Shawn Corey Carter | In Search of Black Assassins

JUNGLE ACTION: JAYBO, THE BLACK PANTHER & THE DEHUMANIZATION OF BLACK PEOPLE

27 03 2018

THE BEAST & THE BLACK PANTHER MOVIE CHARACTER

HollyWeird does not make movies to entertain black people, or enhance the self esteem of their children. A great deal of black families have been deceived and coached by mass corporate media into the theater to subject their children to clandestine psychologically warfare- sophisticated systems and advance levels of double binds and cognitive dissonance. Among so many other clandestine HollyWeird- CIA things, demonic spells and spirits, The Black Panther movie has been interwoven within a web of a covert New World Order Gay Agenda that is designed to deliberately harm the psyche of black children.

Vanity Fair writer Joanna Robinson reported that she’d seen footage from Black Panther in which the African king’s chief of security Ayo (Florence Kasumba) flirts with Okoye (Danai Gurira), a fellow member of King T’Challa’s elite Wakandan warrior squadron, known as the Dora Milaje.

The Black Panther & Wakanda Jungle Action- Ayo and Okoye

A few hours later, a Marvel representative said their relationship was not intended to be romantic, but the rumor of romance between the two women reappeared. E. Oliver Whitney of ScreenCrush asked the film’s co-writer, Joe Robert Cole, about whether the script ever showed Ayo and Okoyo as lesbian lovers, and Cole said, “I think the short answer is yes“. The LGBT (lesbian, gay, bisexual, and transgender) community is upset with Disney and Marvel, because they didn’t see Avo and Okoye get down to “every thang is every thang“, and “knock some boot” in The Black Panther movie.

Florence Kasumba & Danai Gurira Knock the Boots in The Black Panther for the Kids and Babies

So, was The Black Panther for the children, or secretly advance the lesbian, gay, bisexual, and transgender agenda among black children?

Robin: “Holy safari, Batman!”

A rock the house Jungle Action “knocking the boots” lesbian love scene in the movie would have surprised a whole bunch of children.

And, there are questions whether Eric Killmonger was originally created a “Gay” black male character. Furthermore, Black Revolutionaries are not called a “killmonger“- Merchant of Death. NEVERTHELESS.

THE BLACK PANTHER is a half man or semi- human animal created by a mix of afro-futurism technology (whatever Disney believes that to be) and Vodun inspired spiritualism, including visits to the ancestral plane. The Black Panther’s abilities are not God-given powers, but stem from his consuming a very rare plant, which is made into a magical potion that is drunk only by king.

The Heart-Shaped Herb potion created by Panther Goddess Bast drank by the king has been found to be a plant mutated by a meteorite of vibranium (uranium) that landed in Wakanda millions, tens or hundreds of thousands of years ago.

In the 18th Dynasty Kemet, the infamous ancient Pharaoh Tutankhamun was well of the extraterrestrial properties of heavy metals and uranium in meteorites that had fallen in Kemet tens and hundreds of thousands and millions of years ago. The knew how to separate them.

Statue of Sekhmet, Temple of Mut, Karnak, 18th Dynasty, Reign of King Tut’s Grandfather Pharaoh Amenhotep III

Bastet or Bast, the ancient cat goddess of Lower Kemet, was occasionally given a lion head and spoken of as a devastator. But more often she was seen as the benign counterpart of the dangerous Sekhmet: “Sekhmet of yesterday, Bastet of today”, as a hymn from Ptolemaic Edfu (provincial town from the end of the Old Kingdom) put it.

Angela Bassett & Lotus Flower – Sacred Symbol of the Sun & Rebirth

Angela Evelyn (Bastet) Bassett stars in The Black Panther movie. She is a HollyWeird New Age conjurer and witch associated with raising demonic entities and spirits In recent times, Sekhmet has become bastardized as a cult figure of New Age Religion. New Age Shamans use rituals to invoke Egyptian goddess Sekhmet to bring about transformation at the deepest levels of being. Sekhmet also represents to them the trans formative power of kundalini energy, or sekhem. In extreme remote antiquity, Sekhmet presented the destructive nature of Comet-Planet Venus on earth.

The Black Panther is a reborn animal-like savage destructive universal nature.

JAY Z, JAYBO & BLACK SIMIAN AND HOMINOID ASSOCIATION

JAYBO is a harmful simianized hominoid global mass commercial black/Negro caricature. JAYBO represents the half man, half human animal like The Black Panther. It is a higher primates- half simian monkey or Great Ape Homoinoidea orangutan not unlike the Ape-Man M’Baku and the Great White Gorilla Cult of The Black Panther movie associated with the Congolese Black Africans.

The idea that the various human “races” were created independently by God or evolved from separate ape/monkey ancestors, has its origins with 18th Century French intellectuals, e.g. Voltaire and Cuvier, who divided humanity into “civilized” Caucasians (= whites) created by God and “barbaric’ Negros (= blacks) derived from the “monkey tribe”.

This tradition was continued by paleontologists, e.g. Louis Agassiz in the U.S. and in Europe by Karl Vogt. Despite Darwin’s detailed refutation of polygenism in his The Descent of Man (1871), polygenism was supported, in various guises; by eminent evolutionists (e.g. Alfred Russell Wallace and Ernst Haeckel compared Negroes to “four-handed” apes).[1]

JAYBO & NEGROTUDE

Dr. Benjamin Rush, a signer of the Declaration of Independence, believed that mad people could be calmed by blood-letting from 20 to 40 ounces of blood at one time. Dr. Rush then developed a “tranquilizer chair” in 1811. This invention efficiently kept a person securely immobile and had a wooden box in which their head would be put into in order to keep the person subdued. Dr. Rush was the first to describe a pathological incurable medical condition called “Negrotude”. Negrotude was a mild form of leprosy which symptoms included such as blackening of the skin; big lips, flat nose, wooly hair. The only evidence of a cure was when the “skin turned white”. Dr. Rush used “disease” as a justification for African slavery and segregation. Negrotude was an immutable genetic disease that allowed blacks only to be medically cleared for work as domestic workers that had to be sexually segregated.

In 2008, research presented in a new paper by psychologists at Stanford, Pennsylvania State University and the University of California-Berkeley revealed that many Americans subconsciously associate blacks with apes [and hominoids]. In addition, the findings show that society is more likely to condone violence against black criminal suspects as a result of its broader inability to accept African Americans as fully human, according to the researchers.

Generally widely accepted commercial such as JAYBO and The Black Panther are dangerous false ILLUSIONS. They add fuel to the broader universal and global inability and unwillingness to accept Africans and African Americans as fully human whether it is conscious or subconscious. And, if leading black intelligentsia and corporate leaders don’t openly vehemently object to them, then the conscious or subconscious may become global acquiescence, derived from the Latin acquiēscere (to find rest in).

Co-author Jennifer Eberhardt, a Stanford associate professor of psychology who is black, said she was shocked by the results, particularly since they involved subjects born after Jim Crow and the civil rights movement.

“This was actually some of the most depressing work I have done,” she said. “This shook me up. You have suspicions when you do the work intuitions you have a hunch. But it was hard to prepare for how strong [the black-ape association] was how we were able to pick it up every time.”

