brandy norwood | In Search of Black Assassins

DJANGO UNCHAINED & KATT WILLIAMS, DICK GREGORY, HOUSE NEGROES & PAUL JOSEF GOEBBELS

23 01 2013

In the late evening of January 8, 2013, Katt Williams was released from jail on a $100.000 bail bond on a Sacramento, CA arrest warrant issued for missing his court appearance. He was captured on a TMZ video being led away from jail by a white security team.[1] Usually anything regarding Katt Williams, TMZ will spread it all over the world. However in this one case, this particular video of Williams being led away from a Yolo County Jail in California by a special security team has limited circulation for whatever reasons. The TMZ video can be reviewed at UPDATE: Katt Williams Release from Jail on 100K for Missing Court Date

One guy in a green shirt is seen wearing a U.S. Army or Navy “Special Forces” cap similar to the one below.

The guy in green also has a surveillance earpiece designed for military, police, secret service, first responders and security personnel.[2] It has a Bluetooth pairing with a fast push-to-talk design microphone to communicate with band radio frequencies.[3]

So, why are U.S. Army Special Forces, former members of the Special Forces or an advanced professional security team connected to a secure central command station extracting Katt Williams from jail, but to deliver him to secure secret cybernetic mind control laboratory to repair a blown circuit, the Human Will and Compassion to be FREE. Nevertheless, I pray that I am wrong and they were his bail bondsmen. I also fear that it may be one of the last times we may see or hear from Katt close to his original conscious self.

Comedian Katt Williams was the first to coin the world, Niggadom (Kingdom). I don’t subscribe to such degrading terminology or jargon regarding African Descendants so I call it, Negrodom. But it isn’t really a physical place with borders and boundaries, Katt Williams must be making reference to a imprisoned state of consciousness; Delusional State of Mind, or an particular insanity among Black People of HollyWeird, CA.

Criticism of Django Unchained: “American Slavery Was Not A Sergio Leone Spaghetti Western. It Was A Holocaust. My Ancestors Are Slaves. Stolen From Africa. I Will Honor Them,” –Director Spike Lee[4]

HollyWeird’s House Negroes and attack dogs are all over Spike Lee for his mere expression of opinion and criticism of Django Unchained as if he committed a crime against humanity, democracy or like Katt Williams violated a scared Luciferian oath or pact of secrecy.

The Luciferian HollyWeird elite Implant-Conceal many Satanic images and ILLUSIONS that isn’t easy to recognize in films to subliminal traumatize the masses . Red represents the color of the “Blood Sacrifice.”

In the Django Unchained Poster, above, there are at least four (4) Ancient Double Crosses of Loraine, Emblem of the Royal Secret

“When various members of the House of Anjou plotted to topple the Valois dynasty of France, the symbol of the conspirators was the Cross of Lorraine, the heraldic emblem of René d’Anjou, said by Charles Peguy to represent the “arms of Christ”, “the arms of Satan”, and, strangely, the blood of both. René was the Angevin monarch who, at the time of the renaissance, single-handedly spearheaded a Hermetic revival in Europe. It was he who personally convinced Cosimo de Medici to translate many ancient texts such as the Corpus Hermeticum into various European tongues for the first time ever. And when Corpus Hermeticum was first published in France, the dedication it bore was to Marie de Guise, wife of James Stuart V, mother of Mary Queen of Scots, and a descendant of René who also adopted the Cross of Lorraine as a personal symbol.

That the Cross of Lorraine is a symbol embodying the Hermetic ideal is fairly obvious. The Angevins were primarily advocates of the Regia, or Royal Art, of hermeticism; a tradition which according to legend was passed down to man by a race of fallen angels. This isn’t at all inconsistent with the perennially Luciferian overtones associated with the entire Angevin saga.

Interestingly, the Cross of Lorraine bears an uncanny resemblance to the sigil of Baphomet employed by British Magus Aleister Crowley, and the meaning of the two symbols would appear to be virtually synonymous. Baphomet is, after all, the penultimate hermetic symbol, whether depicted by Crowley in the form of a cross, or by Eliphas Levi as a goat-headed hermaphrodite. And the sigil used by Crowley was also employed by ancient alchemists as a device whose meaning was literally “very poisonous.” In fact, the symbol was commonly affixed to containers of toxic substances in Europe as recently as the mid-twentieth century. To the alchemists, of course, the symbol and its very meaning had far more esoteric connotations. To them, poison represented an agent of transformation, a vehicle for the reconciliation of opposites. And there is an alchemical myth about a poison which for most men is extremely deadly, while for the elect it confers mastership and absolute power. Echoes of this idea recur as a motif in various aspects of the Grail lore. It would seem that the alchemists accorded this symbol very much the same meaning attributed it by Crowley, which in turn echoes what the Cross of Lorraine embodied for Rene d’Anjou. It is little known, but the Cross of Lorraine was also the official emblem of the Knights Templar

Though they are more frequently associated with the symbol of the red equilateral cross, their true symbol first and foremost was the Cross of Lorraine, and many Templars awaiting death at the stake pursuant to the Friday the 13th persecutions drew the emblem on the walls of their cells. There is still a degree in certain rites of Freemasonry called the Knights Templar, whose symbol is the Cross of Lorraine. It is interesting to note that even the less esoteric-looking equilateral cross used by the Templars had essentially the same meaning: that of the union of opposites, the intersection of creative force and destructive force, or the union of male and female principles. It was a fundamental occult symbol, and it was in deference to the idea which it embodied that medieval occult rituals were often held at crossroads.

The Cross of Lorraine is far more explicit in it’s iconography: the bar above mirroring the bar below, both of which are symmetrically affixed to a central pillar that provides balance and equilibrium. As above, so below is, after all, a Hermetic maxim. And the three bars of which the cross is composed echo Eliphas Levi’s concept of the true trinity. Levi posited that the world is governed by two primordial forces, one creative, the other destructive. The equilibrium between these two forces constitutes a third force, and the union of the three constitutes what some might refer to as… God.

The central role of the principle of equilibrium in various occult arts cannot be overstressed. For Master Mason Albert Pike, equilibrium represented the Royal Secret, the pivotal principle upon which the universe is ordered. And Pike’s specific designation of equilibrium as a royal secret is of particular significance because, as previously mentioned, Hermeticism has traditionally been known as the Royal Art, and its central tenet is essentially that of equilibrium. And too, when Pike calls it a Royal secret, he isn’t speaking figuratively, but strictly in literal terms. Hermes, according to legend, was the sole receptacle of the secret doctrine of the antediluvian world, which he revived after the flood and passed down to the Kings. As you’ll recall, this secret knowledge was thought to have been taught to man by a race of Gods or fallen angels. This knowledge was kept secret because it was probably recognized that for all but an elect few, such thought would no doubt bring about their ruin. This brings to mind the concept of the alchemical poison. Kings and aristocrats would understand how to wield and apply the secret doctrine because it was believed that they were in fact flesh and blood descendants of the Forgotten Race which had come down to take the wives of men.

References to this Forgotten Race occur repeatedly in numerous religions and mythologies throughout the world, and should most likely be known to readers of this magazine. Their doctrines have been enshrined in myth, legend, and many religious symbols, in which they are looked upon by many, and recognized by but a few. They are, and shall remain, the Royal Secret. The Cross of Lorraine is a sigil of that Royal Secret, the doctrine of the Forgotten Ones.”

The Satanic Cross

In the Satanic Bible in LaVeyan Satanism, the Satanic Cross can also be interpreted as a combination of the Lorraine crossand the mathematical symbol for infinity, or a phallic re-imagining of the cross, with the infinity symbol representing a scrotum. It is often interpreted as a symbol of Satanism, because Anton LaVey adopted it from the Cross of Lorraine or even the Patriarchal, which is also a symbol of Christianity and Hermeticism. Hermetic alchemists of the Renaissance used the emblem as a symbol of earth and spirit by combining the square earth cross with the cross of Christ. When drawn symmetrically, it symbolized the hermetic maxim, “As above, so below”.

