JUNGLE ACTION: JAYBO, THE BLACK PANTHER & THE DEHUMANIZATION OF BLACK PEOPLE

27 03 2018

I

THE BEAST &  THE BLACK PANTHER MOVIE CHARACTER 

HollyWeird does not make movies to entertain black people, or enhance the self esteem of their children. A great deal of black families have been deceived and coached by mass corporate media into the theater to subject their children to clandestine psychologically warfare- sophisticated systems and advance levels of double binds and cognitive dissonance.  Among so many other clandestine HollyWeird- CIA things, demonic spells and spirits, The Black Panther movie has been interwoven within a web of a covert New World Order Gay Agenda that is designed to deliberately harm the psyche of black children.

Vanity Fair writer Joanna Robinson reported that she’d seen footage from Black Panther in which the African king’s chief of security Ayo (Florence Kasumba) flirts with Okoye (Danai Gurira), a fellow member of King T’Challa’s elite Wakandan warrior squadron, known as the Dora Milaje.

The Black Panther & Wakanda Jungle Action- Ayo and Okoye

A few hours later, a Marvel representative said their relationship was not intended to be romantic, but the rumor of romance between the two women reappeared. E. Oliver Whitney of ScreenCrush asked the film’s co-writer, Joe Robert Cole, about whether the script ever showed Ayo and Okoyo as lesbian lovers, and Cole said, “I think the short answer is yes“. The LGBT (lesbian, gay, bisexual, and transgender) community is upset with Disney and Marvel, because they didn’t see Avo and Okoye  get down to “every thang  is every thang“, and “knock some boot” in The Black Panther movie.

 Florence Kasumba & Danai Gurira Knock the Boots in The Black Panther for the Kids and Babies

So, was The Black Panther for the children, or secretly advance the lesbian, gay, bisexual, and transgender agenda among black children?

Robin:  “Holy safari, Batman!”

A rock the house Jungle Actionknocking the bootslesbian love scene in the movie would have surprised a whole bunch of children.

And, there are questions whether Eric Killmonger was originally created a “Gay” black male character. Furthermore, Black Revolutionaries are not called a “killmonger“- Merchant of DeathNEVERTHELESS.

THE BLACK PANTHER is a half man or semi- human animal created by a mix of afro-futurism technology (whatever Disney believes that to be) and Vodun inspired spiritualism, including visits to the ancestral plane. The Black Panther’s abilities are not God-given powers, but stem from his consuming a very rare plant, which is made into a magical potion that is drunk only by king.

The Heart-Shaped Herb potion created by Panther Goddess Bast drank by the king has been found to be a plant mutated by a meteorite of vibranium (uranium) that landed in Wakanda millions, tens or hundreds of thousands of years ago.

In the 18th Dynasty Kemet, the infamous ancient Pharaoh Tutankhamun was well of the  extraterrestrial properties of heavy metals and uranium in meteorites that had fallen in Kemet tens and hundreds of thousands and millions of years ago. The knew how to separate them.

Statue of Sekhmet, Temple of Mut, Karnak, 18th Dynasty, Reign of  King Tut’s Grandfather Pharaoh Amenhotep III

Bastet or Bast, the ancient cat goddess of Lower Kemet, was occasionally given a lion head and spoken of as a devastator.  But more often she was seen as the benign counterpart of the dangerous Sekhmet:  “Sekhmet of yesterday, Bastet of today”, as a hymn from Ptolemaic Edfu (provincial town from the end of the Old Kingdom) put it.

Angela Bassett & Lotus Flower – Sacred Symbol of the Sun & Rebirth 

Angela Evelyn (Bastet) Bassett stars in The Black Panther movie. She is a HollyWeird New Age conjurer and witch associated with raising demonic entities and spirits In recent times, Sekhmet has become bastardized as a cult figure of New Age Religion. New Age Shamans use rituals to invoke Egyptian goddess Sekhmet to bring about transformation at the deepest levels of being. Sekhmet also represents to them the trans formative power of kundalini energy, or sekhem. In extreme remote antiquity, Sekhmet presented the destructive nature of Comet-Planet Venus on earth.

The Black Panther is a reborn animal-like savage destructive universal nature.

II

JAY Z, JAYBO & BLACK SIMIAN AND HOMINOID ASSOCIATION 

JAYBO is a harmful simianized hominoid global mass commercial black/Negro caricatureJAYBO represents the half man, half human animal like The Black Panther. It is a higher primates- half simian monkey or Great Ape Homoinoidea orangutan not unlike the Ape-Man M’Baku and the Great White Gorilla Cult of The Black Panther movie associated with the Congolese Black Africans.

The idea that the various human “races” were created independently by God or evolved from separate ape/monkey ancestors, has its origins with 18th Century French intellectuals, e.g. Voltaire and Cuvier, who divided humanity into “civilizedCaucasians (= whites) created by God and “barbaric’ Negros (= blacks) derived from the “monkey tribe”.

This tradition was continued by paleontologists, e.g. Louis Agassiz in the U.S. and in Europe by Karl Vogt. Despite Darwin’s detailed refutation of polygenism in his The Descent of Man (1871), polygenism was supported, in various guises; by eminent evolutionists (e.g. Alfred Russell Wallace and Ernst Haeckel compared Negroes to “four-handed” apes).[1]

JAYBO & NEGROTUDE

Dr. Benjamin Rush, a signer of the Declaration of Independence, believed that mad people could be calmed by blood-letting from 20 to 40 ounces of blood at one time. Dr. Rush then developed a “tranquilizer chair” in 1811. This invention efficiently kept a person securely immobile and had a wooden box in which their head would be put into in order to keep the person subdued. Dr. Rush was the first to describe a pathological incurable medical condition called “Negrotude”. Negrotude was a mild form of leprosy which symptoms included such as blackening of the skin; big lips, flat nose, wooly hair. The only evidence of a cure was when the “skin turned white”. Dr. Rush used “disease” as a justification for African slavery and segregation. Negrotude was an immutable genetic disease that allowed blacks only to be medically cleared for work as domestic workers that had to be sexually segregated.

In 2008, research presented in a new paper by psychologists at Stanford, Pennsylvania State University and the University of California-Berkeley revealed that many Americans subconsciously associate blacks with apes [and hominoids]. In addition, the findings show that society is more likely to condone violence against black criminal suspects as a result of its broader inability to accept African Americans as fully human, according to the researchers.

Generally widely accepted commercial such as JAYBO and The Black Panther are dangerous false ILLUSIONS. They add fuel to the broader universal and global inability and unwillingness to accept Africans and African Americans as fully human whether it is conscious or subconscious. And, if leading black intelligentsia and corporate leaders don’t openly vehemently object to them, then the conscious or subconscious may become global acquiescence, derived from the Latin acquiēscere (to find rest in).

Co-author Jennifer Eberhardt, a Stanford associate professor of psychology who is black, said she was shocked by the results, particularly since they involved subjects born after Jim Crow and the civil rights movement.

“This was actually some of the most depressing work I have done,” she said. “This shook me up. You have suspicions when you do the work intuitions you have a hunch. But it was hard to prepare for how strong [the black-ape association] was how we were able to pick it up every time.”

The paper, “Not Yet Human: Implicit Knowledge, Historical Dehumanization and Contemporary Consequences,” is the result of a series of six previously unpublished studies conducted by Eberhardt, Pennsylvania State University psychologist Phillip Atiba Goff (the lead author and a former student of Eberhardt’s) and Matthew C. Jackson and Melissa J. Williams, graduate students at Penn State and Berkeley, respectively. The paper is scheduled to appear Feb. 7, 2008 in the Journal of Personality and Social Psychology, which is published by the American Psychological Association. Don’t get it twisted. Dehumanization and subliminal and conscious acceptance of violence against blacks is not confined to criminal suspects.

III

GERMANY’S WAR OF GENOCIDE AGAINST MONKEYS

Everywhere, fear gripped German society that its racial superiority would be poisoned by Negro blood[3]

It was General von Trotha, Supreme Commander of German Southwest Africa that said, “A humane war cannot be waged against those who are not human.” Africa of Southwest Germany colonial officials and military men viewed the Herero cultural group as a form of baboon or other monkey, but not human. One German in Southwest Africa wrote: “We should burn all these dogs and baboons.[5]

The Herero were originally a group of cattle herders living in the central-eastern region of South West Africa, presently modern Namibia. The area occupied by the Herero was known as Damaraland. The Nama were pastorals and traders living to the South of the Herero. From 1904- 1907, in total some 65,000 Herero, about 80% of the Herero population, and 10,000 Nama, about 50% of the Nama population, perished. The genocide was carried out by mass slaughter, starvation and by poisoning the wells of the Herero amongst other crimes against humanity and tactics. Thousands of Herero and Nama were imprisoned in concentration camps, where the majority died of disease, abuse, and exhaustion.[6] Germany’s Southwest African war was a campaign of mass racial extermination and collective punishment that the Reich undertook against the Herero, Nama and San people. It is considered the first mass genocide of the 20th century that the world failed to take any real action against, or try to stop. The Nazi took it a giant step backward.[7]

National Socialism [Nazi Party] is nothing more than applied biology.” Rudolph Hess, Deputy Reichsfurhrer

Nazi Party eugenics was Nazi Germany’s racially based social policies that placed the biological improvement of the Aryan race or Germanic “Übermenschen” master race through eugenics at the center of Nazi ideology and geopolitics.[2] The Fuhrer Adolf Hitler was created, molded, and nurtured by National Socialism (Nazi Party) to lead Germany into one of world’s most ruthless and satanic homicidal campaigns of global racial purification and annihilation in history. World War 2 could have very well been described a global race war.

Unchallenged, we tread on very dangerous grounds with the black-ape association ILLUSION even in the 21st century.

__________________________________________________________________________________________________

[1] https://theconversation.com/comparing-black-people-to-monkeys-has-a-long-dark-simian-history-55102

[2] https://en.wikipedia.org/wiki/Nazi_eugenics

[3] https://www.timesofisrael.com/in-germanys-extermination-program-for-black-africans-a-template-for-the-holocaust/

[4] https://en.wikipedia.org/wiki/Wilhelm_II,_German_Emperor

[5] Id.

[6] http://combatgenocide.org/?page_id=153

[7] https://en.wikipedia.org/wiki/Herero_and_Namaqua_genocide

[8] https://www.theatlantic.com/magazine/archive/2011/06/red-rosa/308500/

[9] http://www.ancientegyptonline.co.uk/nabtaplaya.html

[10] http://www.crystalinks.com/nubia.html

[11] http://www.astrotheologyzone.com/egypt.html

[12] http://1stmuse.com/maria_orsitsch/

[13] http://www.bibliotecapleyades.net/sociopolitica/sociopol_thule08.htm

____________________________________________________________________________________________________

IV

JAYBO & JAY Z LESSONS NOT LEARNED IN THE 21ST CENTURY

Jaybo, Jay Z & The Shady Lady Kingpin Cocaine Trafficker, Desiree Perez

During the CIA crack cocaine epidemic in 1994, Jay Z’s  Desiree Perez, Chief Operating Officer of Carter Enterprises, LLC, was busted in Brooklyn with 35 kilos (about 80 pounds) of cocaine with an estimated street value of at least up to $14 million. She was a part of a massive Mafia New York to Florida to Puerto Rico – Columbian cocaine distribution ring. She should have been prosecuted as a Chapter 13 of Title 21 of the United States Code, 21 U.S.C. § 848 federal drug “KINGPIN” in the Southern District of Florida.[1],[2]

U.S. Attorney Laurence Bardfeld, the U.S. Attorney for the Southern District of Florida, the chief federal law enforcement officer for the District, argued in Perez’s behalf to keep her out prison. The Southern District of Florida encompasses a geographical area of approximately 15,197 square miles extending south to Key West, north to Sebastian and west to Sebring. The Southern District includes the counties of Miami-Dade, Broward, Monroe, Palm Beach, Martin, St. Lucie, Indian River, Okeechobee and Highlands.[3]

Desiree Perez is a DEA/FBI agent and informant that was released from the federal prison custody and placed on five years of supervised release. She began working at nightspots in Miami Beach and was scheduled to meet her probation officer at the Club Onyx, when she skipped town without notice in early August 1997. The fugitive Perez resurfaced nine month later in Brooklyn, where she was arrested on March 5, 1998. Perez was charged with grand larceny, criminal use of drug paraphernalia and criminal possession of a firearm. Her probation was revoked and she was sentenced to just only 9 (nine) months in prison and 3 (three) years of supervised release instead of at least life imprisonment as a major federal “kingpin” drug dealer. Perez appears to have been in business with Jay Z since at least 2002Perez’s felonious federal drug kingpin criminal records have been court sealed.[4]  Jay Z and the felonious drug trafficker Shady Lady created the racist simian-hominoid black caricature JAYBO.

On the street, drug dealers often say that they aren’t the source of the problem for drug addiction and death in the black community. They say that the n-word (niggas) want to commit suicide. They only help them KILL THEMSELVES. Black children need heroes and super heroes too, but we can’t sit by in idle silence while Jay Z and the Shady Lady profit again from the spiritual assassination and subconscious death of the masses like merchants of DEATH.  I have filed a formal objection to the JAYBO trademark application for federal protection. Whatsoever publish this demeaning black hominoid caricature in commerce to deliberately profit from the sadistic dehumanization of black people shall ACCOUNT! 

________________________________________________________________________________________

[1] https://www.indiatimes.com/news/world/35-kilos-of-cocaine-worth-rs-94-crore-found-in-a-horse-sculpture-in-new-zealand-257703.html

[2] http://www.nydailynews.com/blogs/iteam/damon-dash-scared-news-report-a-rod-pal-desiree-perez-blog-entry-1.2146139

[3] https://www.justice.gov/usao-sdfl

[4] http://www.nydailynews.com/sports/i-team/babe-ruthless-rod-shady-lady-article-1.1796578

IN THE UNITED STATES PATENT AND TRADEMARK OFFICE

BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD

 

RAYFORD BULLOCK,                   

                     Opposer,

   Opposition No.

