preservation of her name for thousands of years, and her grand burial is certainly a testament to her mastery of the voice of the gods, and the love the people had for her.  I believe that the variants of the ancient sound(s) HEKA personified in MA’AT survive in some sacred African chants, black spirituals, and gospels.

VI

PREVENT THE RISE OF THE GODLY MESSIAH

SCEPTER has always known about the magnetic powerful magical and spiritual ancient sound(s) HEKA personified in MA’AT and the singers and musicians that have mastered the sweetness of justice, the invisible power and energy of AMUN-RA and MA’AT. Among them were music and chanter masters, Dr. Martin Luther King, Jr. (Killed 39 years old), Malcolm X (Killed 39 years old), Sam Cooke (killed 33 years old), Donny Hathaway (killed 33 years old), Whitney Houston (killed 48 years old), Phyllis Hyman (dead 45 years old), John Coltrane (dead 40 years old), Wes Montgomery (dead 45 years old), Otis Redding (killed 26 years old), Teddy Pendergrass (killed 59 years old), Marvin Gaye (killed 44 years old), Ricky Nelson (killed 45 years old), Luther Vandross (dead 54 years old), James Brown (Killed 73 years old), Michael Jackson (Killed 50 years old), Prince (Killed 54 years old), just to name a few.

Their sounds or “voice” of the music helped to connect people to the invisible force of creation inherent to the gods. Whether they knew it or not, they produced sound, divine voices that unto themselves were the magical spiritual power of power no greater than itself of generation, regeneration, resurrection, and the power of change and transformation. From the navel, they brought forth in breath magical power over the emotions of others that had been recorded and documented by the ancient Greeks that were like children among the giants of Kemet. Herodotus and Strabo noted the grand processions led by flute and reed-players, where the growing crowd of pilgrims lost themselves in “ecstatic” abandonment, demonstrating the power of the instrumental voice of God.[61]

President Drumpf said that he wants more immigrants from Scandinavian nations like Denmark to enter the country instead of people from “shithouse” or “shithole” countries like Africa. He seems to possess the notion that Scandinavia hadn’t been touched by the Mother Continent Africa. It also lies deep at its ROOTS.

One of the precious beads found buried along with a Bronze Age woman at a grave-site in the town of Olby in Denmark came from Africa. Researchers said, another was discovered in a necklace together with four pieces of amber at the burial location of a second woman. The glass beads discovered in 3,400-year-old Danish graves were Kemetic in origin made by King Tutankhamun’s Workshop.

Analysis revealed that the beads buried with the women were created at a workshop located in Amarna, the capital city newly established and built by Pharaoh Akhenaten during the late 18th Dynasty and abandoned following his death in 1332 BC.

Pharaoh Amenhotep IV, Akhenaten- Neferkheperure

Glass from this same workshop was used in Tutankhamun’s death mask during his funeral in 1323 BC.

Without the Mother Continent AFRICA, Donald J. Drumpf could be sitting atop on the Benben Stone in the mist of CHAOS in the 21st century still waiting for the Magic- King Among the Frogs.

Let me close on the invisible magical power of voice and sound (HEKA) of Sheymayet Whitney Houston. SHEYMAYET (user- MA’AT- ra-setp-en-ra Monthu-in-the-two-lands), I WILL ALWAYS LOVE YOU. I need not say nothing else!

____________________________________________________________________________________________________

[1] https://www.vox.com/2018/1/16/16897016/trump-shithole-shithouse-countries

[2] https://www.historyonthenet.com/authentichistory/diversity/african/3-coon/6-monkey/

[3] https://www.billboard.com/articles/columns/hip-hop/7857106/jay-z-the-story-of-oj-mark-romanek-behind-the-scenes

[4] https://en.wikipedia.org/wiki/Atlantic_Records_Group

[5]

[6] https://www.billboard.com/articles/columns/chart-beat/7973958/cardi-b-no-1-hot-100-post-malone-portugal-the-man

[7] https://en.wikipedia.org/wiki/Kodak_Black

[8] https://twitter.com/iamcardib/status/861019973078183936?lang=en

[9] https://www.turkishnews.com/tr/content/2017/11/07/mk-ultra-project-the-cia-tavistock-institute-and-the-global-intelligence-police-gestapo-state/

[10] https://en.wikipedia.org/wiki/John_Rawlings_Rees

[11] http://kemetichistoryofafrikabluelotus.blogspot.com/2008/10/benu-bennu.html

[12] http://www.trickedbythelight.com/tbtl/2012-Olympics-World-Olympic-Games-Closing-Ceremony-In-London/2012-Olympics-World-Olympic-Games-Closing-Ceremony-London.htm