Baphomet & WICKED Tarantino, “As above, so below”

In the Django Unchained Deception, Legendary Black Comedian and Civil Rights Activist, Dick Gregory, has been making news around the internet. Dick Gregory publicly singled out and attacked Spike Lee for criticizing Quentin Tarantino and Django Unchained. In defense of the Tarantino film, Gregory called Spike Lee a “Thug” and “Punk.”[5] In Spike Lee’s line of profession in the community, Gregory’s chosen words spread across the world constitute insulting “fighting words.”[6]

Dick Gregory & President Barack Obama, Look for the ILLUMINATI “Hidden Hand of Power” Gesture

“I’ve seen Django Unchained, I’ve seen that 12 times. Never in the history of Hollywood, have they ever made anything that freed the inside of me. The inside. I’m 80 years-old, I saw cowboy movies, wasn’t no Black folks in cowboy movies. I’m looking at a Western, plus a love story. To those of you all that see it, you’ll never see a love story about a Black man and a Black woman where it wasn’t some foul sex and foul language, huh. And Spike Lee can’t appreciate that. That little thug ain’t even seen the movie, he’s acting like he’s White.”[7]

If you multiple 12 times 176, the number of times that Katt Williams said the script contained the word “N**ger” with damning adjectives (An adjective is a word that describes, identifies, modifies, or quantifies something [a noun or a pronoun] like f**king, it means that Dick Gregory subjected himself to 2112 scientific subliminal self inflicted mental head wounds from the “n word” determined by the highest court of the land to injure the Black Psyche [Chaplinsky v. New Hampshire, 315 U.S. 568 (1942)]. Dick Gregory may be immune to being called the “n word”, but it negatively affects and hurt our children and many other of us just don’t play that.

I am quite sure that each time Chicago Mafioso Frankie “One Ear” Fratto[8] pulled the trigger, it was preceded by the “n word” with adjectives like f**king, no good, dirty, stinking and useless, etc. It’s Russian roulette and it’s a physical form and method of scientific “Ritual Abuse and Trauma-Based Mind Control.”[9]

This is a subliminal hypnotic self (alternative personality) inflicted form of scientific traumatic torture that Brandy and Wicked Tarantino appears to be well aware of.

Out of Negrodom, Gregory also said he’d never seen a black man and a black woman ride off into the sunset in a movie, and that’s part of the beauty of Django Unchained.[10]

Beauty or ILLUSION? I wouldn’t call riding off in the middle of the Deep South in the 1850s during universal inhumane and vicious enslavement of (4) four million Africans exactly beautiful, unless, I am delusional or fed a grand ILLUSION of the actual barbaric racist affairs and attitudes of the country during this period.

Anyhow, Wicked Tarantino made it loud and clear to Negrodom early in the film that the storyline is about the Wagnerian Germanic Folktale of Broomhilda and Siegfried, a tale beloved by Adolf Hitler and Paul Josef Goebbels and the THRID REICH.[11]

Broomhilda (Brunhilde) is one of WOTAN’s (Odin) daughters. She is a “Valkyrie.”[12] That’s exactly what a Valkyrie does. She rides off into the sunset with the chosen hero to Valhalla, WOTAN’s castle in the sky.[13]

Wicked Tarantino & The Kiss of the Luciferian Brotherhood

This is a very secret and ancient reflection of patriarchal bonding going back to the days of the war state societies of Greece and Rome. During these ancient empires, homosexual male bonding in the militaries of ancient Greece was regarded as contributing to morale. The Sacred Band of Thebes (Greece), a unit said to have been formed of same-sex couples, and the Spartan tradition of military heroism has been explained as being fostered by strong emotional bonds resulting from homosexual relationships. Various ancient Greek sources record incidents of courage in battle and interpret them as motivated by homoerotic bonds. You would also be surprised to know that this ancient tradition and practice of male bonding lay at the birth of the Nazi Nationalist War State. (See Pink Swastika: Homosexuality in the Nazi Party, 5th Edition for Internet)

Danny Glover & Harry Belafonte, The Kiss of Luciferian Brotherhood in HollyWeird

L’ll Wayne & Birdman-Steve J, The Kiss of Luciferian Brotherhood in Hip Hop

Nevertheless what Tarantino says, out of Negrodom, Dick Gregory (House Negro Role) claims that the real inspiration of Django is Dangerfield Newby.[14] THAT DOG WON’T HUNT!

During the John Brown raid in October 1859, the first raider killed was a black man by the name of Dangerfield Newby. Dangerfield had been freed by his white father, but he had a wife and seven children held in slavery in Warrenton, Virginia. His wife’s master had told him that for the sum of $1,500 he could buy his wife and his youngest baby, who had just started to crawl. Dangerfield earned that amount of money and went back to Warrenton to purchase his wife and baby, only to have his wife’s master raise the price. The free black man then joined John Brown in the hope of freeing not only his wife and youngest baby, but his entire family.[15]

During the assault on Harpers Ferry to raid an armory to supply weapons for a rebellion, one man defending the armory was shooting 6 inch spikes from his powder loaded gun. One of those spikes hit the throat of Newby. He was killed instantly. The people of Harpers Ferry took the body of Newby and savagely stabbed it repeatedly with their rusty knives. They left the mutilated body in the alley to be eaten by hungry hogs.[16]

I suppose that Dick Gregory want us to be delusional, caught in the DOUBLE BIND and believe an ILLUSION that this act of a courageous and desperate man with all his God given human loving compassion stoke out to free his beloved wife and seven children from the horror of slavery; and the absolute horrible and barbaric reprisals against the body of this man can somehow be visualized as “beauty” and “riding off in the sunset” is absolutely insane. It is deliberate absolute mass DECEPTION in its broadest terms.

As far as credits for the film are concerned, Quentin Tarantino is the screenwriter. He credits the character development, Django, to a Italian spaghetti western based on no known slavery historical facts. Tarantino later explained the genesis of the idea: “I was writing a book about Sergio Cobucci when I came up with a way to tell the story. One of the things that’s fun when you write about subtextual criticism …”[17] Sergio Corbucci (December 6, 1927 – December 1, 1990) was an Italian film director. He is best known for his very violent spaghetti westerns.[18] Negrodom, Tarantino doesn’t doesn’t possess the Godly human capacity to care or have any compassion about the true heroic struggles, tribulations or issues of enslaved Africans.

According to Wicked Tarantino, “I want to do movies that deal with America’s horrible past with slavery and stuff but do them like spaghetti westerns, not like big issue movies.”[19] “Slavery and stuff,” he just wanted to play around with it like an Italian spaghetti western, play games with the hearts and minds of the masses. Does Quentin Tarantino even know Dick Gregory in any cinematic sense of production or have any independent historical knowledge whatsoever of Dangerfield or his wife Harriet Newby? I doubt it.

Straight from Negrodom, Gregory continues:

“So it must be something personal because when I look and all them Black entertainers that know Spike Lee, how you gone attack this man [Quentin Tarantino]and don’t be attacking them? Are you saying everyone’s a fool but me? ‘Well, it offended my ancestors,’ but when you did She’s Got To Have It and some of those other thug movies you did, you took Malcolm X and put a Zoot suit on him — did that offend your ancestors, punk?[20]

Good Old Uncle Luke, ILLUMINATI Silence is Golden & Mark of the BEAST 666

Also out of Negrodom, the dissectible Uncle [Real Tom] Luther Campbell of 2 Live Crew fame that happens to call himself “Uncle” [21] Luke was also sent on the attack. He called Spike Lee a “resident house Negro…conniving and scheming Uncle Tom”.[22]

Luther Campbell has to be the nation’s leading Hip Hop artist to openly promote desecration and the exploitation of African descendent female flesh. Uncle (Tom) Luke will place young black females on the sexual slavery(MONARCH/MK ULTRA MIND CONTROL) auction block for only a few pieces of silver with a big grin and a slap on his ass by the ILLIMUNTI and the New World Order.

Comedian-Actor- Black Luciferian Jamie Foxx called Spike Lee “Shady…Irresponsible” for criticizing Tarantino’s artistic works. [23] Yet, Jamie Foxx is another dissectible House Negro that has done his fair share to desecrate the image, negatively impact and undermine the worldview of African Destiny, Manhood and Fatherhood for the New Luciferian World Order.

Samuel L. Jackson & Eye of Lucifer

One of the leading actors in Django Unchained, Satanic and ILLUMINATI House Negro, Samuel L. Jackson, added his two cents to the mix. He suggested that Spike Lee may be jealous of Quentin Tarantino’s film making success- “I don’t know if it’s jealousy”.[24]

Also, House Negro director of the film “Training Day” starting Denzil Washington, another ILUMINATI House Negro, also rode to Tarantino’s rescue to defend him publicly. Antoine Fugua admonished Spike Lee,

“That’s just not the way you do things,” said Fuqua, who admitted to not seeing the film yet himself, at the Capri event. “If you disagree with the way a colleague did something, call him up, invite him out for a coffee, talk about it. But don’t do it publicly.”[25]

In other words, we criticize HollyWeird’s Luciferian-Satanic powerful and elite, Quentin Tarantino, in secrecy, behind the scenes- closed doors. That’s the way it’s done by House Negroes in HollyWeird, CA.