The paper, “Not Yet Human: Implicit Knowledge, Historical Dehumanization and Contemporary Consequences,” is the result of a series of six previously unpublished studies conducted by Eberhardt, Pennsylvania State University psychologist Phillip Atiba Goff (the lead author and a former student of Eberhardt’s) and Matthew C. Jackson and Melissa J. Williams, graduate students at Penn State and Berkeley, respectively. The paper is scheduled to appear Feb. 7, 2008 in the Journal of Personality and Social Psychology, which is published by the American Psychological Association. Don’t get it twisted. Dehumanization and subliminal and conscious acceptance of violence against blacks is not confined to criminal suspects.

III

GERMANY’S WAR OF GENOCIDE AGAINST MONKEYS

“Everywhere, fear gripped German society that its racial superiority would be poisoned by Negro blood”^[3]

It was General von Trotha, Supreme Commander of German Southwest Africa that said, “A humane war cannot be waged against those who are not human.” Africa of Southwest Germany colonial officials and military men viewed the Herero cultural group as a form of baboon or other monkey, but not human. One German in Southwest Africa wrote: “We should burn all these dogs and baboons.”^[5]

The Herero were originally a group of cattle herders living in the central-eastern region of South West Africa, presently modern Namibia. The area occupied by the Herero was known as Damaraland. The Nama were pastorals and traders living to the South of the Herero. From 1904- 1907, in total some 65,000 Herero, about 80% of the Herero population, and 10,000 Nama, about 50% of the Nama population, perished. The genocide was carried out by mass slaughter, starvation and by poisoning the wells of the Herero amongst other crimes against humanity and tactics. Thousands of Herero and Nama were imprisoned in concentration camps, where the majority died of disease, abuse, and exhaustion.^[6]Germany’s Southwest African war was a campaign of mass racial extermination and collective punishment that the Reich undertook against the Herero, Nama and San people. It is considered the first mass genocide of the 20^th century that the world failed to take any real action against, or try to stop. The Nazi took it a giant step backward.^[7]

“National Socialism [Nazi Party] is nothing more than applied biology.” Rudolph Hess, Deputy Reichsfurhrer

Nazi Party eugenics was Nazi Germany’s racially based social policies that placed the biological improvement of the Aryan race or Germanic “Übermenschen” master race through eugenics at the center of Nazi ideology and geopolitics.^[2]The Fuhrer Adolf Hitler was created, molded, and nurtured by National Socialism (Nazi Party) to lead Germany into one of world’s most ruthless and satanic homicidal campaigns of global racial purification and annihilation in history. World War 2 could have very well been described a global race war.

Unchallenged, we tread on very dangerous grounds with the black-ape association ILLUSION even in the 21st century.

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[1] https://theconversation.com/comparing-black-people-to-monkeys-has-a-long-dark-simian-history-55102

[2] https://en.wikipedia.org/wiki/Nazi_eugenics

[3] https://www.timesofisrael.com/in-germanys-extermination-program-for-black-africans-a-template-for-the-holocaust/

[4] https://en.wikipedia.org/wiki/Wilhelm_II,_German_Emperor

[5] Id.

[6] http://combatgenocide.org/?page_id=153

[7] https://en.wikipedia.org/wiki/Herero_and_Namaqua_genocide

[8] https://www.theatlantic.com/magazine/archive/2011/06/red-rosa/308500/

[9] http://www.ancientegyptonline.co.uk/nabtaplaya.html

[10] http://www.crystalinks.com/nubia.html

[11] http://www.astrotheologyzone.com/egypt.html

[12] http://1stmuse.com/maria_orsitsch/

[13] http://www.bibliotecapleyades.net/sociopolitica/sociopol_thule08.htm

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JAYBO & JAY Z LESSONS NOT LEARNED IN THE 21ST CENTURY

Jaybo, Jay Z & The Shady Lady Kingpin Cocaine Trafficker, Desiree Perez

During the CIA crack cocaine epidemic in 1994, Jay Z’s Desiree Perez, Chief Operating Officer of Carter Enterprises, LLC, was busted in Brooklyn with 35 kilos (about 80 pounds) of cocaine with an estimated street value of at least up to $14 million. She was a part of a massive Mafia New York to Florida to Puerto Rico – Columbian cocaine distribution ring. She should have been prosecuted as a Chapter 13 of Title 21 of the United States Code, 21 U.S.C. § 848 federal drug “KINGPIN” in the Southern District of Florida.[1],[2]

U.S. Attorney Laurence Bardfeld, the U.S. Attorney for the Southern District of Florida, the chief federal law enforcement officer for the District, argued in Perez’s behalf to keep her out prison. The Southern District of Florida encompasses a geographical area of approximately 15,197 square miles extending south to Key West, north to Sebastian and west to Sebring. The Southern District includes the counties of Miami-Dade, Broward, Monroe, Palm Beach, Martin, St. Lucie, Indian River, Okeechobee and Highlands.[3]

Desiree Perez is a DEA/FBI agent and informant that was released from the federal prison custody and placed on five years of supervised release. She began working at nightspots in Miami Beach and was scheduled to meet her probation officer at the Club Onyx, when she skipped town without notice in early August 1997. The fugitive Perez resurfaced nine month later in Brooklyn, where she was arrested on March 5, 1998. Perez was charged with grand larceny, criminal use of drug paraphernalia and criminal possession of a firearm. Her probation was revoked and she was sentenced to just only 9 (nine) months in prison and 3 (three) years of supervised release instead of at least life imprisonment as a major federal “kingpin” drug dealer. Perez appears to have been in business with Jay Z since at least 2002. Perez’s felonious federal drug kingpin criminal records have been court sealed.[4] Jay Z and the felonious drug trafficker Shady Lady created the racist simian-hominoid black caricature JAYBO.

On the street, drug dealers often say that they aren’t the source of the problem for drug addiction and death in the black community. They say that the n-word (niggas) want to commit suicide. They only help them KILL THEMSELVES. Black children need heroes and super heroes too, but we can’t sit by in idle silence while Jay Z and the Shady Lady profit again from the spiritual assassination and subconscious death of the masses like merchants of DEATH. I have filed a formal objection to the JAYBO trademark application for federal protection. Whatsoever publish this demeaning black hominoid caricature in commerce to deliberately profit from the sadistic dehumanization of black people shall ACCOUNT!

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[1] https://www.indiatimes.com/news/world/35-kilos-of-cocaine-worth-rs-94-crore-found-in-a-horse-sculpture-in-new-zealand-257703.html

[2] http://www.nydailynews.com/blogs/iteam/damon-dash-scared-news-report-a-rod-pal-desiree-perez-blog-entry-1.2146139

[3] https://www.justice.gov/usao-sdfl

[4] http://www.nydailynews.com/sports/i-team/babe-ruthless-rod-shady-lady-article-1.1796578

IN THE UNITED STATES PATENT AND TRADEMARK OFFICE

BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD

RAYFORD BULLOCK,

Opposer,

Opposition No.

Trademark No. 87517427

Mark: JAYBO, Pseudo Mark

Filing Date: July 06, 2017

Publication Date: February 13, 2018

S. CARTER ENTERPRISE, LLC,

Applicant.

NOTICE OF OPPOSITION

RAYFORD BULLOCK, a Black resident of the State of California, City of Pittsburg, County of Contra Costa (hereafter called “Opposer”), believes that he will be damaged by the registration of the mark shown in Application Serial No. 87517427, filed by S. Carter Enterprise, LLC (hereafter called “Applicant”) on July 06, 2017, and opposes Application Serial No. 87517427.

