JAY Z, JAYBO & PANTHER, “GET OUT”, THE NEGRO- APE METAPHOR CARICATURE: THE GLOBAL RACIST EUGENIC PLOT TO ANIMALIZE, SIMIANIZE AND COLONIZE BLACK PEOPLE

13 02 2018

I

THE BLACK PANTHER- FACT OR FICTION, IT’S UP TO YOU

Black Panther Party for Self Defense, Oakland, CA

Bobby Seale and Huey P. Newton founded the Black Panther Party for Self Defense in October 1966 at Merritt Jr. College in Oakland.

Black Panther Caricature- Out of the Heart of the Darkness, The African Jungle

The less than human Black Panther Caricature was developed by non people of color as a fantasy character by Marvel Comics part of its “JUNGLE ACTION” series.  I was just a Manchild when I became involved in the early formation of the Black Panther Party for Self Defense (BPP). I was just a classic Hemayet (Kemet- God’s VoiceDonny Hathaway’s throw away Little Ghetto Boy.

Little ghetto boy, playing in the ghetto street
Whatcha’ gonna do when you grow up
And have to face responsiblity?
Will you spend your days and nights in the pool room?
Will you sell caps of madness to the neighborhood?
Little ghetto boy
You already know how proud life can be
’cause you’ve seen so much pain and misery …

One day, I walked on a college campus following a young lady that I was trying to get next to. I was really looking for a hole in the ground to get high and hide my ugly black face when I first met Huey P. Newton and Bobby Seale at Merritt Jr. College in Oakland, CA. Before I knew it, I was caught up in a star burst and suddenly found myself trussed out into the middle of a vast unexplored universe.

Chairman Bobby Seale introduced me to the infamous Huey P. Newton iconic photo at the beginning of the Free Huey Campaign as a fundraiser. I was only a neophyte, but there was something spiritual and sacred about that picture. It was symbolic of something much bigger (African-ness) that I don’t believe many of us but Bobby and the wiser older brothers and sisters truly understood.

HORUS & HUEY

From the very beginning, they intended to slaughter Huey by satanic ritual sacrifice. The secret Knights of the Black Sun initiated the battle with Huey, Bobby and the BPP as spiritual warfare like something out of ancient mythology- Gods Set and  Horus. The war against the BPP was led by the CIASS Teutonic Knight Baron Otto von Bolschwing (Order of Brothers of the German House of Saint Mary in Jerusalem), and FBIMaster Mason J. Edgar Hoover (Thirty-Third Degree Grand Cross, Inspector General, Southern Scottish Rite Jurisdiction). They organized themselves as a clandestine Black Knight Masonic Panther Squad to kill the BPP.

They decided to kill Huey ceremonially – body, soul and spirit. The Nazi Luger Pistol represents a thing of great volkish mysticism, magic, superstition, and folklore. The pistol’s mystic power is part of a unique signature of Adolf Hitler’s racialist mass executioners, Reichsführer SS-1 Heinrich Himmler and the Cult of the Dark Messiah.

On the morning of October 28, 1967 on 7th Street in West Oakland, the Oakland Police Department (OPD) stopped a car driven by Huey P. Newton. After a physical confrontation, Officer John Frey, 23 years old, was found dead from gunshot wounds. OPD Officer Herbert Heanes was found alive at the scene also suffering gunshot wounds. Huey and their Mystic Nazi Luger Pistol were missing. The German Luger was no FANTASY. It was REAL!

“Three slugs were recovered: one from Officer Frey’s hip, one from Heanes’ left knee, and a third which had been lodged in the right front door of the Volkswagen. In additiontwo 9-mm. LUGER shell casings were found at the scene. One was in the street between the two police cars, the other near the left front bumper of Heanes’ car and approximately where Frey was lying. The 9-mm. bullets had been fired from an automatic (Officers Frey and Heanes carried .38-caliber Smith & Wesson revolvers). A live 9-mm. Luger cartridge was found on the floor of the Volkswagen, between the two front seats. Only Officer Heanes’ gun was found; he was holding it when the other officers arrived at the scene. Two rounds had been expended from the gun. Neither a LUGER nor Officer Frey’s revolver was found.” (THE PEOPLE, Plaintiff and Respondent, v. HUEY P. NEWTON, Defendant and Appellant. Docket No. 7753. Court of Appeals of California, First District, Division Four. May 29, 1970. 8 Cal.App.3d 359 (1970), 87 Cal. Rptr. 394)

The Mystic German Luger Pistol disappeared and remains hidden from the masses in the 21st century. Tellingly, the government did not trace the specially manufactured German Luger cartilages. On October 28, 1967, they intended to snuff out Huey’s life force with a SS-Knight of the Black Sun Mystic WeaponHuey P. Newton’s infamous photo is SACRED because it is symbolic of their failed SETHIAN ARYAN MAGIC.

In 2017, they employed their Knights Templar subservient puppet black Master Mason, Jay Z, to try to symbolically make a mockery and MONKEY of Huey.

In 2018, Marvel and Walt Disney Studios released a global mass population poster for its Black Panther film that allegedly suffered a severe backlash, because several pissed off ILLUMINATI critics compared it to the infamous iconic picture of Huey P. Newton. Their poster features the movie’s star, Chadwick Boseman, posing in costume as the titular Black Panther, the king of a fictional African nation ( an imaginary state,state of fantasy, a state to make believe), seated on his throne and (fake) looking powerful.

Marvel and Walt Disney Studios’ Black Panther is a fictional character- fictitious, fictive, invented, imaginary, made up, make-believe, unreal, fabricated, mythical fictional character. Both Marvel and Disney mass produce fantasies for the masses. The genre uses magic and other supernatural forms to create states of mind of fantasy. Be careful with the movie Black Panther– it treads on the dangerous ground of fantasy and delusions. Children may not be able to make the distinction between the two.

The most remarkable thing is that Marvel and Disney wasn’t even thinking of Brother Huey when they created a poster for a “Strong African King.” But the everlasting powerful iconic “Image of Huey P. Newton” that has become a powerful indelible global impression imprinted in the subconscious minds of the masses has made that character overwhelming human (MAAT) truth, justice, righteousness, harmony and balance; and REAL.

In fact, since Marvel’s creation of the Panther comic character in June or July 1966, it has tried desperately to distance itself from Huey, Bobby and the BPPMarvel’s Panther comic character did not precede the Black Panther Party.

The Lowndes County Freedom Organization (LCFO), also known as the Black Panther Party, was started in 1965 under the leadership and direction of Student Non-Violent Coordinating Committee (SNCC) BPP Honorary Prime Minister Stokely Carmichael. Actually, Huey and Bobby took over the Black Panther Party name from the Black Panther Party of Northern California (Kenny Freeman) prior to October 1966. Intelligentsia Freeman had also been one of my most beloved and persevering early ghetto boy Black Nationalist mentors. Freeman was another absolutely outstanding natural intellectual genius along with the minds of Huey, Bobby, and Stokely.

In extremely suspect timing on February 7, 2018, just days prior to the global release of Marvel and Walt Disney Studios’ Black Panther film, in a sensational article the ILLUMINATI MK ULTRA/MONARCH bi sexual- pedophilia handler and programmer Coon, Quincy Jones, said that Marlon Brandon had been a bi-sexual whore that had anally sexed Richard Pryor.

Quincy Jones & the Spell of Lucifer

Brando and Pryor’s in-laws have disputed Jones’ claims.     

Big Bobby & Brandon

Brother Bobby and the BPP held the esteemed Oscar winning actor in very high regard as a fair and just man. He was with the BPP when the CIA, FBI, OPD, Panther Squad ambushed members of the BPP slaughtering Little Bobby Hutton. Brandon was one of the few to speak truth to power. He risked his entire career to make sure that a much broader world knew that we were for REAL. He publicly defended us. They would have killed Brandon if they could have got away with it. The lawless Black Knight Masonic Panther Squad went after him with rage, revenge and unqualified zeal like an enemy of war.

Brandon & Little Ghetto Boy Princeray

I respected Brandon and actually treated him as he had treated me like a brother. On the late night popular TV show, Joey Bishop, Brandon made it REAL. He told a global audience that the police department [Black Knight Masonic Panther Squad] was out to “Get the Panthers“. He said that Little Bobby Huttoncame out of the house with his hands up and he was told to run for the car and he was shot dead and killed.” The Panther Squad couldn’t harm Brandon like one of us or a hated white sympathetic follower because he was far too respected, public, high profile, global and beloved by millions of fans.

So Samson B. Mullins as President and on behalf of the Oakland Police Officers Association went after Brandon personally to DESTROY his global reputation and character in a sensationalized case for civil defamation. [Mullins v. Brando (1970) [Civ. No. 35362. Court of Appeals of California, Second Appellate District, Division Five. December 10, 1970.] SAMSON B. MULLINS, as President of the Oakland Police Officers Association, et al., Plaintiffs and Appellants, v. MARLON BRANDO, Defendant and Respondent [13 Cal. App. 3d 410]]

On the night that the Panthers allegedly ambushed the OPD (strategy of tension), I was in charge of the front desk at the Oakland BPP headquarters.  It was just 2 (two) days after Dr. Martin Luther King, Jr. had been assassinated. The orders that I got directly from Chairman Bobby Seale to communicate to ALL PANTHERS– “STAND DOWN” until further orders. No police patrols- NOTHING but continue to prepare for the oncoming “Free Huey” rally at Defremery Park in Oakland.

I was with the brothers that dropped Little Bobby off at his house for dinner. We were under so many direct threats that we’re ordered and cautioned to move in groups. When he was dropped off at home, the orders were the same. When he returned to headquarters an hour or so later, the orders that he understood when he left for dinner from Big Bobby were the same- ALL PANTHERS– “STAND DOWN”! Little Bobby loved Brother Bobby as if he had been his father and would never disobey or defy his orders.

Image result for little bobby hutton

  Little Bobby Hutton

17 year old Little Bobby was an extremely gentle respectful and quiet young brother. I never heard a negative or curse word come out of Little Bobby’s mouth. They shot Little Bobby into so many pieces from what we understood at the time were experimental high powered weapons that the morticians had to sew him back together for the funeral. They did a remarkable job. We were all deeply spiritually affected by his senseless murder, but it didn’t stop us. We continued to move in his beloved spirit and pursuit of his “Sack Full of Dreams“.

In the wake of the ILLUMINATI’s global hype for the premier of the Black Panther HollyWeird black fantasy film to disassociate it from the real Black Liberation Movement, Huey, Bobby and BPP, they threw brother Marlon Brandon under the bus once again to distract the masses from the real world.

I noticed that all the starring cast of Black Panther promoting the movie in corporate mass media are careful to stay away from the subject of making any comparisons and connections between the movie, the BPP and any real global struggles for liberation.  The movie is a bottom line virtual reality supernatural science fiction/fantasy adventure film. It’s like taking that red pill or cap of acid (LSD) for an escape from reality. They are promoting the notions that it is okay for Black Children  around the world to become lost in escapism, paranoid fantasy schizoid-ism and blind naivety- a type of MK ULTRA/MONARCH Double Bind (Insanity without Disease) than stand up and confront real issues that affect their lives. Don’t it twisted. The duality of FANTASY is reality, fact and actuality. That’s the key to striking the delicate balance between HollyWeird’s mass population fantasy escapism films designed to pacify global peoples of color, and REALITY- RACISM & WHITE SUPREMACY.