Yet, there is my underlining suspicious that this will all play out to be a trick of mass deception. They create the false flag controversy between Spike Lee and Quentin Tarantino to lure unsuspecting masses to the film. Django Unchained has nothing to do with our true African Ancestors’ struggle and heroics during human bondage in America.

The film is a crude and vicious “red herring” designed to suck the masses into experimental cinematic subliminal mass hypnotics of self inflicted torture; and polarize the races. Django Unchained is a retelling of tales of Wagnerian Gods, Goddesses and the Mythology of the Germanic Pagan WOTAN played out with black faces.

In regards to Katt Williams and his criticism of the film and Wicked Tarantino seem to have fallen by the wayside, I suspect that the ILLUMINATI entertainment industry knows that everything is already in the works to neutralize him, and that he will be clandestinely dealt with by the highest levels of the ILLUMINATI and the (FEDS) U.S. Military-Industrial-Congressional System.

Still, the most wickedness attack on Spike Lee for discouraging the masses of people of color from being subjected to self-inflicted torture and abuse, ILLUSIONS and historic re-imaging of events close to their heart, soul and spirit, came from the Eye of Lucifer, Dick Gregory.

During the late 1990s, I had a rare opportunity to meet with a small group with the Late Great Steve Cokely in Oakland. As an Oak Town Field Negro, I wasn’t particularly invited. I found out about the time and place of the meeting, and went. Part of Cokely’s discussion was regarding Spike Lee’s 1992 film, Malcolm X.[26] Even at that time; it was common knowledge among brothers and sisters that half of movie involving Malcolm in a zoot suit, crime and chasing the blue eyed blond goddess was a tradeoff. It was the work of CIA Project MOCKINGBIRD originally established in 1947 on Lookout Mountain in Laurel Canyon, HollyWeird, CA.[27]

The HollyWeird film industry regularly clear scripts directed toward targeted audiences, particularly the Black and Brown masses, through the CIA and FBI. They have their own psychiatrists, psychologists and social scientists to mode cinema to control the mass psyche. They have script-screen writers, producers and directors in their back pocket with the power to revise film scripts and control film narratives.[28]

During the 1950s, it is documented that the CIA influenced HollyWeird’s film producers to plant “negroes” who were “well-dressed” (Sidney Poitier and Harry Belafonte, for example) in movies, as Cold War propaganda to manipulate and control mass world opinion and ILLUSIONS involving race relations in America.[29]

During this particular session with Cokely, he said that he knew Spike Lee well enough to command an audience. He asked us to help finance a trip to meet privately with Spike on the West Coast regarding further exploring the FBI/CIA’s role in developing, controlling and influencing the film Malcolm X and Black Cinema in general.

Cokely promised to keep the group, particularly the people that helped finance the trip, informed of the Spike Lee meeting. I intentionally gave Cokely a check with my name, address and phone number so there would be no excuse not to include me on the contact list, but as usual I was left out of the loop. I never heard from the group or Cokely again. However, it was generally understood among brothers and sisters, including Dick Gregory, of CIA/FBI involvement in the final film production of Malcolm X. In Chicago Gregory had been a close research protégée and friend of Steve Cokely.[30] He knew very that Malcolm X in that zoot suit chasing that blue eyed blond wasn’t his work.

R.I.P Steve Cokely passed from congestive heart failure April 11, 2011 in Chicago, IL. Cokely gained widespread notoriety when he served as special assistant to the former mayor of Chicago, Eugene Sawyer. He was also assistant to the special committee on rules under the late then Mayor Harold Washington.[31]

In Chicago, Cokely watched and befriended Barack Obama as he rose from a community organizer to a U.S. Senator which put this astute and highly intelligent, very vocal nationalist researcher and lecturer in a great deal of danger.

After several years of silence, Cokely finally promised to reveal all he knew about Chicago Politics and the “Obama Team.” Some entity and hidden hand forces in Chicago had gift wrapped Obama and delivered him to the masses like a Christmas gift, but Brother Cokely never lived long enough out of a coma to tell the story.[32]

It is disingenuous and an act of deception for Dick Gregory to single out Spike Lee for portraying Malcolm X as a slick zoot suit criminal chasing a blue eyed blond throughout half of the film knowing that it was the work of Project MOCKINGBIRD.

The CIA project is a MOCKINGBIRD of Reichsfuhrer Paul Josef Goebbels’ Ministry of Public Enlightenment and Propaganda that surreptitiously controlled the content of the THIRD REICH’s cinema and entertainment industry.[33]

The Late Great Mae Brussell worked with a circle of lawyers, writers, journalist and researchers pursuing the “TRUTHS” behind the Assassinations of the Beloved, Malcolm X, U.S. President John F. Kennedy, Civil Rights Leader, Martin Luther King, Jr., and U.S. Senator Robert F. Kennedy.

Among these circles Brussell discovered what she called an elite “Power Control Group” that had a secret license from the government to control public access to real TRUTHS, and steer research and public exposures away from inconvenient Truths like the SS-REINHART GEHLEN ORG deeply imbedded in the deep cover (shadow) government, and the clandestine political assassinations of Malcolm X, the Kennedys, Dr. King and many-many others.

Dick Gregory, Author Robert Groden and Attorney Mark Lane had been among this elite “Power Control Group.”Lane and Gregory co-authored, Murder in Memphis: The FBI and the Assassination of Martin Luther King. Gregory became a leading outspoken critic of the Warren Commission findings that President JFK was assassinated by the lone wolf assassin, Lee Harvey Oswald.[34]

On March 6, 1975, Gregory and assassination researcher Robert Groden appeared on Geraldo Rivera’s late night ABC talk show Goodnight America. An important historical event happened that night when the famous Zapruder film of JFK’s assassination was shown to the public on TV for the first time in history. The public’s response and outrage to that showing led to the forming of the Hart-Schweiker investigation, which contributed to the Church Committee Investigation on Intelligence Activities by the United States, which resulted in the House Select Committee on Assassination investigation.[35]

Hitler’s General Reinhart Gehlen’s Org, SS Baron Otto von Bolschwing, and Operation PAPERCLIP Nazis in America and their clandestine involvement in shadow government political assassinations in America was completely veiled from any public or congressional inquiry.

During the 1970s, Gregory became grossly entangled as some sort of personal assistant to Millionaire Larry Flynt of Hustler Magazine.[36] On March 6, 1978, while leaving a court room in Georgia an attempt was made on Flynt’s life that left him partially paralyzed from the waist down, and with permanent spinal damage. He had been targeted by a sniper, believed to have been white supremacist serial killer, Joseph Paul Franklin.[37]

During the 1980s, Flynt became actively involved with financing a political assassination research group that included Mae Brussell. He financed a short-lived revolutionary classic publication, The Rebel. In January 1984, The Rebel published Mae Brussell’s classic article, The Nazi Connection to the John F. Kennedy Assassination: Evidence of link between Nazis still in operation after World War II to the still unsolved murder of John F. Kennedy.[38]

CIA/Gehlen Spooks Mitchell Werbell III, Gordon Novel & G. Gordon Liddy are Enough to Scare the Pants off of Anyone.

Merchant of Death, Mitchell Werbell, Richard Nixon White House Plumber operatives G. Gordon Liddy and Gordon Novel was dispatched into Flynt’s publishing enterprise and into his mansion as “house quests” to fix it, shut down Rebel, Mae Brussell and forcible turn Flynt, and in turn his close friend Dick Gregory who also had been residing at Flynt’s mansion in Beverly Hills-HollyWeird, CA.[39]

These were extremely dangerous people to say the least. In 1942, WerBell joined the Office of Strategic Services (OSS) and served in China, Burma, and French Indochina. As a guerrilla operative during World War II, he carried out a secret mission for the OSS under the command of Paul Helliwell in China with assassins E. Howard Hunt, Lucien Conein, John K. Singlaub, and Ray Cline that became major players in the world opium trade out of Southeast Asia. Werbell worked for Batista in pre-Castro Cuba. He was involved in political assassinations all across the Caribbean. He worked with U.S. Mercenary Gerry Patrick Hemmings on the Anti-Castro CIA training camps in Operation MONGOOSE to topple Castro in Cuba. He specialized in developing assassination weapons and silencers for the Gehlen/CIA. He was a major general of the U.S. Army. He is also linked to the JFK assassination team in Dallas.[40]

Gordon Novel is linked with the international assassination network linked with ardent Nazi Gruppenführer (Major General) SS Dr. Walter Robert Dohrnberger of Bell Helicopter and Permindex.[41] White House Plumber G. Gordon Liddy worshiped Adolf Hitler and Heinrich Himmler’s SS.[42]

WerBell, was put on Flynt’s payroll as his million dollar bodyguard.[43] Mae Brussell said they had given Flynt painkillers that fucked his judgment up and made him want to jump from an airplane to his death to protest the New York Times’ refusal to let him buy a full page carrying his view of the KAL 007 disaster that killed U.S. Congressman Larry McDonald of the John Birch Society.[44]

After Werbell, Liddy and Novel departed, Flynt was left in almost a vegetable state, his wife was dead from AIDS, and his prized Hustler Magazine was purged of its investigative articles and writing team and by early 1984 Rebel Magazine had been eliminated from existence altogether.[45] By 1988, R.I.P. Mae Brussell turned up dead.

