JUNGLE ACTION: JAYBO, THE BLACK PANTHER & THE DEHUMANIZATION OF BLACK PEOPLE

27 03 2018

I

THE BEAST &  THE BLACK PANTHER MOVIE CHARACTER 

HollyWeird does not make movies to entertain black people, or enhance the self esteem of their children. A great deal of black families have been deceived and coached by mass corporate media into the theater to subject their children to clandestine psychologically warfare- sophisticated systems and advance levels of double binds and cognitive dissonance.  Among so many other clandestine HollyWeird- CIA things, demonic spells and spirits, The Black Panther movie has been interwoven within a web of a covert New World Order Gay Agenda that is designed to deliberately harm the psyche of black children.

Vanity Fair writer Joanna Robinson reported that she’d seen footage from Black Panther in which the African king’s chief of security Ayo (Florence Kasumba) flirts with Okoye (Danai Gurira), a fellow member of King T’Challa’s elite Wakandan warrior squadron, known as the Dora Milaje.

The Black Panther & Wakanda Jungle Action- Ayo and Okoye

A few hours later, a Marvel representative said their relationship was not intended to be romantic, but the rumor of romance between the two women reappeared. E. Oliver Whitney of ScreenCrush asked the film’s co-writer, Joe Robert Cole, about whether the script ever showed Ayo and Okoyo as lesbian lovers, and Cole said, “I think the short answer is yes“. The LGBT (lesbian, gay, bisexual, and transgender) community is upset with Disney and Marvel, because they didn’t see Avo and Okoye  get down to “every thang  is every thang“, and “knock some boot” in The Black Panther movie.

 Florence Kasumba & Danai Gurira Knock the Boots in The Black Panther for the Kids and Babies

So, was The Black Panther for the children, or secretly advance the lesbian, gay, bisexual, and transgender agenda among black children?

Robin:  “Holy safari, Batman!”

A rock the house Jungle Actionknocking the bootslesbian love scene in the movie would have surprised a whole bunch of children.

And, there are questions whether Eric Killmonger was originally created a “Gay” black male character. Furthermore, Black Revolutionaries are not called a “killmonger“- Merchant of DeathNEVERTHELESS.

THE BLACK PANTHER is a half man or semi- human animal created by a mix of afro-futurism technology (whatever Disney believes that to be) and Vodun inspired spiritualism, including visits to the ancestral plane. The Black Panther’s abilities are not God-given powers, but stem from his consuming a very rare plant, which is made into a magical potion that is drunk only by king.

The Heart-Shaped Herb potion created by Panther Goddess Bast drank by the king has been found to be a plant mutated by a meteorite of vibranium (uranium) that landed in Wakanda millions, tens or hundreds of thousands of years ago.

In the 18th Dynasty Kemet, the infamous ancient Pharaoh Tutankhamun was well of the  extraterrestrial properties of heavy metals and uranium in meteorites that had fallen in Kemet tens and hundreds of thousands and millions of years ago. The knew how to separate them.

Statue of Sekhmet, Temple of Mut, Karnak, 18th Dynasty, Reign of  King Tut’s Grandfather Pharaoh Amenhotep III

Bastet or Bast, the ancient cat goddess of Lower Kemet, was occasionally given a lion head and spoken of as a devastator.  But more often she was seen as the benign counterpart of the dangerous Sekhmet:  “Sekhmet of yesterday, Bastet of today”, as a hymn from Ptolemaic Edfu (provincial town from the end of the Old Kingdom) put it.

Angela Bassett & Lotus Flower – Sacred Symbol of the Sun & Rebirth 

Angela Evelyn (Bastet) Bassett stars in The Black Panther movie. She is a HollyWeird New Age conjurer and witch associated with raising demonic entities and spirits In recent times, Sekhmet has become bastardized as a cult figure of New Age Religion. New Age Shamans use rituals to invoke Egyptian goddess Sekhmet to bring about transformation at the deepest levels of being. Sekhmet also represents to them the trans formative power of kundalini energy, or sekhem. In extreme remote antiquity, Sekhmet presented the destructive nature of Comet-Planet Venus on earth.

The Black Panther is a reborn animal-like savage destructive universal nature.

II

JAY Z, JAYBO & BLACK SIMIAN AND HOMINOID ASSOCIATION 

JAYBO is a harmful simianized hominoid global mass commercial black/Negro caricatureJAYBO represents the half man, half human animal like The Black Panther. It is a higher primates- half simian monkey or Great Ape Homoinoidea orangutan not unlike the Ape-Man M’Baku and the Great White Gorilla Cult of The Black Panther movie associated with the Congolese Black Africans.

The idea that the various human “races” were created independently by God or evolved from separate ape/monkey ancestors, has its origins with 18th Century French intellectuals, e.g. Voltaire and Cuvier, who divided humanity into “civilizedCaucasians (= whites) created by God and “barbaric’ Negros (= blacks) derived from the “monkey tribe”.

This tradition was continued by paleontologists, e.g. Louis Agassiz in the U.S. and in Europe by Karl Vogt. Despite Darwin’s detailed refutation of polygenism in his The Descent of Man (1871), polygenism was supported, in various guises; by eminent evolutionists (e.g. Alfred Russell Wallace and Ernst Haeckel compared Negroes to “four-handed” apes).[1]

JAYBO & NEGROTUDE

Dr. Benjamin Rush, a signer of the Declaration of Independence, believed that mad people could be calmed by blood-letting from 20 to 40 ounces of blood at one time. Dr. Rush then developed a “tranquilizer chair” in 1811. This invention efficiently kept a person securely immobile and had a wooden box in which their head would be put into in order to keep the person subdued. Dr. Rush was the first to describe a pathological incurable medical condition called “Negrotude”. Negrotude was a mild form of leprosy which symptoms included such as blackening of the skin; big lips, flat nose, wooly hair. The only evidence of a cure was when the “skin turned white”. Dr. Rush used “disease” as a justification for African slavery and segregation. Negrotude was an immutable genetic disease that allowed blacks only to be medically cleared for work as domestic workers that had to be sexually segregated.

In 2008, research presented in a new paper by psychologists at Stanford, Pennsylvania State University and the University of California-Berkeley revealed that many Americans subconsciously associate blacks with apes [and hominoids]. In addition, the findings show that society is more likely to condone violence against black criminal suspects as a result of its broader inability to accept African Americans as fully human, according to the researchers.

Generally widely accepted commercial such as JAYBO and The Black Panther are dangerous false ILLUSIONS. They add fuel to the broader universal and global inability and unwillingness to accept Africans and African Americans as fully human whether it is conscious or subconscious. And, if leading black intelligentsia and corporate leaders don’t openly vehemently object to them, then the conscious or subconscious may become global acquiescence, derived from the Latin acquiēscere (to find rest in).

Co-author Jennifer Eberhardt, a Stanford associate professor of psychology who is black, said she was shocked by the results, particularly since they involved subjects born after Jim Crow and the civil rights movement.

“This was actually some of the most depressing work I have done,” she said. “This shook me up. You have suspicions when you do the work intuitions you have a hunch. But it was hard to prepare for how strong [the black-ape association] was how we were able to pick it up every time.”

The paper, “Not Yet Human: Implicit Knowledge, Historical Dehumanization and Contemporary Consequences,” is the result of a series of six previously unpublished studies conducted by Eberhardt, Pennsylvania State University psychologist Phillip Atiba Goff (the lead author and a former student of Eberhardt’s) and Matthew C. Jackson and Melissa J. Williams, graduate students at Penn State and Berkeley, respectively. The paper is scheduled to appear Feb. 7, 2008 in the Journal of Personality and Social Psychology, which is published by the American Psychological Association. Don’t get it twisted. Dehumanization and subliminal and conscious acceptance of violence against blacks is not confined to criminal suspects.

III

GERMANY’S WAR OF GENOCIDE AGAINST MONKEYS

Everywhere, fear gripped German society that its racial superiority would be poisoned by Negro blood[3]

It was General von Trotha, Supreme Commander of German Southwest Africa that said, “A humane war cannot be waged against those who are not human.” Africa of Southwest Germany colonial officials and military men viewed the Herero cultural group as a form of baboon or other monkey, but not human. One German in Southwest Africa wrote: “We should burn all these dogs and baboons.[5]

The Herero were originally a group of cattle herders living in the central-eastern region of South West Africa, presently modern Namibia. The area occupied by the Herero was known as Damaraland. The Nama were pastorals and traders living to the South of the Herero. From 1904- 1907, in total some 65,000 Herero, about 80% of the Herero population, and 10,000 Nama, about 50% of the Nama population, perished. The genocide was carried out by mass slaughter, starvation and by poisoning the wells of the Herero amongst other crimes against humanity and tactics. Thousands of Herero and Nama were imprisoned in concentration camps, where the majority died of disease, abuse, and exhaustion.[6] Germany’s Southwest African war was a campaign of mass racial extermination and collective punishment that the Reich undertook against the Herero, Nama and San people. It is considered the first mass genocide of the 20th century that the world failed to take any real action against, or try to stop. The Nazi took it a giant step backward.[7]

National Socialism [Nazi Party] is nothing more than applied biology.” Rudolph Hess, Deputy Reichsfurhrer

Nazi Party eugenics was Nazi Germany’s racially based social policies that placed the biological improvement of the Aryan race or Germanic “Übermenschen” master race through eugenics at the center of Nazi ideology and geopolitics.[2] The Fuhrer Adolf Hitler was created, molded, and nurtured by National Socialism (Nazi Party) to lead Germany into one of world’s most ruthless and satanic homicidal campaigns of global racial purification and annihilation in history. World War 2 could have very well been described a global race war.

Unchallenged, we tread on very dangerous grounds with the black-ape association ILLUSION even in the 21st century.

__________________________________________________________________________________________________

[1] https://theconversation.com/comparing-black-people-to-monkeys-has-a-long-dark-simian-history-55102

[2] https://en.wikipedia.org/wiki/Nazi_eugenics

[3] https://www.timesofisrael.com/in-germanys-extermination-program-for-black-africans-a-template-for-the-holocaust/

[4] https://en.wikipedia.org/wiki/Wilhelm_II,_German_Emperor

[5] Id.

[6] http://combatgenocide.org/?page_id=153

[7] https://en.wikipedia.org/wiki/Herero_and_Namaqua_genocide

[8] https://www.theatlantic.com/magazine/archive/2011/06/red-rosa/308500/

[9] http://www.ancientegyptonline.co.uk/nabtaplaya.html

[10] http://www.crystalinks.com/nubia.html

[11] http://www.astrotheologyzone.com/egypt.html

[12] http://1stmuse.com/maria_orsitsch/

[13] http://www.bibliotecapleyades.net/sociopolitica/sociopol_thule08.htm

____________________________________________________________________________________________________

IV

JAYBO & JAY Z LESSONS NOT LEARNED IN THE 21ST CENTURY

Jaybo, Jay Z & The Shady Lady Kingpin Cocaine Trafficker, Desiree Perez

During the CIA crack cocaine epidemic in 1994, Jay Z’s  Desiree Perez, Chief Operating Officer of Carter Enterprises, LLC, was busted in Brooklyn with 35 kilos (about 80 pounds) of cocaine with an estimated street value of at least up to $14 million. She was a part of a massive Mafia New York to Florida to Puerto Rico – Columbian cocaine distribution ring. She should have been prosecuted as a Chapter 13 of Title 21 of the United States Code, 21 U.S.C. § 848 federal drug “KINGPIN” in the Southern District of Florida.[1],[2]

U.S. Attorney Laurence Bardfeld, the U.S. Attorney for the Southern District of Florida, the chief federal law enforcement officer for the District, argued in Perez’s behalf to keep her out prison. The Southern District of Florida encompasses a geographical area of approximately 15,197 square miles extending south to Key West, north to Sebastian and west to Sebring. The Southern District includes the counties of Miami-Dade, Broward, Monroe, Palm Beach, Martin, St. Lucie, Indian River, Okeechobee and Highlands.[3]

Desiree Perez is a DEA/FBI agent and informant that was released from the federal prison custody and placed on five years of supervised release. She began working at nightspots in Miami Beach and was scheduled to meet her probation officer at the Club Onyx, when she skipped town without notice in early August 1997. The fugitive Perez resurfaced nine month later in Brooklyn, where she was arrested on March 5, 1998. Perez was charged with grand larceny, criminal use of drug paraphernalia and criminal possession of a firearm. Her probation was revoked and she was sentenced to just only 9 (nine) months in prison and 3 (three) years of supervised release instead of at least life imprisonment as a major federal “kingpin” drug dealer. Perez appears to have been in business with Jay Z since at least 2002Perez’s felonious federal drug kingpin criminal records have been court sealed.[4]  Jay Z and the felonious drug trafficker Shady Lady created the racist simian-hominoid black caricature JAYBO.

On the street, drug dealers often say that they aren’t the source of the problem for drug addiction and death in the black community. They say that the n-word (niggas) want to commit suicide. They only help them KILL THEMSELVES. Black children need heroes and super heroes too, but we can’t sit by in idle silence while Jay Z and the Shady Lady profit again from the spiritual assassination and subconscious death of the masses like merchants of DEATH.  I have filed a formal objection to the JAYBO trademark application for federal protection. Whatsoever publish this demeaning black hominoid caricature in commerce to deliberately profit from the sadistic dehumanization of black people shall ACCOUNT! 

________________________________________________________________________________________

[1] https://www.indiatimes.com/news/world/35-kilos-of-cocaine-worth-rs-94-crore-found-in-a-horse-sculpture-in-new-zealand-257703.html

[2] http://www.nydailynews.com/blogs/iteam/damon-dash-scared-news-report-a-rod-pal-desiree-perez-blog-entry-1.2146139

[3] https://www.justice.gov/usao-sdfl

[4] http://www.nydailynews.com/sports/i-team/babe-ruthless-rod-shady-lady-article-1.1796578

IN THE UNITED STATES PATENT AND TRADEMARK OFFICE

BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD

 

RAYFORD BULLOCK,                   

                     Opposer,

   Opposition No.

                      Trademark No. 87517427

                             Mark: JAYBO, Pseudo Mark

                        Filing Date: July 06, 2017

                                              Publication Date: February 13, 2018

                                                                                 

S. CARTER ENTERPRISE, LLC,

                      Applicant.

I

NOTICE OF OPPOSITION

 RAYFORD BULLOCK, a Black resident of the State of California, City of Pittsburg, County of Contra Costa (hereafter called “Opposer”), believes that he will be damaged by the registration of the mark shown in Application Serial No. 87517427, filed by S. Carter Enterprise, LLC (hereafter called “Applicant”) on July 06, 2017, and opposes Application Serial No. 87517427.

The Opposer is a former member of the Black Panther Party for Self Defense (BPP), Oakland, CA. The Opposer BPP membership is confirmed and verified by his name that appears above in its official newspaper organ, The Black Panther, Intercommual News Service, January 31, 1969.