Hey. That’s Brando that they’re talking about. BE FOR REAL, WE LOVE BRANDON!

II

THE REAL WORLD- THE GLOBAL FALSE NEGRO- APE METAPHOR

In the 21st century, Jay Z’s simian- hominoid JAYBO Caricature is a very serious violation of our human rights.

It is an extremely dangerous throwback to venomous patent Negro-Ape Metaphors of the dangerous  19th and early 20th century homicidal eugenic movement.

Metaphor– late 15th century, from Middle French metaphore (Old French metafore, 13th century), and directly from Latin metaphora, from Greek metaphora “a transfer,” especially of the sense of one word to a different word, literally “a carrying over,”  from metapherein transfer, carry over; change, alter; to use a word in a strange sense,” from meta “over, across” (see meta-) + pherein “to carry, bear,” from PIE root *bher– (1) “to carry,” also “to bear children.”[1]

III

ANGLO SAXON SUPREMACY & AMERICA’S FIRST PEOPLE

The American Baseball League Cleveland Indians will finally remove the grinning red faceChief Wahooin a feathered headband logo from their uniforms beginning in the 2019 season. The logo has long been assailed as a racist Native American caricature. They have long complained, protested and sued the Cleveland Indians alleging that the image is offensive and perpetuates racist stereotypes about America’s first peoples.

In 2005, the American Psychological Association (APA) issued a resolution “Recommending the Immediate Retirement of American Indian Mascots, Symbols, Images, and Personalities by Schools, Colleges, Universities, Athletic Teams, and Organizations” due to the harm done by creating a hostile environment, the negative impact on the self-esteem of American Indian children, and discrimination that may violate civil rights. It also impacts non-natives by reinforcing mainstream stereotypes, preventing learning about Native American culture. The APA states that stereotyping is disrespectful of the beliefs, traditions and values of Native Americans. Similar resolutions have been adopted by the American Sociological Association, the American Counseling Association, and the American Anthropological Association.[2]

In 2010, the authors of a paper published in the Journal of Applied Social Psychology reported the results of two studies on the effects of American Indian mascots on observers. According to the authors, “both studies show that participants primed with an American Indian sports mascot increased their stereotyping of a different ethnic minority group.” The alternative weekly publication Cleveland Scene sardonically interpreted these results to mean that “looking at Chief Wahoo, the mere existence of Chief Wahoo, can change your opinions of a whole separate ethnicity”, adding that the study “probably confirms that Clevelanders and Indians fans are inclined to stereotype and hate just about every group in the world.” The magazine Pacific Standard also framed the study in terms of the Indians’ logo, headlining their story “Chief Wahoo’s Revenge: One Stereotype Begets Another“.

Richard Lapchick, director of the University of Central Florida’s Institute for Diversity and Ethics in Sports, has called the logo “the most blatantly offensive of all the symbols I’ve seen of Native Americans” during 40 years working in his field. An article in a 2010 psychology text cited “Chief Wahoo” as an example of a racial micro-aggression.[3]

The Negro Caricatures and the racist Jewish caricatures and cartoon propaganda of Nazi Germany are  all the same thing- vicious racial caricatures that spread hatred, prejudice and misunderstanding among the people across the world

The only difference between the racial caricatures is that fact that the black caricatures directly implant and input simian and hominoid sub humanism visualization of Black People that still goes on today.

2018 Hennes & Mauritz (H&M) Stockholm, Sweden, the Black Child is the Wild Animal Inhabitant of the Jungle, while the White Child is the Jungle Survival Expert- Great White Hunter or Tarzan of the Jungle that will conquer the animals- Monkeys and Tigers   

Black Child- Coolest Monkey in the Jungle- Little Black Sambo

Don’t get it twisted. I am saying that all racial caricatures are wicked and depraved. If you condemn one, condemn each and every one of them as byproducts of reactionary, irrational and lawless global racism, white supremacy, imperialism and aggression.

Jay Z’s  simianized JAYBO Caricature seeking current 2018 U.S. Trademark Protection is a vicious veiled throwback to the era of vicious racial eugenics, and Anglo Saxon superiority, imperialism and aggression that is secretly flaunted in the current presidential policies, especially immigration, of Donald J. Drumpf and the Dark Satanic Circle. 

These absolutely irrational and evil forces have taken over the highest elected offices of the U.S. government (for example, see Vox’s The scary [Madison Grant] ideology behind Trump’s immigration instincts).

IV

ANGLO SAXON SUPREMACY, MADISON GRANT & THE WORLD’S FIRST PEOPLE

OTA BENGA & HIS ALLEGED DIRECT MONKEY RELATIVE

In 1904, Ota Benga of the Twa- Batwa people of the Congo was kidnapped from the mother country. He was brought to America and confined in an animal cage. He was dehumanized and publicly humiliated. Benga was placed on exhibit as a so-called “pygmy” at the Monkey-Ape House at the zoological gardens, better known as the Bronx Zoo.[4]   My Dear Lord! The Twa is a sacred people. They trace their origins to Adam, Eve and beginning of time at the Garden of Eden at the foot of the Mountain of the Moon in Africa. Evidence strongly suggests that they were indeed the First Civilized People that populated planet earth.

Twa God Bes and a Young Prince Ramesses the Great (1279-1213 BC)

Twa God Bes as the MASTER OF THE BEASTS on an earring (Susa, Iran, 500-400s BC, now in the Louvre)

The Twa- Batwa people  may be one of the most important and significant continuous ancient cultural groups living in peace, harmony and truth (MAAT) on earth. You can’t come any closer to a global original/first people on planet earth than the TwaDancers of the Gods. They are often credited by various African groups and even by the Chinese/Southeast Asians that hold an annual festival celebrating the “Little Black People” whom they admit to have displaced as the ultimate creators and teachers of science, mathematics, and dance. These Africans were also part of the initial northward migration from Central/East Africa along the Nile River. They were an integral part of ancient Nile Valley Culture and belief systems.[5]

TWA PEOPLE IN ANCIENT GREEK MYTHOLOGY

The Twa were well known and respected among the Ancient Greeks, and were involved in the infamous Trojan War of antiquity.[6] So, how do you begin to colonialize to exploit one of the first people of earth, globally? Simianize and Dehumanize– turn them into a tribe of Monkeys.

Very powerful and influential forces in America were secretly behind the international Negro-Ape Metaphor as justification to universally colonize, exploit and suppress the aspirations of people of color across the globe. One was Madison Grant. He was the founder and secretary of the New York Zoological Society who had personally helped negotiate the arrangement to setup Ota Benga in the zoo as a global Negro-Ape Metaphor; and missing link directly to hominoids and simians. In fact, Benga was actually billed as the missing linkon display in the Bronx Zoo cage alongside a monkey.[7]

Madison Grant (November 19, 1865 – May 30, 1937) was an affluent and powerful Yale alumni and New York attorney known primarily for his work as a eugenicist.  He was responsible for one of the most famous works of scientific racism, and played an active role in crafting strong immigration restriction and anti- miscegenation policies and laws in the U.S. Throughout the 1920s and 1930s, he served on the boards of many eugenic and philanthropic, including the board of trustees at the American Museum of Natural History. He was a founder and director of the American Eugenics Society (AES), vice president of the Immigration Restriction League, a founding member of the Galton Society, and one of the eight members of the International Committee of Eugenics.[8]

The interaction between the British, American and German Eugenics societies laid the foundation for implementation of the race purification ideology behind Hitler’s Third Reich. In 1912, the First International Congress of Eugenics was held at the University of London. The president of the Congress was Major Leonard Darwin, son of Charles Darwin and one of the first English vice presidents was Sir Winston Churchill, later Prime Minister of England.  Of interest, Charles Darwin’s On the Origin of the Species By Means of Natural Selection was subtitled “The Preservation of Favored Races in the Struggle for Life”.

In 1921, the Second International Congress of Eugenics was held in New York City. The sponsoring committee included Herbert Clark Hoover, later President of the U.S., and the Carnegie Institute of Washington (Rockefeller)Madison Grant, a director of the American Eugenics Society, was the treasurer. The event was held at the American Museum of Natural History in New York, where Averell Harriman served on the Board of Directors.[9]

Racist Masonic and Bohemian Grove President Theodore Roosevelt

Grant was a close friend of several U.S. presidents, including Freemason and Bohemia Grove pagans, Theodore Roosevelt and Herbert C. Hoover. If Hoover wasn’t a mason, he certainly had worked closely with freemasonry and the Sovereign Grand Commander Council of the Scottish Rite.

However, President Hoover had indeed been a homosexual member of the Satanic Bohemian GroveGrant advocated restricted immigration to the U.S. through limiting immigration from Eastern Europe and Southern Europe, as well as the complete end of immigration from East Asia. He also advocated efforts to purify the American population through selective breeding. He served as the vice president of the Immigration Restriction League from 1922 to his death.

Acting as an expert on world racial data, Grant also provided statistics for the Immigration Act of 1924 to set the quotas on immigrants from certain European countries. Even after passing the statute, Grant continued to be irked that even smatterings of non-Nordics were allowed to immigrate to the country each year. He also assisted in the passing and prosecution of several anti- miscegenation laws, notably the Racial Integrity Act of 1924 in the state of Virginia, where he sought to codify his particular version of the “one-drop rule” into law.[10]

Even the Fuhrer Adolf Hitler followed Madison Grant, and I wouldn’t be surprised if he had got his infamous Mein Kempf  Negro-Ape Metaphors straight from Grant.

“The year after Hitler was imprisoned [1925], [German publisher] Lehmanns published the German translation of American eugenicist Madison Grant’s bestselling volume, The Passing of the Great Race , which had a profound effect on Hitler’s thinking.  Hitler was so steeped in American race science, he even wrote a fan letter to American eugenic leader Madison Grant. Der Führer’s letter called Grant’s eugenics book, The Passing of the Great Race, “my bible.

 … In 1924, when Hitler wrote Mein Kampf, he frequently quoted American eugenic ideology and openly displayed a thorough knowledge of American eugenics and its phraseology. “There is today one state,” Hitler wrote, “in which at least weak beginnings toward a better conception [of immigration] are noticeable. Of course, it is not our model German Republic, but the United States.”

Hitler proudly told his comrades just how closely he followed American eugenic legislation. “I have studied with great interest the laws of several American states concerning prevention of reproduction by people whose progeny would, in all probability, be of no value or be injurious to the racial stock,” he told a fellow Nazi.”[11]

The racist homicidal/genocidal Margaret Sanger that actually plotted to make the mass murder of Black people another peculiar institution in America  was a member of Grant’s AES until the day she died.[12]

Margaret Sanger even appealed to and encouraged the Masonic Knights of the Ku Klux Klan to slaughter mass murder Black U.S. citizens.

To justify the widespread criminal murder (LYNCHING) of black people across the U.S., racists openly quoted Madison Grant’s “The Passing of the Great Race” even on the floor of Congress.