The Opposer is a former member of the Black Panther Party for Self Defense (BPP), Oakland, CA. The Opposer BPP membership is confirmed and verified by his name that appears above in its official newspaper organ, The Black Panther, Intercommual News Service, January 31, 1969.

The grounds for this opposition are as follows:

Applicant’s Mark is a Lying and Pretext Mark

1 .The “applicant” S. Carter Enterprises LLC [Shawn Corey Carter] is known professionally as JAY-Z– an American rapper and businessman. Applicant’s MARK is actually a caricature of JAY-Z. The applicant is now engaged in the manufacture, distribution, sale, advertising and promotion of a wide range of promotional goods and services including clothing of the MARK’s CARICATURE, JAYBO or JAYBO, that are not: “Candles; scented and perfumed candles; aromatherapy fragrance candles; votive candles; candle torches; wicks for candles; scented wax for use in candle warmers; candles for night lights; tea light candles.”

In lieu of the U.S. Supreme Court ruling in Matal v. Tam, 137 S. Ct. 1744 (June 19, 2017) that the Lanham Act’s disparagement clause violates the Free Speech Clause, whether or not JAYBO is disparaging to any person or racial is not at issue in this case. However, it may be relevant on the issue of the Applicant’s motive to deceive the trademark act. “Our legal system provides methods for challenging the Government’s right to ask questions — lyingis not one of them.” [Making false statements (18 U.S.C. § 1001), Brogan v. United States, 396 U.S. 64, 72 (1969]

The applicant’s MARK: JAYBO does in fact identify a particular living individual that is in fact a black caricature of Shawn Corey Carter known professionally as JAY-Z.

The applicant’s MARK is better described as a suitcase that hides the applicant’s racist black caricature of the rapper, JAY-Z, inside.

The applicant’s MARK: JAYBO is an attempt to DECEIVE

JAYBO or JAY-BO represents a racist caricature of BOSKO re-imaged as the applicant in commerce currently bought and sold on a large scale.

Applicant’s Mark Lack Sufficiently Originality to Warrant Copyright Protection.

Applicant’s Mark is complete textual “JAYBO”. Applicant’s Mark statement says that the mark consists only of “standard characters, without claim to any particular font, style, size, or color.”

PROCEDURAL HISTORY OF THE MARK: JAYBO

Trademark/Service Mark Application, Principal Register

Serial Number: 87517427

Filing Date: 07/06/2017

OWNER OF MARK: S. Carter Enterprises, LLC

MARK: JAYBO

STANDARD CHARACTERS: YES

LITERAL ELEMANT: JAYBO

MARK STATEMENT: This mark consists of standard characters, without claim to any particular font, style, size, or color.

10/3/2017 12:24:30 PM

The assigned examining attorney has reviewed the referenced application and determined the following.

Offc Action Outgoing

Date Sent: 10/03/2017

UNITED STATES PATENT AND TRADEMARK OFFICE (USPTO)

OFFICE ACTION (OFFICIAL LETTER) ABOUT APPLICANT’S TRADEMARK APPLICATION

U.S. APPLICATION SERIAL NO. 8751742

APPLICANT: S. Carter Enterprises, LLC

CORRESPONDENT’S REFERENCE/DOCKET NO: 22485.00001

NAME IN MARK

Applicant must clarify whether the name JAYBO in the mark identifies a particular living individual. See 37 C.F.R. §2.61(b); TMEP §§813, 1206.03. In this case, the application neither specifies whether the name in the mark identifies a particular living individual nor includes a written consent. See TMEP §§813.01(a)-(b), 1206.04(a), 1206.05.

To register a mark that consists of or comprises the name of a particular living individual, including a first name, pseudonym, stage name, or nickname, an applicant must provide a written consent personally signed by the named individual. 15 U.S.C. §1052(c); TMEP §§813, 1206.04(a).

Accordingly, if the name in the mark does not identify a particular living individual, applicant must submit a statement to that effect (e.g., “The name shown in the mark does not identify a particular living individual.”).

However, if the name in the mark does identify a particular living individual, applicant must submit both of the following:

(1) The following statement: “The name(s) shown in the mark identifies a living individual(s) whose consent(s) to register is made of record.” If the name is a pseudonym, stage name, or nickname, applicant must provide the following statement: “JAYBO identifies <specify actual name>, a living individual whose consent is of record.”

(2) A written consent, personally signed by the named individual(s), as follows: “I, <specify name>, consent to the use and registration of my name, JAYBO, as a trademark and/or service mark with the USPTO.”

8. Applicant’s Response to Office Action

Date: December 28, 2017

SERIAL NO. 8751742

MARK: https://tmng-al.uspto.gov/resting2/api/img/87517427/large

MARK STATEMENT: This mark consists of standard characters, without claim to any particular font, style, size, or color.

NAME(S), PORTRAIT(S), SIGNATURE(S) OF INDIVIDUAL(S): The name(s), portrait(s), and/or signature(s) shown in the mark does not identify a particular living individual.

ORIGINAL PDF FILE: HS_389416710-164142961_._Signed_Declaration.pdf

SIGNATORY’S NAME: Desiree Perez

SIGNATORY’S POSITION: COO [Chief Operation Officer]

III

APPLICANT’S MARK AT ISSUE

The Opposer maintains that the applicant’s mark at issue is a Lying and Pretext Mark.

Exhibit A- the real “JAYBO”

Exhibit A is the applicant’s true and actual “JAYBO” mark in commerce. And, by its very nature- it is not impossible, but extremely unsuitable for “Candles; scented and perfumed candles; aromatherapy fragrance candles; votive candles; candle torches; wicks for candles; scented wax for use in candle warmers; candles for night lights; tea light candles.”

LET US MEET BOSKO

BOSKOis a racist animated cartoon character created by1920-30s era white animators Hugh Harman and Rudolf Ising of Kansas City, Missouri. In the history of the United States, Missouri was a slave state– a state in which the practice of African Human Bondage was legal.
BOSKO is the first recurring character in Leon Schlesinger‘s cartoon series, and is also the star of over three dozen extremely racist Looney Tunesshorts released by Warner Bros.
Hugh Harman made drawings of a new character and registered it with the copyrightoffice on January 3, 1928. The character was registered as a “Negroboy” under the name of BOSKO.
The original BOSKO character clearly appears to be an adult. However in former slave states, it was a customary psychological tactic to continually humiliate and emasculate Black men by calling them “BOYS” throughout their lives from infancy to old age to satisfy a byproduct of the horrible Institution of African Human Bondage– a sick racial psycho-sexual white superiority complex.