                      Trademark No. 87517427

                             Mark: JAYBO, Pseudo Mark

                        Filing Date: July 06, 2017

                                              Publication Date: February 13, 2018

                                                                                 

S. CARTER ENTERPRISE, LLC,

                      Applicant.

I

NOTICE OF OPPOSITION

 RAYFORD BULLOCK, a Black resident of the State of California, City of Pittsburg, County of Contra Costa (hereafter called “Opposer”), believes that he will be damaged by the registration of the mark shown in Application Serial No. 87517427, filed by S. Carter Enterprise, LLC (hereafter called “Applicant”) on July 06, 2017, and opposes Application Serial No. 87517427.

The Opposer is a former member of the Black Panther Party for Self Defense (BPP), Oakland, CA. The Opposer BPP membership is confirmed and verified by his name that appears above in its official newspaper organ, The Black Panther, Intercommual News Service, January 31, 1969.

The grounds for this opposition are as follows:

A

Applicant’s Mark is a Lying and Pretext Mark

1 .The “applicant” S. Carter Enterprises LLC [Shawn Corey Carter] is known professionally as JAY-Z– an American rapper and businessman. Applicant’s MARK is actually a caricature of JAY-Z.  The applicant is now engaged in the manufacture, distribution, sale, advertising and promotion of a wide range of promotional goods and services including clothing of the MARK’s CARICATURE, JAYBO or JAYBO, that are not: “Candles; scented and perfumed candles; aromatherapy fragrance candles; votive candles; candle torches; wicks for candles; scented wax for use in candle warmers; candles for night lights; tea light candles.”

  1. In lieu of the U.S. Supreme Court ruling in Matal v. Tam, 137 S. Ct. 1744 (June 19, 2017) that the Lanham Act’s disparagement clause violates the Free Speech Clause, whether or not JAYBO is disparaging to any person or racial is not at issue in this case. However, it may be relevant on the issue of the Applicant’s motive to deceive the trademark act. “Our legal system provides methods for challenging the Government’s right to ask questions — lyingis not one of them.” [Making false statements (18 U.S.C. § 1001), Brogan v. United States, 396 U.S. 64, 72 (1969]

B

The applicant’s MARK: JAYBO does in fact identify a particular living individual that is in fact a black caricature of Shawn Corey Carter known professionally as JAY-Z.

  1. The applicant’s MARK is better described as a suitcase that hides the applicant’s racist black caricature of the rapper, JAY-Z, inside.

C

The applicant’s MARK: JAYBO is an attempt to DECEIVE

  1. JAYBO or JAY-BO represents a racist caricature of BOSKO re-imaged as the applicant in commerce currently bought and sold on a large scale.

D

Applicant’s Mark Lack Sufficiently Originality to Warrant Copyright Protection.

  1. Applicant’s Mark is complete textual “JAYBO”. Applicant’s Mark statement says that the mark consists only of “standard characters, without claim to any particular font, style, size, or color.”

II

PROCEDURAL HISTORY OF THE MARK: JAYBO

 

  1. Trademark/Service Mark Application, Principal Register
Serial Number: 87517427
Filing Date: 07/06/2017
 

OWNER OF MARK: S. Carter Enterprises, LLC

MARKJAYBO

STANDARD CHARACTERS: YES

LITERAL ELEMANT: JAYBO

MARK STATEMENT: This mark consists of standard characters, without claim to any particular font, style, size, or color.

10/3/2017 12:24:30 PM

The assigned examining attorney has reviewed the referenced application and determined the following.

  1. Offc Action Outgoing

Date Sent: 10/03/2017

UNITED STATES PATENT AND TRADEMARK OFFICE (USPTO)

OFFICE ACTION (OFFICIAL LETTER) ABOUT APPLICANT’S TRADEMARK APPLICATION

U.S. APPLICATION SERIAL NO.  8751742

APPLICANT: S. Carter Enterprises, LLC

CORRESPONDENT’S REFERENCE/DOCKET NO: 22485.00001

NAME IN MARK

Applicant must clarify whether the name JAYBO in the mark identifies a particular living individual.  See 37 C.F.R. §2.61(b); TMEP §§813, 1206.03.  In this case, the application neither specifies whether the name in the mark identifies a particular living individual nor includes a written consent.  See TMEP §§813.01(a)-(b), 1206.04(a), 1206.05.

To register a mark that consists of or comprises the name of a particular living individual, including a first name, pseudonym, stage name, or nickname, an applicant must provide a written consent personally signed by the named individual.  15 U.S.C. §1052(c); TMEP §§813, 1206.04(a).

Accordingly, if the name in the mark does not identify a particular living individual, applicant must submit a statement to that effect (e.g., “The name shown in the mark does not identify a particular living individual.”).

However, if the name in the mark does identify a particular living individual, applicant must submit both of the following:

(1)       The following statement:  “The name(s) shown in the mark identifies a living individual(s) whose consent(s) to register is made of record.”  If the name is a pseudonym, stage name, or nickname, applicant must provide the following statement:  “JAYBO identifies <specify actual name>, a living individual whose consent is of record.”

(2)       A written consent, personally signed by the named individual(s), as follows:  “I, <specify name>, consent to the use and registration  of my name, JAYBO, as a trademark and/or service mark with the USPTO.”

8. Applicant’s Response to Office Action 

Date: December 28, 2017

SERIAL NO.  8751742

MARK: https://tmng-al.uspto.gov/resting2/api/img/87517427/large

MARK STATEMENT: This mark consists of standard characters, without claim to any particular font, style, size, or color.

NAME(S), PORTRAIT(S), SIGNATURE(S) OF INDIVIDUAL(S): The name(s), portrait(s), and/or signature(s) shown in the mark does not identify a particular living individual.

ORIGINAL PDF FILE: HS_389416710-164142961_._Signed_Declaration.pdf

SIGNATORY’S NAME: Desiree Perez

SIGNATORY’S POSITION: COO [Chief Operation Officer]

III

APPLICANT’S MARK AT ISSUE

  1. The Opposer maintains that the applicant’s mark at issue is a Lying and Pretext Mark.

Exhibit A-  the real “JAYBO”

  1. Exhibit A is the applicant’s true and actual “JAYBO” mark in commerce. And, by its very nature- it is not impossible, but extremely unsuitable for “Candles; scented and perfumed candles; aromatherapy fragrance candles; votive candles; candle torches; wicks for candles; scented wax for use in candle warmers; candles for night lights; tea light candles.”

IV

LET US MEET BOSKO

  1. BOSKOis a racist animated cartoon character created by1920-30s era white animators Hugh Harman and Rudolf Ising of Kansas City, Missouri. In the history of the United States, Missouri was a slave state– a state in which the practice of African Human Bondage was legal.
  2. BOSKO is the first recurring character in Leon Schlesinger‘s cartoon series, and is also the star of over three dozen extremely racist Looney Tunesshorts released by Warner Bros.
  3. Hugh Harman made drawings of a new character and registered it with the copyrightoffice on January 3, 1928. The character was registered as a “Negroboy” under the name of BOSKO.
  4. The original BOSKO character clearly appears to be an adult. However in former slave states, it was a customary psychological tactic to continually humiliate and emasculate Black men by calling them “BOYS” throughout their lives from infancy to old age to satisfy a byproduct of the horrible Institution of African Human Bondage– a sick racial psycho-sexual white superiority complex.

BOSKO WITH ANIMAL CLAWED FEET

  1. When BOSKO was created in 1928 as an ante bellum slavery classic cognitive empathy of the majestic falsehood that black people are less than human, it was well understood in the animation industry that the southern “Negro Boy” was depicted to represent a simian “MONKEY” that justified the global institutional enslavement of the African. BOSKO can procreate, but it will not be allowed by white society to create or originate just the same as a primate.
  2. BOSKO’s black skin; gruesome big lips, eyes and wooly hair constitute symptoms of a pathological incurable 18th century ante bellum slavery medical condition called “Negrotude” – a mild form of Leprosy that justified special criminal and sexual prohibitions, racial discrimination; and strict segregation of Africans within white society.
  3. BOSKO carries a lot of racial hatred, wounds and baggage. It certainly stands to reason that BOSKO is an extremely horrible and racist character and caricature that should have been left to die in the early 20st century or flushed down the toilet in the 21st century. It is certainly something to lie about, hide and conceal from the U.S. Trademark Office and public if BOSKO is resurrected in any form whatsoever and for whatsoever reasons, and the applicant is attempting to revive him. BOSKO arise, and rides again behind the veil of the power, authority, shield and sword of The Lanham Act.

V

THE LANHAM (TRADEMARK) ACT

18.The Lanham Act of 1946, also known as the Trademark Act (15 U.S.C.A. § 1051 et seq, ch.540, 60 Stat. 427 [1988 & Supp.V 1993]), is a federal statute that regulates the use of Trademarks in commercial activity.

  1. Trademarks are distinctive pictures, words, and other devices used by business to identify their pictures, words, and other symbols or devices used by businesses to identify their goods and services.
  2. The Lanham Act is like a shield that gives the trademark users exclusive rights to their marks, thereby protecting the time and money invested in those marks. The act also serves to reduce consumer confusion in the identification of goods and services.
  3. The Lanham Act is also like a sword that gives trademark users a plethoric of legal procedures and remedies to strike with under federal law to help enforce their rights attached to qualified trademarks.

VI

IN A PETITION TO OPPOSE A MARK INTENT TO DECIEVE MUST BE SUPPORTED BY CLEAR AND CONVINCING PROOF

  1. The Trademark Opposer carries the burden of proof by clear and convincing evidence to support an inference of deceptive intent (FRAUD, INTENT TO DECIEVE).
  2. The precise meaning of “clear and convincing proof” does not lend itself readily to definition. It is, in reality, a question of how strongly the minds of the trier or triers of fact must be convinced that the facts are as contended by the proponent. In the ordinary civil suit, the proponent must persuade the jury (or judge, if there is no jury) that the facts are more probably true than not true. Where clear and convincing proof is required, the proponent must convince the jury or judge, as the case may be, that it is highly probable that the facts which he asserts are true. He must do more than show that the facts are probably true. (COMMENT, EVIDENCE: CLEAR AND CONVINCING PROOF: APPELLATE REVIEW, CALIFORNIA LAW REVIEW, Vol. 32, Issue 1, March 1944, pg. 75)

VII

APPLICANT’S REAL MARK CONCEALED IN THE SUITCASE

  1. On October 03, 2017, the USPTO identified the Mark, “JAYBO”, as a name that did not show whether or not it identified a particular living individual. USPTO asked applicant to respond, accordingly.
  2. On December 28, 2017, the applicant responded that the name, “JAYBO” shown in the mark does not identify a particular living individual. It had been so declared by the applicant by signatory Desiree Perez, COO- ” S. Carter Enterprises LLC.
  3. Desiree Perez’s declaration is in evidence, and it states the following:

DECLARATION

The signatory  believes that: the applicant is entitled to use the mark in commerce on or in connection with the goods or services specified in the application; the applicant has a bona fide intention to use the mark in commerce and had a bona fide intention to use the mark in commerce as of the application filing date; and to the best of the signatory’s knowledge and belief, no other person has the right to use the mark in commerce, either in the identical form or in such near resemblance as to be likely, when applied to the goods and/or services of such other person, to cause confusion or mistake, or to deceive. The signatory’ being warned that willful false statements and the like are punishable by fine or imprisonment, or both, under 18 USC §1001, and that such willful false statements and the like may jeopardize the validity of the application or any registration resulting therefrom, declares that all statements made of his or her own knowledge are true and all statements made on information and belief are believed to be true.

Dated: ___10/20_______, 2017

  1. CARTER ENTERPRISES, LLC

By: Desiree Perez                    Title: COO

  1. Perez’s statement that the mark, “JAYBO”, does not identify a particular living individual is a false statement. JAY-BO is her business partner, the self-guru, JAY-Z.

28. Throughout the U.S. music and entertainment industry, the “JAYBO” character is known as applicant’s real trademark. It is known internationally that the “JAYBOless than human animated simian BOSKO character is the applicant’s real trademark.

JAY Z- JAYBO

  1. “The 48-year-old rapper has filed a trademark on his animated character that appeared on The Story of OJ music video last year according to a Monday report from TMZ.” (Daily Mail. Com, January 15, 2018)

VIII

FACT: JAY Z CREATED HIMSELF AS JAYBO – AN OFFENSIVE RACIST MUTANT CHARACTER CARICATURE OF BOSKO

Exhibit B- Shawn Jay Z Carter (JAYBO) President

  1. The Story of O.J.” is a song by Jay-Z from his thirteenth studio album 4:44 released on June 30, 2017. Roc Nation, LLC is an American entertainment company founded by Shawn “JAY-Z” Carter in 2008. Desiree Perez is also COO of Roc Nation, LLC.