V

ANGLO SAXON SUPREMACY, IMPERIALISM & THE CONGO

Congo: Heart of Darkness

Joseph Conrad’s Heart of Darkness (1899) had used Ota Benga’s homeland, the Congo, as a setting for the 20th century Negro-Animal Metaphor. Conrad’s narrator in the book, Marlow, blatantly describes the Africans as having “faces like grotesque masks,” as animal-like creatures who lap water like animals, with ugly and horrid faces, who howl and leap around, with buttocks waggingto and fro like tails.”  Of one “savage” who has been trained to fire up a boiler, Marlow can’t resist remarking, “To look at him was as edifying as seeing a dog in a parody of breeches and a feather hat, walking on his hind legs.”[13]

Tintin Au Congo

Tintin and Snowball

“ … I flicked it open. I was astonished to see page after page of graphic representations of black African people as sub-human monkey people, bowing before a white teenager, worshipping his dog as a god and incapable of proper speech. In fact, the only black monkey caricature in the book who could speak English properly was a chimpanzee.”[14]

Tintin,” that was also centered in the Congo was the brainchild of the late Belgian cartoonist Georges Remi (better known as Hergé). Hergé depicted the Congolese as “good at heart but backwards and lazy, in need of European mastery.”[15]

The comic Tintin in the Congo was first published between 1930 and 1931, a time when the Congo was suffering under Belgian’s sadistic murderous imperial genocidal colonial rule. The Tintin stories graphically depict the Congolese people dehumanized as monkey-like, and portray them as stupid, childish, and lazy.[16]

Tintin is a little blond Anglo Saxon boy that has the brain and brawn to defeat and rule over all the black Congolese.

He is a Belgium reporter followed around by his pure white dog, Snowball. Even the dog has more intelligence than the Congolese people and also rules over them in its own right.

Tintin’s Congo guide, Coco, is an African child drawn so that his head is black as ink like Jaybo’s grandfather Bosko to highlight his white bug-eyes, his typically “pickaninny and Black Sambo” gaping mouth with huge red lips, and his frizzy black hair.

Tintin in the Congo tells a tale of the interactions between the Congolese and the Europeans entering the country. One of Conrad’s stories guides Belgian visitors in the appropriate relationships to be maintained between them and the Congolese people. Tintin leaves Coco to watch his car while he is gone. Coco is practically treated as a slave and even calls Tintin master”. Coco is beaten by another white man who steals Tintin’s car. This excerpt is a prime example of the brutality and “master-slave relationships” that whites were expected to impose on the native people of the Congo, collectively.[17]

Furthermore, Congolese adults are depicted either as stupid clowns or as duplicitous tricksters, draped in leopard skins and gaudy loincloths, and carrying shields and spears.  A monkey that appears briefly in the story is accorded as much intelligence as the Africans.  The analogy is impossible to miss.

Above all, the African characters are ignorant less than human savages easily influenced and dominated by Tintin and Snowball. Taken all together, the illustrations of Africans are inhumane, hostile, offensive, stereotypical, and racist.[18] The Commission for Racial Equality (CRE) was a non-departmental public body in the United Kingdom which aimed to address racial discrimination and promote racial equality. The commission was established in 1976, and disbanded in 2007 when its functions were taken over by the newly created Equality and Human Rights Commission.[19]

The CRE received a complaint from a member of the public who saw the book in a branch of Borders chain and urged Borders and all other bookshops to remove the “Congo” book, saying it made black people “look like monkeys and talk like imbeciles”.[20] In 2007, the CRE agreed with the complainant and claimed “Tintin In The Congo” depicted “hideous racial prejudice” and that it should be removed from sale.[21] Bookstore chain Borders said it has removed copies of a book about Belgian comic’s hero Tintin’s adventures in Africa from the children’s section of its U.S. stores, as well as British outlets, amid allegations of racism.

Belgium and the African Holocaust

Allegations of racism surrounding the Tintin book are deeply sensitive in Belgium, where the cartoon reporter and his dog Snowy are a rare national symbol and for a nation whose post-colonial guilt over Belgian’s record of genocidal crimes against humanity in the Congo is acute.

Behind the Tintin and Snowball bull, the horror and atrocities that Belgian committed against the Congolese people is so frightening and horrifying that its inhumanity to man is virtually beyond belief.

The Congo remained a Belgian colony until 1960 and between 1885 and 1908 the country was brutally run as the personal fiefdom of Belgium’s King Leopold II. Between 8 (eight) to 10 (ten) million Congolese are believed to have been savagely mass murdered in this period.

Moulinsart, Avenue Louise 162 BTE 7, Brussels, B-1050, Belgium, Tintin’s publisher argues that the book “must be seen as a document of the time“. “In his portrayal of the Belgian Congo, the young Hergé reflects the colonial attitudes of the time. He depicted the African people according to the bourgeois, paternalistic stereotypes of the period,” said a statement.[22] Tintin’s bourgeois, paternalistic stereotypes of the period were used to justify the massive genocidal crimes Belgium committed against the Congolese people.

On February 10, 2012, a court in Belgium rejected “an application to ban a colonial-era” children’s book, Tintin in the Congo. The court stated, “It is clear that neither the story, nor the fact that [the book] has been put on sale, has a goal to…create an intimidating, hostile, degrading or humiliating environment.”[23]

Well that’s interesting. It’s like asking Nazi Germany and Third Reich to judge itself for crimes against humanity by a jury of SS- Knights of the Black Sun. Try pitching Tintin in the Congo to global masses of color today, right now and watch it create an instant “intimidating, hostile, degrading or humiliating environment” for anybody promoting this BELGIUM racist S.H.I.T among our children.

Recently, I discovered that over 70% of my DNA is linked to the Bantu of the Congo. My ancestral homeland is the primarily Congo. So, I am personally deeply affected and offended by a colonial, mass murdering and enslaving nation such as the Belgium finding any justification for mass Simianizing the Congolese people to dehumanize, enslave, exploit, and commit mass genocide against them. I say this.  Tintin in the Congo had better stay in the BELGIUM. As far as Belgium’s Crimes against Humanity in the Congo, it is not over.

VI

THE SIMIAN & THE NEGRO COON

The Negro Coon Caricature and Metaphor has to be one of the most dehumanizing, degrading and humiliating of all black caricatures. Coon is an abbreviation of an animalraccoon. The universal direct visualization of adult blacks as less than human naturally implants notions that blacks are less humanly evolved and civilized than whites.  Around the turn of the 19th century, the animals that became most popularly visually associated with blacks as a race were not raccoons, but apes (hominoid) and monkeys (simian).

The exaggerated black skinned, enormous big lip and big eyed simian and hominoid caricatures are deliberate illusionary visual implants that directly link blacks with monkeys and apes as yet another way that the antebellum South justified African Human Bondage; and destruction of their humanity and sense of self-worthiness of those enslaved. Blacks were fundamentally considered by white supremacists to be more universally simian and hominoid than human, and therefore had no self-evident rights of mankind, including freedom that they were bound to respect.

VII

THE SIMIANIZATION OF THE PICNICKINGS

Pickaninny is, in North American usage, a racial slur which refers to a depiction of dark-skinned children of African descent also with simian and hominoid exaggerated black skin, enormous big red lips and big bug eyes. It is a racist and derogatory caricature, whose meaning and usage also grew to fruition in the antebellum South, where the institution of African Slave Trade and Human Bondage existed against the law of nature.

Don’t overlook the wicked demonic dehumanization of Black Children to justify overlooking their sexual abuse and exploitation as less than human.

If you think dehumanizing Black Children to justify their sexual abuse during the turn of 20th century is outrageous nonsense, think again. Black Children even as infants were considered real threats and exterminated in self defense of the white race.

According to the scholar Robin Bernstein, who describes the meaning in the context of the U.S, the Pickaninny is characterized by three qualities: “the figure is always juvenile, always of color, and always resistant if not immune to [human] pain“. These three qualifiers demonstrate the dehumanizing nature of the Pickaninny caricature and are reflective of the predominantly colonial society in which its use was promoted and popularized.

The use of the term was popularized in reference to the Caricature of Topsy in the 1852 book Uncle Tom’s Cabin.[24]

The Ugly and Gruesome Pickaninny Topsy Caricature– threat her as such.

The Less than Human Black Pickaninny Topsy Caricature too stupid to the master human language- Exterminate Her.

VIII

THE BLACK SAMBO AND THE WORLD

The name became especially associated with the children’s book “The Story of Little Black Sambo” by Scottish– British colonialist Helen Bannerman, published in 1899.

It is the racist story of a black boy named “Sambo” with a big “Black Mammy” who outwits a group of hungry tigers. Bannerman also wrote Little Black MingoLittle Black Quasha, and Little Black Squibba. In this book, Sambo is supposed to be the name of a boy of Southern India, but it’s a classic racial caricature of the African child. Don’t get it twisted. I am saying that Africans aren’t indigenous to India.

Originator God Ashur (Osiris) of the Land of Kemet

The Brahma Samhita is a Sanskrit Pancaratra text composed of verses of prayer spoken by Brahma glorifying the supreme Lord Krishna or Govinda at the beginning of creation. The lyrics, chapter 5 verse 38 reads: “I worship Govinda, the primeval Lord, who plays on His transcendental flute. His eyes are like lotus flowers, He is decorated with peacock plumes, and His bodily color resembles the color of a fresh black cloud, although His bodily features are more beautiful than millions of Cupids.[25]

Dr. Runoko Rashidi:

ANCIENT AFRICA AND EARLY INDIA

Exceptionally valuable writings reflecting close relationships between Africa and early India have existed for more than two thousand years. In the first century B.C.E., for example, the famous Greek historian Diodorus Siculus penned that, “From Ethiopia he (Osiris) passed through Arabia, bordering upon the Red Sea as far as India…. He built many cities in India, one of which he called Nysa, willing to have remembrance of that (Nysa) in Egypt, where he was brought up.”

Another important writer from antiquity, Apollonius of Tyana, who is said to have visited India near the end of the first century C.E., was convinced that “The Ethiopians are colonists sent from India, who follow their forefathers in matters of wisdom.” The literary work of the early Christian writer Eusebius preserves the tradition that, “In the reign of Amenophis III [the mighty Dynasty XVIII Egyptian king] a body of Ethiopians migrated from the country about the Indus, and settled in the valley of the Nile.” And still another document from ancient times, the Itinerarium Alexandri, says that “India, taken as a whole, beginning from the north and embracing what of it is subject to Persia, is a continuation of Egypt and the Ethiopians.”

INDIA’S EARLIEST CIVILIZATION

In Greater India, more than a thousand years before the foundations of Greece and Rome, proud and industrious Black men and women known as Dravidians erected a powerful civilization. We are referring here to the Indus Valley civilization- -India’s earliest high-culture, with major cities spread out along the course of the Indus River. The Indus Valley Civilization was at its height from about 2200 B.C.E. to 1700 B.C.E. This phase of its history is called the Harappan, the name being derived from Harappa, one of the earliest known Indus Valley cities.

In 1922, about 350 miles northeast of Harappa, another large Indus city, Mohenjo-daro (the Mound of the Dead) was identified. Mohenjo-daro and Harappa were apparently the chief administrative centers of the Indus Valley complex, and since their identification, several additional cities, including Chanhu-daro, Kalibangan, Quetta and Lothal have been excavated.[26]

Mohenjo-daro Queen or Priestess (2500 BC)

The above statute recovered from the Indus Valley is popularly known as the Dancing Girl of Mohenjo-daro. During the early 20th century, they labeled her a dancing slave girl because of  her Black African- ness. However, they soon had to back away from that. Her arm from the shoulder down contain most likely gold bangles that is a sign of great wealth and prestige. Ancients don’t make statutes and build altars to slaves, but goddesses and revered historical spiritual figures like great priestesses and queens. One thing is clear, nobody appears to be in a hurry to uncover her true role in Mohenjo-daro.  