The grounds for this opposition are as follows:

A

Applicant’s Mark is a Lying and Pretext Mark

1 .The “applicant” S. Carter Enterprises LLC [Shawn Corey Carter] is known professionally as JAY-Z– an American rapper and businessman. Applicant’s MARK is actually a caricature of JAY-Z.  The applicant is now engaged in the manufacture, distribution, sale, advertising and promotion of a wide range of promotional goods and services including clothing of the MARK’s CARICATURE, JAYBO or JAYBO, that are not: “Candles; scented and perfumed candles; aromatherapy fragrance candles; votive candles; candle torches; wicks for candles; scented wax for use in candle warmers; candles for night lights; tea light candles.”

  1. In lieu of the U.S. Supreme Court ruling in Matal v. Tam, 137 S. Ct. 1744 (June 19, 2017) that the Lanham Act’s disparagement clause violates the Free Speech Clause, whether or not JAYBO is disparaging to any person or racial is not at issue in this case. However, it may be relevant on the issue of the Applicant’s motive to deceive the trademark act. “Our legal system provides methods for challenging the Government’s right to ask questions — lyingis not one of them.” [Making false statements (18 U.S.C. § 1001), Brogan v. United States, 396 U.S. 64, 72 (1969]

B

The applicant’s MARK: JAYBO does in fact identify a particular living individual that is in fact a black caricature of Shawn Corey Carter known professionally as JAY-Z.

  1. The applicant’s MARK is better described as a suitcase that hides the applicant’s racist black caricature of the rapper, JAY-Z, inside.

C

The applicant’s MARK: JAYBO is an attempt to DECEIVE

  1. JAYBO or JAY-BO represents a racist caricature of BOSKO re-imaged as the applicant in commerce currently bought and sold on a large scale.

D

Applicant’s Mark Lack Sufficiently Originality to Warrant Copyright Protection.

  1. Applicant’s Mark is complete textual “JAYBO”. Applicant’s Mark statement says that the mark consists only of “standard characters, without claim to any particular font, style, size, or color.”

II

PROCEDURAL HISTORY OF THE MARK: JAYBO

 

  1. Trademark/Service Mark Application, Principal Register
Serial Number: 87517427
Filing Date: 07/06/2017
 

OWNER OF MARK: S. Carter Enterprises, LLC

MARKJAYBO

STANDARD CHARACTERS: YES

LITERAL ELEMANT: JAYBO

MARK STATEMENT: This mark consists of standard characters, without claim to any particular font, style, size, or color.

10/3/2017 12:24:30 PM

The assigned examining attorney has reviewed the referenced application and determined the following.

  1. Offc Action Outgoing

Date Sent: 10/03/2017

UNITED STATES PATENT AND TRADEMARK OFFICE (USPTO)

OFFICE ACTION (OFFICIAL LETTER) ABOUT APPLICANT’S TRADEMARK APPLICATION

U.S. APPLICATION SERIAL NO.  8751742

APPLICANT: S. Carter Enterprises, LLC

CORRESPONDENT’S REFERENCE/DOCKET NO: 22485.00001

NAME IN MARK

Applicant must clarify whether the name JAYBO in the mark identifies a particular living individual.  See 37 C.F.R. §2.61(b); TMEP §§813, 1206.03.  In this case, the application neither specifies whether the name in the mark identifies a particular living individual nor includes a written consent.  See TMEP §§813.01(a)-(b), 1206.04(a), 1206.05.

To register a mark that consists of or comprises the name of a particular living individual, including a first name, pseudonym, stage name, or nickname, an applicant must provide a written consent personally signed by the named individual.  15 U.S.C. §1052(c); TMEP §§813, 1206.04(a).

Accordingly, if the name in the mark does not identify a particular living individual, applicant must submit a statement to that effect (e.g., “The name shown in the mark does not identify a particular living individual.”).

However, if the name in the mark does identify a particular living individual, applicant must submit both of the following:

(1)       The following statement:  “The name(s) shown in the mark identifies a living individual(s) whose consent(s) to register is made of record.”  If the name is a pseudonym, stage name, or nickname, applicant must provide the following statement:  “JAYBO identifies <specify actual name>, a living individual whose consent is of record.”

(2)       A written consent, personally signed by the named individual(s), as follows:  “I, <specify name>, consent to the use and registration  of my name, JAYBO, as a trademark and/or service mark with the USPTO.”

8. Applicant’s Response to Office Action 

Date: December 28, 2017

SERIAL NO.  8751742

MARK: https://tmng-al.uspto.gov/resting2/api/img/87517427/large

MARK STATEMENT: This mark consists of standard characters, without claim to any particular font, style, size, or color.

NAME(S), PORTRAIT(S), SIGNATURE(S) OF INDIVIDUAL(S): The name(s), portrait(s), and/or signature(s) shown in the mark does not identify a particular living individual.

ORIGINAL PDF FILE: HS_389416710-164142961_._Signed_Declaration.pdf

SIGNATORY’S NAME: Desiree Perez

SIGNATORY’S POSITION: COO [Chief Operation Officer]

III

APPLICANT’S MARK AT ISSUE

  1. The Opposer maintains that the applicant’s mark at issue is a Lying and Pretext Mark.

Exhibit A-  the real “JAYBO”

  1. Exhibit A is the applicant’s true and actual “JAYBO” mark in commerce. And, by its very nature- it is not impossible, but extremely unsuitable for “Candles; scented and perfumed candles; aromatherapy fragrance candles; votive candles; candle torches; wicks for candles; scented wax for use in candle warmers; candles for night lights; tea light candles.”

IV

LET US MEET BOSKO

  1. BOSKOis a racist animated cartoon character created by1920-30s era white animators Hugh Harman and Rudolf Ising of Kansas City, Missouri. In the history of the United States, Missouri was a slave state– a state in which the practice of African Human Bondage was legal.
  2. BOSKO is the first recurring character in Leon Schlesinger‘s cartoon series, and is also the star of over three dozen extremely racist Looney Tunesshorts released by Warner Bros.
  3. Hugh Harman made drawings of a new character and registered it with the copyrightoffice on January 3, 1928. The character was registered as a “Negroboy” under the name of BOSKO.
  4. The original BOSKO character clearly appears to be an adult. However in former slave states, it was a customary psychological tactic to continually humiliate and emasculate Black men by calling them “BOYS” throughout their lives from infancy to old age to satisfy a byproduct of the horrible Institution of African Human Bondage– a sick racial psycho-sexual white superiority complex.

BOSKO WITH ANIMAL CLAWED FEET

  1. When BOSKO was created in 1928 as an ante bellum slavery classic cognitive empathy of the majestic falsehood that black people are less than human, it was well understood in the animation industry that the southern “Negro Boy” was depicted to represent a simian “MONKEY” that justified the global institutional enslavement of the African. BOSKO can procreate, but it will not be allowed by white society to create or originate just the same as a primate.
  2. BOSKO’s black skin; gruesome big lips, eyes and wooly hair constitute symptoms of a pathological incurable 18th century ante bellum slavery medical condition called “Negrotude” – a mild form of Leprosy that justified special criminal and sexual prohibitions, racial discrimination; and strict segregation of Africans within white society.
  3. BOSKO carries a lot of racial hatred, wounds and baggage. It certainly stands to reason that BOSKO is an extremely horrible and racist character and caricature that should have been left to die in the early 20st century or flushed down the toilet in the 21st century. It is certainly something to lie about, hide and conceal from the U.S. Trademark Office and public if BOSKO is resurrected in any form whatsoever and for whatsoever reasons, and the applicant is attempting to revive him. BOSKO arise, and rides again behind the veil of the power, authority, shield and sword of The Lanham Act.

V

THE LANHAM (TRADEMARK) ACT

18.The Lanham Act of 1946, also known as the Trademark Act (15 U.S.C.A. § 1051 et seq, ch.540, 60 Stat. 427 [1988 & Supp.V 1993]), is a federal statute that regulates the use of Trademarks in commercial activity.

  1. Trademarks are distinctive pictures, words, and other devices used by business to identify their pictures, words, and other symbols or devices used by businesses to identify their goods and services.
  2. The Lanham Act is like a shield that gives the trademark users exclusive rights to their marks, thereby protecting the time and money invested in those marks. The act also serves to reduce consumer confusion in the identification of goods and services.
  3. The Lanham Act is also like a sword that gives trademark users a plethoric of legal procedures and remedies to strike with under federal law to help enforce their rights attached to qualified trademarks.

VI

IN A PETITION TO OPPOSE A MARK INTENT TO DECIEVE MUST BE SUPPORTED BY CLEAR AND CONVINCING PROOF

  1. The Trademark Opposer carries the burden of proof by clear and convincing evidence to support an inference of deceptive intent (FRAUD, INTENT TO DECIEVE).
  2. The precise meaning of “clear and convincing proof” does not lend itself readily to definition. It is, in reality, a question of how strongly the minds of the trier or triers of fact must be convinced that the facts are as contended by the proponent. In the ordinary civil suit, the proponent must persuade the jury (or judge, if there is no jury) that the facts are more probably true than not true. Where clear and convincing proof is required, the proponent must convince the jury or judge, as the case may be, that it is highly probable that the facts which he asserts are true. He must do more than show that the facts are probably true. (COMMENT, EVIDENCE: CLEAR AND CONVINCING PROOF: APPELLATE REVIEW, CALIFORNIA LAW REVIEW, Vol. 32, Issue 1, March 1944, pg. 75)

VII

APPLICANT’S REAL MARK CONCEALED IN THE SUITCASE

  1. On October 03, 2017, the USPTO identified the Mark, “JAYBO”, as a name that did not show whether or not it identified a particular living individual. USPTO asked applicant to respond, accordingly.
  2. On December 28, 2017, the applicant responded that the name, “JAYBO” shown in the mark does not identify a particular living individual. It had been so declared by the applicant by signatory Desiree Perez, COO- ” S. Carter Enterprises LLC.
  3. Desiree Perez’s declaration is in evidence, and it states the following:

DECLARATION

The signatory  believes that: the applicant is entitled to use the mark in commerce on or in connection with the goods or services specified in the application; the applicant has a bona fide intention to use the mark in commerce and had a bona fide intention to use the mark in commerce as of the application filing date; and to the best of the signatory’s knowledge and belief, no other person has the right to use the mark in commerce, either in the identical form or in such near resemblance as to be likely, when applied to the goods and/or services of such other person, to cause confusion or mistake, or to deceive. The signatory’ being warned that willful false statements and the like are punishable by fine or imprisonment, or both, under 18 USC §1001, and that such willful false statements and the like may jeopardize the validity of the application or any registration resulting therefrom, declares that all statements made of his or her own knowledge are true and all statements made on information and belief are believed to be true.

Dated: ___10/20_______, 2017

  1. CARTER ENTERPRISES, LLC

By: Desiree Perez                    Title: COO

  1. Perez’s statement that the mark, “JAYBO”, does not identify a particular living individual is a false statement. JAY-BO is her business partner, the self-guru, JAY-Z.

28. Throughout the U.S. music and entertainment industry, the “JAYBO” character is known as applicant’s real trademark. It is known internationally that the “JAYBOless than human animated simian BOSKO character is the applicant’s real trademark.

JAY Z- JAYBO

  1. “The 48-year-old rapper has filed a trademark on his animated character that appeared on The Story of OJ music video last year according to a Monday report from TMZ.” (Daily Mail. Com, January 15, 2018)

VIII

FACT: JAY Z CREATED HIMSELF AS JAYBO – AN OFFENSIVE RACIST MUTANT CHARACTER CARICATURE OF BOSKO

Exhibit B- Shawn Jay Z Carter (JAYBO) President

  1. The Story of O.J.” is a song by Jay-Z from his thirteenth studio album 4:44 released on June 30, 2017. Roc Nation, LLC is an American entertainment company founded by Shawn “JAY-Z” Carter in 2008. Desiree Perez is also COO of Roc Nation, LLC.

Da Story of O.J., Jaybo, Roc Nation & Jay Z

  1. The creation of applicant’s mark JAYBO began with JAY-Z’s track, “The Story of OJ”. Jay Z and Mark Romanek brainstormed an idea character for a video where the track “The Story of OJ” would play over visuals of him and black people derived from old, racist [BOSKO] cartoons from the 1930s-40s. JAYBO was deliberately created as another purveyor of the cognitive empathy of the majestic falsehood that black people are less than human.
  2. Video directors Mark Romanek and Jay-Z of Roc Nation collaborated over the course of six weeks with a team of animators, 3D modelers, and designers to produce the character caricature, JAYBO.
  3. Roc Nation employed The Mill with Titmouse to handle video character design and animation. Illustrator, vis-dev artist, art director, Rustam Hasanov, was lead character designer on the Roc Nation project. 
  4. Rustam Hasanov, Development Guide for the Character of JAYBO [Opposer added JAY Z picture to Development Guide]
  5. Rustam Hasanov, “There was a ballpark, a grey area of we could hit and if we didn’t quite get it right I knew it could be catastrophic and that it could be misconstrued and misinterpreted in term of what the intention behind the video was. So, we were very careful about how we were going to address all the stereotypes and how we were going to clarify exactly what the designs were going to say.” (https://kulturehub.com/jay-z-oj-designer/
  6. Above, Rustam Hasanov’s [JAY Z] J- BOSCO [BOSKO] Turnaround- there is absolutely no doubt that JAYBO had been created in the image of BOSKO as a purveyor of the ante bellum slavery classic cognitive empathy of the majestic falsehood that black people are less than human.
  7. Rustam Hasanov, Imagine doing these horrible racial stereotypes and turning them into entertainment for children. If you are an artist you know exactly what you are doing and you know that it’s bad, but they did it anyway. That’s exactly what we were doing too. That was the part we were nervous about, are we just repeating the same thing and are we fetishizing these stereotypes or are we making a statement? To us very much, we were on the side that we are not regurgitating this content, we’re making a statement about it.” (https://kulturehub.com/jay-z-oj-designer/)
  8. Rustam Hasanov, “I found out from Tim Delvin who was the art director. I basically came in, he pitched the project to me, what the idea was and said, ‘it is for Jay-Z.’ At that point, I didn’t know the song and I thought, ‘God this could go very wrong’ because he just showed some imagery- the racist references and cartoons were shown to me first. Yeah, that was a little unnerving.” (https://kulturehub.com/jay-z-oj-designer/)
  9. JAY-Z had himself reimagined as “JAYBO” or “JAY BO” a play off of the racist black caricature, BOSKO, for his song “The Story of O.J.” from his 13 (thirteenth) studio album 4:44 as some kind of black hominoid/simian financial and philosophical guru.

Contrary to the applicant’s sworn declarations, JAY BO, represents a living person- JAY Z [Shawn Corey Carter], and his ideology. JAY to the Z is the same live person as JAY to the BO.