“The stone-age Negro denizens of Africa, Haiti, New Guinea and the southern Philippines are fascinated by clocks, radios and even sails.” –Willis Carto, The IMPERIUM [46]

Did they turn Dick Gregory? Judge it for yourself. Gregory and his buddy Mark Lane became part of the quasi-Nazi far right wing Liberty Lobby created by Willis A. Carto.[47] Gregory is alleged to have been a board director.[48]

In 1955, Carto founded the Liberty Lobby, an American political advocacy organization. He also ran an organization called Youth for [George] Wallace, which later became the White Nationalist organization the National Alliance. He also was involved in the Populist Party until political opponents took control over the party.[49]

“All we know for certain about the Egyptians is that they were Caucasian, and that they, like all slavemasters, mingled their blood with that of their Negro slaves. As for the so-called Amerindian civilizations, we now know without doubt that civilization was superimposed upon the Indian savages by a White racial stock.” -Willis Carto, The IMPERIUM [50]

Carto had founded Western Destiny, a magazine which during the 1960s produced racist, Nazi-tinged articles; and Noontide Press, which continues to publish and offer for sale anti-Jewish and pro-Nazi books. One such book was Francis Parker Yockey’s 600-page Imperium, which was dedicated to Adolf Hitler and featured a 35-page introduction written by Carto. Yockey, an outspoken admirer of Hitler and Nazi SS Collaborator, was arrested in Oakland, CA across the street from Lake Merritt in 1960 on passport fraud charges; and subsequently committed suicide in a San Francisco jail. His book offers a rehash of Nazi doctrine — it denounced, for example, “the Church-State-Nation-People-Race of the Jew” as “distorters of culture.”[51]

Carto was a vicious racist as well as an anti-Semite. During the 1950s, Carto complained that “only a few Americans are concerned about the inevitable niggerfication of America.” In October 1966, the late columnist Drew Pearson published the contents of a letter written by Carto which stated:

“Hitler’s defeat was the defeat of Europe. And of America. How could we have been so blind? The blame, it seems, must be laid at the door of the international Jews. It was their propaganda, lies and demands which blinded the West to what Germany was doing. . . . If Satan himself, with all of his superhuman genius and diabolical ingenuity at his command had tried to create a permanent disintegration and force for the destruction of the nations, he could have done no better than to invent the Jews.”

In a subsequent memo, Carto elaborated on these beliefs:

“Who is using who [sic]? Who is calling the shots? History supplies the answer to this. History tells us plainly who our Enemy is. Our Enemy today is the same Enemy of 50 years ago and before — and that was before Communism. The Communists are ‘using’ the Jews we are told. . . . [W]ho was ‘using the Jews 50 years ago –100 or 1,000 years ago. History supplies the answer. The Jews came first and remain Public Enemy No. 1.”[52]

I said all of this to say that Dick Gregory has been a scared running dog controlled by the SS-Knights of Black Sun and the Luciferian ILLUMINATI elite for quite some time. Yet, we have continued to love and respect the brother.

However, he has become far too comfortable in Negrodom acting as an ILLUMINATI black Goon attacking and calling his pathetically powerless ILLUMINATI brother Spike Lee out of his name in the world spotlight, and selling out the masses of people with grand ILLUSIONS and False Images of Quentin Tarantino’s Django Unchained for a few pieces of silver, a big grin on his face and pat on his ass for a job well done by the Luciferian New World Order. This is game.

The little evil genius, Reichsminister Paul Josef Goebbels, and the Wickedness Man on Earth, the Great BEAST 666, Aleister Crowley wouldn’t have done a better job with Django Unchained at designing a more diabolical and sinister project that clandestinely destroy the mind, heart, spirit and unity of a people under the veil of their own racial history, entertainment and enjoyment for a New Luciferian World Order.

Especially for my Dear Brother, Katt Williams, I pray that you come HOME and your CHILDREN are returned without further harm,

The LORD is my shepherd I shall not want.

He maketh me to lie down in green pastures: he leadeth me beside the still waters.

He restoreth my soul: he leadeth me in the paths of righteousness for his name’s sake.

Yea, though I walk through the valley of death, I will fear no evil: for thou art with me; thy rod and thy staff they comfort me.

Thou preparest a table before me in the presence of mine enemies: thou anointest my head with oil; my cup runneth over.

Surely goodness and mercy shall follow me all the days of my life; and I will dwell in the LORD for ever.

(Psalm 23, The Original African Heritage Study Bible)

[1] http://allhiphop.com/2013/01/09/katt-williams-held-on-100k-bail-for-missing-court-date/

[2] http://www.pilotstuff.com/as.surveillance_earpiece.html

[3] http://www.gizmag.com/motorola-unveils-mission-critical-products/16019/

[4] http://www.nydailynews.com/entertainment/tv-movies/antoine-fuqua-calls-spike-lee-tarentino-film-article-1.1230298

[5]http://www.sohh.com/2013/01/spike_lee_that_little_thug_aint_even_see.html?utm_source=google&utm_medium=feed&utm_campaign=general-feed

[6] http://en.wikipedia.org/wiki/Fighting_words

[7]http://www.sohh.com/2013/01/spike_lee_that_little_thug_aint_even_see.html?utm_source=google&utm_medium=feed&utm_campaign=general-feed

[8] http://en.wikipedia.org/wiki/Louis_Fratto

[9] http://www.we-are-survivors.webs.com/ritualabuse.htm

[10] http://www.kulturekritic.com/2013/01/news/dck-gregory-calls-spike-lee-a-punk-and-a-thug-for-his-criticism-of-django-unchained/

[11] http://www.ferdyonfilms.com/2012/die-nibelungen-siegfried-kriemhilds-revenge-1924/15114/

[12] http://en.wikipedia.org/wiki/Brynhildr

[13] http://en.wikipedia.org/wiki/Valkyrie

[14] http://www.gamehunterfilmz.biz/gamehunter-filmz-blog/dick-gregory-on-django-unchained-spike-lee-is-a-thug-a-punk-audio-interview-

[15] http://wesclark.com/jw/newby.html

[16] http://wesclark.com/jw/newby.html

[17] http://en.wikipedia.org/wiki/Django_Unchained#Development

[18] http://en.wikipedia.org/wiki/Sergio_Corbucci

[19] http://www.firstshowing.net/2010/quentin-tarantino-reveals-more-about-his-slavery-western/

[20]http://www.sohh.com/2013/01/spike_lee_that_little_thug_aint_even_see.html?utm_source=google&utm_medium=feed&utm_campaign=general-feed

[21] http://en.wikipedia.org/wiki/Luther_Campbell

[22] http://www.eurweb.com/2013/01/luke-calls-spike-lee-uncle-tom-house-negro-for-django-bashing/

[23] http://www.huffingtonpost.com/2013/01/18/jamie-foxx-spike-lee-django-unchained-criticism_n_2505894.html

[24] http://www.entertainmentwise.com/photos/101488/1/Samuel-L-Jackson-Defends-Quentin-Tarantino-From-Criticism-Of-Django-Unchaineds-Racist-Language

[25] http://www.nydailynews.com/entertainment/tv-movies/antoine-fuqua-calls-spike-lee-tarentino-film-article-1.1230298

[26] http://en.wikipedia.org/wiki/Malcolm_X_(film)