BOSKO WITH ANIMAL CLAWED FEET

When BOSKO was created in 1928 as an ante bellum slavery classic cognitive empathy of the majestic falsehood that black people are less than human, it was well understood in the animation industry that the southern “Negro Boy” was depicted to represent a simian “MONKEY” that justified the global institutional enslavement of the African. BOSKO can procreate, but it will not be allowed by white society to create or originate just the same as a primate.
BOSKO’s black skin; gruesome big lips, eyes and wooly hair constitute symptoms of a pathological incurable 18^th century ante bellum slavery medical condition called “Negrotude” – a mild form of Leprosy that justified special criminal and sexual prohibitions, racial discrimination; and strict segregation of Africans within white society.
BOSKO carries a lot of racial hatred, wounds and baggage. It certainly stands to reason that BOSKO is an extremely horrible and racist character and caricature that should have been left to die in the early 20^st century or flushed down the toilet in the 21^st century. It is certainly something to lie about, hide and conceal from the U.S. Trademark Office and public if BOSKO is resurrected in any form whatsoever and for whatsoever reasons, and the applicant is attempting to revive him. BOSKO arise, and rides again behind the veil of the power, authority, shield and sword of The Lanham Act.

THE LANHAM (TRADEMARK) ACT

18.The Lanham Act of 1946, also known as the Trademark Act (15 U.S.C.A. § 1051 et seq, ch.540, 60 Stat. 427 [1988 & Supp.V 1993]), is a federal statute that regulates the use of Trademarks in commercial activity.

Trademarks are distinctive pictures, words, and other devices used by business to identify their pictures, words, and other symbols or devices used by businesses to identify their goods and services.
The Lanham Act is like a shield that gives the trademark users exclusive rights to their marks, thereby protecting the time and money invested in those marks. The act also serves to reduce consumer confusion in the identification of goods and services.
The Lanham Act is also like a sword that gives trademark users a plethoric of legal procedures and remedies to strike with under federal law to help enforce their rights attached to qualified trademarks.

IN A PETITION TO OPPOSE A MARK INTENT TO DECIEVE MUST BE SUPPORTED BY CLEAR AND CONVINCING PROOF

The Trademark Opposer carries the burden of proof by clear and convincing evidence to support an inference of deceptive intent (FRAUD, INTENT TO DECIEVE).
The precise meaning of “clear and convincing proof” does not lend itself readily to definition. It is, in reality, a question of how strongly the minds of the trier or triers of fact must be convinced that the facts are as contended by the proponent. In the ordinary civil suit, the proponent must persuade the jury (or judge, if there is no jury) that the facts are more probably true than not true. Where clear and convincing proof is required, the proponent must convince the jury or judge, as the case may be, that it is highly probable that the facts which he asserts are true. He must do more than show that the facts are probably true. (COMMENT, EVIDENCE: CLEAR AND CONVINCING PROOF: APPELLATE REVIEW, CALIFORNIA LAW REVIEW, Vol. 32, Issue 1, March 1944, pg. 75)

VII

APPLICANT’S REAL MARK CONCEALED IN THE SUITCASE

On October 03, 2017, the USPTO identified the Mark, “JAYBO”, as a name that did not show whether or not it identified a particular living individual. USPTO asked applicant to respond, accordingly.
On December 28, 2017, the applicant responded that the name, “JAYBO” shown in the mark does not identify a particular living individual. It had been so declared by the applicant by signatory Desiree Perez, COO- ” S. Carter Enterprises LLC.
Desiree Perez’s declaration is in evidence, and it states the following:

DECLARATION

The signatory believes that: the applicant is entitled to use the mark in commerce on or in connection with the goods or services specified in the application; the applicant has a bona fide intention to use the mark in commerce and had a bona fide intention to use the mark in commerce as of the application filing date; and to the best of the signatory’s knowledge and belief, no other person has the right to use the mark in commerce, either in the identical form or in such near resemblance as to be likely, when applied to the goods and/or services of such other person, to cause confusion or mistake, or to deceive. The signatory’ being warned that willful false statements and the like are punishable by fine or imprisonment, or both, under 18 USC §1001, and that such willful false statements and the like may jeopardize the validity of the application or any registration resulting therefrom, declares that all statements made of his or her own knowledge are true and all statements made on information and belief are believed to be true.

Dated: ___10/20_______, 2017

CARTER ENTERPRISES, LLC

By: Desiree Perez Title: COO

Perez’s statement that the mark, “JAYBO”, does not identify a particular living individual is a false statement. JAY-BO is her business partner, the self-guru, JAY-Z.

28. Throughout the U.S. music and entertainment industry, the “JAYBO” character is known as applicant’s real trademark. It is known internationally that the “JAYBO” less than human animated simian BOSKO character is the applicant’s real trademark.

JAY Z- JAYBO

“The 48-year-old rapper has filed a trademark on his animated character that appeared on The Story of OJ music video last year according to a Monday report from TMZ.” (Daily Mail. Com, January 15, 2018)

VIII

FACT: JAY Z CREATED HIMSELF AS JAYBO – AN OFFENSIVE RACIST MUTANT CHARACTER CARICATURE OF BOSKO

Exhibit B- Shawn Jay Z Carter (JAYBO) President

“The Story of O.J.” is a song by Jay-Z from his thirteenth studio album 4:44 released on June 30, 2017. Roc Nation, LLC is an American entertainment company founded by Shawn “JAY-Z” Carter in 2008. Desiree Perez is also COO of Roc Nation, LLC.

Da Story of O.J., Jaybo, Roc Nation & Jay Z

The creation of applicant’s mark JAYBO began with JAY-Z’s track, “The Story of OJ”. Jay Z and Mark Romanek brainstormed an idea character for a video where the track “The Story of OJ” would play over visuals of him and black people derived from old, racist [BOSKO] cartoons from the 1930s-40s. JAYBO was deliberately created as another purveyor of the cognitive empathy of the majestic falsehood that black people are less than human.
Video directors Mark Romanek and Jay-Z of Roc Nation collaborated over the course of six weeks with a team of animators, 3D modelers, and designers to produce the character caricature, JAYBO.
Roc Nation employed The Mill with Titmouse to handle video character design and animation. Illustrator, vis-dev artist, art director, Rustam Hasanov, was lead character designer on the Roc Nation project.
Rustam Hasanov, Development Guide for the Character of JAYBO [Opposer added JAY Z picture to Development Guide]
Rustam Hasanov, “There was a ballpark, a grey area of we could hit and if we didn’t quite get it right I knew it could be catastrophic and that it could be misconstrued and misinterpreted in term of what the intention behind the video was. So, we were very careful about how we were going to address all the stereotypes and how we were going to clarify exactly what the designs were going to say.” (https://kulturehub.com/jay-z-oj-designer/)
Above, Rustam Hasanov’s [JAY Z] J- BOSCO [BOSKO] Turnaround- there is absolutely no doubt that JAYBO had been created in the image of BOSKO as a purveyor of the ante bellum slavery classic cognitive empathy of the majestic falsehood that black people are less than human.
Rustam Hasanov, “Imagine doing these horrible racial stereotypes and turning them into entertainment for children. If you are an artist you know exactly what you are doing and you know that it’s bad, but they did it anyway. That’s exactly what we were doing too. That was the part we were nervous about, are we just repeating the same thing and are we fetishizing these stereotypes or are we making a statement? To us very much, we were on the side that we are not regurgitating this content, we’re making a statement about it.” (https://kulturehub.com/jay-z-oj-designer/)
Rustam Hasanov, “I found out from Tim Delvin who was the art director. I basically came in, he pitched the project to me, what the idea was and said, ‘it is for Jay-Z.’ At that point, I didn’t know the song and I thought, ‘God this could go very wrong’ because he just showed some imagery- the racist references and cartoons were shown to me first. Yeah, that was a little unnerving.” (https://kulturehub.com/jay-z-oj-designer/)
JAY-Z had himself reimagined as “JAYBO” or “JAY BO” a play off of the racist black caricature, BOSKO, for his song “The Story of O.J.” from his 13 (thirteenth) studio album 4:44 as some kind of black hominoid/simian financial and philosophical guru.