  1. The music video for “The Story of O.J.” features JAY-Z reimaged as the racist caricature character JAYBO premiered on July 5, 2017 on Jay-Z’s Vevo account on YouTube a day before he applied for U.S. trademark protection. (See https://en.wikipedia.org/wiki/The_Story_of_O.J.
  2. Jay-Z‘s “Story of O.J.”featured JAY-Z reimaged as the racist black simian or hominoid character JAYBO. It is an animated figure that appears to have been snatched directly from the minstrel show era with an uncanny resemblance to JAY-Z. The racist JAYBO or JAY BO, character image is intended to appear on merchandise coming soon after the pseudo mark, JAYBO, the Bosco/Little Black Sambo character, is trademarked officially.

(See http://hiphopwired.com/741575/get-ready-to-see-jay-zs-story-of-o-j-character-jaybo-on-merchandise-soon/)

  1. TMZreported: Hova’s company, S. Carter Enterprises, just filed docs to trademark the animated character figure, “JAYBO.” The plan is to plaster the little guy on T-shirts, sweaters, hats, blankets, shams, dinnerware, mugs, cocktail shakers and thermal containers.

It is Jay-Z’s lead characterJAYBO” from his “Story of O.J.” music video that has been drafted for a whole new role in fashion and home wares, not the pseudo nameJAYBO” or “JAY BO”.

  1. The applicant’s current U.S. Trademark application was made with the intention of putting the animated BOSKO “JAYBO” character on merchandise such as T-shirts and hats, as well as mugs and cocktail shakers, not the pseudo name “JAYBO” or “JAY BO”.
  2. In fact, the applicant has declared in its Trademark/Service Mark Application, Principal Register, Serial No. 87517427 that its goods and services “JAYBO” or “JAY BO” include the following: “Candles; scented and perfumed candles; aromatherapy fragrance candles; votive candles; candle torches; wicks for candles; scented wax for use in candle warmers; candles for night lights; tea light candles.”

IX

APPLICANT’S MARK IS TEXTUAL MATTER THAT IS NOT COPYRIGHTABLE

  1. Applicant’s Mark is complete textual “JAYBO”. Applicant’s Mark statement says that the mark consists only of “standard characters, without claim to any particular font, style, size, or color.”
  2. ETS-HOKIN v. SKYY SPIRITS INC., 225 F.3d 1068 (9th Cir. 2000), the court held that,

“[a] claim to copyright cannot be registered in a print or label consisting solely of trademark subject matter and lacking copyrightable matter.” 37 C.F.R. 202.10(b). Although a label’s “graphical illustrations” are normally copyrightable, “textual matter” is not–at least not unless the text “aid[s] or augment[s]” an accompanying graphical illustration. 1 NIMMER  2.08 [G][2], at 2-136. The label on Skyy’s vodka bottle consists only of text and does not include any pictorial illustrations.”

  1. In this case, the applicant’s Mark lacks enough originality to acquire copyright protection of their own. “Textual matter” is not copyrightable at least not unless the text “aid[s] or augment[s]” an accompanying graphical illustration. Applicant’s Mark is the same as Skyy’s vodka bottle above; it consists only of text and does not include any pictorial illustrations.

X

PRAYER

APPLICANT’S “REAL JAYBO”, BLACK PANTHER PARTY FOR SELF DEFENSE

  1. Opposer avers that the public have been confused, mistaken or deceived by the Applicant’s Concealed Actual Mark that represents real people and historical events involving the Opposer and the BPP. The offensive racist simian hominoid black caricature, the “REAL JAYBO” had absolutely NOTHING to do with the BPP or its historical events. Yet, at the very least 61 million people around the world have viewed the applicant’s less than human so called U.S. Copyrighted Black Panther caricature in applicant’s mass produced, “The Story of OJ”.
  2. Opposer avers that he will be damaged by the registration of the Applicant’s Lying Mark as set forth in Applicant’s Trademark Application Serial No. 87517427 that deliberately and intentionally conceals Applicant’s Actual Mark, a racist black caricature, which misconstrue, mis-educate the public regarding true historical individuals and events, and maliciously spread the majestic falsehood around the world that black people are less than human.
  3. Opposer avers that he has been and will continue to be damaged by the registration of the Applicant’s Lying Mark as set forth in Applicant’s Trademark Application Serial No. 87517427 that deliberately and intentionally conceals Applicant’s Actual Mark, a racist black simian/hominoid caricature, which humiliate, denigrate, and DEHUMANIZE him in commerce.
  4. Opposer avers that he has been and will continue to be damaged by the registration of the Applicant’s Lying Mark as set forth in Applicant’s Trademark Application Serial No. 87517427 that deliberately and intentionally conceals Applicant’s Actual Mark, a racist black simian/hominoid caricature, to deny him rights, and remedies under The Lanham Act, 13th (Badges and Incidents of Slavery) and 14th Amendment of the U.S. Constitution (Due process and Equal Protection).
  5. Opposer avers that he has been and will continue to be damaged by the registration of the Applicant’s Lying Mark as set forth in Applicant’s Trademark Application Serial No. 87517427 that deliberately and intentionally conceals Applicant’s Actual Mark, it is an Application designed to DECIEVE the Trademark Office, Commerce and the Public.
  6. Opposer avers that the applicant is wrongfully using the Lanham Act as his sword and shield to maliciously spread in commerce the ante bellum slavery majestic falsehood that black people are less than human.
  7. So that it is crystal clear, the Opposer’s notice and petition of opposition before the U.S. Trademark office is not based on applicant’s ugly racist and horrible animated character, but the fraud and deception that applicant committed in the application process with the intent to deceive and conceal applicant’s ugly racist and horrible animated character from the Trademark Office.

WHEREFORE, this Opposer, RAYFORD BULLOCK, believes and avers that it is being and continues to be damaged by registration of the proposed JAYBO trademark as aforesaid, prays that the said Application Serial No. 87517427 be rejected in accordance with the provisions of the Trademark Act, that no registration be issued thereon to Applicant, and that this Opposition be sustained in favor of Opposer.

Respectfully Submitted,

______________________________________

RAYFORD BULLOCK

Dated: March 08, 2018

 

 

 

 





JAY Z, JAYBO & PANTHER, “GET OUT”, THE NEGRO- APE METAPHOR CARICATURE: THE GLOBAL RACIST EUGENIC PLOT TO ANIMALIZE, SIMIANIZE AND COLONIZE BLACK PEOPLE

13 02 2018

I

THE BLACK PANTHER- FACT OR FICTION, IT’S UP TO YOU

Black Panther Party for Self Defense, Oakland, CA

Bobby Seale and Huey P. Newton founded the Black Panther Party for Self Defense in October 1966 at Merritt Jr. College in Oakland.

Black Panther Caricature- Out of the Heart of the Darkness, The African Jungle

The less than human Black Panther Caricature was developed by non people of color as a fantasy character by Marvel Comics part of its “JUNGLE ACTION” series.  I was just a Manchild when I became involved in the early formation of the Black Panther Party for Self Defense (BPP). I was just a classic Hemayet (Kemet- God’s VoiceDonny Hathaway’s throw away Little Ghetto Boy.

Little ghetto boy, playing in the ghetto street
Whatcha’ gonna do when you grow up
And have to face responsiblity?
Will you spend your days and nights in the pool room?
Will you sell caps of madness to the neighborhood?
Little ghetto boy
You already know how proud life can be
’cause you’ve seen so much pain and misery …

One day, I walked on a college campus following a young lady that I was trying to get next to. I was really looking for a hole in the ground to get high and hide my ugly black face when I first met Huey P. Newton and Bobby Seale at Merritt Jr. College in Oakland, CA. Before I knew it, I was caught up in a star burst and suddenly found myself trussed out into the middle of a vast unexplored universe.

Chairman Bobby Seale introduced me to the infamous Huey P. Newton iconic photo at the beginning of the Free Huey Campaign as a fundraiser. I was only a neophyte, but there was something spiritual and sacred about that picture. It was symbolic of something much bigger (African-ness) that I don’t believe many of us but Bobby and the wiser older brothers and sisters truly understood.

HORUS & HUEY

From the very beginning, they intended to slaughter Huey by satanic ritual sacrifice. The secret Knights of the Black Sun initiated the battle with Huey, Bobby and the BPP as spiritual warfare like something out of ancient mythology- Gods Set and  Horus. The war against the BPP was led by the CIASS Teutonic Knight Baron Otto von Bolschwing (Order of Brothers of the German House of Saint Mary in Jerusalem), and FBIMaster Mason J. Edgar Hoover (Thirty-Third Degree Grand Cross, Inspector General, Southern Scottish Rite Jurisdiction). They organized themselves as a clandestine Black Knight Masonic Panther Squad to kill the BPP.

They decided to kill Huey ceremonially – body, soul and spirit. The Nazi Luger Pistol represents a thing of great volkish mysticism, magic, superstition, and folklore. The pistol’s mystic power is part of a unique signature of Adolf Hitler’s racialist mass executioners, Reichsführer SS-1 Heinrich Himmler and the Cult of the Dark Messiah.

On the morning of October 28, 1967 on 7th Street in West Oakland, the Oakland Police Department (OPD) stopped a car driven by Huey P. Newton. After a physical confrontation, Officer John Frey, 23 years old, was found dead from gunshot wounds. OPD Officer Herbert Heanes was found alive at the scene also suffering gunshot wounds. Huey and their Mystic Nazi Luger Pistol were missing. The German Luger was no FANTASY. It was REAL!

“Three slugs were recovered: one from Officer Frey’s hip, one from Heanes’ left knee, and a third which had been lodged in the right front door of the Volkswagen. In additiontwo 9-mm. LUGER shell casings were found at the scene. One was in the street between the two police cars, the other near the left front bumper of Heanes’ car and approximately where Frey was lying. The 9-mm. bullets had been fired from an automatic (Officers Frey and Heanes carried .38-caliber Smith & Wesson revolvers). A live 9-mm. Luger cartridge was found on the floor of the Volkswagen, between the two front seats. Only Officer Heanes’ gun was found; he was holding it when the other officers arrived at the scene. Two rounds had been expended from the gun. Neither a LUGER nor Officer Frey’s revolver was found.” (THE PEOPLE, Plaintiff and Respondent, v. HUEY P. NEWTON, Defendant and Appellant. Docket No. 7753. Court of Appeals of California, First District, Division Four. May 29, 1970. 8 Cal.App.3d 359 (1970), 87 Cal. Rptr. 394)

The Mystic German Luger Pistol disappeared and remains hidden from the masses in the 21st century. Tellingly, the government did not trace the specially manufactured German Luger cartilages. On October 28, 1967, they intended to snuff out Huey’s life force with a SS-Knight of the Black Sun Mystic WeaponHuey P. Newton’s infamous photo is SACRED because it is symbolic of their failed SETHIAN ARYAN MAGIC.

In 2017, they employed their Knights Templar subservient puppet black Master Mason, Jay Z, to try to symbolically make a mockery and MONKEY of Huey.

In 2018, Marvel and Walt Disney Studios released a global mass population poster for its Black Panther film that allegedly suffered a severe backlash, because several pissed off ILLUMINATI critics compared it to the infamous iconic picture of Huey P. Newton. Their poster features the movie’s star, Chadwick Boseman, posing in costume as the titular Black Panther, the king of a fictional African nation ( an imaginary state,state of fantasy, a state to make believe), seated on his throne and (fake) looking powerful.

Marvel and Walt Disney Studios’ Black Panther is a fictional character- fictitious, fictive, invented, imaginary, made up, make-believe, unreal, fabricated, mythical fictional character. Both Marvel and Disney mass produce fantasies for the masses. The genre uses magic and other supernatural forms to create states of mind of fantasy. Be careful with the movie Black Panther– it treads on the dangerous ground of fantasy and delusions. Children may not be able to make the distinction between the two.

The most remarkable thing is that Marvel and Disney wasn’t even thinking of Brother Huey when they created a poster for a “Strong African King.” But the everlasting powerful iconic “Image of Huey P. Newton” that has become a powerful indelible global impression imprinted in the subconscious minds of the masses has made that character overwhelming human (MAAT) truth, justice, righteousness, harmony and balance; and REAL.

In fact, since Marvel’s creation of the Panther comic character in June or July 1966, it has tried desperately to distance itself from Huey, Bobby and the BPPMarvel’s Panther comic character did not precede the Black Panther Party.

The Lowndes County Freedom Organization (LCFO), also known as the Black Panther Party, was started in 1965 under the leadership and direction of Student Non-Violent Coordinating Committee (SNCC) BPP Honorary Prime Minister Stokely Carmichael. Actually, Huey and Bobby took over the Black Panther Party name from the Black Panther Party of Northern California (Kenny Freeman) prior to October 1966. Intelligentsia Freeman had also been one of my most beloved and persevering early ghetto boy Black Nationalist mentors. Freeman was another absolutely outstanding natural intellectual genius along with the minds of Huey, Bobby, and Stokely.

In extremely suspect timing on February 7, 2018, just days prior to the global release of Marvel and Walt Disney Studios’ Black Panther film, in a sensational article the ILLUMINATI MK ULTRA/MONARCH bi sexual- pedophilia handler and programmer Coon, Quincy Jones, said that Marlon Brandon had been a bi-sexual whore that had anally sexed Richard Pryor.

Quincy Jones & the Spell of Lucifer

Brando and Pryor’s in-laws have disputed Jones’ claims.     

Big Bobby & Brandon

Brother Bobby and the BPP held the esteemed Oscar winning actor in very high regard as a fair and just man. He was with the BPP when the CIA, FBI, OPD, Panther Squad ambushed members of the BPP slaughtering Little Bobby Hutton. Brandon was one of the few to speak truth to power. He risked his entire career to make sure that a much broader world knew that we were for REAL. He publicly defended us. They would have killed Brandon if they could have got away with it. The lawless Black Knight Masonic Panther Squad went after him with rage, revenge and unqualified zeal like an enemy of war.

Brandon & Little Ghetto Boy Princeray

I respected Brandon and actually treated him as he had treated me like a brother. On the late night popular TV show, Joey Bishop, Brandon made it REAL. He told a global audience that the police department [Black Knight Masonic Panther Squad] was out to “Get the Panthers“. He said that Little Bobby Huttoncame out of the house with his hands up and he was told to run for the car and he was shot dead and killed.” The Panther Squad couldn’t harm Brandon like one of us or a hated white sympathetic follower because he was far too respected, public, high profile, global and beloved by millions of fans.

So Samson B. Mullins as President and on behalf of the Oakland Police Officers Association went after Brandon personally to DESTROY his global reputation and character in a sensationalized case for civil defamation. [Mullins v. Brando (1970) [Civ. No. 35362. Court of Appeals of California, Second Appellate District, Division Five. December 10, 1970.] SAMSON B. MULLINS, as President of the Oakland Police Officers Association, et al., Plaintiffs and Appellants, v. MARLON BRANDO, Defendant and Respondent [13 Cal. App. 3d 410]]

On the night that the Panthers allegedly ambushed the OPD (strategy of tension), I was in charge of the front desk at the Oakland BPP headquarters.  It was just 2 (two) days after Dr. Martin Luther King, Jr. had been assassinated. The orders that I got directly from Chairman Bobby Seale to communicate to ALL PANTHERS– “STAND DOWN” until further orders. No police patrols- NOTHING but continue to prepare for the oncoming “Free Huey” rally at Defremery Park in Oakland.