Da Story of O.J., Jaybo, Roc Nation & Jay Z

  1. The creation of applicant’s mark JAYBO began with JAY-Z’s track, “The Story of OJ”. Jay Z and Mark Romanek brainstormed an idea character for a video where the track “The Story of OJ” would play over visuals of him and black people derived from old, racist [BOSKO] cartoons from the 1930s-40s. JAYBO was deliberately created as another purveyor of the cognitive empathy of the majestic falsehood that black people are less than human.
  2. Video directors Mark Romanek and Jay-Z of Roc Nation collaborated over the course of six weeks with a team of animators, 3D modelers, and designers to produce the character caricature, JAYBO.
  3. Roc Nation employed The Mill with Titmouse to handle video character design and animation. Illustrator, vis-dev artist, art director, Rustam Hasanov, was lead character designer on the Roc Nation project. 
  4. Rustam Hasanov, Development Guide for the Character of JAYBO [Opposer added JAY Z picture to Development Guide]
  5. Rustam Hasanov, “There was a ballpark, a grey area of we could hit and if we didn’t quite get it right I knew it could be catastrophic and that it could be misconstrued and misinterpreted in term of what the intention behind the video was. So, we were very careful about how we were going to address all the stereotypes and how we were going to clarify exactly what the designs were going to say.” (https://kulturehub.com/jay-z-oj-designer/
  6. Above, Rustam Hasanov’s [JAY Z] J- BOSCO [BOSKO] Turnaround- there is absolutely no doubt that JAYBO had been created in the image of BOSKO as a purveyor of the ante bellum slavery classic cognitive empathy of the majestic falsehood that black people are less than human.
  7. Rustam Hasanov, Imagine doing these horrible racial stereotypes and turning them into entertainment for children. If you are an artist you know exactly what you are doing and you know that it’s bad, but they did it anyway. That’s exactly what we were doing too. That was the part we were nervous about, are we just repeating the same thing and are we fetishizing these stereotypes or are we making a statement? To us very much, we were on the side that we are not regurgitating this content, we’re making a statement about it.” (https://kulturehub.com/jay-z-oj-designer/)
  8. Rustam Hasanov, “I found out from Tim Delvin who was the art director. I basically came in, he pitched the project to me, what the idea was and said, ‘it is for Jay-Z.’ At that point, I didn’t know the song and I thought, ‘God this could go very wrong’ because he just showed some imagery- the racist references and cartoons were shown to me first. Yeah, that was a little unnerving.” (https://kulturehub.com/jay-z-oj-designer/)
  9. JAY-Z had himself reimagined as “JAYBO” or “JAY BO” a play off of the racist black caricature, BOSKO, for his song “The Story of O.J.” from his 13 (thirteenth) studio album 4:44 as some kind of black hominoid/simian financial and philosophical guru.

Contrary to the applicant’s sworn declarations, JAY BO, represents a living person- JAY Z [Shawn Corey Carter], and his ideology. JAY to the Z is the same live person as JAY to the BO.

  1. The music video for “The Story of O.J.” features JAY-Z reimaged as the racist caricature character JAYBO premiered on July 5, 2017 on Jay-Z’s Vevo account on YouTube a day before he applied for U.S. trademark protection. (See https://en.wikipedia.org/wiki/The_Story_of_O.J.
  2. Jay-Z‘s “Story of O.J.”featured JAY-Z reimaged as the racist black simian or hominoid character JAYBO. It is an animated figure that appears to have been snatched directly from the minstrel show era with an uncanny resemblance to JAY-Z. The racist JAYBO or JAY BO, character image is intended to appear on merchandise coming soon after the pseudo mark, JAYBO, the Bosco/Little Black Sambo character, is trademarked officially.

(See http://hiphopwired.com/741575/get-ready-to-see-jay-zs-story-of-o-j-character-jaybo-on-merchandise-soon/)

  1. TMZreported: Hova’s company, S. Carter Enterprises, just filed docs to trademark the animated character figure, “JAYBO.” The plan is to plaster the little guy on T-shirts, sweaters, hats, blankets, shams, dinnerware, mugs, cocktail shakers and thermal containers.

It is Jay-Z’s lead characterJAYBO” from his “Story of O.J.” music video that has been drafted for a whole new role in fashion and home wares, not the pseudo nameJAYBO” or “JAY BO”.

  1. The applicant’s current U.S. Trademark application was made with the intention of putting the animated BOSKO “JAYBO” character on merchandise such as T-shirts and hats, as well as mugs and cocktail shakers, not the pseudo name “JAYBO” or “JAY BO”.
  2. In fact, the applicant has declared in its Trademark/Service Mark Application, Principal Register, Serial No. 87517427 that its goods and services “JAYBO” or “JAY BO” include the following: “Candles; scented and perfumed candles; aromatherapy fragrance candles; votive candles; candle torches; wicks for candles; scented wax for use in candle warmers; candles for night lights; tea light candles.”

IX

APPLICANT’S MARK IS TEXTUAL MATTER THAT IS NOT COPYRIGHTABLE

  1. Applicant’s Mark is complete textual “JAYBO”. Applicant’s Mark statement says that the mark consists only of “standard characters, without claim to any particular font, style, size, or color.”
  2. ETS-HOKIN v. SKYY SPIRITS INC., 225 F.3d 1068 (9th Cir. 2000), the court held that,

“[a] claim to copyright cannot be registered in a print or label consisting solely of trademark subject matter and lacking copyrightable matter.” 37 C.F.R. 202.10(b). Although a label’s “graphical illustrations” are normally copyrightable, “textual matter” is not–at least not unless the text “aid[s] or augment[s]” an accompanying graphical illustration. 1 NIMMER  2.08 [G][2], at 2-136. The label on Skyy’s vodka bottle consists only of text and does not include any pictorial illustrations.”

  1. In this case, the applicant’s Mark lacks enough originality to acquire copyright protection of their own. “Textual matter” is not copyrightable at least not unless the text “aid[s] or augment[s]” an accompanying graphical illustration. Applicant’s Mark is the same as Skyy’s vodka bottle above; it consists only of text and does not include any pictorial illustrations.

X

PRAYER

APPLICANT’S “REAL JAYBO”, BLACK PANTHER PARTY FOR SELF DEFENSE

  1. Opposer avers that the public have been confused, mistaken or deceived by the Applicant’s Concealed Actual Mark that represents real people and historical events involving the Opposer and the BPP. The offensive racist simian hominoid black caricature, the “REAL JAYBO” had absolutely NOTHING to do with the BPP or its historical events. Yet, at the very least 61 million people around the world have viewed the applicant’s less than human so called U.S. Copyrighted Black Panther caricature in applicant’s mass produced, “The Story of OJ”.
  2. Opposer avers that he will be damaged by the registration of the Applicant’s Lying Mark as set forth in Applicant’s Trademark Application Serial No. 87517427 that deliberately and intentionally conceals Applicant’s Actual Mark, a racist black caricature, which misconstrue, mis-educate the public regarding true historical individuals and events, and maliciously spread the majestic falsehood around the world that black people are less than human.
  3. Opposer avers that he has been and will continue to be damaged by the registration of the Applicant’s Lying Mark as set forth in Applicant’s Trademark Application Serial No. 87517427 that deliberately and intentionally conceals Applicant’s Actual Mark, a racist black simian/hominoid caricature, which humiliate, denigrate, and DEHUMANIZE him in commerce.
  4. Opposer avers that he has been and will continue to be damaged by the registration of the Applicant’s Lying Mark as set forth in Applicant’s Trademark Application Serial No. 87517427 that deliberately and intentionally conceals Applicant’s Actual Mark, a racist black simian/hominoid caricature, to deny him rights, and remedies under The Lanham Act, 13th (Badges and Incidents of Slavery) and 14th Amendment of the U.S. Constitution (Due process and Equal Protection).
  5. Opposer avers that he has been and will continue to be damaged by the registration of the Applicant’s Lying Mark as set forth in Applicant’s Trademark Application Serial No. 87517427 that deliberately and intentionally conceals Applicant’s Actual Mark, it is an Application designed to DECIEVE the Trademark Office, Commerce and the Public.
  6. Opposer avers that the applicant is wrongfully using the Lanham Act as his sword and shield to maliciously spread in commerce the ante bellum slavery majestic falsehood that black people are less than human.
  7. So that it is crystal clear, the Opposer’s notice and petition of opposition before the U.S. Trademark office is not based on applicant’s ugly racist and horrible animated character, but the fraud and deception that applicant committed in the application process with the intent to deceive and conceal applicant’s ugly racist and horrible animated character from the Trademark Office.

WHEREFORE, this Opposer, RAYFORD BULLOCK, believes and avers that it is being and continues to be damaged by registration of the proposed JAYBO trademark as aforesaid, prays that the said Application Serial No. 87517427 be rejected in accordance with the provisions of the Trademark Act, that no registration be issued thereon to Applicant, and that this Opposition be sustained in favor of Opposer.

Respectfully Submitted,

______________________________________

RAYFORD BULLOCK

Dated: March 08, 2018

 

 

 

 





U.S. TRADEMARK PROTECTION, JAY Z, JAYBO- NEGRO SIMIAN HOMINOID CARICATURE, SATANIC MONKEY GODS & TRIBES

29 01 2018

I

JAY Z, SATANISTS, THE MONKEY & 4:44

I didn’t know about Jay Z and the Jaybo Monkey Caricature for mass global exploitation and consumption until just a couple of days ago. On his recent high profile international corporate mass media appearance on CNN’s Van Jones Show just before the 2018 Primetime Emmy Awards ceremony, they didn’t discuss Jaybo, the Simian Hominoid Caricature. However, Jay Z’s album “4:44” featuring Jaybo leads all artists with 8 (eight) nods (nominations).

Jay Z’s soul was up for sale long ago.

Jay Z is a Satanist, a Crowleyite- follower of Aleister Crowley. The Great BEAST 666 Aleister Crowley was a vicious racist.  The Equinox (subtitle: “The Review of Scientific Illuminism“) is a series of publications in book form that serves as the official organ of the magical order A.A. founded by Crowley. In texts, Crowley makes two very startling direct occult associations of simian and hominoid with black people.

The servant of Hermes, a negro uglier than an ape.” (Adonis, published in The Equinox, Vol. 1, No. 7)

HERMES. Bring the old Chian. Hanuman! [The negro goes to obey. This joke- Is the accepted way of scaring folks …. ” (Adonis, published in The Equinox, Vol. No. 7)

Hermes, the God of Wisdom, known in Egypt, Syria, and Canaan as THOTH. The commonest symbolic forms of Thoth’s attendant, the dog-headed (hominid) APE. In the Judgment Scene of the Book of the Dead the dog-headed APE (Āān) is seated on the top of the beam of the Balance in which the heart of the deceased is weighed; his duty apparently is to watch the pointer and tell his master Thoth when the beam is level.  Elsewhere, it symbolizes the equinoxes; but this does not explain the APE.

Part human-part monkey, Hanuman is a central character in the Hindu epic Ramayana. He is generally depicted as a man with the face of a (simian) monkey and a long tail. The Ramayana describes him as an ideal devotee of Lord Ram. According to the epic, Hanuman and his vaanar sena – an army of monkeys – help Ram in his battle against Ravana, the Sri Lankan demon king who kidnaps his wife Sita.

Jaybo, the Simian Hominoid Caricature is very similar to both Hanuman, and the Ape of Thoth.

Black Satanic Cult Brotherhood 666- Van Jones, Beyonce & Jay Z

Beyonce and Jay Z are extremely scary advanced high level and elite SatanistsVann Jones is a fellow at The Institute of Noetic Sciences (IONS)- a secret high level affiliate and front of the CIA Occult Bureau. According to Jack Sarfatti, a “very, very sophisticated and successful covert psychological warfare operation run by the late Brendan O Regan of the Institute of Noetic Sciences and the late Harold Chipman who was the CIA station chief responsible for all mind-control research in the Bay Area in the 70s.” 

Former NASA astronaut Edgar Mitchell, founder of IONS, revealed that he had briefed then CIA director George Bush on the activities and results of the IONS mind control (MK ULTRA/MONARCH) experiments. (Mitchell, Edgar, The Way of the Explorer, GP Putnam’s Sons, 1996, pg 91). Russell Targ, “How I was a Psychic Spy for the CIA and found God,” INSTITUTE FOR NOETIC SCIENCE (IONS), November 2003. (See Alex Constantine, Virtual Government: CIA Mind Control Operations in America, Feral House, Port Townsend, WA (1997), pg. 139)

Tonight, Jay Z is up for 8 (eight) nods for Emmy Awards for his “Jay: Z 4:44″ album. It is not per se a musical album. Many have wondered what the numeral title really means. Beyonce says Jay: Z 4:44 represents the number 4 in significant events of their lives. However, they are Satanists. The numbers represents events alright, but mystic and occult phenomenon.

It reads Jay (:-medium-length breath) Z, Four (:-medium-length breath)- Forty-Four. The colon punctuation is traced back to Ancient KemetJay: Z 4:44 reads like an expression of a spell, inclination or enchantment.

In Kemet, 4 (four)  is the number of totality and completeness. We see: four sides of pyramids, the four sons of Horus, four magical bricks, four pillars of the sky, four elder spirits, four cardinal points (directions: north, south, east, west). The ritual of the king’s coronation used the four directions:  four arrows were shot to the four cardinal points and four birds released. The symbolic use of the number four is frequently the one of completeness, the completeness of a square.

Z is the Canaanite Zeyin adopted as Zeta of the Greeks.  Ancient sages and kabbalists see the Hebrew Z- zayin as signifying power: It’s seventh and is shaped like a weapon (sword or Axe). It is the most important symbol of the ancient nomads and barbarians that sweep across the land of milk and honey, Heliopolis- ON (Baalbek)Canaan, and subsequently Kemet. In the 21st century, it remains the symbol of the Luciferians that seek to destroy Christianity.

There is a legend about all the letters presenting themselves before God and asking him to start creating the world with them (according to the idea that the letters are Gods bricks of creation, pieces of his eternal Lego). Zayin wants to be the cornerstone by virtue of being seventh, like the day on which the Sabbath is observed. God refuses: it’s unfit to be the basis of creation, as it denotes fighting and war. The Greeks internalized the Z in ZeusZeus is the sky and thunder god in ancient Greek religion, who ruled as king of the gods of Mount Olympus.