Contrary to the applicant’s sworn declarations, JAY BO, represents a living person- JAY Z [Shawn Corey Carter], and his ideology. JAY to the Z is the same live person as JAY to the BO.

The music video for “The Story of O.J.” features JAY-Z reimaged as the racist caricature character JAYBO premiered on July 5, 2017 on Jay-Z’s Vevo account on YouTube a day before he applied for U.S. trademark protection. (See https://en.wikipedia.org/wiki/The_Story_of_O.J.
Jay-Z‘s “Story of O.J.”featured JAY-Z reimaged as the racist black simian or hominoid character JAYBO. It is an animated figure that appears to have been snatched directly from the minstrel show era with an uncanny resemblance to JAY-Z. The racist JAYBO or JAY BO, character image is intended to appear on merchandise coming soon after the pseudo mark, JAYBO, the Bosco/Little Black Sambo character, is trademarked officially.

(See http://hiphopwired.com/741575/get-ready-to-see-jay-zs-story-of-o-j-character-jaybo-on-merchandise-soon/)

TMZreported: Hova’s company, S. Carter Enterprises, just filed docs to trademark the animated character figure, “JAYBO.” The plan is to plaster the little guy on T-shirts, sweaters, hats, blankets, shams, dinnerware, mugs, cocktail shakers and thermal containers.

It is Jay-Z’s lead character “JAYBO” from his “Story of O.J.” music video that has been drafted for a whole new role in fashion and home wares, not the pseudo name “JAYBO” or “JAY BO”.

The applicant’s current U.S. Trademark application was made with the intention of putting the animated BOSKO “JAYBO” character on merchandise such as T-shirts and hats, as well as mugs and cocktail shakers, not the pseudo name “JAYBO” or “JAY BO”.
In fact, the applicant has declared in its Trademark/Service Mark Application, Principal Register, Serial No. 87517427 that its goods and services “JAYBO” or “JAY BO” include the following: “Candles; scented and perfumed candles; aromatherapy fragrance candles; votive candles; candle torches; wicks for candles; scented wax for use in candle warmers; candles for night lights; tea light candles.”

APPLICANT’S MARK IS TEXTUAL MATTER THAT IS NOT COPYRIGHTABLE

Applicant’s Mark is complete textual “JAYBO”. Applicant’s Mark statement says that the mark consists only of “standard characters, without claim to any particular font, style, size, or color.”
ETS-HOKIN v. SKYY SPIRITS INC., 225 F.3d 1068 (9th Cir. 2000), the court held that,

“[a] claim to copyright cannot be registered in a print or label consisting solely of trademark subject matter and lacking copyrightable matter.” 37 C.F.R. 202.10(b). Although a label’s “graphical illustrations” are normally copyrightable, “textual matter” is not–at least not unless the text “aid[s] or augment[s]” an accompanying graphical illustration. 1 NIMMER 2.08 [G][2], at 2-136. The label on Skyy’s vodka bottle consists only of text and does not include any pictorial illustrations.”

In this case, the applicant’s Mark lacks enough originality to acquire copyright protection of their own. “Textual matter” is not copyrightable at least not unless the text “aid[s] or augment[s]” an accompanying graphical illustration. Applicant’s Mark is the same as Skyy’s vodka bottle above; it consists only of text and does not include any pictorial illustrations.

PRAYER

APPLICANT’S “REAL JAYBO”, BLACK PANTHER PARTY FOR SELF DEFENSE

Opposer avers that the public have been confused, mistaken or deceived by the Applicant’s Concealed Actual Mark that represents real people and historical events involving the Opposer and the BPP. The offensive racist simian hominoid black caricature, the “REAL JAYBO” had absolutely NOTHING to do with the BPP or its historical events. Yet, at the very least 61 million people around the world have viewed the applicant’s less than human so called U.S. Copyrighted Black Panther caricature in applicant’s mass produced, “The Story of OJ”.
Opposer avers that he will be damaged by the registration of the Applicant’s Lying Mark as set forth in Applicant’s Trademark Application Serial No. 87517427 that deliberately and intentionally conceals Applicant’s Actual Mark, a racist black caricature, which misconstrue, mis-educate the public regarding true historical individuals and events, and maliciously spread the majestic falsehood around the world that black people are less than human.
Opposer avers that he has been and will continue to be damaged by the registration of the Applicant’s Lying Mark as set forth in Applicant’s Trademark Application Serial No. 87517427 that deliberately and intentionally conceals Applicant’s Actual Mark, a racist black simian/hominoid caricature, which humiliate, denigrate, and DEHUMANIZE him in commerce.
Opposer avers that he has been and will continue to be damaged by the registration of the Applicant’s Lying Mark as set forth in Applicant’s Trademark Application Serial No. 87517427 that deliberately and intentionally conceals Applicant’s Actual Mark, a racist black simian/hominoid caricature, to deny him rights, and remedies under The Lanham Act, 13^th (Badges and Incidents of Slavery) and 14^th Amendment of the U.S. Constitution (Due process and Equal Protection).
Opposer avers that he has been and will continue to be damaged by the registration of the Applicant’s Lying Mark as set forth in Applicant’s Trademark Application Serial No. 87517427 that deliberately and intentionally conceals Applicant’s Actual Mark, it is an Application designed to DECIEVE the Trademark Office, Commerce and the Public.
Opposer avers that the applicant is wrongfully using the Lanham Act as his sword and shield to maliciously spread in commerce the ante bellum slavery majestic falsehood that black people are less than human.
So that it is crystal clear, the Opposer’s notice and petition of opposition before the U.S. Trademark office is not based on applicant’s ugly racist and horrible animated character, but the fraud and deception that applicant committed in the application process with the intent to deceive and conceal applicant’s ugly racist and horrible animated character from the Trademark Office.

WHEREFORE, this Opposer, RAYFORD BULLOCK, believes and avers that it is being and continues to be damaged by registration of the proposed JAYBO trademark as aforesaid, prays that the said Application Serial No. 87517427 be rejected in accordance with the provisions of the Trademark Act, that no registration be issued thereon to Applicant, and that this Opposition be sustained in favor of Opposer.

Respectfully Submitted,

______________________________________

RAYFORD BULLOCK

Dated: March 08, 2018

Comments : 1 Comment »
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U.S. TRADEMARK PROTECTION, JAY Z, JAYBO- NEGRO SIMIAN HOMINOID CARICATURE, SATANIC MONKEY GODS & TRIBES

29 01 2018

JAY Z, SATANISTS, THE MONKEY & 4:44

I didn’t know about Jay Z and the Jaybo Monkey Caricature for mass global exploitation and consumption until just a couple of days ago. On his recent high profile international corporate mass media appearance on CNN’s Van Jones Show just before the 2018 Primetime Emmy Awards ceremony, they didn’t discuss Jaybo, the Simian Hominoid Caricature. However, Jay Z’s album “4:44” featuring Jaybo leads all artists with 8 (eight) nods (nominations).

Jay Z’s soul was up for sale long ago.