I was with the brothers that dropped Little Bobby off at his house for dinner. We were under so many direct threats that we’re ordered and cautioned to move in groups. When he was dropped off at home, the orders were the same. When he returned to headquarters an hour or so later, the orders that he understood when he left for dinner from Big Bobby were the same- ALL PANTHERS– “STAND DOWN”! Little Bobby loved Brother Bobby as if he had been his father and would never disobey or defy his orders.

Image result for little bobby hutton

  Little Bobby Hutton

17 year old Little Bobby was an extremely gentle respectful and quiet young brother. I never heard a negative or curse word come out of Little Bobby’s mouth. They shot Little Bobby into so many pieces from what we understood at the time were experimental high powered weapons that the morticians had to sew him back together for the funeral. They did a remarkable job. We were all deeply spiritually affected by his senseless murder, but it didn’t stop us. We continued to move in his beloved spirit and pursuit of his “Sack Full of Dreams“.

In the wake of the ILLUMINATI’s global hype for the premier of the Black Panther HollyWeird black fantasy film to disassociate it from the real Black Liberation Movement, Huey, Bobby and BPP, they threw brother Marlon Brandon under the bus once again to distract the masses from the real world.

I noticed that all the starring cast of Black Panther promoting the movie in corporate mass media are careful to stay away from the subject of making any comparisons and connections between the movie, the BPP and any real global struggles for liberation.  The movie is a bottom line virtual reality supernatural science fiction/fantasy adventure film. It’s like taking that red pill or cap of acid (LSD) for an escape from reality. They are promoting the notions that it is okay for Black Children  around the world to become lost in escapism, paranoid fantasy schizoid-ism and blind naivety- a type of MK ULTRA/MONARCH Double Bind (Insanity without Disease) than stand up and confront real issues that affect their lives. Don’t it twisted. The duality of FANTASY is reality, fact and actuality. That’s the key to striking the delicate balance between HollyWeird’s mass population fantasy escapism films designed to pacify global peoples of color, and REALITY- RACISM & WHITE SUPREMACY.

Hey. That’s Brando that they’re talking about. BE FOR REAL, WE LOVE BRANDON!

II

THE REAL WORLD- THE GLOBAL FALSE NEGRO- APE METAPHOR

In the 21st century, Jay Z’s simian- hominoid JAYBO Caricature is a very serious violation of our human rights.

It is an extremely dangerous throwback to venomous patent Negro-Ape Metaphors of the dangerous  19th and early 20th century homicidal eugenic movement.

Metaphor– late 15th century, from Middle French metaphore (Old French metafore, 13th century), and directly from Latin metaphora, from Greek metaphora “a transfer,” especially of the sense of one word to a different word, literally “a carrying over,”  from metapherein transfer, carry over; change, alter; to use a word in a strange sense,” from meta “over, across” (see meta-) + pherein “to carry, bear,” from PIE root *bher– (1) “to carry,” also “to bear children.”[1]

III

ANGLO SAXON SUPREMACY & AMERICA’S FIRST PEOPLE

The American Baseball League Cleveland Indians will finally remove the grinning red faceChief Wahooin a feathered headband logo from their uniforms beginning in the 2019 season. The logo has long been assailed as a racist Native American caricature. They have long complained, protested and sued the Cleveland Indians alleging that the image is offensive and perpetuates racist stereotypes about America’s first peoples.

In 2005, the American Psychological Association (APA) issued a resolution “Recommending the Immediate Retirement of American Indian Mascots, Symbols, Images, and Personalities by Schools, Colleges, Universities, Athletic Teams, and Organizations” due to the harm done by creating a hostile environment, the negative impact on the self-esteem of American Indian children, and discrimination that may violate civil rights. It also impacts non-natives by reinforcing mainstream stereotypes, preventing learning about Native American culture. The APA states that stereotyping is disrespectful of the beliefs, traditions and values of Native Americans. Similar resolutions have been adopted by the American Sociological Association, the American Counseling Association, and the American Anthropological Association.[2]

In 2010, the authors of a paper published in the Journal of Applied Social Psychology reported the results of two studies on the effects of American Indian mascots on observers. According to the authors, “both studies show that participants primed with an American Indian sports mascot increased their stereotyping of a different ethnic minority group.” The alternative weekly publication Cleveland Scene sardonically interpreted these results to mean that “looking at Chief Wahoo, the mere existence of Chief Wahoo, can change your opinions of a whole separate ethnicity”, adding that the study “probably confirms that Clevelanders and Indians fans are inclined to stereotype and hate just about every group in the world.” The magazine Pacific Standard also framed the study in terms of the Indians’ logo, headlining their story “Chief Wahoo’s Revenge: One Stereotype Begets Another“.

Richard Lapchick, director of the University of Central Florida’s Institute for Diversity and Ethics in Sports, has called the logo “the most blatantly offensive of all the symbols I’ve seen of Native Americans” during 40 years working in his field. An article in a 2010 psychology text cited “Chief Wahoo” as an example of a racial micro-aggression.[3]

The Negro Caricatures and the racist Jewish caricatures and cartoon propaganda of Nazi Germany are  all the same thing- vicious racial caricatures that spread hatred, prejudice and misunderstanding among the people across the world

The only difference between the racial caricatures is that fact that the black caricatures directly implant and input simian and hominoid sub humanism visualization of Black People that still goes on today.

2018 Hennes & Mauritz (H&M) Stockholm, Sweden, the Black Child is the Wild Animal Inhabitant of the Jungle, while the White Child is the Jungle Survival Expert- Great White Hunter or Tarzan of the Jungle that will conquer the animals- Monkeys and Tigers   

Black Child- Coolest Monkey in the Jungle- Little Black Sambo

Don’t get it twisted. I am saying that all racial caricatures are wicked and depraved. If you condemn one, condemn each and every one of them as byproducts of reactionary, irrational and lawless global racism, white supremacy, imperialism and aggression.

Jay Z’s  simianized JAYBO Caricature seeking current 2018 U.S. Trademark Protection is a vicious veiled throwback to the era of vicious racial eugenics, and Anglo Saxon superiority, imperialism and aggression that is secretly flaunted in the current presidential policies, especially immigration, of Donald J. Drumpf and the Dark Satanic Circle. 

These absolutely irrational and evil forces have taken over the highest elected offices of the U.S. government (for example, see Vox’s The scary [Madison Grant] ideology behind Trump’s immigration instincts).

IV

ANGLO SAXON SUPREMACY, MADISON GRANT & THE WORLD’S FIRST PEOPLE

OTA BENGA & HIS ALLEGED DIRECT MONKEY RELATIVE

In 1904, Ota Benga of the Twa- Batwa people of the Congo was kidnapped from the mother country. He was brought to America and confined in an animal cage. He was dehumanized and publicly humiliated. Benga was placed on exhibit as a so-called “pygmy” at the Monkey-Ape House at the zoological gardens, better known as the Bronx Zoo.[4]   My Dear Lord! The Twa is a sacred people. They trace their origins to Adam, Eve and beginning of time at the Garden of Eden at the foot of the Mountain of the Moon in Africa. Evidence strongly suggests that they were indeed the First Civilized People that populated planet earth.

Twa God Bes and a Young Prince Ramesses the Great (1279-1213 BC)

Twa God Bes as the MASTER OF THE BEASTS on an earring (Susa, Iran, 500-400s BC, now in the Louvre)

The Twa- Batwa people  may be one of the most important and significant continuous ancient cultural groups living in peace, harmony and truth (MAAT) on earth. You can’t come any closer to a global original/first people on planet earth than the TwaDancers of the Gods. They are often credited by various African groups and even by the Chinese/Southeast Asians that hold an annual festival celebrating the “Little Black People” whom they admit to have displaced as the ultimate creators and teachers of science, mathematics, and dance. These Africans were also part of the initial northward migration from Central/East Africa along the Nile River. They were an integral part of ancient Nile Valley Culture and belief systems.[5]

TWA PEOPLE IN ANCIENT GREEK MYTHOLOGY

The Twa were well known and respected among the Ancient Greeks, and were involved in the infamous Trojan War of antiquity.[6] So, how do you begin to colonialize to exploit one of the first people of earth, globally? Simianize and Dehumanize– turn them into a tribe of Monkeys.

Very powerful and influential forces in America were secretly behind the international Negro-Ape Metaphor as justification to universally colonize, exploit and suppress the aspirations of people of color across the globe. One was Madison Grant. He was the founder and secretary of the New York Zoological Society who had personally helped negotiate the arrangement to setup Ota Benga in the zoo as a global Negro-Ape Metaphor; and missing link directly to hominoids and simians. In fact, Benga was actually billed as the missing linkon display in the Bronx Zoo cage alongside a monkey.[7]

Madison Grant (November 19, 1865 – May 30, 1937) was an affluent and powerful Yale alumni and New York attorney known primarily for his work as a eugenicist.  He was responsible for one of the most famous works of scientific racism, and played an active role in crafting strong immigration restriction and anti- miscegenation policies and laws in the U.S. Throughout the 1920s and 1930s, he served on the boards of many eugenic and philanthropic, including the board of trustees at the American Museum of Natural History. He was a founder and director of the American Eugenics Society (AES), vice president of the Immigration Restriction League, a founding member of the Galton Society, and one of the eight members of the International Committee of Eugenics.[8]

The interaction between the British, American and German Eugenics societies laid the foundation for implementation of the race purification ideology behind Hitler’s Third Reich. In 1912, the First International Congress of Eugenics was held at the University of London. The president of the Congress was Major Leonard Darwin, son of Charles Darwin and one of the first English vice presidents was Sir Winston Churchill, later Prime Minister of England.  Of interest, Charles Darwin’s On the Origin of the Species By Means of Natural Selection was subtitled “The Preservation of Favored Races in the Struggle for Life”.

In 1921, the Second International Congress of Eugenics was held in New York City. The sponsoring committee included Herbert Clark Hoover, later President of the U.S., and the Carnegie Institute of Washington (Rockefeller)Madison Grant, a director of the American Eugenics Society, was the treasurer. The event was held at the American Museum of Natural History in New York, where Averell Harriman served on the Board of Directors.[9]

Racist Masonic and Bohemian Grove President Theodore Roosevelt

Grant was a close friend of several U.S. presidents, including Freemason and Bohemia Grove pagans, Theodore Roosevelt and Herbert C. Hoover. If Hoover wasn’t a mason, he certainly had worked closely with freemasonry and the Sovereign Grand Commander Council of the Scottish Rite.

However, President Hoover had indeed been a homosexual member of the Satanic Bohemian GroveGrant advocated restricted immigration to the U.S. through limiting immigration from Eastern Europe and Southern Europe, as well as the complete end of immigration from East Asia. He also advocated efforts to purify the American population through selective breeding. He served as the vice president of the Immigration Restriction League from 1922 to his death.

Acting as an expert on world racial data, Grant also provided statistics for the Immigration Act of 1924 to set the quotas on immigrants from certain European countries. Even after passing the statute, Grant continued to be irked that even smatterings of non-Nordics were allowed to immigrate to the country each year. He also assisted in the passing and prosecution of several anti- miscegenation laws, notably the Racial Integrity Act of 1924 in the state of Virginia, where he sought to codify his particular version of the “one-drop rule” into law.[10]

Even the Fuhrer Adolf Hitler followed Madison Grant, and I wouldn’t be surprised if he had got his infamous Mein Kempf  Negro-Ape Metaphors straight from Grant.

“The year after Hitler was imprisoned [1925], [German publisher] Lehmanns published the German translation of American eugenicist Madison Grant’s bestselling volume, The Passing of the Great Race , which had a profound effect on Hitler’s thinking.  Hitler was so steeped in American race science, he even wrote a fan letter to American eugenic leader Madison Grant. Der Führer’s letter called Grant’s eugenics book, The Passing of the Great Race, “my bible.

 … In 1924, when Hitler wrote Mein Kampf, he frequently quoted American eugenic ideology and openly displayed a thorough knowledge of American eugenics and its phraseology. “There is today one state,” Hitler wrote, “in which at least weak beginnings toward a better conception [of immigration] are noticeable. Of course, it is not our model German Republic, but the United States.”

Hitler proudly told his comrades just how closely he followed American eugenic legislation. “I have studied with great interest the laws of several American states concerning prevention of reproduction by people whose progeny would, in all probability, be of no value or be injurious to the racial stock,” he told a fellow Nazi.”[11]

The racist homicidal/genocidal Margaret Sanger that actually plotted to make the mass murder of Black people another peculiar institution in America  was a member of Grant’s AES until the day she died.[12]

Margaret Sanger even appealed to and encouraged the Masonic Knights of the Ku Klux Klan to slaughter mass murder Black U.S. citizens.

To justify the widespread criminal murder (LYNCHING) of black people across the U.S., racists openly quoted Madison Grant’s “The Passing of the Great Race” even on the floor of Congress.

V

ANGLO SAXON SUPREMACY, IMPERIALISM & THE CONGO

Congo: Heart of Darkness

Joseph Conrad’s Heart of Darkness (1899) had used Ota Benga’s homeland, the Congo, as a setting for the 20th century Negro-Animal Metaphor. Conrad’s narrator in the book, Marlow, blatantly describes the Africans as having “faces like grotesque masks,” as animal-like creatures who lap water like animals, with ugly and horrid faces, who howl and leap around, with buttocks waggingto and fro like tails.”  Of one “savage” who has been trained to fire up a boiler, Marlow can’t resist remarking, “To look at him was as edifying as seeing a dog in a parody of breeches and a feather hat, walking on his hind legs.”[13]

Tintin Au Congo

Tintin and Snowball

“ … I flicked it open. I was astonished to see page after page of graphic representations of black African people as sub-human monkey people, bowing before a white teenager, worshipping his dog as a god and incapable of proper speech. In fact, the only black monkey caricature in the book who could speak English properly was a chimpanzee.”[14]

Tintin,” that was also centered in the Congo was the brainchild of the late Belgian cartoonist Georges Remi (better known as Hergé). Hergé depicted the Congolese as “good at heart but backwards and lazy, in need of European mastery.”[15]

The comic Tintin in the Congo was first published between 1930 and 1931, a time when the Congo was suffering under Belgian’s sadistic murderous imperial genocidal colonial rule. The Tintin stories graphically depict the Congolese people dehumanized as monkey-like, and portray them as stupid, childish, and lazy.[16]

Tintin is a little blond Anglo Saxon boy that has the brain and brawn to defeat and rule over all the black Congolese.

He is a Belgium reporter followed around by his pure white dog, Snowball. Even the dog has more intelligence than the Congolese people and also rules over them in its own right.

Tintin’s Congo guide, Coco, is an African child drawn so that his head is black as ink like Jaybo’s grandfather Bosko to highlight his white bug-eyes, his typically “pickaninny and Black Sambo” gaping mouth with huge red lips, and his frizzy black hair.

