In the late evening of January 8, 2013, Katt Williams was released from jail on a $100.000 bail bond on a Sacramento, CA arrest warrant issued for missing his court appearance. He was captured on a TMZ video being led away from jail by a white security team. Usually anything regarding Katt Williams, TMZ will spread it all over the world. However in this one case, this particular video of Williams being led away from a Yolo County Jail in California by a special security team has limited circulation for whatever reasons. The TMZ video can be reviewed at UPDATE: Katt Williams Release from Jail on 100K for Missing Court Date
One guy in a green shirt is seen wearing a U.S. Army or Navy “Special Forces” cap similar to the one below.
The guy in green also has a surveillance earpiece designed for military, police, secret service, first responders and security personnel. It has a Bluetooth pairing with a fast push-to-talk design microphone to communicate with band radio frequencies.
So, why are U.S. Army Special Forces, former members of the Special Forces or an advanced professional security team connected to a secure central command station extracting Katt Williams from jail, but to deliver him to secure secret cybernetic mind control laboratory to repair a blown circuit, the Human Will and Compassion to be FREE. Nevertheless, I pray that I am wrong and they were his bail bondsmen. I also fear that it may be one of the last times we may see or hear from Katt close to his original conscious self.
Comedian Katt Williams was the first to coin the world, Niggadom (Kingdom). I don’t subscribe to such degrading terminology or jargon regarding African Descendants so I call it, Negrodom. But it isn’t really a physical place with borders and boundaries, Katt Williams must be making reference to a imprisoned state of consciousness; Delusional State of Mind, or an particular insanity among Black People of HollyWeird, CA.
Criticism of Django Unchained: “American Slavery Was Not A Sergio Leone Spaghetti Western. It Was A Holocaust. My Ancestors Are Slaves. Stolen From Africa. I Will Honor Them,” –Director Spike Lee
HollyWeird’s House Negroes and attack dogs are all over Spike Lee for his mere expression of opinion and criticism of Django Unchained as if he committed a crime against humanity, democracy or like Katt Williams violated a scared Luciferian oath or pact of secrecy.
The Luciferian HollyWeird elite Implant-Conceal many Satanic images and ILLUSIONS that isn’t easy to recognize in films to subliminal traumatize the masses . Red represents the color of the “Blood Sacrifice.”
In the Django Unchained Poster, above, there are at least four (4) Ancient Double Crosses of Loraine, Emblem of the Royal Secret
“When various members of the House of Anjou plotted to topple the Valois dynasty of France, the symbol of the conspirators was the Cross of Lorraine, the heraldic emblem of René d’Anjou, said by Charles Peguy to represent the “arms of Christ”, “the arms of Satan”, and, strangely, the blood of both. René was the Angevin monarch who, at the time of the renaissance, single-handedly spearheaded a Hermetic revival in Europe. It was he who personally convinced Cosimo de Medici to translate many ancient texts such as the Corpus Hermeticum into various European tongues for the first time ever. And when Corpus Hermeticum was first published in France, the dedication it bore was to Marie de Guise, wife of James Stuart V, mother of Mary Queen of Scots, and a descendant of René who also adopted the Cross of Lorraine as a personal symbol.
That the Cross of Lorraine is a symbol embodying the Hermetic ideal is fairly obvious. The Angevins were primarily advocates of the Regia, or Royal Art, of hermeticism; a tradition which according to legend was passed down to man by a race of fallen angels. This isn’t at all inconsistent with the perennially Luciferian overtones associated with the entire Angevin saga.