Modern Hebrew accepted zayin’s same connotations. References to arms in revitalized Hebrew is klei zayin, literally instruments of war.” The arms race was merutz ziyun and so forth. The Greek Zeta is also related to Zeus and the lightning bolt.

Crowley,  44, is the number of the Hebrew word for “BLOOD,” spelled with the Hebrew letters DM. (see Colin D. Campbell, Thelema, An Introduction to the Life, Works & Philosophy of Aleister Crowley, Colin Campbell % Llewellyn Worldwide, Woodbury, MN (2018))

The bottom line is Jay: Z 4:44 represents the Luciferian Blood Sacrifice; and War against Christianity.

II

JAY Z & THE SATANIC MONKEY TRADEMARK

Trademark Serial Number: 87517427

Word Mark: JAYBO

Status: 681 – Publication/Issue Review Complete

Status Date: 2018-01-05

Filing Date: 2017-07-06

Mark Drawing: 4000 – Standard character mark Typeset

Published for Opposition Date: 2018-02-13

Attorney Name: Brad D. Rose, Esq. 7 Times Square
New York, NY 10036

212.326.0875 direct

212.798.6369 fax

Board Director, Republican Jewish Coalition (RJC) [1]  The RJC is a rightwing “pro-Israel” lobbying organization. Rose is a racist Donald J. Drumpf Republican Kabbalah- Zohar Zionist neocon. [2] 

If JAYBO is so O.K., let him sport his JAYBO Caricature wear on the street in the presence of people of color; work and synagogue.

Law Office Assigned Location Code: L70

Employee Name: U.S. Attorney General, BUTLER, MIDGE FAE

III

THE RACIST MONKEY CARICATURES

A Caricature can be defined as: “A picture, description, or imitation of a person in which certain striking characteristics are exaggerated in order to create a comic or grotesque effect.”[3] Since at least the 18th century, grotesque (or grottoesque) has come to be used as a general adjective for the strange, hideous, ugly, incongruous, unpleasant, or disgusting. In art, performance, and literature, however, grotesque may also refer to something that simultaneously invokes in an audience a feeling of uncomfortable bizarreness as well as sympathetic pity.[4]

BOSKO & MONKEY RELATIVE

There is no doubt that JAYBO was created as a likeness of a Looney Tunes’s grandfather, BOSKOBosko was a classic example of a simian racial caricature deliberately manufactured  in mass corporate media to marginalize, humiliate, denigrate black people. Bosko was copyrighted on January 3, 1928 as a less than human “NEGRO BOY”.

In his book, Of Mice and Magic, Leonard Maltin states that this early version of Bosko,

“was in fact a cartoonized version of a young black boy… he spoke in a Southern Negro dialect …”

IV

REMEMBER THE TIME- THE SPLENDOR OF KEMET

http://www.youtube.com/watch?v=LeiFF0gvqcc

With the exception of a bunch of sellout HollyWeird Satanic Black Cult members …

the overall Kemetic background imagery and theme in my opinion is incredibly stunning, beautiful and POWERFUL. Nevertheless, The idea that the various human “races” were created independently by God or evolved from separate ape/monkey ancestors, has its origins with 18th Century French intellectuals, e.g. Voltaire and Cuvier, who divided humanity into “civilizedCaucasians (= whites) created by God and “barbaric’ Negros (= blacks) derived from the “MONKEY TRIBE. This tradition was continued by paleontologists, e.g. Louis Agassiz in the U.S. and in Europe by Karl Vogt. Despite Darwin’s detailed refutation of polygenism (theory of human origins) in his The Descent of Man (1871), polygenism was supported, in various guises; by eminent evolutionists (e.g. Alfred Russell Wallace and Ernst Haeckel compared Negroes to “four-handed” apes).[5]

Africa, Queen Ma’atkare (“Truth is the Soul of Ra) & the Divine Birth

The story of the “Divine Birth” goes back most demonstratively at least 5000 years ago to Africa (Kemet) and the most remarkable Pharaoh Queen Ma’atkare” (“truth is the soul of Ra) better known as Hatshepsut (“Foremost of Noble Ladies”) 5th Pharaoh of the 18th Dynasty (1507–1458 BC), the ancient splendor of the Land of Kemet in AFRICA.[6]

Queen Ma’atkare’s Divine Birth and Coronation can be found at the Temple of Deir el Bahari, Egypt. In this, God Amun calls upon a meeting of gods to announce the coming of a great and powerful queen. Amun asks the gods to bestow upon her protection and riches. As for Amun, he promises to grant her power, “I will join for her the two lands in peace… I will give her all lands and all countries.” Amun is told by the God Thoth that Queen Ahmose is to have the divine child and introduces him to her. Upon this meeting, Amun causes Ahmose to “inhale the breath of life”.

QUEEN AHMOSE & THUTMOSE I

Thoth leads Amun to Ahmose’s chamber where he has taken the form of her husband, Thutmose I. Amun in disguise, presents to her the ankh of life in her hand and nostrils. They both sit on a couch supported by two goddesses, Neith and Selk. Afterwards, Amun informs Ahmose that she is to give birth to a powerful queen and she is to rule both lands of Upper and Lower Kemet.

QUEEN MA’ATKARE’S DIVINE BIRTH

After the encounter, Amun instructs Khnum, the potter, to construct Ma’atkare’s body and ka out of clay. Khnum bestows onto her “with life, health, and strength, and all gifts, I will make her appearance above the gods, because of her dignity of king of Upper and Lower Kemet.” Once finished, Khnum offers Ma’atkare and her ka to the god Heket, who presents them the ankh of life. After, Khnum again bestows more gifts of “offerings, all abundance.” as he praises the new queen with given divine power. Thoth relays the message to Ahmose that Ma’atkare is given “all the dignities which will be bestowed upon her, all title which will be added to her name, since she is to be the mother of such an illustrious offspring.” She is also given an important royal title of “the friend and consort of Horus”.  Queen Ahmose is led into a chamber by Khnum and Heket, along with 12 gods and goddesses to help the birth and to protect Hatshepsut. Hatshepsut is born and held by her mother Queen Ahmose, and is shown suckling from the other gods, giving her life and divinity.[7]

It is the Africans that claim “Divine Descent” from the beginning of recorded history. According to Kemetic mythology, the gods descended from the belt of Orion and Sirius– the brightest star in the sky. The ancient Kemetic civilization firmly believed that from Sirius and Orion beings came in the form of humans– Ashur (Osiris) and Aset (Isis) and they instigated the human race.[8]

 Queen Ma’atkare’s Nephew 6th Pharaoh of the 18th Dynasty- The Great Thutmose III  

Furthermore, mass televised corporate and entertainment IMPLANTED false broad sweeping images of the people of the Land of Kemet …

Egyptians

Queen Ma’atkare …

Queen Hatshepsut

Queen Ahmose, Thutmose I and Thutmose III as non-blacks and “all white EuropeansORIGINATORS

while Africans have been turned into global trained master obedient “Monkey Tribes” [MONKEY SEE- MONKEY DO] creatures of the rain forests, wind and rain, thru collaborations with Satanic Prince Hall Freemasons like Jay-Z. It is a violation of our human rights.

V

RACISM: FROM THE STARS TO MONKEY TRIBES

In any case, while they argued about where to draw the race-monkey line, intellectuals of the day believed that apes and blacks were very similar.  In this picture, from a book by Robert Knox called The Races of Men (1851), the slant of the brow is used to draw connections between the “Negro” and the “Oran Outan” and differences between those two and the “European.”[9]

The image above appeared in the The Evolution of Man (1874 edition) as part of an argument that blacks are evolutionarily close to APES.[10]

Adolf Hitler, autobiography Mein Kampf:

It does not dawn upon this depraved bourgeois world that here one has actually to do with a sin against all reason; that it is a criminal absurdity to train a born half-ape [MONKEY SEE- MONKEY DO] until one believes a lawyer has been made of him, while millions of members of the highest culture race have to remain in entirely unworthy positions; that it is a sin against the will of the eternal Creator to let hundreds and hundreds of thousands of His most talented beings degenerate in the proletarian swamp of today, while Hottentots and Zulu Kafirs [Africans] are trained for intellectual vocations. For it is training, exactly as that of the poodle, and not a scientific ‘education’.”[11]

The Encyclopedia of the Jewish Religion refers to Moses Maimonides as “the symbol of the pure and orthodox faith.” His Guide to the Perplexed is considered the greatest work of Jewish religious philosophy, but his view of Blacks was Hitlerian:

“[T]he Negroes found in the remote South, and those who resemble them from among them that are with us in these climes. The status of those is like that of irrational animals. To my mind they do not have the rank of men, but have among the beings a rank lower than the rank of man but higher than the rank of apes. For they have the external shape and lineaments of a man and a faculty of discernment that is superior to that of the apes.”[12]

“STILL NIGGA”

In fact, a Kabbalah- Zohar Jew, Mark Romanek, partnered with Jay Z to create the black half human hominoid figure to globally implant and apply to traditional Black Culture across the board as a “MONKEY TRIBE”.

If JAYBO is so O.K., let him ALSO wear his “Still Nigga”  JAYBO Caricature wear on the street in the presence of people of color; school, work and synagogue.

Da Story of OJ & Monkey Tribes

Jay Z explained that JAYBO warped up in theDa Story of OJ” was about the nature of success and seeing the bigger picture.

“The Story of OJ is really a song about WE AS A [MONKEY TRIBE] CULTURE, having a plan, how we’re gonna push this forward (sic),” the rapper explained in an interview on iHeart Radio last year (17). “We all make money, and then we all lose money, as artists especially. But how, when you have some type of success, to transform that into something bigger.”[13]

Jay-Z, Shawn Corey Carter, does not have any credentials whatsoever to define or transform Black Culture on a widespread basis. He does not even possess a high school diploma.[14] He sold crack cocaine, poison, to the people. JAYBO is yet another form of mental psychological poison that he seeks to peddle to the masses. JAYBO, the half man, (higher primates) half simian monkey or Great Ape Homoinoidea orangutan has been deliberately created by Jay-Z and Romanek to depict Black People as an ethnic group and race as a “MONKEY TRIBE”.

Furthermore, an infamous beloved Black cultural, political and social heroic and revolutionary figure, Huey P. Newton, former Minister of Defense of the Black Panther Party for Self Defense (BPP), is depicted as a grotesque exaggerated dark big eyed- big lipped half-human hominoid figure. The Black Panther Party for Self Defense was a historical Black Institution.

As a former member of the BPP, I am personally offended by Jay Z and his collaborator’s direct association of simian and hominoid creatures with the Black Liberation Struggle implanting suggestions of “monkey see, monkey do”.

The platform of the BPP wasn’t socialist or communist. It was the Black Nationalism that Malcolm X taught. The BPP was no band of trained monkey see, monkey do half human simians and hominoids. We sought to define and determine our own destiny. When Bros. Huey and Bobby said that [BLACKPOWER GROWS OUT OF THE BARREL OF THE GUN, they meant military, political, and economic power. We had been very clear on that point. Jay Z is the 21st century JUDAS of the masses that has and will continue to sell them out for only a few pieces of silver.

The half-human hominoid figure JAYBO has also been deliberately connected with the image of the infamous black cultural- political civil rights, musical genius icon that we love, Shemayet (user-Maat-ra-setp-en-ra Monthu-in-the-two-lands) Nina Simone.

The half-human hominoid figure JAYBO has also been deliberately connected with the image of a living infamous cultural sport’s icon, O.J. Simpson. I have not watched Jay Z’sDa Story of O.J.” and I do not intend to, but that is not the issue at this time. Manufacturing Less than Human Black Caricatures that deliberately humiliate and harass black people for global mass consumption are the issues.

VI

THE HYPOCRISY: MEXICO & THE MEMIN PINGUIN CARICATURE CONTROVERSY 

La caricatura BOSKO, MEMIN PINGUIN & La caricatura JAYBO

Mexico’s Memin Pinguin Postage Stamp

In 2005, the comic book character Memin Pinguin a black Mexican who is portrayed as a monkey looking boy set a spark in the racial debate after  the Government of Mexico issued a series of five postage stamps commemorating and celebrating Pinguin.

Memin Pinguin is a comic book character created in the 1940s that is depicted as a dark skinned Jim Crow-era cartoon. He has exaggerated eyes and lips similar to Jim Crow memorabilia “pickaninnycaricatures and his mother resembles a “Mammycaricature.

In the comic book series, Memin Pinguin is humiliated, assaulted, battered, taunted and harassed by Mexican society for his bizarre less than human appearance, speech, and mannerisms invoking in an audience a feeling of uncomfortable bizarreness as well as sympathetic pity and racial hatred.

People were outraged with the national celebration of the half human simian caricature of a black youth. The Government of Mexico was condemned for its celebration of its simianpickaninny” and “mammycaricatures of black people on the floor of the U.S. House of Representatives (H.Res.347 — 109th Congress (2005-2006))

Resolved, That the House of Representatives—

(1) condemns the Government of Mexico for issuing a blatantly racist series of postage stamps;

(2) calls on Mexican President Vincente Fox to immediately cease printing and distributing the postage stamps and recall from circulation those postage stamps currently on the market;

(3) calls on President Fox to apologize to the citizens of Mexico and the citizens of the United States for the decision to circulate the stamp series; and

(4) declares that the decision of the Government of Mexico to issue the postage stamps is inconsistent with United States policy to eliminate the vestiges of government sanctioned racial or ethnic discrimination and intolerance.[15]

Scott McClellan, speaking for the George W. Bush presidential administration, declared the minting of a postage stamp in Mexico, which celebrated the black caricatures, to be “offensive, and I would say racial stereotypes are offensive no matter what their origin. The Mexican government needs to take this into account. Images such as these have no place in today’s world.”[16]

Throughout the last at least 4 (four) centuries, whites have historically defined Blacks—as “caricatures”, as objects, as less than human as justification for African Human Bondage, Genocide, Racial Hatred, Exploitation, Segregation, Discrimination, Mis-Education and Mass Incarceration, etc. 