Tintin in the Congo tells a tale of the interactions between the Congolese and the Europeans entering the country. One of Conrad’s stories guides Belgian visitors in the appropriate relationships to be maintained between them and the Congolese people. Tintin leaves Coco to watch his car while he is gone. Coco is practically treated as a slave and even calls Tintin master”. Coco is beaten by another white man who steals Tintin’s car. This excerpt is a prime example of the brutality and “master-slave relationships” that whites were expected to impose on the native people of the Congo, collectively.[17]

Furthermore, Congolese adults are depicted either as stupid clowns or as duplicitous tricksters, draped in leopard skins and gaudy loincloths, and carrying shields and spears.  A monkey that appears briefly in the story is accorded as much intelligence as the Africans.  The analogy is impossible to miss.

Above all, the African characters are ignorant less than human savages easily influenced and dominated by Tintin and Snowball. Taken all together, the illustrations of Africans are inhumane, hostile, offensive, stereotypical, and racist.[18] The Commission for Racial Equality (CRE) was a non-departmental public body in the United Kingdom which aimed to address racial discrimination and promote racial equality. The commission was established in 1976, and disbanded in 2007 when its functions were taken over by the newly created Equality and Human Rights Commission.[19]

The CRE received a complaint from a member of the public who saw the book in a branch of Borders chain and urged Borders and all other bookshops to remove the “Congo” book, saying it made black people “look like monkeys and talk like imbeciles”.[20] In 2007, the CRE agreed with the complainant and claimed “Tintin In The Congo” depicted “hideous racial prejudice” and that it should be removed from sale.[21] Bookstore chain Borders said it has removed copies of a book about Belgian comic’s hero Tintin’s adventures in Africa from the children’s section of its U.S. stores, as well as British outlets, amid allegations of racism.

Belgium and the African Holocaust

Allegations of racism surrounding the Tintin book are deeply sensitive in Belgium, where the cartoon reporter and his dog Snowy are a rare national symbol and for a nation whose post-colonial guilt over Belgian’s record of genocidal crimes against humanity in the Congo is acute.

Behind the Tintin and Snowball bull, the horror and atrocities that Belgian committed against the Congolese people is so frightening and horrifying that its inhumanity to man is virtually beyond belief.

The Congo remained a Belgian colony until 1960 and between 1885 and 1908 the country was brutally run as the personal fiefdom of Belgium’s King Leopold II. Between 8 (eight) to 10 (ten) million Congolese are believed to have been savagely mass murdered in this period.

Moulinsart, Avenue Louise 162 BTE 7, Brussels, B-1050, Belgium, Tintin’s publisher argues that the book “must be seen as a document of the time“. “In his portrayal of the Belgian Congo, the young Hergé reflects the colonial attitudes of the time. He depicted the African people according to the bourgeois, paternalistic stereotypes of the period,” said a statement.[22] Tintin’s bourgeois, paternalistic stereotypes of the period were used to justify the massive genocidal crimes Belgium committed against the Congolese people.

On February 10, 2012, a court in Belgium rejected “an application to ban a colonial-era” children’s book, Tintin in the Congo. The court stated, “It is clear that neither the story, nor the fact that [the book] has been put on sale, has a goal to…create an intimidating, hostile, degrading or humiliating environment.”[23]

Well that’s interesting. It’s like asking Nazi Germany and Third Reich to judge itself for crimes against humanity by a jury of SS- Knights of the Black Sun. Try pitching Tintin in the Congo to global masses of color today, right now and watch it create an instant “intimidating, hostile, degrading or humiliating environment” for anybody promoting this BELGIUM racist S.H.I.T among our children.

Recently, I discovered that over 70% of my DNA is linked to the Bantu of the Congo. My ancestral homeland is the primarily Congo. So, I am personally deeply affected and offended by a colonial, mass murdering and enslaving nation such as the Belgium finding any justification for mass Simianizing the Congolese people to dehumanize, enslave, exploit, and commit mass genocide against them. I say this.  Tintin in the Congo had better stay in the BELGIUM. As far as Belgium’s Crimes against Humanity in the Congo, it is not over.

VI

THE SIMIAN & THE NEGRO COON

The Negro Coon Caricature and Metaphor has to be one of the most dehumanizing, degrading and humiliating of all black caricatures. Coon is an abbreviation of an animalraccoon. The universal direct visualization of adult blacks as less than human naturally implants notions that blacks are less humanly evolved and civilized than whites.  Around the turn of the 19th century, the animals that became most popularly visually associated with blacks as a race were not raccoons, but apes (hominoid) and monkeys (simian).

The exaggerated black skinned, enormous big lip and big eyed simian and hominoid caricatures are deliberate illusionary visual implants that directly link blacks with monkeys and apes as yet another way that the antebellum South justified African Human Bondage; and destruction of their humanity and sense of self-worthiness of those enslaved. Blacks were fundamentally considered by white supremacists to be more universally simian and hominoid than human, and therefore had no self-evident rights of mankind, including freedom that they were bound to respect.

VII

THE SIMIANIZATION OF THE PICNICKINGS

Pickaninny is, in North American usage, a racial slur which refers to a depiction of dark-skinned children of African descent also with simian and hominoid exaggerated black skin, enormous big red lips and big bug eyes. It is a racist and derogatory caricature, whose meaning and usage also grew to fruition in the antebellum South, where the institution of African Slave Trade and Human Bondage existed against the law of nature.

Don’t overlook the wicked demonic dehumanization of Black Children to justify overlooking their sexual abuse and exploitation as less than human.

If you think dehumanizing Black Children to justify their sexual abuse during the turn of 20th century is outrageous nonsense, think again. Black Children even as infants were considered real threats and exterminated in self defense of the white race.

According to the scholar Robin Bernstein, who describes the meaning in the context of the U.S, the Pickaninny is characterized by three qualities: “the figure is always juvenile, always of color, and always resistant if not immune to [human] pain“. These three qualifiers demonstrate the dehumanizing nature of the Pickaninny caricature and are reflective of the predominantly colonial society in which its use was promoted and popularized.

The use of the term was popularized in reference to the Caricature of Topsy in the 1852 book Uncle Tom’s Cabin.[24]

The Ugly and Gruesome Pickaninny Topsy Caricature– threat her as such.

The Less than Human Black Pickaninny Topsy Caricature too stupid to the master human language- Exterminate Her.

VIII

THE BLACK SAMBO AND THE WORLD

The name became especially associated with the children’s book “The Story of Little Black Sambo” by Scottish– British colonialist Helen Bannerman, published in 1899.

It is the racist story of a black boy named “Sambo” with a big “Black Mammy” who outwits a group of hungry tigers. Bannerman also wrote Little Black MingoLittle Black Quasha, and Little Black Squibba. In this book, Sambo is supposed to be the name of a boy of Southern India, but it’s a classic racial caricature of the African child. Don’t get it twisted. I am saying that Africans aren’t indigenous to India.

Originator God Ashur (Osiris) of the Land of Kemet

The Brahma Samhita is a Sanskrit Pancaratra text composed of verses of prayer spoken by Brahma glorifying the supreme Lord Krishna or Govinda at the beginning of creation. The lyrics, chapter 5 verse 38 reads: “I worship Govinda, the primeval Lord, who plays on His transcendental flute. His eyes are like lotus flowers, He is decorated with peacock plumes, and His bodily color resembles the color of a fresh black cloud, although His bodily features are more beautiful than millions of Cupids.[25]

Dr. Runoko Rashidi:

ANCIENT AFRICA AND EARLY INDIA

Exceptionally valuable writings reflecting close relationships between Africa and early India have existed for more than two thousand years. In the first century B.C.E., for example, the famous Greek historian Diodorus Siculus penned that, “From Ethiopia he (Osiris) passed through Arabia, bordering upon the Red Sea as far as India…. He built many cities in India, one of which he called Nysa, willing to have remembrance of that (Nysa) in Egypt, where he was brought up.”

Another important writer from antiquity, Apollonius of Tyana, who is said to have visited India near the end of the first century C.E., was convinced that “The Ethiopians are colonists sent from India, who follow their forefathers in matters of wisdom.” The literary work of the early Christian writer Eusebius preserves the tradition that, “In the reign of Amenophis III [the mighty Dynasty XVIII Egyptian king] a body of Ethiopians migrated from the country about the Indus, and settled in the valley of the Nile.” And still another document from ancient times, the Itinerarium Alexandri, says that “India, taken as a whole, beginning from the north and embracing what of it is subject to Persia, is a continuation of Egypt and the Ethiopians.”

INDIA’S EARLIEST CIVILIZATION

In Greater India, more than a thousand years before the foundations of Greece and Rome, proud and industrious Black men and women known as Dravidians erected a powerful civilization. We are referring here to the Indus Valley civilization- -India’s earliest high-culture, with major cities spread out along the course of the Indus River. The Indus Valley Civilization was at its height from about 2200 B.C.E. to 1700 B.C.E. This phase of its history is called the Harappan, the name being derived from Harappa, one of the earliest known Indus Valley cities.

In 1922, about 350 miles northeast of Harappa, another large Indus city, Mohenjo-daro (the Mound of the Dead) was identified. Mohenjo-daro and Harappa were apparently the chief administrative centers of the Indus Valley complex, and since their identification, several additional cities, including Chanhu-daro, Kalibangan, Quetta and Lothal have been excavated.[26]

Mohenjo-daro Queen or Priestess (2500 BC)

The above statute recovered from the Indus Valley is popularly known as the Dancing Girl of Mohenjo-daro. During the early 20th century, they labeled her a dancing slave girl because of  her Black African- ness. However, they soon had to back away from that. Her arm from the shoulder down contain most likely gold bangles that is a sign of great wealth and prestige. Ancients don’t make statutes and build altars to slaves, but goddesses and revered historical spiritual figures like great priestesses and queens. One thing is clear, nobody appears to be in a hurry to uncover her true role in Mohenjo-daro.  

As we say about sassy young beautiful sisters. Even 5,000 years ago, you can’t tell her NOTHING about NOTHING!  There are also Sumerian texts that refer to trading done with the “People of the Black Land” or the “Meluhhaites”, which many historians believe refers to the Indus Valley Civilization — these date back as far as 2000 BCE.[27]

The ancient Egyptians (Egypt- Greek) referred to their land as “Kemet” which means “Land of the Blacks”. Western historians and non-blacks argue that the word “Kemet” refers to the color of the soil of the land rather than its people. But, the word “Kemet” is actually an ethnic term being a derivative of the word “Khem” (Cham or Ham) which means “burnt” or “black.”[28]

The Great AhmoseNefertari (1562- 1495 BC), the First Queen of the 18th Dynasty, and many others of the ancient “Land of the Blacks” answered that question.[29]

Queen Ahmose-Nefertari and Pharaoh Ahmose (Amosis I, “Amenes” and “Aahmes” meaning Born of God Ashur (Osiris)), these are the founders of the New Kingdom 18th Dynasty Golden Age who liberated the “Land of the Blacks” from the barbaric Hyksos foreign desert horde invaders in 1550 BC. The Great Queen in her age-less infinite divine wisdom left us overwhelming substantial visual evidence from that time that does not substantiate any notions of false African Negro-Ape Metaphors.

The Sambo Caricature is usually a little black skinned boy or black skinned childlike Negro adult male with the same exaggerated lips and big bug eyes that represent the less than human simianized African character.

The adult Sambo too is grotesque, lazy, good for nothing, silly and stupid. It is afraid of the dark and large animals. He is happily content with his condition of utter abject poverty living off the genius, paternalism of his master and white society.  The Black Sambo lacks the ability to sort out his affairs, live on his own, or care for a wife and family. The slow-witted and humorous Black Sambo character is associated with trickery, thievery, pancake- watermelon eating and stealing chickens.[30] In the meanwhile, the Mohenjo-daro queen, Ahmose-Nefertari, and Pharaoh Ahmose goes into the basement vault. You will not see or discuss any of them during Black History Month. Why? 

In the mid-nineteenth century, a group of American scientists known collectively as the “American Schoolof ethnology challenged the validity of the biblical story of creation. They proposed that, contrary to the teaching of Genesis, there had been a number of separate divine acts of creation, leading to the appearance of more than one human species within the genus homo. They ranked the species, also known as varieties or races, in terms of relative superiority, with the Caucasian in the highest position of all.

In a book published in 1830, Thoughts on the Original Unity of the Human Race, Dr. Charles Caldwell, a Kentucky plantation enslaver of Africans, theorized that humanity did not originate from one single place but from multiple acts of creation in different places across the planet. Caldwell’s book is the earliest nineteenth century American work to propose the concept of the plural origin of species of humanity, known later as POLYGENISM. Caldwell’sNew Focus” theorized that the human species had always been immutable and would not change in the future.

Caldwell’s foundation on the innate superiority of the Caucasian race depended on a hypothesis that all great civilizations since ancient times were Caucasian. Caldwell argued that no point in time can be indicated when the Caucasians were real savages.

According to the American School, the originators of the Egyptians and the Indus Valley were white because all advanced civilizations were white. The presence of Black Africans in any advanced civilizations other than slaves, domestics and entertainers of whites would naturally undermine the American School claims of white supremacy, bar none.

Crania Americana (phrenology- study of skulls) became the standard tool of reference for ethnologists and natural historians with an interest in humanity’s origins. From the study of ancient crania “skull” and ancient frescos evidence in Egypt, the American School concluded that slavery had been widespread in Egypt, and the presence of blacks in Egypt only showed Caucasian rulers with Negro slaves. Ancient Egypt was proof positive that slavery was a natural state for an inferior race like Negroes in advanced ancient white civilizations.

Dr. Caldwell proposed that man should not tyrannize the lower creatures since even they have their rights. Just as man has a duty to protect womankind, he should also protect the lower races, since not all of them have the same rights and entitlements as the higher races. The Caucasians should not enslave the Africans simply because they are able to do so. However, the inferior races such as Negroes had their natural place in advanced societies as demonstrated by history to primarily serve the higher Caucasoid master races. (see Robert A. Smith, Pittsburgh State University, Types of mankind: polygenism and scientific racism in the nineteen century U.S. scientific community)

IX

BLACK SAMBO, GET OUT & THE 2018 OSCARS

Implanted deeply inside HollyWeird’s “Get Out” is a Black Sambo Caricature that nobody seems able to explain.

Above, Jordan Peele actually flaunts the Black Sambo Caricature as a subliminal internal part of the true theme of the movie that even he may not clearly understand.

Ask him about the Black Sambo Mask. He might tell somebody about what the Black Sambo Caricature means. In the meanwhile, a mask in this sense usually explains duality. In this case from the artist’s facial expression of Chris, it is a painful Sambo innate duality that he cannot escape. It is “immutable“(unchanging over time or unable to be changed). Discussed further below.

In the meanwhile, Peele told you in a roundabout way about the meaning of the Sunken Place that you cannot escape from no matter how hard you screen.

Pay extreme close attention to the chair with hand or arm chairs in Jordan Peele’s “Get Out” poster background.

Dr. Charles Caldwell (1772- 1853) had been a student of alchemist Freemason Dr. Benjamin Rush (1745- 1813).