Interestingly, the Cross of Lorraine bears an uncanny resemblance to the sigil of Baphomet employed by British Magus Aleister Crowley, and the meaning of the two symbols would appear to be virtually synonymous. Baphomet is, after all, the penultimate hermetic symbol, whether depicted by Crowley in the form of a cross, or by Eliphas Levi as a goat-headed hermaphrodite. And the sigil used by Crowley was also employed by ancient alchemists as a device whose meaning was literally “very poisonous.” In fact, the symbol was commonly affixed to containers of toxic substances in Europe as recently as the mid-twentieth century. To the alchemists, of course, the symbol and its very meaning had far more esoteric connotations. To them, poison represented an agent of transformation, a vehicle for the reconciliation of opposites. And there is an alchemical myth about a poison which for most men is extremely deadly, while for the elect it confers mastership and absolute power. Echoes of this idea recur as a motif in various aspects of the Grail lore. It would seem that the alchemists accorded this symbol very much the same meaning attributed it by Crowley, which in turn echoes what the Cross of Lorraine embodied for Rene d’Anjou. It is little known, but the Cross of Lorraine was also the official emblem of the Knights Templar
Though they are more frequently associated with the symbol of the red equilateral cross, their true symbol first and foremost was the Cross of Lorraine, and many Templars awaiting death at the stake pursuant to the Friday the 13th persecutions drew the emblem on the walls of their cells. There is still a degree in certain rites of Freemasonry called the Knights Templar, whose symbol is the Cross of Lorraine. It is interesting to note that even the less esoteric-looking equilateral cross used by the Templars had essentially the same meaning: that of the union of opposites, the intersection of creative force and destructive force, or the union of male and female principles. It was a fundamental occult symbol, and it was in deference to the idea which it embodied that medieval occult rituals were often held at crossroads.
The Cross of Lorraine is far more explicit in it’s iconography: the bar above mirroring the bar below, both of which are symmetrically affixed to a central pillar that provides balance and equilibrium. As above, so below is, after all, a Hermetic maxim. And the three bars of which the cross is composed echo Eliphas Levi’s concept of the true trinity. Levi posited that the world is governed by two primordial forces, one creative, the other destructive. The equilibrium between these two forces constitutes a third force, and the union of the three constitutes what some might refer to as… God.
The central role of the principle of equilibrium in various occult arts cannot be overstressed. For Master Mason Albert Pike, equilibrium represented the Royal Secret, the pivotal principle upon which the universe is ordered. And Pike’s specific designation of equilibrium as a royal secret is of particular significance because, as previously mentioned, Hermeticism has traditionally been known as the Royal Art, and its central tenet is essentially that of equilibrium. And too, when Pike calls it a Royal secret, he isn’t speaking figuratively, but strictly in literal terms. Hermes, according to legend, was the sole receptacle of the secret doctrine of the antediluvian world, which he revived after the flood and passed down to the Kings. As you’ll recall, this secret knowledge was thought to have been taught to man by a race of Gods or fallen angels. This knowledge was kept secret because it was probably recognized that for all but an elect few, such thought would no doubt bring about their ruin. This brings to mind the concept of the alchemical poison. Kings and aristocrats would understand how to wield and apply the secret doctrine because it was believed that they were in fact flesh and blood descendants of the Forgotten Race which had come down to take the wives of men.
References to this Forgotten Race occur repeatedly in numerous religions and mythologies throughout the world, and should most likely be known to readers of this magazine. Their doctrines have been enshrined in myth, legend, and many religious symbols, in which they are looked upon by many, and recognized by but a few. They are, and shall remain, the Royal Secret. The Cross of Lorraine is a sigil of that Royal Secret, the doctrine of the Forgotten Ones.”
In the Satanic Bible in LaVeyan Satanism, the Satanic Cross can also be interpreted as a combination of the Lorraine crossand the mathematical symbol for infinity, or a phallic re-imagining of the cross, with the infinity symbol representing a scrotum. It is often interpreted as a symbol of Satanism, because Anton LaVey adopted it from the Cross of Lorraine or even the Patriarchal, which is also a symbol of Christianity and Hermeticism. Hermetic alchemists of the Renaissance used the emblem as a symbol of earth and spirit by combining the square earth cross with the cross of Christ. When drawn symmetrically, it symbolized the hermetic maxim, “As above, so below”.
Baphomet & WICKED Tarantino, “As above, so below”
In the Django Unchained Deception, Legendary Black Comedian and Civil Rights Activist, Dick Gregory, has been making news around the internet. Dick Gregory publicly singled out and attacked Spike Lee for criticizing Quentin Tarantino and Django Unchained. In defense of the Tarantino film, Gregory called Spike Lee a “Thug” and “Punk.” In Spike Lee’s line of profession in the community, Gregory’s chosen words spread across the world constitute insulting “fighting words.”