What happens if a nonwhite sports the JAYBO caricature image of black people to school or the workplace to affirm the statement calling Blacks Nigga, Niggers, and that they are a less than human– “MONKEY TRIBES”?  “NIGGER” represents a classic case of the use of “fighting words” tending to incite an immediate breach of the peace which are not protected by either the Constitution of the United States (In re Spivey, 345 N.C. 404, 480 S.E.2d 693 (1997)). 

Once a Nigga, STILL A NIGGA (Dr. Nigga, Nigga Lawyer, Nigga Teacher, Rich Nigga, Poor Nigga, Mr. Nigga, Mrs. Nigga, Young Nigga, Baby Nigga, Big Nigga, Little Nigga, So Forth and So On) like trained and untrained uncivilized MONKEYS.  It is tantamount to “FIGHTING WORDS.

Lanham Act prohibited the registration of any mark that “may disparage persons, institutions, beliefs, or national symbols, or bring them into contempt, or disrepute.”

15 U.S. Code § 1052 – Trademarks registrable on principal register; concurrent registration

No trademark by which the goods of the applicant may be distinguished from the goods of others shall be refused registration on the principal register on account of its nature unless it—

 

  • Consists of or comprises immoral, deceptive, or scandalous matter; or matter which may disparage or falsely suggest a connection with persons, living or dead, institutions, beliefs, or national symbols, or bring them into contempt, or disrepute; or a geographical indication which, when used on or in connection with wines or spirits, identifies a place other than the origin of the goods and is first used on or in connection with wines or spirits by the applicant on or after one year after the date on which the WTO Agreement (as defined in section 3501 (9) of title 19) enters into force with respect to the United States.

 

JAYBO is not registrable for U.S. patent right protection because it is a grotesque exaggerated dark big eyed- big lipped half-human hominoid figure that has been globally recognized since the 18th century as an African and Negro Caricature. The Black Caricature was a central tool in justifying efforts to colonize, enslave, and even exterminate people of people. They established by outrageous pseudo race science that Africans were less than human– “MONKEY TRIBES”, then it was acceptable to treat, educate and train them as such.[17]

JAYBO and MONKEY GOD

Jay Z unquestionable calls JAYBO a NIGGA not a JIGGA. Don’t get that twisted as Rolling Stone attempts to deceive the masses. Both Jay Z and Beyonce are advanced Master Masonic Occultists. Their first and only duty and love is dedicated to Lucifer. We should always acknowledge that and treat them, accordingly. There is no local, state or U.S. law that I am aware of prohibiting mass publication of covert occult and overt racist Black Caricatures that tend to violate our human rights.  If there is such laws, please let me know immediately. However if a corporate mass media publication like Rolling Stone choose to spread racial images that are designed to globally dehumanize black people then it is incumbent upon us to protect ourselves and children from vicious racial attack and human rights abuse. In the meanwhile, on February 18, 2018 or soon thereafter, I will file an official and formal OBJECTION to JAYBO receiving U.S. Trademark protection in violation of our human rights.

 ______________________________________________________________________________________________

[1] http://www.rjchq.org/leadership

[2] http://rightweb.irc-online.org/profile/republican_jewish_coalition/

[3] https://en.oxforddictionaries.com/definition/caricature

[4] https://en.wikipedia.org/wiki/Grotesque#Pop_culture

[5] https://theconversation.com/comparing-black-people-to-monkeys-has-a-long-dark-simian-history-55102

[6] http://www.ancientegyptonline.co.uk/hatshepsut.html

[7] https://en.wikipedia.org/wiki/Stories_of_divine_birth_in_the_eighteenth_dynasty

[8] https://ancient-code.com/orion-constellation/

[9] https://thesocietypages.org/socimages/2012/07/12/whites-blacks-apes-in-the-great-chain-of-being/

[10] https://www.huffingtonpost.com/the-conversation-africa/comparing-black-people-to_b_9345322.html

[11] https://selfuni.wordpress.com/tag/hitlers-attitudes-towards-blacks/

[12] http://noirg.org/news/blacks-jews-facts-quotes/

[13] http://sandrarose.com/2018/01/jay-z-moves-trademark-racist-symbol-jaybo-t-shirts-hoodies-etc/

[14] https://en.wikipedia.org/wiki/Jay-Z

[15] https://www.congress.gov/bill/109th-congress/house-resolution/347/text

[16] https://mongrel4u.wordpress.com/tag/vicente-fox/

[17] Id.





FROM DONALD J. DRUMPF’S SHITHOLE, DONNY TO LUCIFER’S COONS JAYBO & CARDI-B AND AFRICA- THE MOTHER COUNTRY OF THE UNIVERSE

23 01 2018

I

THE DIVINE LINK, DONALD J. DRUMPF & AFRICA

Shemayet (userMA’ATra-setp-en-ra Monthu-in-the-two-lands) Mahalia Jackson’s Trouble of the World is no simple minded tear jerker. Don’t get that twisted. It is complex ageless sacred  inner sanctum temple music personified. Shemayet connects Heaven and Earth. Shemayet is the “God [Goddess] Voice” and “Divine Vibration” that link fellow man with each other and the DivineShemayet, the divine voice and vibrationis discussed further below.

Donald Drumpf & Dark Satanic Global Cabal

President select Donald J. Drumpf believes, so he said that Africa is a “Shithole” country. Don’t get it twisted from my title. Africa is the mother country of the universe, and I mean it literally.  Donald J. Drumpf means the terms “Shithole” and “Shithouse” to be applied to Africa both as an adjective, and a noun.[1] Please excuse my language in this post. I mean no disrespect to the elders or the people. It is not used intentional just for the sake of being evil, foul and vulgar. “Shithole” and “Shithouse” appear only to demonstrate how irrational, insidious, fraudulent, idiotic and evil racism is. Additional, whenever it is Kemet, it is the Mother Continent, AFRICA.

Throughout the generations in this country, our elders stress that if Anglo Saxons and Aryans as a whole knew better that they would do better. And, many believe that Drumpf’s offensive statement disparaging the Mother Continent that we often call the “Mother Country”  is the result of being badly misinformed.  I don’t believe for one minute that it is true, particularly in regards to Donald J. Drumpf and the Dark Satanic Circles. They are motivated by EVIL for the sake of EVIL, and trickery. Many tried to warn the nation of the ultimate EVIL of DRUMPF before he stepped into the OVAL Office.

Now, DRUMPF, Mike Pence and the Dark Satanic Circle has the entire U.S. government in a strangle hold. Even if some knew better about the Mother Country, they would cover their eyes, and continue their EVIL plans of mass exploitation, deception, and genocide. The Donald J. Drumpf statement about Africa is purely deliberate. IT IS JOSEF GOEBBELS’ UNTRUTH THAT SHALL NOT HAVE A LIFE OF ITS OWN.

II

LUCIFER’S COONS

We have persistently demanded that society present and treat us in a dignified manner.

We have always rejected wicked racist notions, and black stereotypical caricatures casting black people as monkeys (coons)less than human.

Racist caricatures of Black people are intentionally designed to humiliate, demean and depreciate our human, cultural and social value in global civil societies.

These images are intended to be ironic, and to cater to the White notion that Black coons are too stupid to understand that their efforts to assimilate into White culture only emphasize their inherent inferiority.”[2]

Freemason Jay Z- Lucifer’s Hip Hop COON

“Do What Thou Wilt” Aleister Crowley, The Great BEAST 666 & Jay Z

Shawn Corey Carter known professionally as JAY-Z is a satanic hip hop black rapper and businessman. He is one of the most highly corporate promoted and bestselling MASONIC New Agemusicians” of all time, having sold more than 100 million records, while receiving 21 Grammy Awards for what has become the “music” and “art” promoted by and spoon fed by Luciferians to the masses.

Jay Z (Jaybo) with Simian Oran Outan Face

If that wasn’t enough for Jay-Z to promote the Luciferian agenda to depreciate traditional black folk art and promote the “music” created and promoted by Masonic Luciferians for mass consumption and CHAOS, he has reached for a new low to attack, demean our right of humanity, and to self-determination.

Jay Z’s deliberate mass corporate denigration of black people and their culture in the images and notions of antebellum Simian Coonery is a violation of our human rights (International Covenant on Civil and Political Rights (ICCPR), Article 27).

Jay Z- Jaybo the Hip Hop Coon

The deliberate wicked association and depiction of Blacks as monkeys and apes (coons) are significant visible imagery implants that the antebellum South used to justify African Human Bondage, and the SHITHOUSE institution of American Slavery.

Dark Baphomet Knights Templar Mark Romanek

Jay-Z has combined with a racist Ashkenazi Kabbalah-Zohar Russian Jewish descendant, film maker Mark Romanek, to manufacture and distribute images that wickedly globally defame, demean, humiliate, and insult Black people, Huey P. Newton, and the Black Panther Party for Self Defense (BPP) with offensive simian coon images. Brother Huey was no coon associated with coonery.[3]

I can still hear that click-click- the lock and load of Huey’s shotgun. Huey didn’t play!

I also recall Huey’s Smile when I was only a seed. I was that “Little Ghetto Boy” running around a college campus getting high and chasing young ladies. While I was so high gloating on myself rolling around in utter chaos and nothingness, I often found myself under the scolding eyes of Laverne. She was Huey’s most significant other. Whenever I found myself under scorn, I always looked at Huey, because I knew that I was shamefully stumbling around responsibility and manhood. I was what I was. I thought that he would despise me. But, he never did. Brother Huey would give me a slight smile, but it was a smile nonetheless from one of the most powerful, feared and respected young brothers in the community. It came to represent in me, the Faith in a Mustard Seed. In the BPP, they often called me, Little Brother.

I further recall when Brother Huey first took the picture, above. We (BPP) were in awe, speechless and spellbound when we saw it, because the symbolic imagery was so powerful, moving and beautiful. There was something unspoken and sacred to us about the picture that those that understand seek to mock and belittle. This is the Huey P. Newton that made a statement to the world of his unconditional and undeniable love for his African-ness that spiritually made our bonds and love for him and the Mother Continent so much stronger. Brother Huey didn’t have to wear an African Dashiki to prove anything to anybody. They are still afraid of everlasting images of resistance of Huey P. Newton. Wickedly representing Brother Huey as a simian coon will not change our undying love and respect for him.

Freemason Jay Z pays tribute to the blood drinking and flesh eating cannibal, Lucifer’s High Priestess, MARINA ABRAMOVIC.

In 2009, Atlantic Records has combined with Jay Z the Coon to deliver a deal with Lucifer to promote and distribute his album, The Blueprint 3. The album was self-distributed by Atlantic Records; his music videos are distributed and partially owned by Atlantic Records.[4]

Cardi B- Lucifer’s Coon Daughter

I first heard of Belcalis Almanzar, known professionally as Cardi B, promoted on the Wendy Williams Show. They are undeniable self- confessed Coon Daughters of Lucifer. I was under the false impression that Cardi B  was an up and coming traditional R&B vocalist until she opened their mouth to rap something about “Bodak Yellow“.

Devil Horns- Bodak Yellow & Church of Satan

Cardi B says as a theme of that rap,

It’s Cardi, ayy
Said, “I’m the shit, they can’t fuck with me if they wanted to…

Said little bitch, you can’t fuck with me
If you wanted to
These expensive, these is red bottoms
These is bloody shoes.[5]

Bodak Yellow” is the ever persistent language of sadistic divide and violence. I sat in front of the TV and watched her perform for a few minutes.  I was startled and confused to discover that Cardi B lacked any remarkable musical talent or abilities. I immediately turned off the idiot box. In 2017, Bodak Yellow (Money Moves) topped the Billboard Hot 100 chart number 1.[6]

She may have been initiated into HollyWeird’s Satanic Sex Magic 99 Lodge headed by Warlock Charlie Sheen.

Adolf Hitler belonged to the Satanic German Masonic 99 Lodge.

The title “Bodak Yellow” is related to the insidious stereotypical color code and reference to her skin, and the rapper Dieuson OctaveKodak Black.”

Kodak Black, Atlantic Records Rap Artist

Kodak Black is a mind (MK ULTRA) control troubled and confused young man in and out of jail on various criminal offenses.

But, he is an Atlantic Records rap artist.[7]

Kodak Black has come to believe that he is a Kabbalah-Zohar Satanic Israeli Jew. His puppet-master can spin him on a dime to make him believe anything.

Cardi B is a hood chick proudly associated with Blood Street Gangs. She is a former stripper born and raised in the Bronx, NY.[8]

In February 2017, Cardi B, the Luciferian “Gangsta Bitch Music rap artist signed a multi-million dollar deal with Atlantic Records to promote among the masses a vicious chaotic SHITHOLE Satanic lifestyle.

Donny Hathaway

Donny Hathaway was an Atlantic Records vocalist and musician when he was thrown out a 15th story hotel window in New York City. Donny’s most infamous last words before he was killed,  “White people are trying to kill me, they have my brain hooked up to a machine, trying to steal my songs and sound.” Music and Sound is important. How important? EXTREMELY! EXTREMELY IMPORTANT!

From Donny to Jay Z and Cardi B, it makes me want to cry … Because, they are promoted globally as the dualistic opposites of Donny. Hemayet Donny linked us with Heaven and the Divine. They seek to DELIVER us to the DEVIL AND HELL.

III 

FROM THE SECRET MANHATTAN PROJECT TO ATLANTIC RECORDS

From 1947, the Tavistock Institute, Frankfurt School, Alsos Mission/Manhattan Nuclear Bomb Project, and the U.S. government have clandestinely combined to try to depreciate, control and shape the art of black folk music (gospels, spirituals, chants, blues, jazz, rhythm & blues). For clarity, I will call them, Scepter (Emblem of Imperial Power). Scepter’s interests in the art of black folk music have never revolved around appreciating it or honoring its value, legacy or sacredness. Their interest are destroying and replacing it, and developing the black music into a major tool of satanic mass population control and manipulation.