Jay Z is a Satanist, a Crowleyite- follower of Aleister Crowley. The Great BEAST 666 Aleister Crowley was a vicious racist. The Equinox (subtitle: “The Review of Scientific Illuminism“) is a series of publications in book form that serves as the official organ of the magical order A.A. founded by Crowley. In texts, Crowley makes two very startling direct occult associations of simian and hominoid with black people.

“The servant of Hermes, a negro uglier than an ape.” (Adonis, published in The Equinox, Vol. 1, No. 7)

“HERMES. Bring the old Chian. Hanuman! [The negro goes to obey. This joke- Is the accepted way of scaring folks …. ” (Adonis, published in The Equinox, Vol. No. 7)

Hermes, the God of Wisdom, known in Egypt, Syria, and Canaan as THOTH. The commonest symbolic forms of Thoth’s attendant, the dog-headed (hominid) APE. In the Judgment Scene of the Book of the Dead the dog-headed APE (Āān) is seated on the top of the beam of the Balance in which the heart of the deceased is weighed; his duty apparently is to watch the pointer and tell his master Thoth when the beam is level. Elsewhere, it symbolizes the equinoxes; but this does not explain the APE.

Part human-part monkey, Hanuman is a central character in the Hindu epic Ramayana. He is generally depicted as a man with the face of a (simian) monkey and a long tail. The Ramayana describes him as an ideal devotee of Lord Ram. According to the epic, Hanuman and his vaanar sena – an army of monkeys – help Ram in his battle against Ravana, the Sri Lankan demon king who kidnaps his wife Sita.

Jaybo, the Simian Hominoid Caricature is very similar to both Hanuman, and the Ape of Thoth.

Black Satanic Cult Brotherhood 666- Van Jones, Beyonce & Jay Z

Beyonce and Jay Z are extremely scary advanced high level and elite Satanists. Vann Jones is a fellow at The Institute of Noetic Sciences (IONS)- a secret high level affiliate and front of the CIA Occult Bureau. According to Jack Sarfatti, a “very, very sophisticated and successful covert psychological warfare operation run by the late Brendan O Regan of the Institute of Noetic Sciences and the late Harold Chipman who was the CIA station chief responsible for all mind-control research in the Bay Area in the 70s.”

Former NASA astronaut Edgar Mitchell, founder of IONS, revealed that he had briefed then CIA director George Bush on the activities and results of the IONS mind control (MK ULTRA/MONARCH) experiments. (Mitchell, Edgar, The Way of the Explorer, GP Putnam’s Sons, 1996, pg 91). Russell Targ, “How I was a Psychic Spy for the CIA and found God,” INSTITUTE FOR NOETIC SCIENCE (IONS), November 2003. (See Alex Constantine, Virtual Government: CIA Mind Control Operations in America, Feral House, Port Townsend, WA (1997), pg. 139)

Tonight, Jay Z is up for 8 (eight) nods for Emmy Awards for his “Jay: Z 4:44″ album. It is not per se a musical album. Many have wondered what the numeral title really means. Beyonce says Jay: Z 4:44 represents the number 4 in significant events of their lives. However, they are Satanists. The numbers represents events alright, but mystic and occult phenomenon.

It reads Jay (:-medium-length breath) Z, Four (:-medium-length breath)- Forty-Four. The colon punctuation is traced back to Ancient Kemet. Jay: Z 4:44 reads like an expression of a spell, inclination or enchantment.

In Kemet, 4 (four) is the number of totality and completeness. We see: four sides of pyramids, the four sons of Horus, four magical bricks, four pillars of the sky, four elder spirits, four cardinal points (directions: north, south, east, west). The ritual of the king’s coronation used the four directions: four arrows were shot to the four cardinal points and four birds released. The symbolic use of the number four is frequently the one of completeness, the completeness of a square.

Z is the Canaanite Zeyin adopted as Zeta of the Greeks. Ancient sages and kabbalists see the Hebrew Z- zayin as signifying power: It’s seventh and is shaped like a weapon (sword or Axe). It is the most important symbol of the ancient nomads and barbarians that sweep across the land of milk and honey, Heliopolis- ON (Baalbek), Canaan, and subsequently Kemet. In the 21st century, it remains the symbol of the Luciferians that seek to destroy Christianity.

There is a legend about all the letters presenting themselves before God and asking him to start creating the world with them (according to the idea that the letters are Gods bricks of creation, pieces of his eternal Lego). Zayin wants to be the cornerstone by virtue of being seventh, like the day on which the Sabbath is observed. God refuses: it’s unfit to be the basis of creation, as it denotes fighting and war. The Greeks internalized the Z in Zeus. Zeus is the sky and thunder god in ancient Greek religion, who ruled as king of the gods of Mount Olympus.

Modern Hebrew accepted zayin’s same connotations. References to arms in revitalized Hebrew is klei zayin, literally instruments of war.” The arms race was merutz ziyun and so forth. The Greek Zeta is also related to Zeus and the lightning bolt.

Crowley, 44, is the number of the Hebrew word for “BLOOD,” spelled with the Hebrew letters DM. (see Colin D. Campbell, Thelema, An Introduction to the Life, Works & Philosophy of Aleister Crowley, Colin Campbell % Llewellyn Worldwide, Woodbury, MN (2018))

The bottom line is Jay: Z 4:44 represents the Luciferian Blood Sacrifice; and War against Christianity.

JAY Z & THE SATANIC MONKEY TRADEMARK

Trademark Serial Number: 87517427

Word Mark: JAYBO

Status: 681 – Publication/Issue Review Complete

Status Date: 2018-01-05

Filing Date: 2017-07-06

Mark Drawing: 4000 – Standard character mark Typeset

Published for Opposition Date: 2018-02-13

Attorney Name: Brad D. Rose, Esq. 7 Times Square
New York, NY 10036

212.326.0875 direct

212.798.6369 fax

Board Director, Republican Jewish Coalition (RJC) [1] The RJC is a right–wing “pro-Israel” lobbying organization. Rose is a racist Donald J. Drumpf Republican Kabbalah- Zohar Zionist neocon. [2]

If JAYBO is so O.K., let him sport his JAYBO Caricature wear on the street in the presence of people of color; work and synagogue.

Law Office Assigned Location Code: L70

Employee Name: U.S. Attorney General, BUTLER, MIDGE FAE

III

THE RACIST MONKEY CARICATURES

A Caricature can be defined as: “A picture, description, or imitation of a person in which certain striking characteristics are exaggerated in order to create a comic or grotesque effect.”[3] Since at least the 18th century, grotesque (or grottoesque) has come to be used as a general adjective for the strange, hideous, ugly, incongruous, unpleasant, or disgusting. In art, performance, and literature, however, grotesque may also refer to something that simultaneously invokes in an audience a feeling of uncomfortable bizarreness as well as sympathetic pity.[4]

BOSKO & MONKEY RELATIVE

There is no doubt that JAYBO was created as a likeness of a Looney Tunes’s grandfather, BOSKO. Bosko was a classic example of a simian racial caricature deliberately manufactured in mass corporate media to marginalize, humiliate, denigrate black people. Bosko was copyrighted on January 3, 1928 as a less than human “NEGRO BOY”.