Dick Gregory & President Barack Obama, Look for the ILLUMINATI “Hidden Hand of Power” Gesture
“I’ve seen Django Unchained, I’ve seen that 12 times. Never in the history of Hollywood, have they ever made anything that freed the inside of me. The inside. I’m 80 years-old, I saw cowboy movies, wasn’t no Black folks in cowboy movies. I’m looking at a Western, plus a love story. To those of you all that see it, you’ll never see a love story about a Black man and a Black woman where it wasn’t some foul sex and foul language, huh. And Spike Lee can’t appreciate that. That little thug ain’t even seen the movie, he’s acting like he’s White.”
If you multiple 12 times 176, the number of times that Katt Williams said the script contained the word “N**ger” with damning adjectives (An adjective is a word that describes, identifies, modifies, or quantifies something [a noun or a pronoun] like f**king, it means that Dick Gregory subjected himself to 2112 scientific subliminal self inflicted mental head wounds from the “n word” determined by the highest court of the land to injure the Black Psyche [Chaplinsky v. New Hampshire, 315 U.S. 568 (1942)]. Dick Gregory may be immune to being called the “n word”, but it negatively affects and hurt our children and many other of us just don’t play that.
I am quite sure that each time Chicago Mafioso Frankie “One Ear” Fratto pulled the trigger, it was preceded by the “n word” with adjectives like f**king, no good, dirty, stinking and useless, etc. It’s Russian roulette and it’s a physical form and method of scientific “Ritual Abuse and Trauma-Based Mind Control.”
This is a subliminal hypnotic self (alternative personality) inflicted form of scientific traumatic torture that Brandy and Wicked Tarantino appears to be well aware of.
Out of Negrodom, Gregory also said he’d never seen a black man and a black woman ride off into the sunset in a movie, and that’s part of the beauty of Django Unchained.
Beauty or ILLUSION? I wouldn’t call riding off in the middle of the Deep South in the 1850s during universal inhumane and vicious enslavement of (4) four million Africans exactly beautiful, unless, I am delusional or fed a grand ILLUSION of the actual barbaric racist affairs and attitudes of the country during this period.
Anyhow, Wicked Tarantino made it loud and clear to Negrodom early in the film that the storyline is about the Wagnerian Germanic Folktale of Broomhilda and Siegfried, a tale beloved by Adolf Hitler and Paul Josef Goebbels and the THRID REICH.
Broomhilda (Brunhilde) is one of WOTAN’s (Odin) daughters. She is a “Valkyrie.” That’s exactly what a Valkyrie does. She rides off into the sunset with the chosen hero to Valhalla, WOTAN’s castle in the sky.
Wicked Tarantino & The Kiss of the Luciferian Brotherhood
This is a very secret and ancient reflection of patriarchal bonding going back to the days of the war state societies of Greece and Rome. During these ancient empires, homosexual male bonding in the militaries of ancient Greece was regarded as contributing to morale. The Sacred Band of Thebes (Greece), a unit said to have been formed of same-sex couples, and the Spartan tradition of military heroism has been explained as being fostered by strong emotional bonds resulting from homosexual relationships. Various ancient Greek sources record incidents of courage in battle and interpret them as motivated by homoerotic bonds. You would also be surprised to know that this ancient tradition and practice of male bonding lay at the birth of the Nazi Nationalist War State. (See Pink Swastika: Homosexuality in the Nazi Party, 5th Edition for Internet)
Danny Glover & Harry Belafonte, The Kiss of Luciferian Brotherhood in HollyWeird
L’ll Wayne & Birdman-Steve J, The Kiss of Luciferian Brotherhood in Hip Hop
Nevertheless what Tarantino says, out of Negrodom, Dick Gregory (House Negro Role) claims that the real inspiration of Django is Dangerfield Newby. THAT DOG WON’T HUNT!
During the John Brown raid in October 1859, the first raider killed was a black man by the name of Dangerfield Newby. Dangerfield had been freed by his white father, but he had a wife and seven children held in slavery in Warrenton, Virginia. His wife’s master had told him that for the sum of $1,500 he could buy his wife and his youngest baby, who had just started to crawl. Dangerfield earned that amount of money and went back to Warrenton to purchase his wife and baby, only to have his wife’s master raise the price. The free black man then joined John Brown in the hope of freeing not only his wife and youngest baby, but his entire family.