“As L. Marcus (1974) writes in his excellent investigation piece; ‘Reesian methods rely, completely and consciously, on the destruction of the mental life of world society and a forced march into universal sadism.”…. Within this lies their affinity- men as mindless beasts whose minds, according to Tavistock, are something to be manipulated and destroyed.

…. “The Tavistock- and Reesian method- that the class war should be waged with “weapons that affect morale more than they take life”- has become, in the post-war period, the primary weapon system of the Rockefeller forces, including their own covert arm, the Central Intelligence Agency.’ ”[9]

The function of Reesian-Lewinite Brainwashing is to deliberately recreate infantile paranoid states of mind. The “Reesian Method” was developed by John Rawlings Rees.

J.R. Rees, Knight of the Most Excellent Order of the British Empire, was one of the key figures at the original Tavistock Clinic and became its medical director from 1933. Rees was appointed consulting psychiatrist to the British Army during WWII, and obtained the rank of brigadier general. After the war, he was a member of a group who referred to themselves as the ‘invisible college’. This group orchestrated “Operation Phoenix“, making plans for Tavistock to rise from the ashes of war. They founded the Tavistock Institute with funding from the Rockefeller Foundation.[10]

Phoenix, Fire & Benben Stone

The Phoenix is neither Greek nor Roman mythology. It is very deep ancient African (Shithole) cosmology that we shall discuss further in detail. Nevertheless to begin with the Benben Stone was the up thrust (explosive) sacred stone of Heliopolis; benu (bennu) describes a bird (The Phoenix) that was an important avian deity. Originally of solar associations, the Benu bird came to be connected with three important gods consisting of Atum, Re and Ashur (Osiris). As an aspect of God Atum, the Benu bird was said to have flown over the waters of Nun before the original creation. According to this tradition, the bird came to rest on a rock from which its cry broke the primeval silence and this determined what was and what was not to be in the unfolding creation.[11]

London Olympics, Phoenix Launch from the Conical Benben Stone

If you believe that Shithouse Benu Bird (Phoenix) and Benben Stone was a foregone passing occult fancy of British intelligence, think again. The concept was a major theme in the closing ceremonies of the 2012 London Summer Olympics.[12]

Lewinite refers to Dr. Kurt Lewin, a German Kabbalah-Zohar Jewish Frankfurt School refugee who had been brought to the U.S. by the Rockefeller family. He joined Tavistock Clinic or Institute sometime about 1946. Author Jim Keith, who died in mysterious circumstances, has written:

Lewin is credited with much of the original Tavistock research into mass brainwashing applying the results of repeated trauma and torture (of individuals) in mind control to society at large.”[13]

At Atlantic Records, Scepter thru its agents Theo Adorno and Thomas John “Tom” Dowd had controlled its sound studios since it was founded in 1947. It earned a reputation as one of the most important American recording labels, specializing in Jazz, R&B and soul recordings by Black musicians including Donny Hathaway, John Coltrane, Aretha Franklin, Ray Charles, Sam and Dave, Ruth Brown, Otis Reading, and so many others. For black artists, signing with major recording labels was a literal pact with the DEVIL.

Atlantic Records’ business partner, Jerry Wexler, was a son of Polish and German Ashkenazi Kabbalah -Zohar Jews.  According to Wexler, Atlantic was in the business of Luciferian Shitholing taking the gospel songs and putting the devil’s words to them.” They weren’t representing Black culture, but a self-destructive Black sub-culture in violation of our human rights. They were promoting icons that spoke for society’s underbelly: unrestrained sexuality, violence, and drugs.[14]

In 1967, Atlantic Records became a wholly owned subsidiary of Warner Bros.-Seven Arts.[15] Since 1989, it is a subsidiary of Time Warner, formed as a merger between the conglomerates Time, Inc. and Warner Communications.[16]

Theo Adorno was a Frankfurt School and Tavistock musicologist scholar involved in musical research. Adorno was interested in perverting the aesthetics of mass culture, as a part of a social engineering strategy through criticism, particularly music. The path of so-called pop culture and its subculture associates which emerged in the 1960s was shaped in significant part by Adorno. Perhaps the best known propaganda works of Adorno are The Authoritarian Personality, Dialectic of Enlightenment and Negative Dialectics.

Both Tavistock and the Frankfurt School paid close attention to Nazi Third Reich propaganda techniques, which they willingly incorporated into their research. The aim of the project, as stated in (Theodore) Adorno’s Introduction to the Sociology of Music,”… was to “program a mass culture as a form of extensive social control that would steadily degrade [Shithole] its consumers.”[17]

As an institutional corporate European policy, Adorno and Scepter finds no intrinsic value in the genres of traditional black music.

“On Jazz, Adorno wrote,

The relationship between jazz and black people is similar to that between salon music and the wandering fiddle players whom it so firmly believes it has transcended – the gypsies. According to Bartok, the gypsies are supplied with this music by the cities; like commodity consumption itself, the manufacture (Herstellung) of jazz is also an urban phenomenon and the skin of the black man functions as much as a coloristic effect as does the silver of the saxophone. In no way does a triumphant vitality make its entrance in these bright musical commodities; the European-American entertainment business has subsequently hired the [supposed] triumphant victors to appear as their flunkies and as figures in advertisements, and their triumph is merely a confusing parody of colonial imperialism. To the extent that we can speak of black elements in the beginnings of jazz, in Ragtime perhaps, it is still less archaic-primitive self-expression than the music of slaves; even in the autochtonal [aboriginal] music of the African interior, syncopation within the example of a maintained measured time seems only to belong to the lower [social] level. Psychologically, the primal structure of jazz (Ur-Jau.) may most closely suggest the spontaneous singing of servant girls.[18]

Don’t get it twisted. I don’t intend to argue tit for tat to prove Adorno and Scepter wrong about Black Folk Music. If he was alive today, I would touch not one hair of Adorno. My love is primarily for the people- to point out the contradictions. Then, it becomes the duty of the masses to defend its dignity as a people, and respond to the enemy as necessary. They have never failed. Adorno’s mass corporate assertion that Black Folk Music is tantamount to the mere CRIES OF SLAVES is the untruthIT IS JOSEF GOEBBELS’ UNTRUTH THAT SHALL NOT HAVE A LIFE OF ITS OWN.

At age 18, Thomas John “Tom” Dowd was drafted into the military with the rank of sergeant. He continued his work in physics at Columbia University. Refugees from National Socialist- Nazi Germany, the Frankfurt School changed venue and moved to Columbia University in New York City in 1934. The U.S. Office of Scientific Research and Development (OSRD) recruited heavily from Columbia for the Manhattan Project. The OSRD was also interested in psychology and psycho-acoustics.[19]

Psychoacoustics is essentially the study of the perception of sound. This includes how we listen, our psychological responses, and the physiological impact of music and sound on the human nervous system. Psychoacoustics involves music- sound, frequency, and vibration.[20] In physics, sound is a vibration that typically propagates as an audible wave of pressure, through a transmission medium such as a gas, liquid or solid.[21] The vibratory nature of matter is mentioned in the Bible.  John’s Gospel starts with “In the beginning was the Word…” (John 1:1) and teaches us that this vibration is from God, and is God Himself. The “Word” in this verse is the Greek word “logos”. We know that speech means not just any kind of a vibration, but a vibration that carries information, is uttered by a living person and embodies a concept or an idea. In this case, it means that the living Creator, our Father God, created an intelligent vibration which then created everything else. The new theory named “The Geometric Concept of Matter”, confirms that matter is a vibratory structure and explains that what we know as gravity is a direct consequence of that particular vibration.[22]

Dr. Andrija Puharich was known as a brilliant, but notorious CIA MK ULTRA/MONARCH (subproject 58) medical physician and electronics expert consultant.[23] In 1990, Dr. Puharich found a way to split water molecules by tuning in on the vibrations of their atoms and breaking the molecules into hydrogen, which could become fuel, and oxygen. A former   physician, Puharich discovered the water-splitting technique a dozen years ago but has only recently presented his findings publicly. Originally, he was investigating the Psychoacoustic DISRUPTIVE EFFECT of electrical resonances on blood clots and noticed a peculiar thing: in dilute blood, a SPECIFIC FREQUENCY made bubbles appear in the liquid. Lab analysis showed that the bubbles were composed of oxygen and hydrogen. A barrel-shaped cavity contains the water in Puharich’s recently refined system.  He introduces alternating current at A KEY FREQUENCY of 600 cycles per second.

The cavity resonates with the impulses in somewhat the same way the body of a violin resonates with the sound of one string, ADDING HIGHER AND LOWER HARMONICS TO THE PRINCIPAL TONE. The additional harmonics, Puharich says, cause the proton in the hydrogen atom TO ROTATE, further forcing the hydrogen to split from the oxygen.[24]

In 2014 for the first time, scientists captured the sound a single atom makes when it moves. They found the atom makes a “D-note,” about 20 octaves above the highest note on the piano and a pitch inaudible to the human ear.[25] Musical notes in ancient Kemet were regarded as spiritual elements, and were conceived as independent structural entities.[26] D is a musical note a whole tone above C, and is known as Re.[27]

The nearest concept or element to that of “justice” in Kemet (Africa) is the notion of MA-AT, which is personified as a goddess, the daughter of Atum, and after the 18th dynasty as the daughter of RE, who establishes MA-AT at the time of creation.[28]

If vibration is a source of creation, pursuant to Knights of the Black Sun’s Satanic Principle of Dualism, opposite of creation vibration are destruction, ruin and endOSRD’s S-1 Section later became the Manhattan Project and developed the first atomic weapons.[29] Dowd worked on the Manhattan Project. He planned to obtain a degree in nuclear physics when he completed his work on the Manhattan Project. However, because his work was top secret, the university did not recognize it, and Dowd decided not to continue, since the university’s curriculum would not have been able to further his physics education. His research for the military was more advanced than academic courses at that time.[30]

The question is why were Scepter (Global Satanic Cabal), Adorno (International Social Scientist), and Dowd (Top Secret Nuclear Scientist) so deeply mixing in the kool- aide of Black Folk Music if it is out of Shithouse Africa, and amounts to no little more than the spontaneous singing of servant girls? If it was such archaic-primitive self-expressions “the music of slaves”, it would die a natural death. So, you would seem to believe.

IV

AFRICA & THE BIG BANG 

Science, Creation of the Universe

Scientists have gathered a lot of evidence and information about the Universe. They have used their observations to develop a theory called the Big Bang. The theory states that about 13.7 billion years ago all the matter in the Universe was concentrated into a single incredibly tiny point. This began to enlarge rapidly in a hot explosion, and it is still expanding today. Scientists have also detected a Cosmic Microwave Background Radiation (CMBR). This is received from all parts of the Universe and is thought to be the heat left over from the original explosion.[31]

Kemet, Creation of the Universe

God Atum (Atom)

We are the gods of the atoms that make up ourselves, but we are also the atoms of the gods that make up the universe.” – 33 degree Freemason Manly P. Hall

The African God Atum is the most ancient secretScience of the Atom.”

Hermopolis in Africa was a provincial capital of the Two Lands of Kemet since the Old Kingdom period. The Old Kingdom is the period in the third millennium (2686-2181 BC) also known as the “Age of the Pyramids” or “Age of the Pyramid Builders” as it includes the great 4th Dynasty when King Sneferu perfected the art of pyramid building and the pyramids of Giza were constructed under the kings Khufu, Khafre, and Menkaure.[32]

God Thoth, Wisdom and Music

Hermopolis means “the city of Hermes” in Greek. The Greeks gave it that name because it was a major cult center of the god Thoth who they associated with their god Hermes, but the people of ancient Kemet knew it as Khmunu (“the City of the Eight“). The Hermopolitans claimed that their theory of creation was older than any other in Africa and that it was the Ogdoad who gave birth to both the Sun and God Atum.

The Ogdoad was a system of eight deities, four gods and their consorts (the number four was considered to represent completeness). Each pair represented the male and female aspects of the four creative powers or sources. Nun and Naunet represented the primeval (ocean) waters; Heh and Hauhet represented eternity; Kuk and Kuaket represented darkness; and Amun and Amunet represented air (or that which is hidden). However, the gods differ from one source to another. Primeval darkness was sometimes represented by Gereh and Gerehet and Heh and Hehet are sometimes included as forces of chaos, possibly representing the currents of the primeval waters. When God Amun rose in prominence as a creator god in his own right, he and Amunet were replaced by Nia and Niat, gods of the void.

These eight elements interacted causing an explosion (The Big Bang) and the burst of energy which was released caused the mound (located at Hermopolis, but originally known as the “Isle of Flame“) to rise from the water. It was thought the gods and goddesses of the Ogdoad then ruled the earth during the Golden Age. When they died they took up residence in the “Duat” (or “Tuat” – the Underworld). The ensured that the Nile continued to flow, that the inundation would come every year and caused the sun to rise each day.[33]

Tutankhamen, Tutankhaten, Tutankhamon possibly Nibhurrereya (as referenced in the Amarna letters) was a pharaoh of the 18th dynasty (ruled 1332–1323 BC), during the period of the Golden Age of the New Kingdom. In his tomb, some very remarkable virtually timeless and priceless “Big Bang” artifacts were found.[34]

One of artifacts was a scarab pectoral necklace inlaid with carnelian, lapis lazuli, calcite, obsidian turquoise, and red, blue, green, black and white glass. Geologists performed a chemical composition test on King Tut’s scarab necklace and determined the scarab was made out of mysterious desert glass. Chemical and geological evidence suggest the greenish-yellow desert glass was made in an impact by either a meteorite or comet on the desert sand 500 miles from his home.