As we say about sassy young beautiful sisters. Even 5,000 years ago, you can’t tell her NOTHING about NOTHING!  There are also Sumerian texts that refer to trading done with the “People of the Black Land” or the “Meluhhaites”, which many historians believe refers to the Indus Valley Civilization — these date back as far as 2000 BCE.[27]

The ancient Egyptians (Egypt- Greek) referred to their land as “Kemet” which means “Land of the Blacks”. Western historians and non-blacks argue that the word “Kemet” refers to the color of the soil of the land rather than its people. But, the word “Kemet” is actually an ethnic term being a derivative of the word “Khem” (Cham or Ham) which means “burnt” or “black.”[28]

The Great AhmoseNefertari (1562- 1495 BC), the First Queen of the 18th Dynasty, and many others of the ancient “Land of the Blacks” answered that question.[29]

Queen Ahmose-Nefertari and Pharaoh Ahmose (Amosis I, “Amenes” and “Aahmes” meaning Born of God Ashur (Osiris)), these are the founders of the New Kingdom 18th Dynasty Golden Age who liberated the “Land of the Blacks” from the barbaric Hyksos foreign desert horde invaders in 1550 BC. The Great Queen in her age-less infinite divine wisdom left us overwhelming substantial visual evidence from that time that does not substantiate any notions of false African Negro-Ape Metaphors.

The Sambo Caricature is usually a little black skinned boy or black skinned childlike Negro adult male with the same exaggerated lips and big bug eyes that represent the less than human simianized African character.

The adult Sambo too is grotesque, lazy, good for nothing, silly and stupid. It is afraid of the dark and large animals. He is happily content with his condition of utter abject poverty living off the genius, paternalism of his master and white society.  The Black Sambo lacks the ability to sort out his affairs, live on his own, or care for a wife and family. The slow-witted and humorous Black Sambo character is associated with trickery, thievery, pancake- watermelon eating and stealing chickens.[30] In the meanwhile, the Mohenjo-daro queen, Ahmose-Nefertari, and Pharaoh Ahmose goes into the basement vault. You will not see or discuss any of them during Black History Month. Why? 

In the mid-nineteenth century, a group of American scientists known collectively as the “American Schoolof ethnology challenged the validity of the biblical story of creation. They proposed that, contrary to the teaching of Genesis, there had been a number of separate divine acts of creation, leading to the appearance of more than one human species within the genus homo. They ranked the species, also known as varieties or races, in terms of relative superiority, with the Caucasian in the highest position of all.

In a book published in 1830, Thoughts on the Original Unity of the Human Race, Dr. Charles Caldwell, a Kentucky plantation enslaver of Africans, theorized that humanity did not originate from one single place but from multiple acts of creation in different places across the planet. Caldwell’s book is the earliest nineteenth century American work to propose the concept of the plural origin of species of humanity, known later as POLYGENISM. Caldwell’sNew Focus” theorized that the human species had always been immutable and would not change in the future.

Caldwell’s foundation on the innate superiority of the Caucasian race depended on a hypothesis that all great civilizations since ancient times were Caucasian. Caldwell argued that no point in time can be indicated when the Caucasians were real savages.

According to the American School, the originators of the Egyptians and the Indus Valley were white because all advanced civilizations were white. The presence of Black Africans in any advanced civilizations other than slaves, domestics and entertainers of whites would naturally undermine the American School claims of white supremacy, bar none.

Crania Americana (phrenology- study of skulls) became the standard tool of reference for ethnologists and natural historians with an interest in humanity’s origins. From the study of ancient crania “skull” and ancient frescos evidence in Egypt, the American School concluded that slavery had been widespread in Egypt, and the presence of blacks in Egypt only showed Caucasian rulers with Negro slaves. Ancient Egypt was proof positive that slavery was a natural state for an inferior race like Negroes in advanced ancient white civilizations.

Dr. Caldwell proposed that man should not tyrannize the lower creatures since even they have their rights. Just as man has a duty to protect womankind, he should also protect the lower races, since not all of them have the same rights and entitlements as the higher races. The Caucasians should not enslave the Africans simply because they are able to do so. However, the inferior races such as Negroes had their natural place in advanced societies as demonstrated by history to primarily serve the higher Caucasoid master races. (see Robert A. Smith, Pittsburgh State University, Types of mankind: polygenism and scientific racism in the nineteen century U.S. scientific community)

IX

BLACK SAMBO, GET OUT & THE 2018 OSCARS

Implanted deeply inside HollyWeird’s “Get Out” is a Black Sambo Caricature that nobody seems able to explain.

Above, Jordan Peele actually flaunts the Black Sambo Caricature as a subliminal internal part of the true theme of the movie that even he may not clearly understand.

Ask him about the Black Sambo Mask. He might tell somebody about what the Black Sambo Caricature means. In the meanwhile, a mask in this sense usually explains duality. In this case from the artist’s facial expression of Chris, it is a painful Sambo innate duality that he cannot escape. It is “immutable“(unchanging over time or unable to be changed). Discussed further below.

In the meanwhile, Peele told you in a roundabout way about the meaning of the Sunken Place that you cannot escape from no matter how hard you screen.

Pay extreme close attention to the chair with hand or arm chairs in Jordan Peele’s “Get Out” poster background.

Dr. Charles Caldwell (1772- 1853) had been a student of alchemist Freemason Dr. Benjamin Rush (1745- 1813).

While black folks were asleep at the movies watching Quentin Tarantino’s American slavery era Django Unchained, the DEVILHollyWeird, Tarantino and Leonardo DiCaprio played a wicked trick on their minds.

They slipped and implanted the racist Dr. Charles Caldwell and the American School of Ethnology into their subconsciousness.

HollyWeird Trick- Make the Negro Look Like a Monkey!

Why don’t they kill us?” asks African enslaver Calvin Candie (Leonardo DiCaprio), he wants to know why the African slaves he brutalizes do not rise up and take revenge. He has the “skull” of a recently murdered black African on the dinner table. “The Science of Phrenology,” Candie announces, “is crucial to understanding the separation of our two species.” He hacks away at the back of the skull with a saw, removing a section of the cranium and pointing to an allegedly enlarged area. In Africans, Candie claims, this bump is found in the region of the brain associated with “submissiveness“.

During the Revolutionary War era, Dr. Benjamin Rush was a clandestine member of the Sons of Liberty. They were Freemasons of St. Andrews Lodge of the Grand Lodge of Scotland at the Green Dragon Inn in Boston. Dr. Rush, a signer of the Declaration of Independence, believed that mad people could be calmed by blood-letting from 20 to 40 ounces of blood at one time. Dr. Rush then developed a “tranquilizer chair” in 1811. This invention efficiently kept a person securely immobile and had a wooden box in which their head would be put into in order to keep the person subdued. Dr. Rush was the first to describe a pathological incurable medical condition called “NEGROTUDE”.

Dr. Rush’s Immutable Negrotude & Chris

Negrotude was a mild form of leprosy which symptoms included such as blackening of the skin; big lips, flat nose, wooly hair. The only evidence of a cure from Negrotude was when the “skin turned white”. Dr. Rush used “disease” as a justification for African slavery and racial segregation. Negrotude was an immutable genetic disease that allowed blacks only to be medically cleared for domestic work who had to be sexually segregated.

Recently, British Music Entertainer (Nigerian descent) Seal (Henry Olusegun Adeola Samuel) and American “Clueless” Artist Stacey Dash got into it. Seal told Stacey,  “You live in the Sunken Place”- a reference to Peele’s Get Out“. Stacey is a conservative with an Anti-Black-everything philosophy. Even white people call Stacey a “white supremacist.”

Stacey Dash is generally known to be one of Dr. Benjamin Rush’s  perfect examples of a “Negro Turned White” that Seal associated with Get Out’s MK ULTRA/MONARCH trauma-based tranquilizer chair and torture chamber, the “Sunken Place”.

Days after the Oprah Winfrey’s super “NegroGolden Globes speech highlighting the campaign against sexual misconduct, Seal claimed the global celebrity is a hypocrite and “part of the problem for decades“.

Saturn Sex Cult Kabbalist Harvey Weinstein & Oprah Winfrey

In other words, Oprah sucks up all HollyWeird’s satanic Masonic/Kabbalah ritual sex  ritual crimes like that “Magic Negro” in the Green Mile.

Well, Seal immediately retracted any notion that he called Oprah a “hypocrite“, but went after a less powerful black female target like Stacey Dash for supporting the backlash against him for attacking Oprah.

Well, I don’t think Seal will open his mouth again about Oprah, or the American “Sunken Place.” In her defense to living in the”Sunken Place“, Stacey Dash has not, and will not go there, either.

KEMET LAND OF THE BLACKS’ GOD PTAH & OSCAR

“Get Out” got HollyWeird’s film industry nods with 4 (four) 2018 Oscar nominations.  It received nominations for best picture for producers Sean McKittrick, Jason Blum, Edward H. Hamm, Jr., and Jordan Peele; best actor for Daniel Kaluuya; and best director and original screenplay for Peele. If any of them win, they should share their award with the CIA Occult Bureau that helped ghost write the movie script.[31]

Is “Get Out” really a BLACK SAMBO comedy movie and something to laugh at, not for you and me, but somebody else?

In the beginning of the film “Get Out”, Rose hit a deer driving Chris (Daniel Kaluuya) upstate to her parents’ estate. Rose’s father, Neurosurgeon Dr. Dean Armitage praises her for hitting the deer and goes on to rant about how deer are “rats” and are “destroying the ecosystem“.[32] Dean is the son of Roman and Marianne Armitage, the husband of Missy (MK ULTRA hypnotist), and the father of Rose and Jeremy. He describes himself as a [world] traveler- code words for CIA.

Roman has been to Bali. Bali is a code word for OSS/CIA MK ULTRA/MONARCH anthropologists Brit Dr. Gregory Bateson and Margaret Meade. Ecosystem is the particular and specific coded human ecology language of Dr. Bateson.[33],[34] After losing the 1936 Olympics in Berlin to African American track athlete Jesse Owens, a jealous Roman Armitage perfected the transplantation of older white peoples’ brains into the bodies of young, healthy African Americans. He also founded the Order of the Coagula, a cult vying to achieve pseudo-immortality though this process. Roman raised Dean to become a neurosurgeon and continue the procedure for future generations. As such, an ailing Roman and Marianne were transplanted into the bodies of two African Americans, Walter and Georgina. They act as the family’s servants to avoid suspicion. Since then, the Armitages continued kidnapping and luring African Americans to be hypnotically prepped for Dean’s surgery. Dean himself was also raising his son, Jeremy, to be a neurosurgeon and the next leader of the cult.[35]

The Order of the Coagula is a reference to the alchemy secrets of Baphomet and the Knights Templar. The CIA- Old Boys network is an extension of the German Brotherhood of Death, and the Black Sun Teutonic Knights Templar- Reinhart Gehlen, SS Baron Otto Bolschwing, Josef Goebbels, SS Josef Mengele and SS-1 Heinrich Himmler.[36]

X

GET OUT & THE ANCIENT SATANIC RED/WHITE STAG TOTEM, SYMBOLISM, AND CULT

The totemic symbol of the deer is present throughout Get Out, beginning with Rose hitting one that was crossing the road in one of the first scenes in the film. Deer are also known as “bucks,” a term used to sometimes represent Black men.