During the assault on Harpers Ferry to raid an armory to supply weapons for a rebellion, one man defending the armory was shooting 6 inch spikes from his powder loaded gun. One of those spikes hit the throat of Newby. He was killed instantly. The people of Harpers Ferry took the body of Newby and savagely stabbed it repeatedly with their rusty knives. They left the mutilated body in the alley to be eaten by hungry hogs.
I suppose that Dick Gregory want us to be delusional, caught in the DOUBLE BIND and believe an ILLUSION that this act of a courageous and desperate man with all his God given human loving compassion stoke out to free his beloved wife and seven children from the horror of slavery; and the absolute horrible and barbaric reprisals against the body of this man can somehow be visualized as “beauty” and “riding off in the sunset” is absolutely insane. It is deliberate absolute mass DECEPTION in its broadest terms.
As far as credits for the film are concerned, Quentin Tarantino is the screenwriter. He credits the character development, Django, to a Italian spaghetti western based on no known slavery historical facts. Tarantino later explained the genesis of the idea: “I was writing a book about Sergio Cobucci when I came up with a way to tell the story. One of the things that’s fun when you write about subtextual criticism …” Sergio Corbucci (December 6, 1927 – December 1, 1990) was an Italian film director. He is best known for his very violent spaghetti westerns. Negrodom, Tarantino doesn’t doesn’t possess the Godly human capacity to care or have any compassion about the true heroic struggles, tribulations or issues of enslaved Africans.
According to Wicked Tarantino, “I want to do movies that deal with America’s horrible past with slavery and stuff but do them like spaghetti westerns, not like big issue movies.” “Slavery and stuff,” he just wanted to play around with it like an Italian spaghetti western, play games with the hearts and minds of the masses. Does Quentin Tarantino even know Dick Gregory in any cinematic sense of production or have any independent historical knowledge whatsoever of Dangerfield or his wife Harriet Newby? I doubt it.
Straight from Negrodom, Gregory continues:
“So it must be something personal because when I look and all them Black entertainers that know Spike Lee, how you gone attack this man [Quentin Tarantino]and don’t be attacking them? Are you saying everyone’s a fool but me? ‘Well, it offended my ancestors,’ but when you did She’s Got To Have It and some of those other thug movies you did, you took Malcolm X and put a Zoot suit on him — did that offend your ancestors, punk?
Good Old Uncle Luke, ILLUMINATI Silence is Golden & Mark of the BEAST 666
Also out of Negrodom, the dissectible Uncle [Real Tom] Luther Campbell of 2 Live Crew fame that happens to call himself “Uncle”  Luke was also sent on the attack. He called Spike Lee a “resident house Negro…conniving and scheming Uncle Tom”.
Luther Campbell has to be the nation’s leading Hip Hop artist to openly promote desecration and the exploitation of African descendent female flesh. Uncle (Tom) Luke will place young black females on the sexual slavery(MONARCH/MK ULTRA MIND CONTROL) auction block for only a few pieces of silver with a big grin and a slap on his ass by the ILLIMUNTI and the New World Order.
Comedian-Actor- Black Luciferian Jamie Foxx called Spike Lee “Shady…Irresponsible” for criticizing Tarantino’s artistic works.  Yet, Jamie Foxx is another dissectible House Negro that has done his fair share to desecrate the image, negatively impact and undermine the worldview of African Destiny, Manhood and Fatherhood for the New Luciferian World Order.
Samuel L. Jackson & Eye of Lucifer
One of the leading actors in Django Unchained, Satanic and ILLUMINATI House Negro, Samuel L. Jackson, added his two cents to the mix. He suggested that Spike Lee may be jealous of Quentin Tarantino’s film making success- “I don’t know if it’s jealousy”.
Also, House Negro director of the film “Training Day” starting Denzil Washington, another ILUMINATI House Negro, also rode to Tarantino’s rescue to defend him publicly. Antoine Fugua admonished Spike Lee,
“That’s just not the way you do things,” said Fuqua, who admitted to not seeing the film yet himself, at the Capri event. “If you disagree with the way a colleague did something, call him up, invite him out for a coffee, talk about it. But don’t do it publicly.”