The glass that formed the scarab was formed as a result of meteor impact in the far distant past. Specimens of natural glass found in Kemetic deserts are products of meteorite slamming earth 100,000 to 200,000 years ago. Known locally as Dakhla glass, it represents first clear evidence of a meteorite impact. At time of impact, the Dakhla Oasis (Africa), in western part of modern-day Egypt, resembled other African savannas and was inhabited by early humans, according to archaeological evidence.

Scientists also found that a dagger’s blade found in King Tut’s tomb had a composition of iron, nickel and cobalt that strongly suggests it also had been of extraterrestrial origin. What’s more, it is nearly identical to the composition of a prehistoric meteor found in the seaport city of Marsa Matruh, 150 miles west of Alexandria.[35]

Benben Stone

Meteorites play an essential role in ancient Kemetic cosmology. For example, the “Benben ” stone worshiped in the sun temple of the god Ra at Heliopolis is thought to have possibly been a meteorite. The word “Benben ” is derived from the verb “weben”, meaning “to rise”, “rise in brilliance”  “to shine”.[36] From the beginning of the 19th Dynasty (approximately 1295 BC) a new hieroglyphic word for iron appeared: “bi-A-n-pt”, which literally translates as “Iron From the Sky”.

Heliopolis in Africa was also one of the oldest cities of ancient Kemet occupied since the Predynastic Period. It was principally notable as the cult center of the sun god Atum, who came to be identified with Ra and then Horus. The primary temple of the city was known as the Great House or House of Atum. Its priests maintained that Atum or Ra- Re was the first being, rising self-created from the primeval waters.[37]

According to Heliopolis-era creation stories in the beginning, Atum emerged from the Isfet (chaos) of Nu (primordial (ocean) waters). Atum created the god Shu (personification of air/cool dryness) and goddess Tefnut (personification of moisture) from Nu. Shu is depicted in the Kemet iconography as an ostrich feather.

I have grasped the stake… I take the measuring cord in the company of Seshat. I consider the progressive movements of the stars. My eye is fixed upon the Bull’s Thigh [Ursa Major]. I count off time … and establish the corners of the Temple”.

The above text is an inscription from the Temple of Horus at Edfu accompanying the relief showing “Stretching the Cord” Ceremony.[38] It has been suggested that the temples of prehistoric Kemet were located according to geodetic (science of measurement of the earth) principles. These temples include some of the greatest colossus structures ever built on earth with precision and purpose.

Baalbek (Heliopolis (On) Megaliths 

Romans knew the site of Baalbek in Lebanon by its Greek name, Heliopolis (On)Baalbek is named for Baal, the Canaanite deity – cousin of Kemet.

The “Stone of the South” at Baalbek, Lebanon is the largest worked monolith on Earth, weighing in at a staggering 1242 tons. 

Map showing Baalbek in relation to Giza (Heliopolis)

The style of masonry and colossus construction employed is similar to what we find on the Giza plateau, an area that was also once called Heliopolis (On) in Kemet.

Baalbek’s connection to Giza and the pyramid complex is also interesting, as the wooden boats that were found buried on the Giza plateau are made from Cedar-wood, from trees that potentially come from the famous Cedar forests that once thrived on the slopes that Baalbek sits upon.

Baalbek- Stone of the South

Both sites were equinoctial, they both show the same incredibly skilled masonry techniques, and they are separated by almost exact degrees of longitude and latitude.

Great Pyramid Giza, Megalith Stones 50- 70 Tons

Additionally, geometric alignments have been shown to extend from both Giza and Karnak (Thebes).[39]

What power on earth build the mysterious virtually impossible Colossal Megalithic Monuments across the planet with purpose …

that modern science has no answers to?

V

HEKA & MA’AT – NOTHING IS STRONGER ON EARTH

HEKA & MA’AT, Brother and Sister at Creation

MA’AT is said to have been born of the sun god Ra (ATUM- ATOM) at the beginning of creation through the power HEKA, who was magic personified. Her name means “that which is straight” implying order, justice, and harmony. She is thought to have been present from the beginning of time when, from the primordial waters of Nun, the Benben (first mound of dry land) rose with ATUM (or Ra, the sun god) standing upon it in the presence of the invisible HEKA. In the moment that RA- RE SPOKE THE WORLD INTO CREATION, MA’AT was born. Her spirit of harmony and balance infused the creation and caused the world to operate rationally according to purpose.[40]

“…to me belonged the universe before you gods had come into being. You have come afterwards because I am Heka.” – Coffin texts, part of spell 261, First Intermediate Period to Middle Kingdom.

To reaffirm: “I am one with Atum when he still floated alone in Nun, the waters of chaos, before any of his strength had gone into creating the cosmos. I am Atum at his most inexhaustible – the potence and potential of all that is to be. This is my magic protection and it’s older and greater than all the gods together!” – Book of Coming Forth By Day, New Kingdom.

While HEKA is the medium that can influence existence it was the principle of MAAT adhered to by the people of Kemet that kept HEKA functioning as that fundamental medium. It circulates in the universe. HEKA has no EVIL connotation. It is a divine energy and force that existed before creation and dualism. It is a force that even the gods and goddesses draw from.

Any alignment of the physical with the spiritual, of earthly with heavenly forcesrequired the activation of HEKA and resulted in MA’ATHEKA is beyond which there is NOTHING STRONGER.

The mysterious Benben  Stone first appeared during Sep Tepi or “point of first creation,” as a “mound,” after the waters of “Creation,” called Nun had subsided.  The Benben Stone has also been described as a conical and pyramidal-shaped object based upon ancient eyewitness reports. The Beben Stone was said to represent the cosmic seed of all life produced from the “sperm” of Atum (Atom), the Supreme God.[41]

The Benben Stone exemplified the cosmically consummated spiritual connection between heaven and earth.  As the primordial Womb, the Benben Stone carried the great cosmic seed of life, Atum’s spirit, the ‘light’.[42]

The Benben Stone of Heliopolis is said to have been shaped like a mound or pyramid, and was displayed on top of a tall pillar worshipped in the primary temple dedicated to God Atum, which was known by the name Per-Aat (pr-at; “Great House“).

However, there appears to have been another temple in Heliopolis the “Mansion of the Benben”, also known as the “Mansion of the Phoenix”, which is believed to have been a sacred precinct in which in the middle of an open courtyard, stood a stone pillar, on top of which sat the “benben stone”. It was seen as the solidified seed of Atum, the Stone of Creation, a magical stone, and some have concluded that it was of meteoric origin, “shining” in the sky, but when fallen on earth, black.[43]

Ancient Kemet’s metallurgists and chemists worked with meteorite materials for thousands of years. They had developed infinite knowledge of its content on an orderly scientific basis. Two kinds of lead can exist in different parts of the same meteorite. The results for the stone meteorite samples show a more radiogenic lead than can be accounted for by their lead to uranium. By counting the radiogenic lead atoms and the remaining uranium atoms in a fragment, the time elapsed since the uranium began to decay in the rock can be calculated. In other words, meteorites contain elements of extraterrestrial uranium atoms.[44] According to the theories developed, the Earth’s uranium was produced in one or more Big Bang supernovae (“An explosive brightening of a star in which the energy radiated by it increases by a factor of ten billion … A supernova explosion occurs when a star has burned up all its available nuclear fuel and the core collapses catastrophically.” – Oxford Dictionary of Physics).

The main process concerned was the rapid capture of neutrons on seed nuclei at rates greater than disintegration through radioactivity. The neutron fluxes required are believed to occur during the catastrophically explosive stellar events called supernovaeGravitational compression of iron (the island of nuclear stability, incapable of further exothermic fusion reactions) and sudden collapse in the center of a massive star triggers the explosive ejection of much of the star into space, together with a flood of neutrons. Remnants of hundreds of supernovae have been found, and scientists “witnessed” one in Magellanic Clouds in 1987. The Earth’s uranium was produced through this process in one or more supernovae, and that this material was inherited by the solar system of which the Earth is a part.[45]

Nuclear energy is energy in the nucleus (core) of an atom. Atoms are tiny particles that make up every object in the universe. There is enormous energy in the bonds that hold atoms together. It is usually in a form of heavy metal, naturally occurring in most rocks, soil, and even in the ocean. It is found in many places in the world. Energy from uranium is called nuclear energy.[46] Nuclear energy is stored energy that holds the nucleus of an atom together. If the nucleus of an atom is split or fused with another atom, this releases or explodes huge amounts of energy. The Sun (Ra-Re) and uranium both possess direct nuclear energy. It’s been said that all of the Sun and stars in the sky are powered by “Fusion“. It’s the opposite of Fission energy.

Scientists have come to the conclusion that the people of ancient Kemet deliberately added lead salts to their black eyeliner to ward off bacterial infections. In samples of ancient Kemetic eyeliner, scientists identified 2 (two) types of lead salt not found in nature. That means that ancient Kemetic eyeliner had to be purposefully synthesized by an advanced scientific process. Making lead salt is a complicated and delicate process that requires laboratory weeks. In lab experiments, research scientists added lead salts to human skin cells called “keratinocytes”, which were grown in the lab. The researchers hypothesized that the lead would stress the cells and cause them to make hydrogen peroxide, nitric oxide, and other compounds involved in the body’s immune response. And indeed, cells treated with lead began pumping out more nitric oxide than did control cells.

They determined that nitric oxide sets off a series of biochemical processes in the body that ultimately send immune cells called macrophages to the site of infection, where they engulf invading organisms. The nitric oxide released by keratinocytes possessed the power and energy to directly kill eye-disease-causing bacteria on the skin or near the eye by breaking down a bacterium’s structure or DNA.[47] The people of Kemet believed that this makeup also had a “magical” role in which the ancient gods Horus and Ra-Re would protect wearers against several illnesses.

In earlier research, the scientists analyzed 52 samples from ancient Kemetic makeup containers preserved in the Louvre museum in Paris. They identified four (4) different lead-based substances in the makeup. In a new study, they found that the substances boosted production of nitric oxide by up to 240 per cent in cultured human skin cells. Eye infections caused by bacteria can be a serious problem in tropical marshy areas such as the Nile area during flood. [48]

Elements of lead were indeed synthesized in a lab in antiquity.  Modern science shows that there are no other conclusions. Luis Pellegrini, former director of the magazine Planeta, current director of the digital magazine Oásis, journalist, writer, translator, author of the books “The winged feet of Mercury” and “The Tree of Time“, both by Axis Mundi Editora, and “Madame Blavatsky “, said he believed that the ancient people of Kemet knew the atomic decomposition and uranium. It was one of the issues known to their priests and rulers.[49],[50] The mechanical and metal analysis of the sandstone samples extracted from the corridor leading to the royal chamber in the pyramid of Khufu in 1986 contain sand “specifically” on the proportion of heavy metals and some of the ratio of 7.7% and this gives two possibilities:

  1. The pharaohs used the uraniumand of course the necessary special settings“.
  2. Either they separated the uranium from the sandand this indicates that the Pharaohs deliberately prepared the sand in particular and the process of separation[51]

It is generally understood that one of the priests in the picture pour sand to move the monument, while the priest above him appear to be a HEKA/MA’AT chironomist, discussed below. However in lieu of new scientific evidence, the priest is pouring heavy metal (uranium) sand and salts while the other priest control its divine energy and force (HEKA) with the sound and voice of MA’AT.

In other words, Kemet’s metallurgists and chemists knew about the special extraterrestrial nuclear energy properties of heavy metals like iron. They had a complex system to determine the different properties of lead and uranium in rocks and meteorites, and scientifically separate them. They also knew about the special nuclear energy properties of the uranium atoms in the Benben Stone. That’s why it is associated with the ocean also containing ageless supernova uranium particles, the creation mound; and the fire and explosion that sparked the birth of God Atum (Atom), and launch the Benu Bird (Phoenix).

Karnak is the modern-day name for the ancient site of the Temple of Amun at Thebes in Kemet. The people of Kemet called the site Nesut-Towi, “Throne of the Two Lands“, Ipet-Iset, “The Finest of Seats” as well as Ipt-Swt, “Selected Spot” (also given as Ipetsut, “The Most Select of Places“). Thebes was yet another city that claimed that it was the first city founded on the primordial mound which rose from the waters of chaos at the beginning of the world. At that time, the creator-God Atum (sometimes Ptah) stood on the mound to begin the work of creation. The site of the temple was thought to be this original ground and the temple was raised at this spot for that reason. Karnak is believed to have been an ancient observatory as well as a place of worship where the God Amun would interact directly with the people of earth.[52]

Shemayet Nehmes Bastet

Shemayet Nehmes Bastet

According to an inscription on a wooden plaque found in her tomb, Nehmes Bastet was “chantress [shemayet] of Amun” – voice and vibration of the gods during the Twenty-Second Dynasty (945-712 BC). She was a vocalist and a master of the MA’AT ‘s harmony and the harp.

She was the daughter of the High Priest of Amun. The discovery of her tomb is important because it shows that the Valley of the Kings was also used for the burial of highly respected and beloved temple singers and musicians.  Nehmes Bastet was undoubtedly an eminent and valued member of the priesthood and the people because until the discovery of her tomb, the only tombs found in the historic Valley of Kings were those linked to Kemet’s ancient royal families.[53] Nehmes Bastet’s title of Shemayet (user- MA’AT ra-setp-en-ra Monthu-in-the-two-lands) brings us back to Goddess MA-AT. The Shemayet was the master of the production of sound or vibration (singing or chant), “herw (literally, ‘voice’)” associated with those gods deemed to be skilled in creative power and forces of “magicpersonifiedHEKA.