The Big Black Buck is another deep stereotypical racist black caricature. According to popular stereotypes during the post-Reconstruction era, “Black Buck” was a black man (usually muscular or tall) who defies white will and is largely destructive to American society. He is usually hot-tempered, excessively violent, unintelligent, and sexually attracted to white women. Most often, any attempt to restrain, reprimand, or re-educate the individual will fail, necessitating the individual’s immediate liquidation. David Duke, former Grand Wizard of the Ku Klux Klan, was quoted in The Sun newspaper of Wichita, Kansas (23 April 1975) as saying, “White people don’t need a law against rape, but if you fill this room up with your normal black bucks, you would, because niggers are basically primitive animals.” [37]

Chris, Sunken Place & the Spirit of the White Stag

Dr. Armitage’s rant about deer as “ratsdestroying the ecosystem” is about the racial black bucks like Chris that the cult intends to covertly cull just like deer.

However, “Get Out” isn’t really exclusively about Chris and covert satanic plot against black people, particularly black males. There is a much bigger global picture, conspiracy and much deeper psychological warfare campaign against the masses.

In 1984, I got a call from a sister that I had always considered to be within a close circle of friends. She talked about the buzz coming out of black nationalist community about the recently released film, “The Brother From Outer Space [in Slave Rags].”

The first thing I did the following day was go see the movie. I had to walk away from it within 5 (five) minutes of its opening. It was about a runaway nappy head “black slave” from another planet who crashed landed in Harlem.  I had subsequently concluded that she had been a clandestine CIA or NSC/NSA agent all the days that I had known her.

The Brother From Outer Space” was a CIA mass psychological warfare project designed to create, influence, or alter certain perceptions within the subliminal subconscious of the masses. I am not sure what was supposed to happen to my psyche and subconscious if I watched the entire film. But, don’t get it twisted. I don’t think that I am smarter than these people.  I don’t play with or underestimate them. And, I do not even attempt to try to match wits with these people. I am very much afraid of them.  I immediately called her back that evening to tell her it was a very impressive film that I had enjoyed. I needed information out of her. However, she soon concluded that I wasn’t going along with the program, and had been fishing her for small bits of any information as pieces to the puzzle. I haven’t heard from her, again. I am really happy and glad, because she would have me assassinated, poisoned me with radium or LSD as they attempted to do during the late 1960s on the first opportunity she got.

The day will come when the masses will stop playing games with HollyWeird, and people like Jordan Peele. Our minds and psyche of our children are far too precious and fragile to be played with- particularly by the masters of mass population mind control, the CIA Occult Bureau.

19th Century Illuminati Rothschild  Family Red Stag Antlers

“Get Out” is really about clandestine human ecosystems, eugenics and maintaining a pseudo-scientific white supremacy satanic hierarchical order; and blatantly flaunting it in our faces thru the Knights Templar CIAHollyWeird and the satanic corporate mass media music- entertainment industry. “Get Out” the movie also openly flaunt the ancient secret Cult and Society of the White Stag.  

The Great Stag has been worshiped as a humankind totemic animal since the Paleolithic period. Neolithic Cave art depicted that the stag was used for hunting and shamanistic spiritual practice by men or women dressed in deer hide and wearing antlers. In Welsh mythology, the Stag is one of the five oldest creatures in the world along with the blackbird, the owl, the eagle and the salmon.

The antlers of the stag are compared to tree-branches and thus may represent fertility. Since they are shed and re-grown every year, they may also symbolize rejuvenation and rebirth. Cernunnos, the Celtic Horned God, was depicted with the antlers of a Stag; he is said to be a god of fertility and plenty, and to be the Lord of the Beasts. Cernunnos, Herne and Ingvi-Freyr have all been linked with the Green Man, Lord of the Beasts and the Wild Hunt imagery. According to some, the Stag’s antlers symbolize a radiation of heavenly light. In Ugric legends, the Stag, son of the Heavenly Doe, steals the Sun between his antlers.

The symbol and reverence of the Stag amongst the Anglo-Saxons is a tradition that is very likely to be rooted in the most ancient of Germanic culture and religion. The reverence of Stags was already a strong custom even in the days of Saint Augustine (354- 430 AD), for he is quoted as condemning the “filthy practice of dressing up like a horse or stag”, a tradition that seems to resemble closely the English custom of hoodening.

ILLUMINATI Baroness Marie-Hélène de Rothschild in Diamond Encrusted Stag Horned Mask 

The Stag stands for solitary nobility, honor and a strong commitment to the protection of their herd. The Stag is a symbol of protection and sexuality. They are extremely devoted to the care, and creation, of children. Stags focus on the balance of law and are rigid in their thinking on the issues of justice.

Like so many of the other animal symbols connected to the Anglo-Saxons, we only have to look at the Sutton Hoo Ship 6th – 7th century burial site for evidence. Sutton Hoo is the name of an area spread along the bank of the River Deben opposite the harbor of the small Suffolk town of Woodbridge, England about 7 miles (11 km) from the North Sea. Within the burial was found a spectacular sceptre that was topped off with a beautiful stag figure. The sceptre to the King who carried it symbolized his power and high status. And it could be that amongst the heathens the stag was regarded as the most noble and proud of animals, and would therefore be a most appropriate symbol of a King and his leadership. Extremely strong evidence pointing to the use of stag images, but not only their images, but the worship of stags too, is found in a quote from Saint Aldhelm (639-709 AD) who wrote to a friend the following:

…where once the crude pillars (ermula) of the same foul snake and the stag were worshiped with coarse stupidity in profane shrines.

A Study of the Celtic Meaning of the Deer; the Stag held a special meaning for the Celts. They believed they were part of the fairy world and had magical powers. Celts thought deer lived deep in the forest so that they could have Secret Knowledge.[38] In Celtic tradition, the role of the white stag is often to lead the hunters to new beginnings, new places, and new insights, new knowledge, and new spiritual awakening.[39]

Cernunnos is the depiction of the “horned god” of Celtic polytheism. Cernunnos was a Celtic god of fertility, life, animals, wealth, and the underworld. It is depicted with the antlers of a Stag, often seated cross-legged like the Baphomet holding or wearing torcs (neck rings) known from over 50 examples in the Gallo-Roman period, mostly in north-eastern Gaul.[40] Ancient Gaul was France, Belgium, Luxemburg and parts of the Netherlands, Switzerland, Germany on the west bank of the Rhine, and the Po Valley, in present Italy.[41] Cernunnos is the Greek Horned God, Pan.

Like God Pan, Cernunnos is associated with the DEVIL and ANTICHRIST.[42]God Pan is also known as the Goat of Mendes and can be found today in the form of the horned goat God, made famous by the Knights Templars as the Baphomet. Master Freemason and Satanist, Albert Pike had written in Morals and Dogma;

The Gnostics held that it [universal agent] composed the igneous [pertaining to fire] body of the Holy Spirit, and it was adored in the secret rites of the Sabbat or the Temple under the hieroglyphic figure of Baphomet or the hermaphroditic goat of Mendes.”[43]

Madison Grant & the Teutonic Knights of the Black Sun

This brings us back to Ota Benga, the Twa- Batwa people of the Congo and Madison Grant. Here, we shall begin with SS-Gruppenführer und Generalleutnant der Waffen-SS Prof. Dr. med. Karl Brandt. At the Nuremberg Tribunal, SS Brandt was tried, convicted and executed as a Nazi war criminal for conspiracy to commit war crimes. He had been a Teutonic Knight of the Black Sun, and Adolf Hitler’s personal physician and the most important and powerful medical authority in the Third Reich.

In his defense, SS Brandt entered into evidence sitting forth U.S. government authority and policies that officially supports the elimination of inferior peoples- Madison Grant’sThe Passing of the Great Race: Or, The Racial Basis of European History” (1916).[44]

Grant was an elite patriciate (noble order and class) of wealthy Dutch colonialists that founded the island of Manhattan, NY in the early 17th century. During his formative years, he traveled the world. He once sat on the crumbling walls of Ancient Troy and chanted Homer’s Iliad. He must have ignored chanting anything about the War between the Twa and Cranes.

Greek geographers and writers attempted to place the Twa (Pygmies) in a geographical context. Sometimes they were located in far India, at other times near the Ethiopians of Africa. According to Homer’s Iliad, they were involved in a constant war with the cranes, which migrated in winter to their homeland on the southern shores of the earth-encircling river Oceanus.  One story describes the origin of the age-old battle, speaking of a Twa Queen named Gerana who offended the goddess Hera with her boasts of superior beauty, and was transformed into a crane.[45]

Madison Grant

At 16 years old (1881), Grant was sent to Dresden, Germany, where he was educated by private German tutors. He visited all the zoos and most of the history museums of the continent and through-out North Africa and the Middle East.

Teutonic Knights Moritizburg Castle

His most significant European  initiation into a secret knight Templar order and ancient elite White/Red Stag Cult took place at the Moritzburg Castle built between 1542 and 1546, the Baroque hunting lodge for the ILLUMINATIRich and Famous” and the super-secret elite just outside Dresden.

Moritzburg Castle Secret Antler Ritual

The castle is described as a Teutonic Knight (Order of Brothers of the German House of Saint Mary in Jerusalem) Architecture Castle.[46]

Moritzburg Castle’s Dining Room

Its’ collection of red deer antlers is one of the most important of its kind. The castle’s largest collection of antlers is shown in the Speisesaal (“dining room”).

Most of its 71 trophies are between 270 and 400 years old; they were purchased or acquired as presents.

Frederick III’s 66 Point Red Antlers

Among them is the heaviest red deer antler in the world, weighing 19.8 kilograms (44 lb) and spanning almost 2 metres (6.6 ft). In the Monströsensaal (“monstrosity room”), there are 39 contorted antlers. One specimen, a 66-point red deer antler is from an animal killed by Elector Frederick III of Brandenburg (House of Hohenzollern) in 1696.[47] The Duchy of Prussia was inherited in 1618 by the House of Hohenzollern who ruled Brandenburg. Several members of the House were Grand Masters of the Teutonic Order.[48]

The deer’s antlers are one of the characteristics that have made it the figure of a spiritual superiority, according to some. Like a crown, the antlers grow beyond its body, bringing it closer to the sky and making it sacred. In many cultures, the deer is a symbol of spiritual authority. During a deer’s life the antlers fall off and grow again and the animal is also a symbol of regeneration.[49]

Grant was also a member of the Military Order of the Loyal Legion listed as one of the ILLUMINATI/Occult branches and sub branches that secretly control our governments, businesses and churches from the local, state, federal and worldwide levels.[50] He also was a member of elite secret orders of the St. Nicholas Society of Manhattan, Society of Colonial Wars, and the Boone and Crockett Club largely comprised of eugenicists and eugenics sympathizers.[51] Madison Grant was part of America’s secret ruling elite power control satanic cabal that had/have the secret authority to identify a problem, devise a solution, get congress to legislate his solution, and the president to sign it even if it involves MASS RACIAL GENOCIDE.