While black folks were asleep at the movies watching Quentin Tarantino’s American slavery era Django Unchained, the DEVILHollyWeird, Tarantino and Leonardo DiCaprio played a wicked trick on their minds.

They slipped and implanted the racist Dr. Charles Caldwell and the American School of Ethnology into their subconsciousness.

HollyWeird Trick- Make the Negro Look Like a Monkey!

Why don’t they kill us?” asks African enslaver Calvin Candie (Leonardo DiCaprio), he wants to know why the African slaves he brutalizes do not rise up and take revenge. He has the “skull” of a recently murdered black African on the dinner table. “The Science of Phrenology,” Candie announces, “is crucial to understanding the separation of our two species.” He hacks away at the back of the skull with a saw, removing a section of the cranium and pointing to an allegedly enlarged area. In Africans, Candie claims, this bump is found in the region of the brain associated with “submissiveness“.

During the Revolutionary War era, Dr. Benjamin Rush was a clandestine member of the Sons of Liberty. They were Freemasons of St. Andrews Lodge of the Grand Lodge of Scotland at the Green Dragon Inn in Boston. Dr. Rush, a signer of the Declaration of Independence, believed that mad people could be calmed by blood-letting from 20 to 40 ounces of blood at one time. Dr. Rush then developed a “tranquilizer chair” in 1811. This invention efficiently kept a person securely immobile and had a wooden box in which their head would be put into in order to keep the person subdued. Dr. Rush was the first to describe a pathological incurable medical condition called “NEGROTUDE”.

Dr. Rush’s Immutable Negrotude & Chris

Negrotude was a mild form of leprosy which symptoms included such as blackening of the skin; big lips, flat nose, wooly hair. The only evidence of a cure from Negrotude was when the “skin turned white”. Dr. Rush used “disease” as a justification for African slavery and racial segregation. Negrotude was an immutable genetic disease that allowed blacks only to be medically cleared for domestic work who had to be sexually segregated.

Recently, British Music Entertainer (Nigerian descent) Seal (Henry Olusegun Adeola Samuel) and American “Clueless” Artist Stacey Dash got into it. Seal told Stacey,  “You live in the Sunken Place”- a reference to Peele’s Get Out“. Stacey is a conservative with an Anti-Black-everything philosophy. Even white people call Stacey a “white supremacist.”

Stacey Dash is generally known to be one of Dr. Benjamin Rush’s  perfect examples of a “Negro Turned White” that Seal associated with Get Out’s MK ULTRA/MONARCH trauma-based tranquilizer chair and torture chamber, the “Sunken Place”.

Days after the Oprah Winfrey’s super “NegroGolden Globes speech highlighting the campaign against sexual misconduct, Seal claimed the global celebrity is a hypocrite and “part of the problem for decades“.

Saturn Sex Cult Kabbalist Harvey Weinstein & Oprah Winfrey

In other words, Oprah sucks up all HollyWeird’s satanic Masonic/Kabbalah ritual sex  ritual crimes like that “Magic Negro” in the Green Mile.

Well, Seal immediately retracted any notion that he called Oprah a “hypocrite“, but went after a less powerful black female target like Stacey Dash for supporting the backlash against him for attacking Oprah.

Well, I don’t think Seal will open his mouth again about Oprah, or the American “Sunken Place.” In her defense to living in the”Sunken Place“, Stacey Dash has not, and will not go there, either.

KEMET LAND OF THE BLACKS’ GOD PTAH & OSCAR

“Get Out” got HollyWeird’s film industry nods with 4 (four) 2018 Oscar nominations.  It received nominations for best picture for producers Sean McKittrick, Jason Blum, Edward H. Hamm, Jr., and Jordan Peele; best actor for Daniel Kaluuya; and best director and original screenplay for Peele. If any of them win, they should share their award with the CIA Occult Bureau that helped ghost write the movie script.[31]

Is “Get Out” really a BLACK SAMBO comedy movie and something to laugh at, not for you and me, but somebody else?

In the beginning of the film “Get Out”, Rose hit a deer driving Chris (Daniel Kaluuya) upstate to her parents’ estate. Rose’s father, Neurosurgeon Dr. Dean Armitage praises her for hitting the deer and goes on to rant about how deer are “rats” and are “destroying the ecosystem“.[32] Dean is the son of Roman and Marianne Armitage, the husband of Missy (MK ULTRA hypnotist), and the father of Rose and Jeremy. He describes himself as a [world] traveler- code words for CIA.

Roman has been to Bali. Bali is a code word for OSS/CIA MK ULTRA/MONARCH anthropologists Brit Dr. Gregory Bateson and Margaret Meade. Ecosystem is the particular and specific coded human ecology language of Dr. Bateson.[33],[34] After losing the 1936 Olympics in Berlin to African American track athlete Jesse Owens, a jealous Roman Armitage perfected the transplantation of older white peoples’ brains into the bodies of young, healthy African Americans. He also founded the Order of the Coagula, a cult vying to achieve pseudo-immortality though this process. Roman raised Dean to become a neurosurgeon and continue the procedure for future generations. As such, an ailing Roman and Marianne were transplanted into the bodies of two African Americans, Walter and Georgina. They act as the family’s servants to avoid suspicion. Since then, the Armitages continued kidnapping and luring African Americans to be hypnotically prepped for Dean’s surgery. Dean himself was also raising his son, Jeremy, to be a neurosurgeon and the next leader of the cult.[35]

The Order of the Coagula is a reference to the alchemy secrets of Baphomet and the Knights Templar. The CIA- Old Boys network is an extension of the German Brotherhood of Death, and the Black Sun Teutonic Knights Templar- Reinhart Gehlen, SS Baron Otto Bolschwing, Josef Goebbels, SS Josef Mengele and SS-1 Heinrich Himmler.[36]

X

GET OUT & THE ANCIENT SATANIC RED/WHITE STAG TOTEM, SYMBOLISM, AND CULT

The totemic symbol of the deer is present throughout Get Out, beginning with Rose hitting one that was crossing the road in one of the first scenes in the film. Deer are also known as “bucks,” a term used to sometimes represent Black men.

The Big Black Buck is another deep stereotypical racist black caricature. According to popular stereotypes during the post-Reconstruction era, “Black Buck” was a black man (usually muscular or tall) who defies white will and is largely destructive to American society. He is usually hot-tempered, excessively violent, unintelligent, and sexually attracted to white women. Most often, any attempt to restrain, reprimand, or re-educate the individual will fail, necessitating the individual’s immediate liquidation. David Duke, former Grand Wizard of the Ku Klux Klan, was quoted in The Sun newspaper of Wichita, Kansas (23 April 1975) as saying, “White people don’t need a law against rape, but if you fill this room up with your normal black bucks, you would, because niggers are basically primitive animals.” [37]

Chris, Sunken Place & the Spirit of the White Stag

Dr. Armitage’s rant about deer as “ratsdestroying the ecosystem” is about the racial black bucks like Chris that the cult intends to covertly cull just like deer.

However, “Get Out” isn’t really exclusively about Chris and covert satanic plot against black people, particularly black males. There is a much bigger global picture, conspiracy and much deeper psychological warfare campaign against the masses.

In 1984, I got a call from a sister that I had always considered to be within a close circle of friends. She talked about the buzz coming out of black nationalist community about the recently released film, “The Brother From Outer Space [in Slave Rags].”

The first thing I did the following day was go see the movie. I had to walk away from it within 5 (five) minutes of its opening. It was about a runaway nappy head “black slave” from another planet who crashed landed in Harlem.  I had subsequently concluded that she had been a clandestine CIA or NSC/NSA agent all the days that I had known her.

The Brother From Outer Space” was a CIA mass psychological warfare project designed to create, influence, or alter certain perceptions within the subliminal subconscious of the masses. I am not sure what was supposed to happen to my psyche and subconscious if I watched the entire film. But, don’t get it twisted. I don’t think that I am smarter than these people.  I don’t play with or underestimate them. And, I do not even attempt to try to match wits with these people. I am very much afraid of them.  I immediately called her back that evening to tell her it was a very impressive film that I had enjoyed. I needed information out of her. However, she soon concluded that I wasn’t going along with the program, and had been fishing her for small bits of any information as pieces to the puzzle. I haven’t heard from her, again. I am really happy and glad, because she would have me assassinated, poisoned me with radium or LSD as they attempted to do during the late 1960s on the first opportunity she got.

The day will come when the masses will stop playing games with HollyWeird, and people like Jordan Peele. Our minds and psyche of our children are far too precious and fragile to be played with- particularly by the masters of mass population mind control, the CIA Occult Bureau.

19th Century Illuminati Rothschild  Family Red Stag Antlers

“Get Out” is really about clandestine human ecosystems, eugenics and maintaining a pseudo-scientific white supremacy satanic hierarchical order; and blatantly flaunting it in our faces thru the Knights Templar CIAHollyWeird and the satanic corporate mass media music- entertainment industry. “Get Out” the movie also openly flaunt the ancient secret Cult and Society of the White Stag.  

The Great Stag has been worshiped as a humankind totemic animal since the Paleolithic period. Neolithic Cave art depicted that the stag was used for hunting and shamanistic spiritual practice by men or women dressed in deer hide and wearing antlers. In Welsh mythology, the Stag is one of the five oldest creatures in the world along with the blackbird, the owl, the eagle and the salmon.

The antlers of the stag are compared to tree-branches and thus may represent fertility. Since they are shed and re-grown every year, they may also symbolize rejuvenation and rebirth. Cernunnos, the Celtic Horned God, was depicted with the antlers of a Stag; he is said to be a god of fertility and plenty, and to be the Lord of the Beasts. Cernunnos, Herne and Ingvi-Freyr have all been linked with the Green Man, Lord of the Beasts and the Wild Hunt imagery. According to some, the Stag’s antlers symbolize a radiation of heavenly light. In Ugric legends, the Stag, son of the Heavenly Doe, steals the Sun between his antlers.

The symbol and reverence of the Stag amongst the Anglo-Saxons is a tradition that is very likely to be rooted in the most ancient of Germanic culture and religion. The reverence of Stags was already a strong custom even in the days of Saint Augustine (354- 430 AD), for he is quoted as condemning the “filthy practice of dressing up like a horse or stag”, a tradition that seems to resemble closely the English custom of hoodening.

ILLUMINATI Baroness Marie-Hélène de Rothschild in Diamond Encrusted Stag Horned Mask 

The Stag stands for solitary nobility, honor and a strong commitment to the protection of their herd. The Stag is a symbol of protection and sexuality. They are extremely devoted to the care, and creation, of children. Stags focus on the balance of law and are rigid in their thinking on the issues of justice.

Like so many of the other animal symbols connected to the Anglo-Saxons, we only have to look at the Sutton Hoo Ship 6th – 7th century burial site for evidence. Sutton Hoo is the name of an area spread along the bank of the River Deben opposite the harbor of the small Suffolk town of Woodbridge, England about 7 miles (11 km) from the North Sea. Within the burial was found a spectacular sceptre that was topped off with a beautiful stag figure. The sceptre to the King who carried it symbolized his power and high status. And it could be that amongst the heathens the stag was regarded as the most noble and proud of animals, and would therefore be a most appropriate symbol of a King and his leadership. Extremely strong evidence pointing to the use of stag images, but not only their images, but the worship of stags too, is found in a quote from Saint Aldhelm (639-709 AD) who wrote to a friend the following:

…where once the crude pillars (ermula) of the same foul snake and the stag were worshiped with coarse stupidity in profane shrines.

A Study of the Celtic Meaning of the Deer; the Stag held a special meaning for the Celts. They believed they were part of the fairy world and had magical powers. Celts thought deer lived deep in the forest so that they could have Secret Knowledge.[38] In Celtic tradition, the role of the white stag is often to lead the hunters to new beginnings, new places, and new insights, new knowledge, and new spiritual awakening.[39]

Cernunnos is the depiction of the “horned god” of Celtic polytheism. Cernunnos was a Celtic god of fertility, life, animals, wealth, and the underworld. It is depicted with the antlers of a Stag, often seated cross-legged like the Baphomet holding or wearing torcs (neck rings) known from over 50 examples in the Gallo-Roman period, mostly in north-eastern Gaul.[40] Ancient Gaul was France, Belgium, Luxemburg and parts of the Netherlands, Switzerland, Germany on the west bank of the Rhine, and the Po Valley, in present Italy.[41] Cernunnos is the Greek Horned God, Pan.

Like God Pan, Cernunnos is associated with the DEVIL and ANTICHRIST.[42]God Pan is also known as the Goat of Mendes and can be found today in the form of the horned goat God, made famous by the Knights Templars as the Baphomet. Master Freemason and Satanist, Albert Pike had written in Morals and Dogma;

The Gnostics held that it [universal agent] composed the igneous [pertaining to fire] body of the Holy Spirit, and it was adored in the secret rites of the Sabbat or the Temple under the hieroglyphic figure of Baphomet or the hermaphroditic goat of Mendes.”[43]

Madison Grant & the Teutonic Knights of the Black Sun

This brings us back to Ota Benga, the Twa- Batwa people of the Congo and Madison Grant. Here, we shall begin with SS-Gruppenführer und Generalleutnant der Waffen-SS Prof. Dr. med. Karl Brandt. At the Nuremberg Tribunal, SS Brandt was tried, convicted and executed as a Nazi war criminal for conspiracy to commit war crimes. He had been a Teutonic Knight of the Black Sun, and Adolf Hitler’s personal physician and the most important and powerful medical authority in the Third Reich.

In his defense, SS Brandt entered into evidence sitting forth U.S. government authority and policies that officially supports the elimination of inferior peoples- Madison Grant’sThe Passing of the Great Race: Or, The Racial Basis of European History” (1916).[44]

Grant was an elite patriciate (noble order and class) of wealthy Dutch colonialists that founded the island of Manhattan, NY in the early 17th century. During his formative years, he traveled the world. He once sat on the crumbling walls of Ancient Troy and chanted Homer’s Iliad. He must have ignored chanting anything about the War between the Twa and Cranes.

Greek geographers and writers attempted to place the Twa (Pygmies) in a geographical context. Sometimes they were located in far India, at other times near the Ethiopians of Africa. According to Homer’s Iliad, they were involved in a constant war with the cranes, which migrated in winter to their homeland on the southern shores of the earth-encircling river Oceanus.  One story describes the origin of the age-old battle, speaking of a Twa Queen named Gerana who offended the goddess Hera with her boasts of superior beauty, and was transformed into a crane.[45]

Madison Grant

At 16 years old (1881), Grant was sent to Dresden, Germany, where he was educated by private German tutors. He visited all the zoos and most of the history museums of the continent and through-out North Africa and the Middle East.

Teutonic Knights Moritizburg Castle

His most significant European  initiation into a secret knight Templar order and ancient elite White/Red Stag Cult took place at the Moritzburg Castle built between 1542 and 1546, the Baroque hunting lodge for the ILLUMINATIRich and Famous” and the super-secret elite just outside Dresden.