Sheymayet Whitney Houston

Someone on TWITTER respectfully honored Whitney Houston with title Shemayet Nehmes Bastet.

Sheymayet Meresamun

Meresamun

Sheymayet Meresamun (“Amun Loves Her”) was another highly celebrated singer in Kemet. She was an inner sanctum singer-priestess in about 800 BC.[54] Her coffin states that she was a “Singer in the Interior of the Temple of Amun” at Karnak. She also had been a part of the divine choir.

See her, her hand shaking the rattles to give pleasure to the god, her father Amun. How lovely she moves, her hair bound with ribbon, songstress with perfect features….Pleasure there is in her lip’s motions…. her heart is all kindness, her words gentle to those upon earth. One lives just to hear her voice.

The percussive rhythm of their ritual rattles (sistrums) and beaded necklaces (menats) was meant to calm the god and make him more amenable to protecting and helping mankind. Three times a day, a priest ceremonially opened the doors of Amun’s inner sanctuary, purified the divine statue, offered it food and drink, and then adorned it with clothing, jewelry and perfumes. While this was going on, grand ladies like Priestess Meresamun would make music and sing to the god with a sweet voice.[55]

Shemayet Diesehebsed

The fragment of sandstone relief, above, shows two women: Diese-heb-sed to the left and the God’s Wife of Amun, Amunirdis II or Amenirdis II, to the right. Both women wear fine, almost transparent linen gowns and sandals with looped toes.” The “god’s wife wears the vulture headdress.” “Inscriptions from other sources indicate that Diese-heb-sed was an attendant of Amunirdis. In that subservient role, she stands with her arms passively at her sides as Amunirdis raises her hands in adoration of the deity who was once shown to the right.

Pharaoh Taharqa

The above block came from the now lost tomb or tomb chapel of Diesehebsed of the 25th Dynasty of Kemet. Amenirdis II was the daughter of the Pharaoh Taharqa, and adopted daughter of the God’s Wife of Amun Shepenwepet II.[56]  Shemayet Diesehebsed also bore the title “Singer in the Interior of the Temple of Amun” at Karnak, indicating that she was part of a divine chorus that entertained the god during offering rituals. He father was a priest of Amun and Scribe of the Offering Table.[57],[58]

Shemayet Tjayasetimu

Temple singer of the inner sanctum and royal choir, Shemayet Tjayasetimu of the 26th Dynasty, left behind her elaborate image on her gilded sarcophagus in ancient Thebes in 800 BC. She was also a chantress of God Amun at the Temple of Karnak.  She died a celebrated and beloved singer of the temple at 7 years old.  She was granted the best mummification. She had been wrapped in painted bandages; her face was covered with a delicate veil hidden by a golden mask. She had been placed in a gilded sarcophagus.[59]

The detail above shows a clarinetist, flutists, a chironomist, dancers, and hand clappers. In the whole banquet scene there is an “eleven- man ensemble, consisting of two harpists, two flautists, a man playing an unusually long clarinet, and six chironomists.” see Lisa Manniche, Music and Musicians in Ancient Egypt, page 29. In ancient Kemet, “chironomists” practiced the art known as ‘chironomy’, whereby a series of hand-gestures would direct the musicians, akin to modern conducting. Overall, the Kemetic musical tuning, performance, and singing had to observe strict rules to keep ORDER OF MA-AT. Why?

Goddess MA-AT, identified with the principle of order, equilibrium and musical cosmic harmony that is found not only in the inner-most sanctuary of the temple, but also on the decoration on the harpHarpist of MA-AT. Kemetic temple hieroglyphs considered MA-AT to be the Queen of [musical] Harmony.[60] Recall in the moment that RA- RE SPOKE THE WORLD INTO CREATION from atop the Benben Stone mound. MA’AT was born in the presence of the invisible HEKA. She is HEKA personified. Her spirit of harmony and balance infused the creation and caused the world to operate rationally according to purpose. The title of Shemayet (userMA’ATra-setp-en-ra Monthu-in-the-two-lands) means the master ritual chanter or singer for the gods.

Nobody is certain what the invisible HEKA may be that was present on the Benben Stone with God Atum and Goddess MA’AT at creation. The strict rules of ORDER OF MA-AT personified in HEKA was strictly observed and transcended across religion, all disciplines, science and architecture- pyramid and colossus construction in ancient Giza, Heliopolis (On), Kemet, Heliopolis (On), Lebanon, and across the ancient world. HEKA is an invisible creative power and energetic force that I believe is related to the nuclear/atomic energy,  frequency and vibration of the Benben Stone. Recall that sound and vibration (words-voice) can possibly split and manipulate the power of extraterrestrial (universe) ultra-compressed explosive nuclear atoms in heavy metals like uranium in ways we still don’t understand.

From the example of celebrated 7 year old Shemayet  Tjayasetimu of the 26th Dynasty, the sound(s)-voice of HEKA personified in MA’AT may be acquired or inherited. She was undoubtedly a very remarkable and musical master child prodigy. The preservation of her name for thousands of years, and her grand burial is certainly a testament to her mastery of the voice of the gods, and the love the people had for her.  I believe that the variants of the ancient sound(s) HEKA personified in MA’AT survive in some sacred African chants, black spirituals, and gospels.

VI

PREVENT THE RISE OF THE GODLY MESSIAH

SCEPTER has always known about the magnetic powerful magical and spiritual ancient sound(s) HEKA personified in MA’AT and the singers and musicians that have mastered the sweetness of justice, the invisible power and energy of AMUN-RA and MA’AT. Among them were music and chanter masters, Dr. Martin Luther King, Jr. (Killed 39 years old), Malcolm X (Killed 39 years old), Sam Cooke (killed 33 years old), Donny Hathaway (killed 33 years old), Whitney Houston (killed 48 years old), Phyllis Hyman (dead 45 years old), John Coltrane (dead 40 years old), Wes Montgomery (dead 45 years old), Otis Redding (killed 26 years old), Teddy Pendergrass (killed 59 years old), Marvin Gaye (killed 44 years old), Ricky Nelson (killed 45 years old), Luther Vandross (dead 54 years old), James Brown (Killed 73 years old), Michael Jackson (Killed 50 years old), Prince (Killed 54 years old), just to name a few.

Their sounds or “voice” of the music helped to connect people to the invisible force of creation inherent to the gods. Whether they knew it or not, they produced sound, divine voices that unto themselves were the magical spiritual power of power no greater than itself of generation, regeneration, resurrection, and the power of change and transformation. From the navel, they brought forth in breath magical power over the emotions of others that had been recorded and documented by the ancient Greeks that were like children among the giants of Kemet. Herodotus and Strabo noted the grand processions led by flute and reed-players, where the growing crowd of pilgrims lost themselves in “ecstatic” abandonment, demonstrating the power of the instrumental voice of God.[61]

President Drumpf said that he wants more immigrants from Scandinavian nations like Denmark to enter the country instead of people from “shithouse” or “shithole” countries like Africa. He seems to possess the notion that Scandinavia hadn’t been touched by the Mother Continent Africa. It also lies deep at its ROOTS.

One of the precious beads found buried along with a Bronze Age woman at a grave-site in the town of Olby in Denmark came from Africa. Researchers said, another was discovered in a necklace together with four pieces of amber at the burial location of a second woman. The glass beads discovered in 3,400-year-old Danish graves were Kemetic in origin made by King Tutankhamun’s Workshop.

Analysis revealed that the beads buried with the women were created at a workshop located in Amarna, the capital city newly established and built by Pharaoh Akhenaten during the late 18th Dynasty and abandoned following his death in 1332 BC.

Pharaoh Amenhotep IV, Akhenaten- Neferkheperure

Glass from this same workshop was used in Tutankhamun’s death mask during his funeral in 1323 BC.

Without the Mother Continent AFRICA, Donald J. Drumpf could be sitting atop on the Benben Stone in the mist of CHAOS in the 21st century still waiting for the Magic- King Among the Frogs.

Let me close on the invisible magical power of voice and sound (HEKA) of Sheymayet Whitney Houston. SHEYMAYET (user- MA’AT- ra-setp-en-ra Monthu-in-the-two-lands), I WILL ALWAYS LOVE YOUI need not say nothing else!

____________________________________________________________________________________________________

[1] https://www.vox.com/2018/1/16/16897016/trump-shithole-shithouse-countries

[2] https://www.historyonthenet.com/authentichistory/diversity/african/3-coon/6-monkey/

[3] https://www.billboard.com/articles/columns/hip-hop/7857106/jay-z-the-story-of-oj-mark-romanek-behind-the-scenes

[4] https://en.wikipedia.org/wiki/Atlantic_Records_Group

[5]

[6] https://www.billboard.com/articles/columns/chart-beat/7973958/cardi-b-no-1-hot-100-post-malone-portugal-the-man

[7] https://en.wikipedia.org/wiki/Kodak_Black

[8] https://twitter.com/iamcardib/status/861019973078183936?lang=en

[9] https://www.turkishnews.com/tr/content/2017/11/07/mk-ultra-project-the-cia-tavistock-institute-and-the-global-intelligence-police-gestapo-state/

[10] https://en.wikipedia.org/wiki/John_Rawlings_Rees

[11] http://kemetichistoryofafrikabluelotus.blogspot.com/2008/10/benu-bennu.html

[12] http://www.trickedbythelight.com/tbtl/2012-Olympics-World-Olympic-Games-Closing-Ceremony-In-London/2012-Olympics-World-Olympic-Games-Closing-Ceremony-London.htm

[13] http://aanirfan.blogspot.com/2015/03/kurt-lewin-tavistock-isis.html

[14] http://www.theoccidentalobserver.net/authors/Whitcombe-AdornoII.html

[15] https://en.wikipedia.org/wiki/Atlantic_Records

[16] http://www.closinglogos.com/page/Warner+Bros.+Pictures

[17] http://aanirfan.blogspot.com/2015/03/kurt-lewin-tavistock-isis.html

 

[18] http://www.verlaine.pro.br/txt/adorno-on-jazz.pdf

[19] http://www.theoccidentalobserver.net/authors/Whitcombe-AdornoII.html

[20] http://thepowerofsound.net/psychoacoustics-defined/

[21] https://en.wikipedia.org/wiki/Sound

[22] https://holyscience.wordpress.com/in-the-beginning-was-the-vibration/

[23] http://www.dailymail.co.uk/tvshowbiz/article-4142244/How-CIA-bid-turn-Uri-Geller-weapon-backfired.html

[24] http://www.keelynet.com/keely/puha1.txt

[25] http://www.techtimes.com/articles/15462/20140912/what-sound-atom-soft-sounds-hit-one-note.htm

[26] http://www.historyofmusictheory.com/?page_id=204

[27] https://en.wikipedia.org/wiki/D_(musical_note)

[28] http://epublications.bond.edu.au/cgi/viewcontent.cgi?article=1012&context=cewces_papers

[29] https://en.wikipedia.org/wiki/Office_of_Scientific_Research_and_Development

[30] https://en.wikipedia.org/wiki/Tom_Dowd

[31] http://www.bbc.co.uk/schools/gcsebitesize/science/ocr_gateway/energy_resources/big_bangrev1.shtml

[32] https://en.wikipedia.org/wiki/Old_Kingdom_of_Egypt

[33] http://ancientegyptonline.co.uk/ogdoad.html

[34] https://en.wikipedia.org/wiki/Tutankhamun

[35] http://www.history.com/news/researchers-say-king-tuts-dagger-was-made-from-a-meteorite

[36] http://kemetichistoryofafrikabluelotus.blogspot.com/2008/10/benu-bennu.html

[37] https://en.wikipedia.org/wiki/Heliopolis_(ancient_Egypt)

[38] http://www.ancient-wisdom.com/egyptgeodesy.htm

[39] Id.

[40] https://www.ancient.eu/Ma’at/

[41] https://drdanielmitchell.wordpress.com/2013/11/14/the-benben-stone-of-ancient-egypt-carried-the-life-giving-seed-of-atum-the-creator-of-the-universe/

[42] https://drdanielmitchell.wordpress.com/2013/11/14/the-benben-stone-of-ancient-egypt-carried-the-life-giving-seed-of-atum-the-creator-of-the-universe/

[43] http://philipcoppens.com/heliopolis.html

[44] http://onlinelibrary.wiley.com/doi/10.1029/JZ069i009p01895/abstract

[45] http://www.world-nuclear.org/information-library/nuclear-fuel-cycle/uranium-resources/the-cosmic-origins-of-uranium.aspx

[46] http://www.eschooltoday.com/energy/non-renewable-energy/what-is-uranium.html

[47] http://www.sciencemag.org/news/2010/01/egyptian-eyeliner-may-have-warded-disease

[48] https://www.acs.org/content/acs/en/pressroom/newsreleases/2010/january/ancient-egyptian-cosmetics.html

[49] http://www.luispellegrini.com.br/tag/explosao-nuclear/

[50] http://www.egyptominia.com/2017/04/scientific-miracle-of-pharaohs.html

 

[51] http://www.egyptominia.com/2017/04/scientific-miracle-of-pharaohs.html

[52] https://www.ancient.eu/Karnak/

[53] https://archive.archaeology.org/1207/features/valley_of_the_kings_egypt_chantress_coffin.html

[54] https://en.wikipedia.org/wiki/Meresamun

[55] http://judithweingarten.blogspot.com/2009/03/

[56] https://wikivisually.com/wiki/Amenirdis_II

[57] https://oi.uchicago.edu/collections/highlights/highlights-collection-egypt

[58] http://egiptoenimagenes.blogspot.com/2015/12/fragment-from-tomb-of-diesehebsed.html

[59] http://www.ancient-origins.net/news-history-archaeology/tjayasetimu-child-star-ancient-egypt-001643

[60] http://www.historyofmusictheory.com/?page_id=18

[61] http://ekunyisembers.com/tag/music