[27] http://www.mail-archive.com/cia-drugs@yahoogroups.com/msg12919.html

[28] http://www.guardian.co.uk/film/2008/nov/14/thriller-ridley-scott

[29] http://www.guardian.co.uk/film/2008/nov/14/thriller-ridley-scott

[30] http://www.youtube.com/watch?v=xiOq85bLFnE

[31] http://en.wikipedia.org/wiki/Steve_Cokely

[32] http://www.abovetopsecret.com/forum/thread416856/pg1

[33] http://en.wikipedia.org/wiki/Ministry_of_Public_Enlightenment_and_Propaganda

[34] http://www.firstpost.com/topic/person/robert-f-kennedy-mae-brussell-power-control-group-mark-lane-robert-groden-11578-video-iQLH8GS_U0o-14883-1.html

[35] http://en.wikipedia.org/wiki/Dick_Gregory

[36] http://www.people.com/people/archive/article/0,,20085591,00.html

[37] http://african.howzit.msn.com/Africa-Gallery.aspx?cp-documentid=251859690&page=7&ocid=LastSlide&tcid=LastSlide

[38] http://www.whale.to/b/brussell_nazi.html

[39] https://deeppoliticsforum.com/forums/showthread.php?471-Larry-Flynt-deserves-his-own-thread-here

[40] http://en.wikipedia.org/wiki/Mitchell_WerBell

[41] http://www.bilderberg-mirror.org.uk/kennedy/index.htm

[42]http://www.democraticunderground.com/discuss/duboard.php?az=show_mesg&forum=104&topic_id=199853&mesg_id=219327

[43] http://www.independent.co.uk/news/people/profiles/larry-flynt-the-trouble-with-larry-570430.html

[44] http://www.lycaeum.org/drugs/abstracts/L4.cgi?mode=keys&kwand=intoxication

[45] https://deeppoliticsforum.com/forums/showthread.php?471-Larry-Flynt-deserves-his-own-thread-here

[46] http://www.barnesreview.org/page.html?chapter=1&id=3

[47] http://en.wikipedia.org/wiki/Mark_Lane_(author)

[48] http://educationforum.ipbhost.com/index.php?showtopic=10074&st=45

[49] http://www.the-savoisien.com/wawa-conspi/viewtopic.php?id=2009

[50] http://www.barnesreview.org/page.html?chapter=1&id=3

[51] http://www.adl.org/holocaust/carto.asp

[52] Id.

Comments : 19 Comments »
Tags: barack obama, brandy, brandy norwood, broomhilda, cross of lorraine, dangerfield newby, dick gregory, django unchanined, Frances Parker Yockey, frankie fratto, g. gordon liddy, gordon novel, harriet newby, harry belafonte, house negroes, Imperium, Jamie Foxx, Jr., katt williams, kiss of luciferian brotherhood, luther campbell, Mae Brussell, mitchell werbell, paul josef goebbels, quentin tarantino, ritual abuse and torture, sammy davis, samuel l. jackson, satanic cross, sidney poitier, siegfried, spike lee, steve cokely, uncle luke, willis carto, wotan
Categories : dangerfield newby, danny glover, dick gregory, double bind, harry belafonte, hip hop satanic cult, hollywood satanic cult, illuminati, katt williams, lil wayne, luciferians, mae brussell, mark lane, mark of the beast, nwo, oakland, power control group, project mockingbird, re-image, re-imaging, robert groden, satan, sidney poitier, spike lee, steve cokley, trauma-based mind control, underground reich, underground third reich, wotan, young money

Pandora’s Box, Ray J-Little Lucifer, Young Buck, Clive Davis & the Assassination of Whitney Houston

11 03 2012

Whitney Houston, the Riff-Raff & Psychological Warfare

It is ironic and sad that Whitney Houston has had more personal security and security concerns around her dead than when she was alive and well in Los Angeles. I wish the people who fought so hard to protect her privacy in death could have shown a quarter of that zeal to protect her while she was alive.

During the late 1980s, I traveled through the back country of the Brazilian City Rio de Janeiro. I was surprised when I found that poor, devalued and exploited female children of color that couldn’t read English cherished the images of women of color found in American magazines.

They cherished the very images of women entertainers of color because it told them a thousand words that there was HOPE and PROMISE that their dreams and aspirations could come true. It showed them that they could one day be strong enough to throw off the chains of poverty and oppression, and determine their own destiny. We often take our beautiful young women of color in the entertainment industry for granted, but they present very powerful images to the world. You add together color, beauty, power and being the best, the top in the World. That’s extremely powerful subliminal imaging to the masses of poor and oppressed.

Black Diva of International Track and Field, Florence Griffith-Joyner (born Florence Delorez Griffith), also known as Flo-Jo out of Jordan Downs Housing Project in LA is still considered the “fastest woman of all time” based on the fact that she still holds the world record for both the 100 meters and 200 meters, both set in 1988 and never seriously challenged.

She possessed a world-class sense and presence of unparalleled charm, beauty, strength, and superior intelligence. Her image alone had spoken a thousand words in an universal language. In 1998, she just dropped dead at the age of 38. Flo-Jo didn’t fit the ILLUMINATI’S picture of racial “World View.” That’s psychological warfare!

Psychological Warfare, “the use of propaganda, threats and other psychological techniques to mislead, intimidate, demoralize, or otherwise influence the thinking or behavior of an opponent.”Modern-day psychological warfare sees its origins in Nazi Ideology during the second world war in the form of what the Nazis called ‘Weltenshunkrieg’ (pronounced ‘Welten-shun-kreeg’). This was the idea of imposing the Nazi’s world view and beliefs onto the countries they’d occupied in an attempt to bestow the Nazi beliefs amongst the majority of the world’s population. This type of human behaviour manipulation was adapted and renamed ‘psychological warfare.’

The late Black Diva Whitney Houston wasn’t a warrior princess. She was innocent. She was a warm, charming, beautiful, gentle and fragile spirit and soul that we loved so much. They took advantage of her universal innocence, love, gentleness and open heart to destroy her from within. Chaka Khan has been one of the few music industry artists with the heart to speak out that Whitney Houston shouldn’t have been alone in Los Angeles to be literally setup for murder.

“I stand on, whoever flew her [Clive Davis] out to perform at that party, should have provided someone to be there,” Khan, 58, said on Piers Morgan Tonight. “To somehow, keep the riff-raff out of the situation. To keep the dangerous people away.”[1]

In the days preceding her death in LA, Whitney Houston certainly wasn’t treated like she was one of the most elite, awarded, and best selling female artist of all time in the world.[2] She had no security around her until the day she also just dropped dead at the age of 48, even then her security said her body was already cold. She had been dead for some time with her legs sticking straight up in the bathtub as if her body had gone into rigor mortis. That’s Psychological Warfare!

Most of us are still wondering how two-bit messy ass rappers like Ray J and Young Buck were allowed to get so close to the center of the death of a international mega superstar and national treasury like Whitney Houston without a great deal of suspicion, outrage and public scrutiny, even from the so-called Hip Hop Generation. Nobody seems interested in pursuing the matter not even her family, so-called friends, the Beverly Hills Police or the Los Angeles County Coroner’s Office. The investigation into Whitney Houston’s death is being “WHITEWASHED” of Ray J and Young Buck.

Young Buck, “Ray J found Whitney Houston Dead”

Above, Young Buck flashing the ILLUMINATI pyramid hand symbol with Skull and Bones (Brotherhood of Death) black shirt. On February 11, 2012, “CNN confirms that Ray J found Whitney dead Saturday at the Beverly Hilton Hotel.”[3] Initially according to CNN reporter Alan Duke, popular artist Ray J was the one who found Whitney Houston dead in the Beverly Hilton Hotel. Duke says he was told by Ray J’s friend — a man who goes by the moniker “The Real Young Buck” – that Ray J was the one who found Houston dead, and that Ray J told him that he is distraught and “tripping right now.”[4]

An insider to Whitney Houston’s Homicide Investigation reported that “Ray J is under investigation by the Beverly Hills PD. I know Ray was getting high with Whitney on Thursday night in her hotel room the cops know too. Ray was on ecstasy, and they was passing around a primo. Whitney was hitting the primo and drinking alcohol. Her and Ray ended up having an argument in the room, before they went to the club. The original Young Buck (Ray’s Buck not G Unit), is under investigation too.”[5] Primo is marijuana and crack. Again, the source of the story had been Young Buck.