Moritzburg Castle Secret Antler Ritual

The castle is described as a Teutonic Knight (Order of Brothers of the German House of Saint Mary in Jerusalem) Architecture Castle.[46]

Moritzburg Castle’s Dining Room

Its’ collection of red deer antlers is one of the most important of its kind. The castle’s largest collection of antlers is shown in the Speisesaal (“dining room”).

Most of its 71 trophies are between 270 and 400 years old; they were purchased or acquired as presents.

Frederick III’s 66 Point Red Antlers

Among them is the heaviest red deer antler in the world, weighing 19.8 kilograms (44 lb) and spanning almost 2 metres (6.6 ft). In the Monströsensaal (“monstrosity room”), there are 39 contorted antlers. One specimen, a 66-point red deer antler is from an animal killed by Elector Frederick III of Brandenburg (House of Hohenzollern) in 1696.[47] The Duchy of Prussia was inherited in 1618 by the House of Hohenzollern who ruled Brandenburg. Several members of the House were Grand Masters of the Teutonic Order.[48]

The deer’s antlers are one of the characteristics that have made it the figure of a spiritual superiority, according to some. Like a crown, the antlers grow beyond its body, bringing it closer to the sky and making it sacred. In many cultures, the deer is a symbol of spiritual authority. During a deer’s life the antlers fall off and grow again and the animal is also a symbol of regeneration.[49]

Grant was also a member of the Military Order of the Loyal Legion listed as one of the ILLUMINATI/Occult branches and sub branches that secretly control our governments, businesses and churches from the local, state, federal and worldwide levels.[50] He also was a member of elite secret orders of the St. Nicholas Society of Manhattan, Society of Colonial Wars, and the Boone and Crockett Club largely comprised of eugenicists and eugenics sympathizers.[51] Madison Grant was part of America’s secret ruling elite power control satanic cabal that had/have the secret authority to identify a problem, devise a solution, get congress to legislate his solution, and the president to sign it even if it involves MASS RACIAL GENOCIDE.

The Knights Templar Masonic/Satanic secret Cult of the White Stag and CIA Occult Bureau is behind “Get Out.”

We all need to be afraid of that. I HAVE SAID ENOUGH!

___________________________________________________________________________________________

[1] https://www.etymonline.com/word/metaphor

[2] https://en.wikipedia.org/wiki/Cleveland_Indians_name_and_logo_controversy

[3] Id.

[4] https://www.theguardian.com/world/2015/jun/03/the-man-who-was-caged-in-a-zoo

[5] http://www.allempires.com/forum/forum_posts.asp?TID=35257

[6] file:///C:/Users/PrinceRay/Downloads/56960-114154-2-PB.pdf

[7] https://www.rt.com/news/336335-ota-benga-caged-pygmy/

https://en.wikipedia.org/wiki/Madison_Grant [8]

[9] http://watch.pairsite.com/reich.html

[10] https://en.wikipedia.org/wiki/Madison_Grant

[11] https://meetmythamerica.wordpress.com/2014/07/26/hitlers-bible/

[12] https://www.angelafranks.com/margaret-sanger-and-planned-parenthood/2016/11/14/american-eugenics-society-and-sanger

[13] https://www.counterpunch.org/2012/02/15/tintin-and-racism/

[14] https://www.theguardian.com/commentisfree/2011/nov/04/tintin-in-the-congo

[15] http://writing.rochester.edu/celebrating/2015/FinalPaper_Lucas_Leopold’sCongo.pdf

[16] http://africasacountry.com/2012/04/the-adventures-of-tintin-in-the-land-of-the-law/

[17] https://blogs.baruch.cuny.edu/shmuelmodernimperialism/?page_id=47

[18] https://www.counterpunch.org/2012/02/15/tintin-and-racism/

[19] https://en.wikipedia.org/wiki/Commission_for_Racial_Equality

[20] https://www.reuters.com/article/us-books-tintin/tintins-troubles-in-the-congo-spread-to-u-s-idUSN1725600020070717

[21] http://www.telegraph.co.uk/news/uknews/1557233/Ban-racist-Tintin-book-says-CRE.html

[22] http://www.telegraph.co.uk/news/worldnews/1559792/Tintin-book-accused-of-colonial-racism.html

[23] https://www.counterpunch.org/2012/02/15/tintin-and-racism/

[24] https://en.wikipedia.org/wiki/Pickaninny

[25] https://selfuni.wordpress.com/category/african-aryan/

[26] https://tseday.wordpress.com/2008/08/24/the-african-presence-in-india-by-runoko-rashidi/

[27] http://www.ichrindia.org/golden-age-indus-valley-civilization/

[28] http://www.topix.com/forum/afam/T2OTBS4EEA84MJ67P/p2

[29] https://en.wikipedia.org/wiki/Ahmose-Nefertari

[30] https://wsimag.com/economy-and-politics/31924-the-brute

[31] http://variety.com/2018/film/news/oscars-get-out-nominations-jordan-peele-1202673724/

[32] http://villains.wikia.com/wiki/Dean_Armitage

[33] http://911nwo.com/?p=3895

[34] https://link.springer.com/chapter/10.1007/978-1-4020-6706-8_11

[35] http://villains.wikia.com/wiki/Dean_Armitage

[36] https://www.cia.gov/library/readingroom/docs/CIA-RDP90-00845R000100170004-5.pdf

[37] https://en.wikipedia.org/wiki/Black_Buck

[38] http://www.astrologyoftheancients.com

[39] https://ztevetevans.wordpress.com/2014/04/26/mythical-beasts-the-white-stag/

[40] https://en.wikipedia.org/wiki/Cernunnos

[41] https://www.ancient.eu/gaul/

[42] https://gnosticwarrior.com/cernunnos.html

[43] Id.

[44] https://en.wikipedia.org/wiki/The_Passing_of_the_Great_Race

[45] https://en.wikipedia.org/wiki/Pygmy_(Greek_mythology)

[46] http://maxpixel.freegreatpicture.com/Castle-Architecture-Castle-Of-The-Teutonic-Knights-416847

[47] https://en.wikipedia.org/wiki/Moritzburg_Castle

[48] https://en.wikipedia.org/wiki/Albert,_Duke_of_Prussia

[49] http://www.faena.com/aleph/articles/notes-on-the-symbolism-of-deer/

[50] https://www.facebook.com/killuminatisoldierssnwoll/posts/985989318104166

[51] https://www.amren.com/news/2010/07/madison_grant_a/





U.S. TRADEMARK PROTECTION, JAY Z, JAYBO- NEGRO SIMIAN HOMINOID CARICATURE, SATANIC MONKEY GODS & TRIBES

29 01 2018

I

JAY Z, SATANISTS, THE MONKEY & 4:44

I didn’t know about Jay Z and the Jaybo Monkey Caricature for mass global exploitation and consumption until just a couple of days ago. On his recent high profile international corporate mass media appearance on CNN’s Van Jones Show just before the 2018 Primetime Emmy Awards ceremony, they didn’t discuss Jaybo, the Simian Hominoid Caricature. However, Jay Z’s album “4:44” featuring Jaybo leads all artists with 8 (eight) nods (nominations).

Jay Z’s soul was up for sale long ago.

Jay Z is a Satanist, a Crowleyite- follower of Aleister Crowley. The Great BEAST 666 Aleister Crowley was a vicious racist.  The Equinox (subtitle: “The Review of Scientific Illuminism“) is a series of publications in book form that serves as the official organ of the magical order A.A. founded by Crowley. In texts, Crowley makes two very startling direct occult associations of simian and hominoid with black people.

The servant of Hermes, a negro uglier than an ape.” (Adonis, published in The Equinox, Vol. 1, No. 7)

HERMES. Bring the old Chian. Hanuman! [The negro goes to obey. This joke- Is the accepted way of scaring folks …. ” (Adonis, published in The Equinox, Vol. No. 7)

Hermes, the God of Wisdom, known in Egypt, Syria, and Canaan as THOTH. The commonest symbolic forms of Thoth’s attendant, the dog-headed (hominid) APE. In the Judgment Scene of the Book of the Dead the dog-headed APE (Āān) is seated on the top of the beam of the Balance in which the heart of the deceased is weighed; his duty apparently is to watch the pointer and tell his master Thoth when the beam is level.  Elsewhere, it symbolizes the equinoxes; but this does not explain the APE.

Part human-part monkey, Hanuman is a central character in the Hindu epic Ramayana. He is generally depicted as a man with the face of a (simian) monkey and a long tail. The Ramayana describes him as an ideal devotee of Lord Ram. According to the epic, Hanuman and his vaanar sena – an army of monkeys – help Ram in his battle against Ravana, the Sri Lankan demon king who kidnaps his wife Sita.

Jaybo, the Simian Hominoid Caricature is very similar to both Hanuman, and the Ape of Thoth.

Black Satanic Cult Brotherhood 666- Van Jones, Beyonce & Jay Z

Beyonce and Jay Z are extremely scary advanced high level and elite SatanistsVann Jones is a fellow at The Institute of Noetic Sciences (IONS)- a secret high level affiliate and front of the CIA Occult Bureau. According to Jack Sarfatti, a “very, very sophisticated and successful covert psychological warfare operation run by the late Brendan O Regan of the Institute of Noetic Sciences and the late Harold Chipman who was the CIA station chief responsible for all mind-control research in the Bay Area in the 70s.” 

Former NASA astronaut Edgar Mitchell, founder of IONS, revealed that he had briefed then CIA director George Bush on the activities and results of the IONS mind control (MK ULTRA/MONARCH) experiments. (Mitchell, Edgar, The Way of the Explorer, GP Putnam’s Sons, 1996, pg 91). Russell Targ, “How I was a Psychic Spy for the CIA and found God,” INSTITUTE FOR NOETIC SCIENCE (IONS), November 2003. (See Alex Constantine, Virtual Government: CIA Mind Control Operations in America, Feral House, Port Townsend, WA (1997), pg. 139)

Tonight, Jay Z is up for 8 (eight) nods for Emmy Awards for his “Jay: Z 4:44″ album. It is not per se a musical album. Many have wondered what the numeral title really means. Beyonce says Jay: Z 4:44 represents the number 4 in significant events of their lives. However, they are Satanists. The numbers represents events alright, but mystic and occult phenomenon.

It reads Jay (:-medium-length breath) Z, Four (:-medium-length breath)- Forty-Four. The colon punctuation is traced back to Ancient KemetJay: Z 4:44 reads like an expression of a spell, inclination or enchantment.

In Kemet, 4 (four)  is the number of totality and completeness. We see: four sides of pyramids, the four sons of Horus, four magical bricks, four pillars of the sky, four elder spirits, four cardinal points (directions: north, south, east, west). The ritual of the king’s coronation used the four directions:  four arrows were shot to the four cardinal points and four birds released. The symbolic use of the number four is frequently the one of completeness, the completeness of a square.

Z is the Canaanite Zeyin adopted as Zeta of the Greeks.  Ancient sages and kabbalists see the Hebrew Z- zayin as signifying power: It’s seventh and is shaped like a weapon (sword or Axe). It is the most important symbol of the ancient nomads and barbarians that sweep across the land of milk and honey, Heliopolis- ON (Baalbek)Canaan, and subsequently Kemet. In the 21st century, it remains the symbol of the Luciferians that seek to destroy Christianity.

There is a legend about all the letters presenting themselves before God and asking him to start creating the world with them (according to the idea that the letters are Gods bricks of creation, pieces of his eternal Lego). Zayin wants to be the cornerstone by virtue of being seventh, like the day on which the Sabbath is observed. God refuses: it’s unfit to be the basis of creation, as it denotes fighting and war. The Greeks internalized the Z in ZeusZeus is the sky and thunder god in ancient Greek religion, who ruled as king of the gods of Mount Olympus.

Modern Hebrew accepted zayin’s same connotations. References to arms in revitalized Hebrew is klei zayin, literally instruments of war.” The arms race was merutz ziyun and so forth. The Greek Zeta is also related to Zeus and the lightning bolt.

Crowley,  44, is the number of the Hebrew word for “BLOOD,” spelled with the Hebrew letters DM. (see Colin D. Campbell, Thelema, An Introduction to the Life, Works & Philosophy of Aleister Crowley, Colin Campbell % Llewellyn Worldwide, Woodbury, MN (2018))

The bottom line is Jay: Z 4:44 represents the Luciferian Blood Sacrifice; and War against Christianity.

II

JAY Z & THE SATANIC MONKEY TRADEMARK

Trademark Serial Number: 87517427

Word Mark: JAYBO

Status: 681 – Publication/Issue Review Complete

Status Date: 2018-01-05

Filing Date: 2017-07-06

Mark Drawing: 4000 – Standard character mark Typeset

Published for Opposition Date: 2018-02-13

Attorney Name: Brad D. Rose, Esq. 7 Times Square
New York, NY 10036

212.326.0875 direct

212.798.6369 fax

Board Director, Republican Jewish Coalition (RJC) [1]  The RJC is a rightwing “pro-Israel” lobbying organization. Rose is a racist Donald J. Drumpf Republican Kabbalah- Zohar Zionist neocon. [2] 

If JAYBO is so O.K., let him sport his JAYBO Caricature wear on the street in the presence of people of color; work and synagogue.

Law Office Assigned Location Code: L70

Employee Name: U.S. Attorney General, BUTLER, MIDGE FAE

III

THE RACIST MONKEY CARICATURES

A Caricature can be defined as: “A picture, description, or imitation of a person in which certain striking characteristics are exaggerated in order to create a comic or grotesque effect.”[3] Since at least the 18th century, grotesque (or grottoesque) has come to be used as a general adjective for the strange, hideous, ugly, incongruous, unpleasant, or disgusting. In art, performance, and literature, however, grotesque may also refer to something that simultaneously invokes in an audience a feeling of uncomfortable bizarreness as well as sympathetic pity.[4]

BOSKO & MONKEY RELATIVE

There is no doubt that JAYBO was created as a likeness of a Looney Tunes’s grandfather, BOSKOBosko was a classic example of a simian racial caricature deliberately manufactured  in mass corporate media to marginalize, humiliate, denigrate black people. Bosko was copyrighted on January 3, 1928 as a less than human “NEGRO BOY”.