In other words, we criticize HollyWeird’s Luciferian-Satanic powerful and elite, Quentin Tarantino, in secrecy, behind the scenes- closed doors. That’s the way it’s done by House Negroes in HollyWeird, CA.
Yet, there is my underlining suspicious that this will all play out to be a trick of mass deception. They create the false flag controversy between Spike Lee and Quentin Tarantino to lure unsuspecting masses to the film. Django Unchained has nothing to do with our true African Ancestors’ struggle and heroics during human bondage in America.
The film is a crude and vicious “red herring” designed to suck the masses into experimental cinematic subliminal mass hypnotics of self inflicted torture; and polarize the races. Django Unchained is a retelling of tales of Wagnerian Gods, Goddesses and the Mythology of the Germanic Pagan WOTAN played out with black faces.
In regards to Katt Williams and his criticism of the film and Wicked Tarantino seem to have fallen by the wayside, I suspect that the ILLUMINATI entertainment industry knows that everything is already in the works to neutralize him, and that he will be clandestinely dealt with by the highest levels of the ILLUMINATI and the (FEDS) U.S. Military-Industrial-Congressional System.
Still, the most wickedness attack on Spike Lee for discouraging the masses of people of color from being subjected to self-inflicted torture and abuse, ILLUSIONS and historic re-imaging of events close to their heart, soul and spirit, came from the Eye of Lucifer, Dick Gregory.
During the late 1990s, I had a rare opportunity to meet with a small group with the Late Great Steve Cokely in Oakland. As an Oak Town Field Negro, I wasn’t particularly invited. I found out about the time and place of the meeting, and went. Part of Cokely’s discussion was regarding Spike Lee’s 1992 film, Malcolm X. Even at that time; it was common knowledge among brothers and sisters that half of movie involving Malcolm in a zoot suit, crime and chasing the blue eyed blond goddess was a tradeoff. It was the work of CIA Project MOCKINGBIRD originally established in 1947 on Lookout Mountain in Laurel Canyon, HollyWeird, CA.
The HollyWeird film industry regularly clear scripts directed toward targeted audiences, particularly the Black and Brown masses, through the CIA and FBI. They have their own psychiatrists, psychologists and social scientists to mode cinema to control the mass psyche. They have script-screen writers, producers and directors in their back pocket with the power to revise film scripts and control film narratives.
During the 1950s, it is documented that the CIA influenced HollyWeird’s film producers to plant “negroes” who were “well-dressed” (Sidney Poitier and Harry Belafonte, for example) in movies, as Cold War propaganda to manipulate and control mass world opinion and ILLUSIONS involving race relations in America.
During this particular session with Cokely, he said that he knew Spike Lee well enough to command an audience. He asked us to help finance a trip to meet privately with Spike on the West Coast regarding further exploring the FBI/CIA’s role in developing, controlling and influencing the film Malcolm X and Black Cinema in general.
Cokely promised to keep the group, particularly the people that helped finance the trip, informed of the Spike Lee meeting. I intentionally gave Cokely a check with my name, address and phone number so there would be no excuse not to include me on the contact list, but as usual I was left out of the loop. I never heard from the group or Cokely again. However, it was generally understood among brothers and sisters, including Dick Gregory, of CIA/FBI involvement in the final film production of Malcolm X. In Chicago Gregory had been a close research protégée and friend of Steve Cokely. He knew very that Malcolm X in that zoot suit chasing that blue eyed blond wasn’t his work.
R.I.P Steve Cokely passed from congestive heart failure April 11, 2011 in Chicago, IL. Cokely gained widespread notoriety when he served as special assistant to the former mayor of Chicago, Eugene Sawyer. He was also assistant to the special committee on rules under the late then Mayor Harold Washington.
In Chicago, Cokely watched and befriended Barack Obama as he rose from a community organizer to a U.S. Senator which put this astute and highly intelligent, very vocal nationalist researcher and lecturer in a great deal of danger.
After several years of silence, Cokely finally promised to reveal all he knew about Chicago Politics and the “Obama Team.” Some entity and hidden hand forces in Chicago had gift wrapped Obama and delivered him to the masses like a Christmas gift, but Brother Cokely never lived long enough out of a coma to tell the story.
It is disingenuous and an act of deception for Dick Gregory to single out Spike Lee for portraying Malcolm X as a slick zoot suit criminal chasing a blue eyed blond throughout half of the film knowing that it was the work of Project MOCKINGBIRD.