Before Whitney’s death, Young Buck had some interesting things to say about Whitney and Bobby Brown in “Get Buck”, [Intro] Yeah!!! Get ’em Buck!!! [Verse 1]:

“… And a zip ain’t shit I need a quarter P of Purp
‘Gon break it down, pass it all around
I can serve Whitney Houston and Bobby Brown
Them dope boys in this bitch like, let me buy that …”[6]

A quarter pound of purp is marijuana. It appears that Young Buck had inside information about the “cutouts” paid to keep Whitney Houston and Bobby Brown supplied with drugs, and wanted in on the deal. How did Young Buck know about some of the intimate details of her death so soon after she was found dead in the hotel room? Could Young Buck have been positioning himself for a big payoff from some of the players that he knew had been directly involved in the Assassination of Whitney Houston at the Beverly Hilton?

On March 4, 2012, Sunday morning, Young Buck survived a drive-by shooting. Police in Nashville, Tennessee, said his car was hit by 11 shots, and though 10 caused no harm, one caused a minor shoulder wound to his girlfriend, Kenyetta Rainey.[7] It had to be warning shots. These people aren’t trained to miss their targets, and they don’t play games. They will not miss the mark next time.

In that infamous recorded telephone conversation between Ray J-Little Lucifer, Raz B, and Young Buck involving HollyWeird MK ULTRA styled Boy Sex Toys and U.S. Entertainment Industry Producer Chris Stokes, Ray J told Raz B that the Chris Stokes’ thing had to be quashed before it leads to other things, opens Pandora’s Box.

Under Little Lucifer, Pandora’s Box opens to a sea of sad, lost, troubled and twisted young souls like Monica Laura Leon known as “DANGER.”

Little Lucifer: DANGER in Pandora’s Box

When I looked at Ray J and the young, beautiful, gifted, but troubled sister of color, Monica Laura Leon, I became rather troubled, disturbed and deeply saddened. I wrestled with myself for a while. Maybe, I didn’t want to go any farther. I was hesitant to open Little Lucifer’s “Pandora’s Box” because it was extremely distressing and I didn’t like what I saw.

In Classical Greek Mythology, Pandora was the first woman on Earth. Zeus ordered Hephaestus, the God of craftsmanship, to create her, so he did—using water and Earth. The gods endowed her with many gifts: Athena clothed her, Aphrodite gave her beauty, and Hermes speech. When Prometheus stole fire from heaven, Zeus took vengeance by presenting Pandora to Epimetheus, Prometheus’ brother. With her, Pandora was given a beautiful container which she was not to open under any circumstance. Impelled by her curiosity given to her by the gods, Pandora opened it, and all evil contained therein escaped and spread over the earth. She hastened to close the container, but the whole contents had escaped, except for one thing that lay at the bottom, which was Hope.[8] Another version of the myth portrays hope as a bug. “Hello, Pandora,” said the bug, hovering just out of reach. “My name is Hope.” With a nod of thanks for being set free. Hope flew out into the world.[9]

Danger & Hope

Monica Laura Leon known as “Danger” played one of 14 young women on Ray J’s reality television show competing “For the Love of Ray J.” She was among the first to publicly out Ray J as a made for HollyWeird Boy Sex Toy. She said that Ray J and former member of the rap group G-Unit, Young Buck, were secret homosexual lovers.[10]

In her internet bio, she said that she was a San Francisco native of Mexican and African American descent. She started modeling at the age of ten (10) in San Francisco posing in campaigns for Neutrogena, Disney, Mattel, Visa, Seventeen Magazine, YM Magazine, Macy’s, Mervyns, Levi Strauss, and has starred in national commercials all before the age of fifteen. She studied ballet with a professional dance company, and enrolled in San Jose State University as a Biology & Child Development student while teaching pre-school. She maintained a 3.5 GPA, and founded an online campus newspaper, OurVoice: Making a Stand to Survive, which granted her a nomination for a Stella Award for outstanding contribution to Women’s Issues at the University.[11]

Above, Monica adorns a symbol of Pagan Owl Moloch-Molech. I suspect that she may have been used as one of the Monarch-Mind Controlled Child Sex Slaves victimized and abused by powerful elite pedophiles at the Bohemian Club nestled in the forest just outside of San Francisco. The Owl, Moloch, is sacred to their secret pagan human sacrifices that include children (2 Kings 23:10). From what she has said, she resides in Mill Valley just outside of the Bohemian Club.

After dropping out of college and an art school, Monica changed her name to “Butterfly” and founded Femme Fatale Entertainment, LLC, in Oakland, CA, which evolved into a special event company, specializing in underground concerts for unsigned artists, theater productions, youth talent shows, street dance battles, and poetry open mic nights. After studying acting at the American Conservatory Theater of San Francisco, the Black Repertory Theater of Berkley, and Brava Theater of San Francisco, she relocated to Los Angeles-HollyWeird in about 2006 to pursue her acting career.[12]

In HollyWeird, she ended up working the Hip Hop rapper circuits where she subsequently met Ray J. Among her named pre-Ray J Hip Hop circle was rapper Shorty Mack aka Derrelle Owens, above, with Little Lucifer. Shorty Mack is a close associate of the Norwoods. He appeared on numerous recordings by Ray J, including the Knockout remix of “Formal Invite” and the Smokin’ Trees version of “What I Need”. He also played the role of “Nyce” on Brandy’s sitcom Moesha.[13]

On YouTube, Monica said that she had been molested her whole life even as an infant. She was a victim of ritual sexual abuse common to the development of Iatrogenic Multiple Personality Disorder (See Colin A. Ross’ Bluebird, Deliberate Creation of Multiple Personality By Psychiatrist, Chapter 23). She suggested that she may have up to at least 10 (ten) alters.

After leaving college, she changed her name to “Butterfly”, which strongly suggests that she had gone through MK ULTRA/Monarch-Butterfly mind control programming like Ray J’s sister Brandy. Briefly again, “Monarch’ programming (I use that as a loose term for organized trauma-based mind control; not necessarily under the specific umbrella of the CIA Project Monarch) to be used as a child sex-slave for “elite” and government pedophiles.”[14]

Monica has a large tattoo of a tiger on her face. She said that she put the tattoo on her face while going through some mental changes. The prominent cat symbol indicates special “Sex Kitten” programming.

“I have done [porn] pictures, I’ve been an exotic dancer and I’ve also done some prostitution and that’s something that I really didn’t want to just talk about right away cause it’s a scary scary thing, it has such a negative connotation to it. But I was a prostitute for about two and half years, and you know I was making alot of money, I had all this cash, shopping… all this shit, you know, nice car, nice place, but it didn’t make me happy…” Danger revealed about her past life.[15]

In a YouTube video that has been removed, she claimed to have been trained in martial arts and boxing,[16] indicating that she is a possible “sleeper” trained to kill on command.

“What made “sex kittens” and “assassins” out of our “traumatized” MK ULTRA “mind-controlled” children was that they took their trauma PERSONALLY! When you take trauma personally, any trauma that you survive, the trauma TAKES you! Each one of the so called “victims” of MK ULTRA, had the CHOICE, even at a young age, to avoid the ego and drama that was a “pity party”. They all could have said to themselves, “Well it could have been worse, I could have DIED!” Instead, anyone who complains about being abused, physically, sexually, emotionally, etc., is focussing on what is a QUALITY of life issue, instead of a life and death issue, because, as Nietzsche says, “Whatever doesn’t kill you, makes you stronger“![17]

In 2009, she shaved her hair off due to mental stress (post partum depression), and was involved in some type of alarming incident with her newborn female child. Her infant baby may have been ritually sexually abused by others as it had been done to her, which may have driven her off the deep end threatening to expose the entire sadistic operation. In one of the YouTube videos, she clearly said that “they can f**k her” before she was cut off and her attention directed elsewhere.[18]

She may have been triggered into a self destruct alter personality declared “insane” and forced into the mental institution for seven days, reprogrammed or wiped clean to protect her sources. According to TMZ.com, Child Protective Services subsequently removed the child from her custody and placed the baby girl with her father, Gabriel Cannon, brother of Nick Cannon (Mariah Carey).[19]

In this video, above, you can clearly see that Monica’s mind has been deliberately short circuited by drugs, keys or triggers. Undoubtedly, she is under weight, confused, disoriented in a dissociative state (TRANCE) flashing through various alters from a Harvard doctorate graduate to being Korean-Mexican, and royal.