In his book, Of Mice and Magic, Leonard Maltin states that this early version of Bosko,

“was in fact a cartoonized version of a young black boy… he spoke in a Southern Negro dialect …”

IV

REMEMBER THE TIME- THE SPLENDOR OF KEMET

http://www.youtube.com/watch?v=LeiFF0gvqcc

With the exception of a bunch of sellout HollyWeird Satanic Black Cult members …

the overall Kemetic background imagery and theme in my opinion is incredibly stunning, beautiful and POWERFUL. Nevertheless, The idea that the various human “races” were created independently by God or evolved from separate ape/monkey ancestors, has its origins with 18th Century French intellectuals, e.g. Voltaire and Cuvier, who divided humanity into “civilized” Caucasians (= whites) created by God and “barbaric’ Negros (= blacks) derived from the “MONKEY TRIBE”. This tradition was continued by paleontologists, e.g. Louis Agassiz in the U.S. and in Europe by Karl Vogt. Despite Darwin’s detailed refutation of polygenism (theory of human origins) in his The Descent of Man (1871), polygenism was supported, in various guises; by eminent evolutionists (e.g. Alfred Russell Wallace and Ernst Haeckel compared Negroes to “four-handed” apes).[5]

Africa, Queen Ma’atkare (“Truth is the Soul of Ra) & the Divine Birth

The story of the “Divine Birth” goes back most demonstratively at least 5000 years ago to Africa (Kemet) and the most remarkable Pharaoh Queen “Ma’atkare” (“truth is the soul of Ra) better known as Hatshepsut (“Foremost of Noble Ladies”) 5th Pharaoh of the 18^th Dynasty (1507–1458 BC), the ancient splendor of the Land of Kemet in AFRICA.[6]

Queen Ma’atkare’s Divine Birth and Coronation can be found at the Temple of Deir el Bahari, Egypt. In this, God Amun calls upon a meeting of gods to announce the coming of a great and powerful queen. Amun asks the gods to bestow upon her protection and riches. As for Amun, he promises to grant her power, “I will join for her the two lands in peace… I will give her all lands and all countries.” Amun is told by the God Thoth that Queen Ahmose is to have the divine child and introduces him to her. Upon this meeting, Amun causes Ahmose to “inhale the breath of life”.

QUEEN AHMOSE & THUTMOSE I

Thoth leads Amun to Ahmose’s chamber where he has taken the form of her husband, Thutmose I. Amun in disguise, presents to her the ankh of life in her hand and nostrils. They both sit on a couch supported by two goddesses, Neith and Selk. Afterwards, Amun informs Ahmose that she is to give birth to a powerful queen and she is to rule both lands of Upper and Lower Kemet.

QUEEN MA’ATKARE’S DIVINE BIRTH

After the encounter, Amun instructs Khnum, the potter, to construct Ma’atkare’s body and ka out of clay. Khnum bestows onto her “with life, health, and strength, and all gifts, I will make her appearance above the gods, because of her dignity of king of Upper and Lower Kemet.” Once finished, Khnum offers Ma’atkare and her ka to the god Heket, who presents them the ankh of life. After, Khnum again bestows more gifts of “offerings, all abundance.” as he praises the new queen with given divine power. Thoth relays the message to Ahmose that Ma’atkare is given “all the dignities which will be bestowed upon her, all title which will be added to her name, since she is to be the mother of such an illustrious offspring.” She is also given an important royal title of “the friend and consort of Horus”. Queen Ahmose is led into a chamber by Khnum and Heket, along with 12 gods and goddesses to help the birth and to protect Hatshepsut. Hatshepsut is born and held by her mother Queen Ahmose, and is shown suckling from the other gods, giving her life and divinity.[7]

It is the Africans that claim “Divine Descent” from the beginning of recorded history. According to Kemetic mythology, the gods descended from the belt of Orion and Sirius– the brightest star in the sky. The ancient Kemetic civilization firmly believed that from Sirius and Orion beings came in the form of humans– Ashur (Osiris) and Aset (Isis) and they instigated the human race.[8]

Queen Ma’atkare’s Nephew 6th Pharaoh of the 18th Dynasty- The Great Thutmose III

Furthermore, mass televised corporate and entertainment IMPLANTED false broad sweeping images of the people of the Land of Kemet …

Egyptians

Queen Ma’atkare …

Queen Hatshepsut

Queen Ahmose, Thutmose I and Thutmose III as non-blacks and “all white Europeans” ORIGINATORS …

while Africans have been turned into global trained master obedient “Monkey Tribes” [MONKEY SEE- MONKEY DO] creatures of the rain forests, wind and rain, thru collaborations with Satanic Prince Hall Freemasons like Jay-Z. It is a violation of our human rights.

RACISM: FROM THE STARS TO MONKEY TRIBES

In any case, while they argued about where to draw the race-monkey line, intellectuals of the day believed that apes and blacks were very similar. In this picture, from a book by Robert Knox called The Races of Men (1851), the slant of the brow is used to draw connections between the “Negro” and the “Oran Outan” and differences between those two and the “European.”[9]

The image above appeared in the The Evolution of Man (1874 edition) as part of an argument that blacks are evolutionarily close to APES.[10]

Adolf Hitler, autobiography Mein Kampf:

“It does not dawn upon this depraved bourgeois world that here one has actually to do with a sin against all reason; that it is a criminal absurdity to train a born half-ape [MONKEY SEE- MONKEY DO] until one believes a lawyer has been made of him, while millions of members of the highest culture race have to remain in entirely unworthy positions; that it is a sin against the will of the eternal Creator to let hundreds and hundreds of thousands of His most talented beings degenerate in the proletarian swamp of today, while Hottentots and Zulu Kafirs [Africans] are trained for intellectual vocations. For it is training, exactly as that of the poodle, and not a scientific ‘education’.”[11]

The Encyclopedia of the Jewish Religion refers to Moses Maimonides as “the symbol of the pure and orthodox faith.” His Guide to the Perplexed is considered the greatest work of Jewish religious philosophy, but his view of Blacks was Hitlerian:

“[T]he Negroes found in the remote South, and those who resemble them from among them that are with us in these climes. The status of those is like that of irrational animals. To my mind they do not have the rank of men, but have among the beings a rank lower than the rank of man but higher than the rank of apes. For they have the external shape and lineaments of a man and a faculty of discernment that is superior to that of the apes.”[12]

“STILL NIGGA”

In fact, a Kabbalah- Zohar Jew, Mark Romanek, partnered with Jay Z to create the black half human hominoid figure to globally implant and apply to traditional Black Culture across the board as a “MONKEY TRIBE”.

If JAYBO is so O.K., let him ALSO wear his “Still Nigga” JAYBO Caricature wear on the street in the presence of people of color; school, work and synagogue.

Da Story of OJ & Monkey Tribes

Jay Z explained that JAYBO warped up in the “Da Story of OJ” was about the nature of success and seeing the bigger picture.

“The Story of OJ is really a song about WE AS A [MONKEY TRIBE] CULTURE, having a plan, how we’re gonna push this forward (sic),” the rapper explained in an interview on iHeart Radio last year (17). “We all make money, and then we all lose money, as artists especially. But how, when you have some type of success, to transform that into something bigger.”[13]

Jay-Z, Shawn Corey Carter, does not have any credentials whatsoever to define or transform Black Culture on a widespread basis. He does not even possess a high school diploma.[14] He sold crack cocaine, poison, to the people. JAYBO is yet another form of mental psychological poison that he seeks to peddle to the masses. JAYBO, the half man, (higher primates) half simian monkey or Great Ape Homoinoidea orangutan has been deliberately created by Jay-Z and Romanek to depict Black People as an ethnic group and race as a “MONKEY TRIBE”.