The Knights Templar Masonic/Satanic secret Cult of the White Stag and CIA Occult Bureau is behind “Get Out.”

We all need to be afraid of that. I HAVE SAID ENOUGH!

___________________________________________________________________________________________

[1] https://www.etymonline.com/word/metaphor

[2] https://en.wikipedia.org/wiki/Cleveland_Indians_name_and_logo_controversy

[3] Id.

[4] https://www.theguardian.com/world/2015/jun/03/the-man-who-was-caged-in-a-zoo

[5] http://www.allempires.com/forum/forum_posts.asp?TID=35257

[6] file:///C:/Users/PrinceRay/Downloads/56960-114154-2-PB.pdf

[7] https://www.rt.com/news/336335-ota-benga-caged-pygmy/

https://en.wikipedia.org/wiki/Madison_Grant [8]

[9] http://watch.pairsite.com/reich.html

[10] https://en.wikipedia.org/wiki/Madison_Grant

[11] https://meetmythamerica.wordpress.com/2014/07/26/hitlers-bible/

[12] https://www.angelafranks.com/margaret-sanger-and-planned-parenthood/2016/11/14/american-eugenics-society-and-sanger

[13] https://www.counterpunch.org/2012/02/15/tintin-and-racism/

[14] https://www.theguardian.com/commentisfree/2011/nov/04/tintin-in-the-congo

[15] http://writing.rochester.edu/celebrating/2015/FinalPaper_Lucas_Leopold’sCongo.pdf

[16] http://africasacountry.com/2012/04/the-adventures-of-tintin-in-the-land-of-the-law/

[17] https://blogs.baruch.cuny.edu/shmuelmodernimperialism/?page_id=47

[18] https://www.counterpunch.org/2012/02/15/tintin-and-racism/

[19] https://en.wikipedia.org/wiki/Commission_for_Racial_Equality

[20] https://www.reuters.com/article/us-books-tintin/tintins-troubles-in-the-congo-spread-to-u-s-idUSN1725600020070717

[21] http://www.telegraph.co.uk/news/uknews/1557233/Ban-racist-Tintin-book-says-CRE.html

[22] http://www.telegraph.co.uk/news/worldnews/1559792/Tintin-book-accused-of-colonial-racism.html

[23] https://www.counterpunch.org/2012/02/15/tintin-and-racism/

[24] https://en.wikipedia.org/wiki/Pickaninny

[25] https://selfuni.wordpress.com/category/african-aryan/

[26] https://tseday.wordpress.com/2008/08/24/the-african-presence-in-india-by-runoko-rashidi/

[27] http://www.ichrindia.org/golden-age-indus-valley-civilization/

[28] http://www.topix.com/forum/afam/T2OTBS4EEA84MJ67P/p2

[29] https://en.wikipedia.org/wiki/Ahmose-Nefertari

[30] https://wsimag.com/economy-and-politics/31924-the-brute

[31] http://variety.com/2018/film/news/oscars-get-out-nominations-jordan-peele-1202673724/

[32] http://villains.wikia.com/wiki/Dean_Armitage

[33] http://911nwo.com/?p=3895

[34] https://link.springer.com/chapter/10.1007/978-1-4020-6706-8_11

[35] http://villains.wikia.com/wiki/Dean_Armitage

[36] https://www.cia.gov/library/readingroom/docs/CIA-RDP90-00845R000100170004-5.pdf

[37] https://en.wikipedia.org/wiki/Black_Buck

[38] http://www.astrologyoftheancients.com

[39] https://ztevetevans.wordpress.com/2014/04/26/mythical-beasts-the-white-stag/

[40] https://en.wikipedia.org/wiki/Cernunnos

[41] https://www.ancient.eu/gaul/

[42] https://gnosticwarrior.com/cernunnos.html

[43] Id.

[44] https://en.wikipedia.org/wiki/The_Passing_of_the_Great_Race

[45] https://en.wikipedia.org/wiki/Pygmy_(Greek_mythology)

[46] http://maxpixel.freegreatpicture.com/Castle-Architecture-Castle-Of-The-Teutonic-Knights-416847

[47] https://en.wikipedia.org/wiki/Moritzburg_Castle

[48] https://en.wikipedia.org/wiki/Albert,_Duke_of_Prussia

[49] http://www.faena.com/aleph/articles/notes-on-the-symbolism-of-deer/

[50] https://www.facebook.com/killuminatisoldierssnwoll/posts/985989318104166

[51] https://www.amren.com/news/2010/07/madison_grant_a/





"GET OUT", LITTLE BLACK SAMBO, THE SCIENTIFIC SATANIC PLOT AGAINST BLACK PEOPLE

23 03 2017

I

WHY US? WHY BLACK PEOPLE?

“GET OUT” THE 21ST CENTURY LITTLE BLACK SAMBO

“WHY US? WHY BLACK PEOPLE?,” Chris asks, when the nature of Rose’s parents’ plans is finally explained to him. That didn’t come from me. It’s in the movie placed directly, right smack dead in your face. “GET OUT” is an organized and planned scientific Satanic- Demonic Attack against Black People!

It is openly designed to attack your self esteem, and self worth. It subliminally tell Black People  that they’re not wanted, and to “GET OUT!Out of Sight- Out of Mind. It viciously discriminates, denigrates, humiliate, and MOCK Black People just like the scary and frightened racial offensive and stereotypical  LITTLE BLACK SAMBO. 

Get Out” is no comedy. It is a serious clandestinerace based horror movie“. Variety describes the movie as a ” … terrifying notion of a new way that white people have found to perpetuate the peculiar institution of slavery.”[1]

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Variety also says that the movie is part of an underground secret Satanic plot against Black citizens. It ” … exposes a reality in which African-Americans can never breathe easy.”[2]

It appears that the entire HollyWeird entertainment industry is in on the deliberate and wicked Satanic Psychological Warfare Harassment of Black People. Instead of sending our tormentors to the bank, each and every black man, woman and child that paid to see this movie should be demanding their money back and JUSTICE to roll. I know one thing. If this sort of open Satanic mass popular entertainment media assault against the people had taken place during the 1960- 1970s, names and numbers would be have been collected. Brothers and sisters all over the world would have been in line to come see them, all of them, including the collaborating boot-licking Uncle Tom Negroes involved in this vile and vicious Satanic Plot Against the People.

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CIA Occult Bureau MK ULTRA MANCHURIAN CANDIDATES, Key and Peele

Comedy Central’s Key and Peele involve very deep and complex issues of CIA MK ULTRA/MONARCH trauma based ritual sexual abuse and sex kitten training of black males. In “Get Out”, Jordan Peele is a Black Manchurian Candidate front for the HollyWeird film industry. The real story about “Get Out” is it “Wickedness“, and the secret Satanic Forces behind it.

As you can see from above, multiple personalities of Key and Peele are triggered, keyed, coded and controlled by a very complex system of traditional MK ULTRA sex kitten symbolic animal prints like the leopard skin.

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At the 2017 Sundance Film Festival, Park City, Utah, “GET OUT” had a secret screening. The racial makeup of the Park City, a former historical Mormon enclave, is approximately 81.0% white, and 0.6% Black.[3] The “SECRET” screening of “Get Out” inside the secluded mountainous white retreat was for benefit of the Dark Circle.[4]Get Out” is a wicked HollyWeird film project to do Lucifer’s work, and take the DEVIL STRAIGHT TO THE BANK. “GET OUT” is another in your face race specific- U.S. Ethnic Psychological Warfare Project.

II

“GET OUT” & THE SATANIC DARK CIRCLE

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Jason Blum, Manchurian Candidate Jordan Peele and Sean McKittrick

The “Get Outsecret screening for the Dark Circle was arranged primarily by Sean McKittrick, and Jason Blum.

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Sean McKittrick

Shortly after graduating from UCLA, Sean McKittrick produced the cult horror classic “Donnie Darko“.[5]

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I don’t believe that I need to say too much more about Sean “Donnie Darko” McKittrick. You got the complete picture of the sick Satanic shit he is into. Such sick and depraved don’t need to be involved in making movies targeting people of color without the limits of JUSTICE.

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Jordan Peele and “GET OUT” is a front for Blumhouse (Jason Ferus Blum). The Ashkenazi/German Jewish name Blum is an ornamental name derived from the Yiddish word blum and the German world blume- flower.[6] Blum was born in Los Angeles, California, the son of Shirley (Neilsen), an art professor, and Irving Blum, an independent art dealer.[7]

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In his junior year of private boarding school, Jason’s parents to sent him to France, where he took up cigarettes and black eyeliner. Undoubtedly, he hooked up with secret Old European Witch Covens among the medieval influenced French Luciferian Gothic youth.[8]

Blum, Hitchcock, Huxley, MI6 & Vassar College

Blum ’91 was developed for the mass population film industry at and by an ultra secret Satanic circle of Vassar College. “The first time I really got interested in genre movies was when I took [film professor] Sarah Kozloff’s class on Hitchcock. That was my first introduction to genre. He’s definitely my favorite scary movie director …”[9]

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Hitchcock & Sir Korda

In HollyWeird, Alfred Hitchcock’s secret circle involved Sir Alexander Korda. Sir Korda worked closely throughout his career for MI6, allowing his film company to be used as a cover for British spies traveling abroad.

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Sir Korda & Queen Elizabeth II 

The Hungarian-born Korda, who made the classic spy film “The Third Man“, received his British royal knighthood partly in recognition of his discreet commitment to the British Royal Crown, and MI6.[10]

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Aldous Huxley & The Devils of Loudun

Researcher Michael Minnicino on Hitchcock show his hidden links to the Tavistock Institute and Aldous Huxley– British Godfather of CIA MK ULTRA/MONARCH mind control programs.[11]

The Kordas’ task was to generally develop a pro-British current in America and to plump for cultism. They hired Aldous Huxley to write the screenplays for the two-hit Star War-style fantasy pictures of the 1930s, Kipling’s Jungle Book and The Thief of Baghdad in the process making Huxley’s name as a scenarist. (When the Kordas stayed in Hollywood they usually housed with one of a British clique there which included Huxley, the modernist composer Igor Stravinsky, and Tavistock psychologist Humphrey Osmond.) They kicked off the wave of historical epics which dominated the United States and Europe in the 1940s; Hitler, in fact, had their Rembrandt re-made under his own aegis.”[12]

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Noah Baumbach Vassar College ‘91

At Vassar, Blum boarded with, and twinned with the Jewish Noah Baumbach ’91 to enter into the clandestine side of the film industry. [13] Baumbach is an American independent filmmaker that was nominated for the Academy Award for Best Original Screenplay for The Squid and the Whale (2005) and is known for making dramatic comedies.[14]

Vassar & the Long Island Dark Circle

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Vassar College in Poughkeepsie, Duchess County, New York is one of America’s most expensive and exclusive private educational institutions. Vassar College was founded by Matthew Vassar (President of the Hudson River Railroad) as a women’s school under the name Vassar Female College in 1861.[15]

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Matthew Vassar was born April 29, 1792 in East Dereham, Norfolk. In 1796, his family, religious dissenters from the Church of England, sailed for America. In 1797, they settled among a familiar group of English settlers in Dutchess County, New York.[16]

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Dutchess County and the town of Poughkeepsie grew around 1740, when there was a continuous immigration into the area particularly from the English that inhabited LONG ISLAND.[17]

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17th Century Salem Colony Witches & Demons

The Long Island English settlers were directly related to secret underground Satanist/Witch covens among the Puritan and English dissenting circles that had been expelled from England, the Church of Salem, and the Colony of Salem, Mass  (discussed further below). Matthew Vassar and Vassar College are directly related to the old ultra secret Satanic Dark Circle expelled out of Salem Colony, Mass. during the 17th century.