On November 28, 2009, she kicked off her multi-city new art exhibit tour entitled “Danger in Wonderland” at the Kava Lounge in San Diego, CA. Alice in Wonderland programming and The Wizard of Oz programming are two popular themed base mind control programs still in use today.[20]

Walt Disney productions have played a major role in the Monarch mind control programming and some of their children’s films are being deliberately constructed with Monarch triggers and keys.[21] In her bio, Monica said that at a young age she did modeling for Walt Disney. Walt Disney is a notorious master ILLUMINATI pedophilia and children mind control sex slave operation.[22]

Danger: “Wendy Williams Ain’t Got Shit on What I Know”

In 2010, Danger threatened to tell everything she knew about the secret black HollyWeird. She said that “Wendy Williams Ain’t Got Shit on What I Know.”[23] Subsequently, Danger recanted her charge that Ray J was gay, and that she was never a prostitute, but circumstantial evidence suggest that she has undergone very sophisticated MK-ULTRA/Monarch mind control programming from an early age that she said was from infancy.

She would be a true Multiple Personality Disorder (MPD) versus Dissociative Identity Disorder (DID) ritually sexually traumatized and programmed after the age of 7 years old.[24] Our young, beautiful, but sad Monica Laura Leon is subject to be programmed to say or do anything for the ILLUMINATI, but she is young and there may still be HOPE for her in the future, if she doesn’t turn dead too.

Little Lucifer: Young Buck in Pandora’s Box

Young Buck also represents an extremely troubling picture. Monica said that she knew Young Buck in Hip Hop circles before she knew Ray J. David Darnell Brown (born March 15, 1981), known as Young Buck, is an American Southern rapper. He is a former member of the New York City Hip-Hop group G-Unit, also a former artist of G-Unit Records as of Nov 26, 2011. He currently resides as president of his own record label “Cashville Records.” [25]

Young Buck opens up Little Lucifer’s Pandora’s Box to links to a notorious Satanic Pedophile and his Lucifer’s Workshop in New Orleans, Cash Money/Young Money Records, a Satanic Hip Hop Coven of a larger Luciferian Structure. Rapper Lil Wayne of Young Money/Cash Money Records says that he had been raped at age 11. He says that Baby aka Birdman [founder of Cash Money] took him into a room full of men and instructed a female to give him oral sex.[26] It was undoubtedly an “initiation rite” and ritualized sexual abuse of children to deliberately create multiple personality disorders(MPD) layered with Satanism.

Young Buck began his career as a rapper around the same age as Lil Wayne, 12 (twelve) years old. He was given an opportunity to perform to before the same Brian “Baby” Williams, co-founder of Cash Money Records that “initiated” Lil Wayne into his New Orleans Satanic Hip Hop Coven. After several years on and off of Cash Money Records, Young Buck and fellow rapper Juvenile decided to leave the label for good in 2000 and went to UTP Records, where he stayed until 2003. One of his early appearances was a feature where Young Buck appeared on the song “Memphis”, where he was featured along with Three 6 Mafia, Project Pat and other southern rappers. His deal with UTP later led to a meeting with New York rapper 50 Cent who later signed Buck to G-Unit Records, under Interscope Records.[27] Before his journey into the music industry Young Buck was a known hustler/drug dealer in his hometown of Nashville, Tennessee. This path in life led to him being shot.[28]

Young Buck began his rapper career in Lucifer’s Workshop, Cash Money/Young Money Entertainment, with the Baby-Birdman. Baby, the founder of Cash Money openly carries the sign of the BEAST, an inverted pentagram on the top of head.

“The pentagram with one point upwards repels evil, but a reversed pentagram, with two points upwards, is a symbol of the Devil and attracts sinister forces because it is upside down and because it stands for the number 2. It represents the great Goat of the witches’ Sabbath and the two upward points are the Goat’s horn.” -Richard Cavendish, The Black Arts.[29] “In symbolism, an inverted figure always signifies a perverted power. The average person does not even suspect the occult properties of emblematic pentacles. (…)”[30]

The pentagram is used extensively in black magic, but when so used its form always differs in one of three ways: The star may be broken at one point by not permitting the converging lines to touch; it may be inverted by having one point down and two up; or it may be distorted by having the points of varying lengths. When used in black magic, the pentagram is called the “sign of the cloven hoof,” or the footprint of the Devil. The star with two points upward is also called the “Goat of Mendes,” because the inverted star is the same shape as a goat’s head.” -Manly P. Hall, Secret Teachings of All Ages.[31] For this reason, the inverted pentagram has been used in the emblem of Anton Lavey’s Church of Satan.[32]

As far as Satanic Ritual Sexual Abuse of young children in Lucifer’s Workshop in New Orleans, Young Buck had undoubtedly also been a Satanic “initiate” at an early age, he admits that he was there watching some of it go down,

“I seen that shit go down. I ain’t gonna sit here and fuckin’ lie…That is just some gay ass shit! To each their own, but I ain’t gonna sit here and fuckin’ lie. I can cosign my homeboy B.G. He didn’t play that shit and Juvy [Juvenile]…he stay far from that shit. But now…[Lil’] Wayne, that’s my nigga, but shit. And Turk, that’s my nigga, but he locked up in the pin…I got love for niggas, but I don’t got nothing but the truth…I ain’t throwing nobody under no bus. It was what it was.”[33]

There is absolutely no reason to believe that like Lil Wayne, Young Buck had not also been ritually sexually abused at an early age and “imitated” into Baby’s Satanic Hip Hop Coven. Little Lucifer’s Pandora’s Box and Young Buck open up Baby and Lil Wayne’s Satanic Hip Hop Coven and the secret ritualized satanic sexual abuse of children in Hip Hop circles. It gets worse.

Little Lucifer: Chris Stokes in Pandora’s Box

While Monica is going up and down, back and forth, Little Lucifer’s Pandora’s Box was opened again by Raz B of B2K. B2K was an American R&B music group. It was founded and managed by music producer Chris Stokes in 2001 with Lil’ Fizz, J-Boog, Raz-B, and Omarion as members. B2K was an R&B/Hip-Hop boy band of the early 2000s, until their break-up in 2004.

Allegedly, LA Producer Chris Stokes molested Raz B, Omarion, above, and Marques Houston at an early age through MK ULTRA/Monarch mind control methodology. Houston was a member of Chris Stokes boy’s groups, Immature/IMx, Mila J, and NLT.

Quindon (American Idol), above, & Raz B says Marques Houston raped them and other artists while Stokes watched.[34] Thus far, Raz B & Quinton Tarver (from American Idol) are not the only ones to come out and expose what happened to them.

The actor and comedian, Faizon Love, has opened up and said that the same thing happened to him. If you saw the 1995 movie, Friday, starring Chris Tucker and Ice Cube, then you remember Faizon Love as the infamous drug dealer, “Big Worm.”[35]

In this mess, Ray J’s name commonly pops up as one of Chris Stokes’ boy sex victims. Among these young brothers, they say that Chris Stokes, Marques Houston, and a few “others” throw ritualistic “initiation” parties just like Baby’s New Orleans Lucifer’s Satanic Coven with young, talented boys to guide them as far they can go through sexual perversion and abuse.

Ray-J and Marques Houston, above, along with the other members of Immature/IMX, use to have sleep overs at Chris Stokes’ house. They say that Ray-J lost his virginity to one of them boys back in the 90s.[36]

Brandy and her parent were well aware that Ray J was being ritually sexually abused and initiated into Chris Stokes’ boy sex toy cult, but cashed in on the ILLUMINATI’s secret Blood Oath Covenant for Fame and Fortune.[37] It’s a family business.

Ray J doesn’t deny being involved with Chris Stokes and Marques Houston early in his career during his most impressionate years as a child. His public cover story is that his beef with Stokes and Houston is that they stole money and projects from him.

“I had a problem with Chris Stokes and Marques Houston a couple of years ago, they were stealing money from me and taking projects that I had out and taking them away from me so I started doing “diss songs” about them just talking a lot of smack. That was at a time in my career when I was real reckless so I had a lot of diss songs talking about them and who they were. I was just dissing them, just cause I didn’t like them as people back in the day but I’m older now, I don’t regret what I said or what I did but I’m definitely at a new time in my life that I wouldn’t go there again.” [38]

He admitted that he had been in a past relationship with the pedophiles and that they were in fact in position to take advantage of him, but only regarding his finances and assets. That’s not how they play the game. That dog won’t hunt. They create helpless MK Ultra Boy Sex Toys for an elite and powerful ILLUMINATI/Luciferian pedophile underground. Below, Chris Stokes and sexual traumatized former American Idol contestant Quindon.

I pray that there is HOPE that these young brothers can also somehow find the strength to overcome. That takes us back to the question of how two-bit messy ass rappers like Ray J and Young Buck were allowed to get so close to a national treasury like Whitney Houston without a great deal of opposition, public outcry, and Beverly Hills Police and Los Angeles County Coroner’s Office scrutiny.