In his book, Of Mice and Magic, Leonard Maltin states that this early version of Bosko,

“was in fact a cartoonized version of a young black boy… he spoke in a Southern Negro dialect …”

IV

REMEMBER THE TIME- THE SPLENDOR OF KEMET

http://www.youtube.com/watch?v=LeiFF0gvqcc

With the exception of a bunch of sellout HollyWeird Satanic Black Cult members …

the overall Kemetic background imagery and theme in my opinion is incredibly stunning, beautiful and POWERFUL. Nevertheless, The idea that the various human “races” were created independently by God or evolved from separate ape/monkey ancestors, has its origins with 18th Century French intellectuals, e.g. Voltaire and Cuvier, who divided humanity into “civilizedCaucasians (= whites) created by God and “barbaric’ Negros (= blacks) derived from the “MONKEY TRIBE. This tradition was continued by paleontologists, e.g. Louis Agassiz in the U.S. and in Europe by Karl Vogt. Despite Darwin’s detailed refutation of polygenism (theory of human origins) in his The Descent of Man (1871), polygenism was supported, in various guises; by eminent evolutionists (e.g. Alfred Russell Wallace and Ernst Haeckel compared Negroes to “four-handed” apes).[5]

Africa, Queen Ma’atkare (“Truth is the Soul of Ra) & the Divine Birth

The story of the “Divine Birth” goes back most demonstratively at least 5000 years ago to Africa (Kemet) and the most remarkable Pharaoh Queen Ma’atkare” (“truth is the soul of Ra) better known as Hatshepsut (“Foremost of Noble Ladies”) 5th Pharaoh of the 18th Dynasty (1507–1458 BC), the ancient splendor of the Land of Kemet in AFRICA.[6]

Queen Ma’atkare’s Divine Birth and Coronation can be found at the Temple of Deir el Bahari, Egypt. In this, God Amun calls upon a meeting of gods to announce the coming of a great and powerful queen. Amun asks the gods to bestow upon her protection and riches. As for Amun, he promises to grant her power, “I will join for her the two lands in peace… I will give her all lands and all countries.” Amun is told by the God Thoth that Queen Ahmose is to have the divine child and introduces him to her. Upon this meeting, Amun causes Ahmose to “inhale the breath of life”.

QUEEN AHMOSE & THUTMOSE I

Thoth leads Amun to Ahmose’s chamber where he has taken the form of her husband, Thutmose I. Amun in disguise, presents to her the ankh of life in her hand and nostrils. They both sit on a couch supported by two goddesses, Neith and Selk. Afterwards, Amun informs Ahmose that she is to give birth to a powerful queen and she is to rule both lands of Upper and Lower Kemet.

QUEEN MA’ATKARE’S DIVINE BIRTH

After the encounter, Amun instructs Khnum, the potter, to construct Ma’atkare’s body and ka out of clay. Khnum bestows onto her “with life, health, and strength, and all gifts, I will make her appearance above the gods, because of her dignity of king of Upper and Lower Kemet.” Once finished, Khnum offers Ma’atkare and her ka to the god Heket, who presents them the ankh of life. After, Khnum again bestows more gifts of “offerings, all abundance.” as he praises the new queen with given divine power. Thoth relays the message to Ahmose that Ma’atkare is given “all the dignities which will be bestowed upon her, all title which will be added to her name, since she is to be the mother of such an illustrious offspring.” She is also given an important royal title of “the friend and consort of Horus”.  Queen Ahmose is led into a chamber by Khnum and Heket, along with 12 gods and goddesses to help the birth and to protect Hatshepsut. Hatshepsut is born and held by her mother Queen Ahmose, and is shown suckling from the other gods, giving her life and divinity.[7]

It is the Africans that claim “Divine Descent” from the beginning of recorded history. According to Kemetic mythology, the gods descended from the belt of Orion and Sirius– the brightest star in the sky. The ancient Kemetic civilization firmly believed that from Sirius and Orion beings came in the form of humans– Ashur (Osiris) and Aset (Isis) and they instigated the human race.[8]

 Queen Ma’atkare’s Nephew 6th Pharaoh of the 18th Dynasty- The Great Thutmose III  

Furthermore, mass televised corporate and entertainment IMPLANTED false broad sweeping images of the people of the Land of Kemet …

Egyptians

Queen Ma’atkare …

Queen Hatshepsut

Queen Ahmose, Thutmose I and Thutmose III as non-blacks and “all white EuropeansORIGINATORS

while Africans have been turned into global trained master obedient “Monkey Tribes” [MONKEY SEE- MONKEY DO] creatures of the rain forests, wind and rain, thru collaborations with Satanic Prince Hall Freemasons like Jay-Z. It is a violation of our human rights.

V

RACISM: FROM THE STARS TO MONKEY TRIBES

In any case, while they argued about where to draw the race-monkey line, intellectuals of the day believed that apes and blacks were very similar.  In this picture, from a book by Robert Knox called The Races of Men (1851), the slant of the brow is used to draw connections between the “Negro” and the “Oran Outan” and differences between those two and the “European.”[9]

The image above appeared in the The Evolution of Man (1874 edition) as part of an argument that blacks are evolutionarily close to APES.[10]

Adolf Hitler, autobiography Mein Kampf:

It does not dawn upon this depraved bourgeois world that here one has actually to do with a sin against all reason; that it is a criminal absurdity to train a born half-ape [MONKEY SEE- MONKEY DO] until one believes a lawyer has been made of him, while millions of members of the highest culture race have to remain in entirely unworthy positions; that it is a sin against the will of the eternal Creator to let hundreds and hundreds of thousands of His most talented beings degenerate in the proletarian swamp of today, while Hottentots and Zulu Kafirs [Africans] are trained for intellectual vocations. For it is training, exactly as that of the poodle, and not a scientific ‘education’.”[11]

The Encyclopedia of the Jewish Religion refers to Moses Maimonides as “the symbol of the pure and orthodox faith.” His Guide to the Perplexed is considered the greatest work of Jewish religious philosophy, but his view of Blacks was Hitlerian:

“[T]he Negroes found in the remote South, and those who resemble them from among them that are with us in these climes. The status of those is like that of irrational animals. To my mind they do not have the rank of men, but have among the beings a rank lower than the rank of man but higher than the rank of apes. For they have the external shape and lineaments of a man and a faculty of discernment that is superior to that of the apes.”[12]

“STILL NIGGA”

In fact, a Kabbalah- Zohar Jew, Mark Romanek, partnered with Jay Z to create the black half human hominoid figure to globally implant and apply to traditional Black Culture across the board as a “MONKEY TRIBE”.

If JAYBO is so O.K., let him ALSO wear his “Still Nigga”  JAYBO Caricature wear on the street in the presence of people of color; school, work and synagogue.

Da Story of OJ & Monkey Tribes

Jay Z explained that JAYBO warped up in theDa Story of OJ” was about the nature of success and seeing the bigger picture.

“The Story of OJ is really a song about WE AS A [MONKEY TRIBE] CULTURE, having a plan, how we’re gonna push this forward (sic),” the rapper explained in an interview on iHeart Radio last year (17). “We all make money, and then we all lose money, as artists especially. But how, when you have some type of success, to transform that into something bigger.”[13]

Jay-Z, Shawn Corey Carter, does not have any credentials whatsoever to define or transform Black Culture on a widespread basis. He does not even possess a high school diploma.[14] He sold crack cocaine, poison, to the people. JAYBO is yet another form of mental psychological poison that he seeks to peddle to the masses. JAYBO, the half man, (higher primates) half simian monkey or Great Ape Homoinoidea orangutan has been deliberately created by Jay-Z and Romanek to depict Black People as an ethnic group and race as a “MONKEY TRIBE”.

Furthermore, an infamous beloved Black cultural, political and social heroic and revolutionary figure, Huey P. Newton, former Minister of Defense of the Black Panther Party for Self Defense (BPP), is depicted as a grotesque exaggerated dark big eyed- big lipped half-human hominoid figure. The Black Panther Party for Self Defense was a historical Black Institution.

As a former member of the BPP, I am personally offended by Jay Z and his collaborator’s direct association of simian and hominoid creatures with the Black Liberation Struggle implanting suggestions of “monkey see, monkey do”.

The platform of the BPP wasn’t socialist or communist. It was the Black Nationalism that Malcolm X taught. The BPP was no band of trained monkey see, monkey do half human simians and hominoids. We sought to define and determine our own destiny. When Bros. Huey and Bobby said that [BLACKPOWER GROWS OUT OF THE BARREL OF THE GUN, they meant military, political, and economic power. We had been very clear on that point. Jay Z is the 21st century JUDAS of the masses that has and will continue to sell them out for only a few pieces of silver.

The half-human hominoid figure JAYBO has also been deliberately connected with the image of the infamous black cultural- political civil rights, musical genius icon that we love, Shemayet (user-Maat-ra-setp-en-ra Monthu-in-the-two-lands) Nina Simone.

The half-human hominoid figure JAYBO has also been deliberately connected with the image of a living infamous cultural sport’s icon, O.J. Simpson. I have not watched Jay Z’sDa Story of O.J.” and I do not intend to, but that is not the issue at this time. Manufacturing Less than Human Black Caricatures that deliberately humiliate and harass black people for global mass consumption are the issues.

VI

THE HYPOCRISY: MEXICO & THE MEMIN PINGUIN CARICATURE CONTROVERSY 

La caricatura BOSKO, MEMIN PINGUIN & La caricatura JAYBO

Mexico’s Memin Pinguin Postage Stamp

In 2005, the comic book character Memin Pinguin a black Mexican who is portrayed as a monkey looking boy set a spark in the racial debate after  the Government of Mexico issued a series of five postage stamps commemorating and celebrating Pinguin.

Memin Pinguin is a comic book character created in the 1940s that is depicted as a dark skinned Jim Crow-era cartoon. He has exaggerated eyes and lips similar to Jim Crow memorabilia “pickaninnycaricatures and his mother resembles a “Mammycaricature.

In the comic book series, Memin Pinguin is humiliated, assaulted, battered, taunted and harassed by Mexican society for his bizarre less than human appearance, speech, and mannerisms invoking in an audience a feeling of uncomfortable bizarreness as well as sympathetic pity and racial hatred.

People were outraged with the national celebration of the half human simian caricature of a black youth. The Government of Mexico was condemned for its celebration of its simianpickaninny” and “mammycaricatures of black people on the floor of the U.S. House of Representatives (H.Res.347 — 109th Congress (2005-2006))

Resolved, That the House of Representatives—

(1) condemns the Government of Mexico for issuing a blatantly racist series of postage stamps;

(2) calls on Mexican President Vincente Fox to immediately cease printing and distributing the postage stamps and recall from circulation those postage stamps currently on the market;

(3) calls on President Fox to apologize to the citizens of Mexico and the citizens of the United States for the decision to circulate the stamp series; and

(4) declares that the decision of the Government of Mexico to issue the postage stamps is inconsistent with United States policy to eliminate the vestiges of government sanctioned racial or ethnic discrimination and intolerance.[15]

Scott McClellan, speaking for the George W. Bush presidential administration, declared the minting of a postage stamp in Mexico, which celebrated the black caricatures, to be “offensive, and I would say racial stereotypes are offensive no matter what their origin. The Mexican government needs to take this into account. Images such as these have no place in today’s world.”[16]

Throughout the last at least 4 (four) centuries, whites have historically defined Blacks—as “caricatures”, as objects, as less than human as justification for African Human Bondage, Genocide, Racial Hatred, Exploitation, Segregation, Discrimination, Mis-Education and Mass Incarceration, etc. 

What happens if a nonwhite sports the JAYBO caricature image of black people to school or the workplace to affirm the statement calling Blacks Nigga, Niggers, and that they are a less than human– “MONKEY TRIBES”?  “NIGGER” represents a classic case of the use of “fighting words” tending to incite an immediate breach of the peace which are not protected by either the Constitution of the United States (In re Spivey, 345 N.C. 404, 480 S.E.2d 693 (1997)). 

Once a Nigga, STILL A NIGGA (Dr. Nigga, Nigga Lawyer, Nigga Teacher, Rich Nigga, Poor Nigga, Mr. Nigga, Mrs. Nigga, Young Nigga, Baby Nigga, Big Nigga, Little Nigga, So Forth and So On) like trained and untrained uncivilized MONKEYS.  It is tantamount to “FIGHTING WORDS.

Lanham Act prohibited the registration of any mark that “may disparage persons, institutions, beliefs, or national symbols, or bring them into contempt, or disrepute.”

15 U.S. Code § 1052 – Trademarks registrable on principal register; concurrent registration

No trademark by which the goods of the applicant may be distinguished from the goods of others shall be refused registration on the principal register on account of its nature unless it—

 

  • Consists of or comprises immoral, deceptive, or scandalous matter; or matter which may disparage or falsely suggest a connection with persons, living or dead, institutions, beliefs, or national symbols, or bring them into contempt, or disrepute; or a geographical indication which, when used on or in connection with wines or spirits, identifies a place other than the origin of the goods and is first used on or in connection with wines or spirits by the applicant on or after one year after the date on which the WTO Agreement (as defined in section 3501 (9) of title 19) enters into force with respect to the United States.

 

JAYBO is not registrable for U.S. patent right protection because it is a grotesque exaggerated dark big eyed- big lipped half-human hominoid figure that has been globally recognized since the 18th century as an African and Negro Caricature. The Black Caricature was a central tool in justifying efforts to colonize, enslave, and even exterminate people of people. They established by outrageous pseudo race science that Africans were less than human– “MONKEY TRIBES”, then it was acceptable to treat, educate and train them as such.[17]

JAYBO and MONKEY GOD

Jay Z unquestionable calls JAYBO a NIGGA not a JIGGA. Don’t get that twisted as Rolling Stone attempts to deceive the masses. Both Jay Z and Beyonce are advanced Master Masonic Occultists. Their first and only duty and love is dedicated to Lucifer. We should always acknowledge that and treat them, accordingly. There is no local, state or U.S. law that I am aware of prohibiting mass publication of covert occult and overt racist Black Caricatures that tend to violate our human rights.  If there is such laws, please let me know immediately. However if a corporate mass media publication like Rolling Stone choose to spread racial images that are designed to globally dehumanize black people then it is incumbent upon us to protect ourselves and children from vicious racial attack and human rights abuse. In the meanwhile, on February 18, 2018 or soon thereafter, I will file an official and formal OBJECTION to JAYBO receiving U.S. Trademark protection in violation of our human rights.

 ______________________________________________________________________________________________

[1] http://www.rjchq.org/leadership

[2] http://rightweb.irc-online.org/profile/republican_jewish_coalition/

[3] https://en.oxforddictionaries.com/definition/caricature

[4] https://en.wikipedia.org/wiki/Grotesque#Pop_culture

[5] https://theconversation.com/comparing-black-people-to-monkeys-has-a-long-dark-simian-history-55102

[6] http://www.ancientegyptonline.co.uk/hatshepsut.html

[7] https://en.wikipedia.org/wiki/Stories_of_divine_birth_in_the_eighteenth_dynasty

[8] https://ancient-code.com/orion-constellation/

[9] https://thesocietypages.org/socimages/2012/07/12/whites-blacks-apes-in-the-great-chain-of-being/

[10] https://www.huffingtonpost.com/the-conversation-africa/comparing-black-people-to_b_9345322.html

[11] https://selfuni.wordpress.com/tag/hitlers-attitudes-towards-blacks/

[12] http://noirg.org/news/blacks-jews-facts-quotes/

[13] http://sandrarose.com/2018/01/jay-z-moves-trademark-racist-symbol-jaybo-t-shirts-hoodies-etc/

[14] https://en.wikipedia.org/wiki/Jay-Z

[15] https://www.congress.gov/bill/109th-congress/house-resolution/347/text

[16] https://mongrel4u.wordpress.com/tag/vicente-fox/

[17] Id.