III

BLACK PEOPLE, OUT OF SIGHT- OUT OF MIND

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“Why us? Why black people? About two weeks ago, Lucifer’s son Donald J. Drumpf’s recently confirmed Housing and Urban Development (HUD) pathological lying Lunatic  BOOT-LICKING- UNCLE TOM pseudo Secretary Ben Carson recorded the following, “There were immigrants who came here in the bottom of slave ships, worked even longer, even harder, for less …[18]

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Africans were forcibly brought into this country in the bottom of slave ships as permanent chattel (personal property like live stock) in violation of the Natural Law of Human Dignity, Mankind and Civilization. Natural law is a philosophy that certain rights are inherent by virtue of human nature  and can be understood universally through human reason.[19]

Africans were brought to America as immigrants is an outright wicked, vile and sadistic fabrication of American history. It is an insult and assault against the human dignity and heritage of African Americans. My very own Great-Great Grandmother, Alice Packwood, was stripped from her family and sold as an infant just as shown above. It has come down thru the folklore of our family that Alice was broken hearted and sad all the days of her life missing/not knowing her mother, father, brothers and sisters.

Ben Carson has attempted to revise American History, and retell the story that these armed and angry Black Men fighting for Freedom and Justice that they were really immigrants. He is attempting to tell this entire nation that loss an estimated 620,000 men, roughly 2% of the population, during the U.S. Civil War that it was a big mistake, 4 million enslaved African men, women and children were really immigrants. Africans were immigrants is a demonstrative GRAND LIE, an ILLUSION of global epic proportions supported by the highest elected office of this country that for the first time in this country’s history is openly confessed to be a force of Aryan Nationalism, and of DARKNESS.[20] Black people in this country don’t line up as immigrants by any fashion and by no means imaginable in heaven, earth or HELL. Black citizens- “GET OUT” of American History is really what Carson and Donald J. Drumpf are pushing globally. Out of Sight- Out of Mind!

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No man can put a chain about the ankle of his fellow man without at last finding the other end fastened about his own neck.Frederick Douglas

The movie “GET OUT” comes out of this odd political and social climate of white nationalism, and an evil lying social pathology, and DARKNESSthat is moving steadily across the country. “GET OUT” You are not being invited to be initiated into Lucifer’s Dark League like an elevator ride up and down. Some people in this country want the floors to open up, shallow up BLACK PEOPLE and drop them straight down (dead fall) into the PITS OF HELL!

IV

CIA MK ULTRA OCCULT BUREAU, KEY AND PEELE

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Until a couple of days ago, I wasn’t familiar with Comedy Central comedians Keegan Michael Key and Jordan Peele.

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Nickelodeon’s Kenan & Kel, MK ULTRA/MONARCH Sex Kitten Animal Print

When I glanced at Key and Peele, I immediately associated them with Nickelodeon’s Kenan & Kel, and never really paid any other attention to them until now.

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2015 White House Correspondents’ Dinner, Key & President Obama

I almost momentarily glanced at the picture above and loosely associated Keegan Key with U.S. Senator Corey Booker. The odd thing about Key is that TIME in 2014 selected him as one of the 100 Most Influential People in the World.[21]

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Like James Achilles Alefantis aka “Jimmy Comet” (One of the top 50 most powerful people in Washington DC), Key was associated with the John Podesta-Obama White House and PIZZA.[22] In fact, Key has a mass produced Amazon fashion t-shirt entitled, “Keegan-Michael Key Funny Comedian Comedy I Like Pizza Sleep.”[23]

Again, these people aren’t playing games with Black people, in particular. The above video had to have taken place in a rented funeral home’s sanctuary. I refuse to believe this blazon profane “Satanic Molest” took place within the sacred spaces of the black church. Their sacrilegious conduct within the sacred corners of the black church would be ass whooping violations for the breach of the holy sanctity of our beloved elders, forebears and the people’s places of worship. The bottom line is Key and Peele are advanced practitioners of the occult. Their Satanic– blasphemous diatribes above was made to appear as if it took place within the pews of a black Christian church.

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The roots of their Satanic dialogue are the domains of actual secret Satanic Sex Magic/Moon Child blood rituals of the Hermetic Order of the Golden Dawn, Aleister Crowley and Weird Jack Parson’s OTO.

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Hermetic Order of the Golden Dawn & Hip Hop/Popular Music Artist, Ciara

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Dr. Faust’s Mephistopheles

Mephistopheles; also Mephistophilus, Mephistophilis, Mephostopheles, Mephisto, Mephastophilis, is a DEMON (Servant of Lucifer) featured in German folklore. He originally appeared in literature as the Demon in the English late 16th century Dr. Faust legends.[24]

Both Key and Peele are bi-racial products of white mothers and black fathers. However, Key only acknowledges two white women as his parents, even though he carries the name of his black adoptive father. If Peele’s father is still alive, he has absolutely no influence or role in his son’s life. Both Key and Peele are also interracially married. However, the bottom line is that Key and Peele are advanced students, if not, Black Satanic Cabal high priests of  Medieval European Occult Magick and Alchemy.

Peele & Sarah Lawrence College

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Jordan Peele- Real Strange Dude

Peele graduated from one of the most white elite exclusive and expensive colleges in the U.S., Sarah Lawrence College in Bronxville, NY.

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Sarah Lawrence is located in southern Westchester County, NY, in the city Yonkers, 15 miles north of Manhattan. Yonkers lie just beyond the tip of LONG ISLAND.[25]

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William Van Duzer Lawrence (1842–1927) founded the college in the name of his wife. Lawrence was a millionaire real-estate and pharmaceutical mogul who is best known for having founded Sarah Lawrence College in 1926. He played a critical role in the development of the community of Bronxville, New York, an affluent suburb of New York City defined by magnificent homes in a country like setting.[26]

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Sarah Lawrence College

To clearly understand what hidden message is behind “Get Out,” we must explore Peele’s possible background exposure at Sarah Lawrence. Lawrence Park of Bronxville was an exclusively closed white enclave of a super “elite inner-ring suburb.”[27]

Lawrence Park & Salem Witch Hunts

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Queen Elizabeth listening to Tales of the Strange New World Beyond the Seas

The pageant posters were designed by Violet Oakley (June 10, 1874 – February 25, 1961). She was the first American woman to receive a public mural commission. She addressed themes from history and literature in Renaissance-revival styles. However, her love was Dante.

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Violet Oakley Massaging a Statute Head of Dante

Durante degli Alighieri  (1265 – 1321), was a major Italian poet of the Late Middle Ages. Dante is infamously celebrated for his visions of travelling thru HELL in the Divine Comedy of the Inferno.

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Bronxville’s 1909 Westchester County Historical Pageant held in the forest woods an exposition of “country suburb life” a perfect expression of the “whiter” living experience. For them, Dante Alighieri and the ultrasecret Old European Satanic Occult Circle is the “whiter” experience.

The Path to Paradise Begins in HELL. Dante

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“At the midpoint on the journey of life, I found myself in a dark forest – for the clear path was lost…” Dante

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Jordan Peele will swear up and down that “Get Out” isn’t his real autobiography, and the recall of some of his secretwhiter” experiences at Sarah Lawrence College, Lawrence Park of Bronxville, Westchester County, NY. Peele would have been that Negro that never got out of the forest or Dante’s Hell in his mind.

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Peele’s life journey in Dante’s forest would have landed him in the INFERNO.

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Peele had been ritually CIA MK ULTRA/MONARCH traumatized, and his original split off in possibly dozens of (multiple) alternative personalities. Undoubtedly,  Peele has also been viciously and brutally ritually sexually abused.

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Peele’s Real Strange “Meegan” Female Alter Personality

On camera with triggers and keys, Peele can easily roll into dozens of characters and personalities. However, this female character personality is the most eerie of them all.

Lawrence Park and Salem Witch

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Anne Hutchinson Expelled from Salem Colony

Underlining the Bronxville forest pageant was “[T]he play [‘The Book of Words’] that introduced the audience to key Dutch- New Amsterdam (NY Long Island) historical figures “… to Anne Hutchinson, and to the [French Protestants] Huguenots, as a prelude to the reenactment of the reading of the Declaration of Independence at White Plains.” [28] However, Anne Hutchinson was no DUTCH historical figure.

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They celebrated a romanticism for the “old life” or old secret European traditions. Bronxville’s history helped to further the image of an elite inner-ring suburb (Cult), by pointing out its central historical figures like Anne Hutchinson, which happens to be an odd choice by any ordinary reasonable person. By reviving old beliefs and local history, the town’s representatives undoubtedly set forth a precedent of who, or what kind of people, should or would be allowed to live in Bronxville, and those to be initiated.[29]

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In 1638, Annie Hutchinson (1591-1643) of the Salem Colony was ex-communicated from the Church of Salem and evicted from the colony for primarily heresy. She was called a “dangerous woman” by the Puritans.[30] At that time, what did English Puritans mean by dangerous?

I look at her as a dangerous instrument of the DEVIL, raised up by SATAN amongst us to raise up divisions and contentions and take away hearts and affections, one from another ” – Reverend John Wilson (assigned minister to the Boston militia that conducted the Pequot war)

Called Anne Hutchinson an American Jezebel who was given the chance to repent but ” instead kept a back doore to have returned to her vomit again.” – Governor John Winthrop

I am ” fully persuaded that Mrs. Hutchinson is deluded by the devil ” would inspire her ” hearers to take up arms against their prince and to cut the throats of one another. ” – Deputy Governor Thomas Dudley

your opinions fret like an Gangrene and spread like a Leproise, and infect far and near, and will eate out the very Bowells of Religion, and hath soe infected the churches that God knows when they will be cured ” – Reverend John Cotton [31]

In England, Rev. Cotton had been her religious mentor. She followed him to America.[32]

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Hutchinson moved to New Amsterdam in about 1642. She settled near the banks of a river in Pelham Bay currently at the foot of Pelham Bay Park in the Bronx. Anne settled in the Dutch Colony without the permission of settlers or the Siwanoy, the local native Americans, and ignored repeated warnings to leave. In the summer of 1643, a Siwanoy war party descended on her homestead, killing everyone except her 9-year-old daughter, Susan, who hid in the glacial boulder known as Split Rock.[33]

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Baroness Deborah Moody (1586–1659) Display An Ancient Claw Hand Symbol of the Old Dragon Kings of England

New Amsterdam is the original Dutch Colonial name for the modern New York City. In 1645, English royal elite, Baroness/Lady Deborah Moody, settled in New Amsterdam after she also had been excommunicated from the Church of Salem, and expelled from the colony. She was also famously known as a “dangerous” woman, but she had Baptist royal titles behind her name. The Dutch granted her a vast tract of uninhabited land on Long Island. She named her town Gravesend for a town in Holland. Lady Deborah’s tract included 7,000 acres of land on the western end of Long Island that once included Brooklyn and “Coney Island.”[34]