Furthermore, an infamous beloved Black cultural, political and social heroic and revolutionary figure, Huey P. Newton, former Minister of Defense of the Black Panther Party for Self Defense (BPP), is depicted as a grotesque exaggerated dark big eyed- big lipped half-human hominoid figure. The Black Panther Party for Self Defense was a historical Black Institution.

As a former member of the BPP, I am personally offended by Jay Z and his collaborator’s direct association of simian and hominoid creatures with the Black Liberation Struggle implanting suggestions of “monkey see, monkey do”.

The platform of the BPP wasn’t socialist or communist. It was the Black Nationalism that Malcolm X taught. The BPP was no band of trained monkey see, monkey do half human simians and hominoids. We sought to define and determine our own destiny. When Bros. Huey and Bobby said that [BLACK] POWER GROWS OUT OF THE BARREL OF THE GUN, they meant military, political, and economic power. We had been very clear on that point. Jay Z is the 21st century JUDAS of the masses that has and will continue to sell them out for only a few pieces of silver.

The half-human hominoid figure JAYBO has also been deliberately connected with the image of the infamous black cultural- political civil rights, musical genius icon that we love, Shemayet (user-Maat-ra-setp-en-ra Monthu-in-the-two-lands) Nina Simone.

The half-human hominoid figure JAYBO has also been deliberately connected with the image of a living infamous cultural sport’s icon, O.J. Simpson. I have not watched Jay Z’s “Da Story of O.J.” and I do not intend to, but that is not the issue at this time. Manufacturing Less than Human Black Caricatures that deliberately humiliate and harass black people for global mass consumption are the issues.

THE HYPOCRISY: MEXICO & THE MEMIN PINGUIN CARICATURE CONTROVERSY

La caricatura BOSKO, MEMIN PINGUIN & La caricatura JAYBO

Mexico’s Memin Pinguin Postage Stamp

In 2005, the comic book character Memin Pinguin a black Mexican who is portrayed as a monkey looking boy set a spark in the racial debate after the Government of Mexico issued a series of five postage stamps commemorating and celebrating Pinguin.

Memin Pinguin is a comic book character created in the 1940s that is depicted as a dark skinned Jim Crow-era cartoon. He has exaggerated eyes and lips similar to Jim Crow memorabilia “pickaninny” caricatures and his mother resembles a “Mammy” caricature.

In the comic book series, Memin Pinguin is humiliated, assaulted, battered, taunted and harassed by Mexican society for his bizarre less than human appearance, speech, and mannerisms invoking in an audience a feeling of uncomfortable bizarreness as well as sympathetic pity and racial hatred.

People were outraged with the national celebration of the half human simian caricature of a black youth. The Government of Mexico was condemned for its celebration of its simian “pickaninny” and “mammy” caricatures of black people on the floor of the U.S. House of Representatives (H.Res.347 — 109th Congress (2005-2006))

Resolved, That the House of Representatives—

(1) condemns the Government of Mexico for issuing a blatantly racist series of postage stamps;

(2) calls on Mexican President Vincente Fox to immediately cease printing and distributing the postage stamps and recall from circulation those postage stamps currently on the market;

(3) calls on President Fox to apologize to the citizens of Mexico and the citizens of the United States for the decision to circulate the stamp series; and

(4) declares that the decision of the Government of Mexico to issue the postage stamps is inconsistent with United States policy to eliminate the vestiges of government sanctioned racial or ethnic discrimination and intolerance.[15]

Scott McClellan, speaking for the George W. Bush presidential administration, declared the minting of a postage stamp in Mexico, which celebrated the black caricatures, to be “offensive, and I would say racial stereotypes are offensive no matter what their origin. The Mexican government needs to take this into account. Images such as these have no place in today’s world.”[16]

Throughout the last at least 4 (four) centuries, whites have historically defined Blacks—as “caricatures”, as objects, as less than human as justification for African Human Bondage, Genocide, Racial Hatred, Exploitation, Segregation, Discrimination, Mis-Education and Mass Incarceration, etc.

What happens if a nonwhite sports the JAYBO caricature image of black people to school or the workplace to affirm the statement calling Blacks Nigga, Niggers, and that they are a less than human– “MONKEY TRIBES”? “NIGGER” represents a classic case of the use of “fighting words” tending to incite an immediate breach of the peace which are not protected by either the Constitution of the United States (In re Spivey, 345 N.C. 404, 480 S.E.2d 693 (1997)).

Once a Nigga, STILL A NIGGA (Dr. Nigga, Nigga Lawyer, Nigga Teacher, Rich Nigga, Poor Nigga, Mr. Nigga, Mrs. Nigga, Young Nigga, Baby Nigga, Big Nigga, Little Nigga, So Forth and So On) like trained and untrained uncivilized MONKEYS. It is tantamount to “FIGHTING WORDS.”

Lanham Act prohibited the registration of any mark that “may disparage persons, institutions, beliefs, or national symbols, or bring them into contempt, or disrepute.”

15 U.S. Code § 1052 – Trademarks registrable on principal register; concurrent registration

No trademark by which the goods of the applicant may be distinguished from the goods of others shall be refused registration on the principal register on account of its nature unless it—

Consists of or comprises immoral, deceptive, or scandalous matter; or matter which may disparage or falsely suggest a connection with persons, living or dead, institutions, beliefs, or national symbols, or bring them into contempt, or disrepute; or a geographical indication which, when used on or in connection with wines or spirits, identifies a place other than the origin of the goods and is first used on or in connection with wines or spirits by the applicant on or after one year after the date on which the WTO Agreement (as defined in section 3501 (9) of title 19) enters into force with respect to the United States.

JAYBO is not registrable for U.S. patent right protection because it is a grotesque exaggerated dark big eyed- big lipped half-human hominoid figure that has been globally recognized since the 18^th century as an African and Negro Caricature. The Black Caricature was a central tool in justifying efforts to colonize, enslave, and even exterminate people of people. They established by outrageous pseudo race science that Africans were less than human– “MONKEY TRIBES”, then it was acceptable to treat, educate and train them as such.[17]

JAYBO and MONKEY GOD

Jay Z unquestionable calls JAYBO a NIGGA not a JIGGA. Don’t get that twisted as Rolling Stone attempts to deceive the masses. Both Jay Z and Beyonce are advanced Master Masonic Occultists. Their first and only duty and love is dedicated to Lucifer. We should always acknowledge that and treat them, accordingly. There is no local, state or U.S. law that I am aware of prohibiting mass publication of covert occult and overt racist Black Caricatures that tend to violate our human rights. If there is such laws, please let me know immediately. However if a corporate mass media publication like Rolling Stone choose to spread racial images that are designed to globally dehumanize black people then it is incumbent upon us to protect ourselves and children from vicious racial attack and human rights abuse. In the meanwhile, on February 18, 2018 or soon thereafter, I will file an official and formal OBJECTION to JAYBO receiving U.S. Trademark protection in violation of our human rights.