[13] http://aanirfan.blogspot.com/2015/03/kurt-lewin-tavistock-isis.html

[14] http://www.theoccidentalobserver.net/authors/Whitcombe-AdornoII.html

[15] https://en.wikipedia.org/wiki/Atlantic_Records

[16] http://www.closinglogos.com/page/Warner+Bros.+Pictures

[17] http://aanirfan.blogspot.com/2015/03/kurt-lewin-tavistock-isis.html

[18] http://www.verlaine.pro.br/txt/adorno-on-jazz.pdf

[19] http://www.theoccidentalobserver.net/authors/Whitcombe-AdornoII.html

[20] http://thepowerofsound.net/psychoacoustics-defined/

[21] https://en.wikipedia.org/wiki/Sound

[22] https://holyscience.wordpress.com/in-the-beginning-was-the-vibration/

[23] http://www.dailymail.co.uk/tvshowbiz/article-4142244/How-CIA-bid-turn-Uri-Geller-weapon-backfired.html

[24] http://www.keelynet.com/keely/puha1.txt

[25] http://www.techtimes.com/articles/15462/20140912/what-sound-atom-soft-sounds-hit-one-note.htm

[26] http://www.historyofmusictheory.com/?page_id=204

[27] https://en.wikipedia.org/wiki/D_(musical_note)

[28] http://epublications.bond.edu.au/cgi/viewcontent.cgi?article=1012&context=cewces_papers

[29] https://en.wikipedia.org/wiki/Office_of_Scientific_Research_and_Development

[30] https://en.wikipedia.org/wiki/Tom_Dowd

[31] http://www.bbc.co.uk/schools/gcsebitesize/science/ocr_gateway/energy_resources/big_bangrev1.shtml

[32] https://en.wikipedia.org/wiki/Old_Kingdom_of_Egypt

[33] http://ancientegyptonline.co.uk/ogdoad.html

[34] https://en.wikipedia.org/wiki/Tutankhamun

[35] http://www.history.com/news/researchers-say-king-tuts-dagger-was-made-from-a-meteorite

[36] http://kemetichistoryofafrikabluelotus.blogspot.com/2008/10/benu-bennu.html

[37] https://en.wikipedia.org/wiki/Heliopolis_(ancient_Egypt)

[38] http://www.ancient-wisdom.com/egyptgeodesy.htm

[39] Id.

[40] https://www.ancient.eu/Ma’at/

[41] https://drdanielmitchell.wordpress.com/2013/11/14/the-benben-stone-of-ancient-egypt-carried-the-life-giving-seed-of-atum-the-creator-of-the-universe/

[42] https://drdanielmitchell.wordpress.com/2013/11/14/the-benben-stone-of-ancient-egypt-carried-the-life-giving-seed-of-atum-the-creator-of-the-universe/

[43] http://philipcoppens.com/heliopolis.html

[44] http://onlinelibrary.wiley.com/doi/10.1029/JZ069i009p01895/abstract

[45] http://www.world-nuclear.org/information-library/nuclear-fuel-cycle/uranium-resources/the-cosmic-origins-of-uranium.aspx

[46] http://www.eschooltoday.com/energy/non-renewable-energy/what-is-uranium.html

[47] http://www.sciencemag.org/news/2010/01/egyptian-eyeliner-may-have-warded-disease

[48] https://www.acs.org/content/acs/en/pressroom/newsreleases/2010/january/ancient-egyptian-cosmetics.html

[49] http://www.luispellegrini.com.br/tag/explosao-nuclear/

[50] http://www.egyptominia.com/2017/04/scientific-miracle-of-pharaohs.html

[51] http://www.egyptominia.com/2017/04/scientific-miracle-of-pharaohs.html

[52] https://www.ancient.eu/Karnak/

[53] https://archive.archaeology.org/1207/features/valley_of_the_kings_egypt_chantress_coffin.html

[54] https://en.wikipedia.org/wiki/Meresamun

[55] http://judithweingarten.blogspot.com/2009/03/

[56] https://wikivisually.com/wiki/Amenirdis_II

[57] https://oi.uchicago.edu/collections/highlights/highlights-collection-egypt

[58] http://egiptoenimagenes.blogspot.com/2015/12/fragment-from-tomb-of-diesehebsed.html

[59] http://www.ancient-origins.net/news-history-archaeology/tjayasetimu-child-star-ancient-egypt-001643

[60] http://www.historyofmusictheory.com/?page_id=18

[61] http://ekunyisembers.com/tag/music