Long Island, Salem, Babylon & the Antichrist

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In 1653, three British men from Oyster Bay purchased a parcel of land from the Matinecock tribe. This parcel has since come to be known as the “First Purchase” and included land bordered by Cold Spring Harbor on the west, Northport Harbor on the east. The three men immediately turned the land over to the white British settlers who had already been living there. From that initial settlement, Huntington grew over subsequent years to include all of the land presently comprising the modern Towns of Huntington and Babylon. The southern part of the town was formally separated to create Babylon in 1872.[35]

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The Babylon region was once called South Huntington. Nathaniel Conklin moved his family to the area, eventually calling it “New Babylon“, naming it after the ancient wicked city of Babylon around 1803.[36] In the New Age, the headquarters of the Anti-Christ will be in New Babylon. Many already believe that New York is the new Mystery Whore of Revelation.[37]

The Amityville Horror, Peele & the Dark Circle

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Within Babylon is the township, Amityville (friendly relations with SATAN), the infamous site of the Amityville Horrors of which has been the subject of at least fourteen (14) HollyWeird Horror movies.[38]

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Amityville is one of the top ten (10) cities in America infamous known as a site of Satanism. Ronald “Butch” DeFeo, Jr. killed six members of his family on the night of November 13, 1974. At the trial, DeFeo claimed that “DEVILISH BLACK HANDS” and disembodied voices drove him to kill. Don’t get twisted, DeFeo wasn’t speaking literally. He was talking about the Hands of the DARK CIRCLE.[39]

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Amityville Satanic Black Knight Possessed, Ricky Kasso

Before savagely murdering his friend and fellow high school student, Gary Lauwers, on June 16, 1984, Ricky Kasso, later dubbed the “Acid King,” was a well-known Satanist in and around his hometown of Northport, Long Island. A fan of shouting “Hail Satan” to pedestrians, Kasso was the head of a satanic coven called the Knights of the BLACK CIRCLE.[40]

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During a Walpurgis Night (Medieval Witches Night), Kasso and a few friends supposedly performed a ritual at the infamous vacant Amityville House. Kasso murdered Lauwers in the name of Satan, even demanding that the beaten and bloody Lauwers say that he “LOVED SATAN.”[41]

There is an ancient ultra secret extremely powerful underground Royal VIP British Satanic Cult that right now this moment have tentacles in America. It has been centered in Long Island since the 17th century with the arrival of Satanic High Priestess Witches from Salem, the “Dangerous Women“- Anne Hutchinson and Baroness Deborah Moody. The name of the cult is the “DARK CIRCLE.”

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Born to Be Lucifer’s Daughter

I will cover it later, but there is a popular music diva born, raised and centered in Huntington/Babylon/Amityville whose sister says that she is a secret Satanic Coven member- EYES WIDE SHUT, black robes & sacrifices and the entire 9 (nine) yards.

So, we have shown a relationship between the founders of Lawrence Park and Sarah Lawrence College with the secret ceremonial (coven) adoration of the 17th century Witch, Anne Hutchinson.

Peele’s main characters in “Get Out“, the white (Dean, Missy, Rose (Rosicrucian)) Satanic Family, are the ARMIT-ages (friendly with Satan). William Van Duzer Lawrence, the founder of Sarah Lawrence College, had a younger brother, James ARMITAGE Lawrence.[42]

Armitage died in 1900 on Long Island at a hamlet called, Orient, Suffolk County, NY. The hamlet was originally settled by five families given a land grant by the King of England in the 17th century Later, Orient was used as a base of operations by British commanders such as Benedict Arnold and local Tories during the American Revolution to conduct raids on Yankee-held Connecticut.[43]

V

“GET OUT” & SUNKEN PLACES

By now, you should have a good idea where and what the “Get Out” sunken places are for black people in America- Dante’s Inferno.

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Peele developed the film’s screenplay with the likes of a Sean “Donnie Darko” McKittrick, and Jason Blum of Blumhouse.  I didn’t insert the Nazi Script into the “Get Out” storyline. Peele, Darko and Blum did. In “Get Out”, they chose to deal with a perceived Negro Problem in America, firmly and to the point just like the Nazi- SS.

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We have carried out this most difficult task out of love for our people. And in doing so, we have taken on no defect within us, in our soul or in our character.” SS-1, Heinrich Himmler

Neurosurgeon Dean Armitage was a son of Nazi that Peele says took second behind Jesse Owens in the 1936 Berlin, Germany Summer Olympics. That honor doesn’t belong to a Nazi.

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Big Mack Robinson ‘36 Olympics

It belongs to Jackie Robinson’s remarkable older brother, Matthew Mackenzie “Mack” Robinson, that was second only to the Great Jesse Owens.[44] Nevertheless, Dean’s wife, Missy Armitage, is the CIA MK ULTRA/MONARCH psychiatrist and hypnotist. They get to decide what to do with Negroes?

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 WATCH THE NEGROES DROP THRU THE FLOOR!

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The Iatrogenically induced “sunken places” that are taking about sending black people don’t have up and down escalators, stairs or elevators. It may sound chic, but they are not unequal educational opportunity or racial bias, substandard housing, low wages, interpersonal relationships, or prisons. They don’t play that way. They play for keeps.

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The “sunken places” that these people are talking about is the perpetuity of hell-torments. As a child, my original self driven into the “sunken place” by the Nazi SS/U.S. Navy Project CHATTER was so terrified and traumatized by what it experienced- it’s still out there someplace in another dimension still SCREAMING in perpetuity! I was collateral damage. They left me to die. Yet, I was fortunate, because I didn’t go through the following stages of mind control just as terrifying or even more- “solve et coagula.”

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On Baphomet’s right arm is the word “solve” while on his left arm is the word “coagula.”  Together the words form the phrase “solve coagula” or “solve et coagula.”[45] Solve et Coagula is the first tenet of Alchemy – separate and join together, break down and reform, dissolve and solidify, destroy to recreate, kill to be born again, and order out of chaos. It is a transformative process that can be used to make some people, “Immortal”.  The Coagula (Solve et Coagula) Process that they speak of mastered by Dean Armitage is the secret domain of very advanced Rosicrucians, Witches, Satanists, Cabalists, Freemasons and the Hermetic Order of the Golden Dawn (Great BEAST 666 Aleister Crowley), and Psychiatrists, Psychologists, medical technicians of CIA MK ULTRA/MONARCH.

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It may also include Satanic High Priest, PIZZAGATE’s John Podesta.

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Solve et Coagula is best understood by the story of the murder and dissection of King Asur (Osiris) by his evil and jealous brother, Set. Queen Aset (Isis) recovered 13 pieces to reassemble his body. With the help of the Goddess Neith, she re-membered his body, and reconnected his mind-body-spirit split through the magic of Solve et Coagula. King Asur became an immortal God of Good. CIA MK ULTRA/MONARCH psychiatrists, psychologists and medical technicians use the magical concept, Solve et Coagula, as a method to at times destroy a person’s original personality through traumas, then reconnect mind-body-spirit to alternative multiple personalities.

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In “Get Out”,  Missy Armitage induces the horrifying mind bending (sink into the floor) traumas thru hypnosis and most likely drugs;

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Dean Armitage & Mengele

then Dean surgically reconnect the Negro’s body to his white client’s DNA mind-body-spirits to control them forever. It is as it is in Moonlight, the movie. The magic trans-formative processes doesn’t turn young black men into better or godly men to make the world a better place. The transformation process is used to entrap their minds between subconsciousness dimensions, then enslave them, Out of Sight- Out of Mind, to subterranean undergrounds.

aaaamoonlightgay

In Moonlight, it’s the Homosexual Underworld.

aaaagetoutzombies3

In “Get Out”, they intend to turn young black men into an underground of BLACK ZOMBIES controlled forever by a white Satanic Cult. My beloved, STOP THE FOOLISHNESS,

THESE PEOPLE ARE NOT PLAYING WITH YOU!


[1] http://variety.com/2017/film/reviews/get-out-review-jordan-peele-1201968635/

[2] Id.

[3] https://en.wikipedia.org/wiki/Park_City,_Utah

[4] http://deadline.com/2017/03/get-out-jordan-peele-blumhouse-universal-1202041635/

[5] http://www.imdb.com/name/nm0572014/

[6] https://www.houseofnames.com/blum-family-crest/Jewish

[7] https://en.wikipedia.org/wiki/Jason_Blum

[8] http://www.laweekly.com/arts/can-budget-slasher-jason-blum-prove-the-way-hollywood-makes-movies-is-horrifyingly-wrong-6176088

[9] https://film.vassar.edu/about/stories/features/2014-2015/141020-jason-blum.html

[10] http://www.upi.com/Archives/1983/10/16/Hitlers-spymaster-leaked-secrets-to-Britain/7271435124800/

[11] https://jaysanalysis.com/2016/02/03/hitchcock-hollywood-spies-north-by-northwest/

[12] https://jaysanalysis.com/2016/02/03/hitchcock-hollywood-spies-north-by-northwest/

[13] http://www.laweekly.com/arts/can-budget-slasher-jason-blum-prove-the-way-hollywood-makes-movies-is-horrifyingly-wrong-6176088

[14] https://en.wikipedia.org/wiki/Noah_Baumbach

[15] https://en.wikipedia.org/wiki/Vassar_College

[16] http://specialcollections.vassar.edu/collections/manuscripts/findingaids/vassar_family.html

[17] https://archive.org/stream/cu31924028853327/cu31924028853327_djvu.txt

[18] http://www.businessinsider.com/ben-carson-appears-to-call-slaves-immigrants-in-address-to-hud-staff-2017-3

[19] https://en.wikipedia.org/wiki/Natural_law

[20] http://fortune.com/2016/11/20/steve-bannon-interview-darkness/

[21] http://time.com/73028/key-peele-its-all-downhill-from-here/

[22] http://stateofthenation2012.com/?p=57381

[23] https://www.amazon.com/Keegan-Michael-Funny-Comedian-Comedy-V-Neck/dp/B01KMEGACA

[24] https://en.wikipedia.org/wiki/Mephistopheles

[25] https://en.wikipedia.org/wiki/Sarah_Lawrence_College

[26] http://www.uncoveringyonkers.com/bronxville-new-york.html

[27] Id.

[28] Id.

[29] Id.

[30] http://annehutchinson.net/nindex.shtml

[31] Id.

[32] Id.

[33] http://www.nydailynews.com/new-york/bronx/pioneer-anne-hutchinson-enjoying-newfound-popularity-420th-anniversary-birth-article-1.147273

[34] https://www.geni.com/people/Deborah-Moody/6000000013517424286

[35] https://en.wikipedia.org/wiki/Huntington,_New_York

[36] https://en.wikipedia.org/wiki/Babylon,_New_York

[37] http://antichristobama2016.webs.com/

[38] https://en.wikipedia.org/wiki/The_Amityville_Horror

[39] http://listverse.com/2016/01/28/10-cities-and-towns-with-connections-to-satanism/

[40] Id.

[41] Id.

[42] https://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=99459571

[43] https://en.wikipedia.org/wiki/Orient,_New_York

[44] https://en.wikipedia.org/wiki/Mack_Robinson_(athlete)

[45] http://reality101blog.blogspot.com/2009/03/myth-of-baphomet-here-is-wisdom.html