Who has the power to get CNN’s Dr. Drew and Nancy Grace to back off stirring up public and criminal inquiries into Ray J’s activities surrounding the Death of Whitney Houston? Who used Little Lucifer and Young Buck as classic “cutouts” in the Assassination of Whitney Houston?

Whitney Houston, Clive Davis & the ILLUMINATI

Above, Little Lucifer and Clive Davis huddled up and cozy at the Beverly Hilton the afternoon that Whitney Houston was found dead. The late Black Diva Phyllis Hyman maintained until death that Clive Davis was a powerful and elite underground pedophile. Ray J is part of that vast Luciferian corporate power structure in America with Lucifer as CEO that support Baby’s New Orleans Hip Hop Satanic Coven, and Chris Stokes’ LA Hip Hop Boy Sex Toy Cult.

The board of directors is composed from some of the most influential ruling oligarchic families around the world. Lucifer’s holding corporation is made up of a multitude of national and multi-national corporations with thousands of subsidiaries held together with a Blood Oath Covenant of Secrecy. Clive Davis would be the leader of one of its subsidiaries like Arista Records.

Davis is the founder of Arista Records. He named his record company after the elite Arista Honor Society of Brooklyn, New York where he was born. Arista’s logo and symbol is the “Lighted Touch” of the Goddess Columbia.

“Their most used symbols are the lighted torch, the symbol of knowledge and the Sun. When an initiate reaches a certain level in the pyramid they are said to be ‘illuminated,’ more symbolism of the lighted torch. One of the recurring stories in the ancient world is of a hero figure who takes fire (knowledge) from the ‘gods’ and gives it to the people – the chosen few people, that is … At the Rockefeller Center in New York today is a gold statue of Prometheus (gold, the solar metal of the gods) and he is holding the light, the fire, in line with the legend. To the Rockefellers this is not just a statue; it is a symbol of the whole scam they are involved in.” -David Icke, “The Biggest Secret.” [39]

Following the Illuminati torch symbol begins to unravel a larger mystery. The Brotherhood Goddess Isis/Semiramis holds the torch of enlightenment in the Statue of Liberty as well as the Columbia Pictures and Columbia Records logo. Columbia University’s symbol is also the torch/flame. CBS, “Columbia” Broadcasting System’s logo is the all-seeing eye of the Illuminati. The capital of the United States is Washington D.C. which stands for “District of Columbia.” America was discovered by a man named Columbus. The Fraternal order Knights of Columbus have been exposed aided the drug trade in Columbia the country. Columbia is the NASA space shuttle that blew up. Columbine is the high-school that suffered the mass shootings.[40]

“It goes back to a group of Freemasons that came to this country before the founding of our constitution, who were called the Colombians, known as the Colombian faction. They founded what we know as Columbia University. Out of that has come Columbia space shuttle, Columbia Pictures, and Columbia Broadcasting, CBS, with the all-seeing eye on the pyramid as their symbol. As a matter of fact, our government, our so-called government, is not even a part of our country. It is in an area called the District of Columbia, It is a separate district, not part of America at all. The simple truth behind that fact is that there was a section of the geography in this country that was set aside by a very powerful group of Freemasons, called the Colombian faction, working behind the scenes during the founding of this country.” -Jordan Maxwell, “Matrix of Power.”[41]

It was this very same “All Seeing Eye” Columbian factor (CBS) and its CEO William S. Paley of the CIA that brought Clive Davis and Arista into illumination in 1966 at the top of one of its power structures and record divisions. Clive Davis’ visible net worth is estimated to be around 800 million dollars.[42]

Little Lucifer, Ray J, on the other hand, exists on the fringes of this vast Luciferian Corporate power structure as an expendable human asset. Yet, it is still a very lucrative business to be one of Lucifer’s Servants.

In 1989, Ray J at the age of 8 years old started appearing in television commercials for different companies, which strongly suggest that had been “initiated” into Stokes’ Boy Sex Toy Cult at or before the age of 7. He would be a true MDP like Monica Laura Leon ritually sexually traumatized and programmed before the age 7 years old. In television, Ray J got the role as a foster son in “The Sinbad Show from 1993-1994. In 1999, Ray J landed a role in Brandy’s UPN television series, “Moesha“, as Dorian D-Money. In 2005, Ray J joined the cast of UPN’s One On One, where he played the character of D-Mack for the final season.[43]

In 2009, Ray J got the feature role for a year in VHI’s “For the Love of Ray J.”[44] In April 2011, VHI again premiered Ray J in “Brandy and Ray J: A Family Business.”[45] The Luciferian Corporation and the ILLUMINATI take care of its own, filtering down millions in privileges, perks and contracts from its multitude of national and multi-national corporations.

ILLUMINATI, Whitney Houston & the Big Pay Back

The day after Whitney Houston died. Sony Music (All Seeing Eye) executives planned to meet within that week in New York to determine a strategy for marketing the nine albums, soundtracks and compilations that feature Whitney Houston.[46] Executives will also planned to discuss stepping up marketing efforts for the upcoming film “Sparkle,” a low-budget movie starring Houston that will be released in August, and for the accompanying soundtrack on which she sings two songs.[47]

Clive Davis, Sony’s chief creative officer and former CEO of Arista, stands to collect a share of the royalties as well for the three Houston albums on which he is credited as producer or executive producer. For those albums, he could get as much as 10 percent – or “points” – of the royalties, an accepted industry practice, according to one of the industry executives.[48]

Universal Music Group, a unit of Vivendi (former VP, Edgar Bronfman, Jr.), will also share in the anticipated increase in Whitney Houston sales. In 2007, the company purchased the music publishing rights to songs such as “The Greatest Love of All,” “Didn’t We Have it All” and “Saving All My Love for You” from songwriter Michael Masser.[49]

Recall, M.I.A, Madonna’s Fall of the Symbolic Black Diva and Satanic Rise of Baphomet 2012 Super Bowl Show, is connected with Benjamin Bronfman, son of Edgar, Jr.

Dixie Hillbilly, Dolly Parton, controls the publishing rights, which enables her to license music, to “I Will Always Love You.” Parton wrote and recorded the song in 1973. “When Whitney did it, I got all the money for the publishing and for the writing, and I bought a lot of cheap wigs,” the ungrateful and insensitive racialist Parton told CNN’s Anderson Cooper in an interview in January.[50]

Recent news portrays Whitney Houston’s only surviving child, Bobbie Kristina Brown, as an heir to her mother’s fortune. It is an ILLUSION. The Estate of Whitney Houston is in hock to Sony and Clive Davis for quite a long time.

According to the NYDailyNews, a Music Industry veteran that is “familiar with Sony’s accounting” says that Houston’s estate “probably won’t see any royalty checks from her record label “in our lifetime” — and maybe longer — thanks in part to the number of advances and loans she [Whitney Houston] took from the $100 million deal she cut with Sony Music in 2001. He goes on to say that “Houston would have to posthumously sell more than 5 million albums “to repay her advances and start to get royalty checks.”[51] It was also reported that Clive Davis gave Whitney Houston a $1.2 million loan through Sony records that he also intends to collect from the estate.

Clive Davis’ payback out of Whitney Houston’s estate would include the bills he paid for Whitney Houston’s Death Bed that he had reserved for her at the Beverly Hilton Hotel, along with the riff-raff MK ULTRA Satanic boy sex toys, Little Lucifer and Young Buck, to provide the diversions, false flags and the poison.

[1] http://www.usmagazine.com/celebrity-news/news/chaka-khan-on-whitney-houstons-death-the-dangerous-people-should-have-been-kept-away-2012142

[2] http://en.wikipedia.org/wiki/Whitney_Houston

[3] http://www.ibtimes.com/articles/297131/20120211/whitney-houston-dead-died-dies-ray-j.htm

[4] http://www.examiner.com/christian-tv-in-national/did-ray-j-find-whitney-houston-dead-beverly-hilton-hotel-video

[5] http://diaryofahollywoodstreetking.com/ray-j-under-police-investigation-regarding-whitney-houston-death/

[6] http://www.azlyrics.com/lyrics/youngbuck/getbuck.html

[7] http://www.guardian.co.uk/music/2012/mar/05/young-buck-drive-by-shooting

[8] http://en.wikipedia.org/wiki/Pandora’s_box

[9] http://greece.mrdonn.org/greekgods/pandora.html

[10] http://ipowerrichmond.com/interviews/tttorrez/danger-outs-ray-j-on-la-radio/

[11] https://monicadanger.wordpress.com/

[12] Id.