The CIA project is a MOCKINGBIRD of Reichsfuhrer Paul Josef Goebbels’ Ministry of Public Enlightenment and Propaganda that surreptitiously controlled the content of the THIRD REICH’s cinema and entertainment industry.
The Late Great Mae Brussell worked with a circle of lawyers, writers, journalist and researchers pursuing the “TRUTHS” behind the Assassinations of the Beloved, Malcolm X, U.S. President John F. Kennedy, Civil Rights Leader, Martin Luther King, Jr., and U.S. Senator Robert F. Kennedy.
Among these circles Brussell discovered what she called an elite “Power Control Group” that had a secret license from the government to control public access to real TRUTHS, and steer research and public exposures away from inconvenient Truths like the SS-REINHART GEHLEN ORG deeply imbedded in the deep cover (shadow) government, and the clandestine political assassinations of Malcolm X, the Kennedys, Dr. King and many-many others.
Dick Gregory, Author Robert Groden and Attorney Mark Lane had been among this elite “Power Control Group.”Lane and Gregory co-authored, Murder in Memphis: The FBI and the Assassination of Martin Luther King. Gregory became a leading outspoken critic of the Warren Commission findings that President JFK was assassinated by the lone wolf assassin, Lee Harvey Oswald.
On March 6, 1975, Gregory and assassination researcher Robert Groden appeared on Geraldo Rivera’s late night ABC talk show Goodnight America. An important historical event happened that night when the famous Zapruder film of JFK’s assassination was shown to the public on TV for the first time in history. The public’s response and outrage to that showing led to the forming of the Hart-Schweiker investigation, which contributed to the Church Committee Investigation on Intelligence Activities by the United States, which resulted in the House Select Committee on Assassination investigation.
Hitler’s General Reinhart Gehlen’s Org, SS Baron Otto von Bolschwing, and Operation PAPERCLIP Nazis in America and their clandestine involvement in shadow government political assassinations in America was completely veiled from any public or congressional inquiry.
During the 1970s, Gregory became grossly entangled as some sort of personal assistant to Millionaire Larry Flynt of Hustler Magazine. On March 6, 1978, while leaving a court room in Georgia an attempt was made on Flynt’s life that left him partially paralyzed from the waist down, and with permanent spinal damage. He had been targeted by a sniper, believed to have been white supremacist serial killer, Joseph Paul Franklin.
During the 1980s, Flynt became actively involved with financing a political assassination research group that included Mae Brussell. He financed a short-lived revolutionary classic publication, The Rebel. In January 1984, The Rebel published Mae Brussell’s classic article, The Nazi Connection to the John F. Kennedy Assassination: Evidence of link between Nazis still in operation after World War II to the still unsolved murder of John F. Kennedy.
CIA/Gehlen Spooks Mitchell Werbell III, Gordon Novel & G. Gordon Liddy are Enough to Scare the Pants off of Anyone.
Merchant of Death, Mitchell Werbell, Richard Nixon White House Plumber operatives G. Gordon Liddy and Gordon Novel was dispatched into Flynt’s publishing enterprise and into his mansion as “house quests” to fix it, shut down Rebel, Mae Brussell and forcible turn Flynt, and in turn his close friend Dick Gregory who also had been residing at Flynt’s mansion in Beverly Hills-HollyWeird, CA.
These were extremely dangerous people to say the least. In 1942, WerBell joined the Office of Strategic Services (OSS) and served in China, Burma, and French Indochina. As a guerrilla operative during World War II, he carried out a secret mission for the OSS under the command of Paul Helliwell in China with assassins E. Howard Hunt, Lucien Conein, John K. Singlaub, and Ray Cline that became major players in the world opium trade out of Southeast Asia. Werbell worked for Batista in pre-Castro Cuba. He was involved in political assassinations all across the Caribbean. He worked with U.S. Mercenary Gerry Patrick Hemmings on the Anti-Castro CIA training camps in Operation MONGOOSE to topple Castro in Cuba. He specialized in developing assassination weapons and silencers for the Gehlen/CIA. He was a major general of the U.S. Army. He is also linked to the JFK assassination team in Dallas.
Gordon Novel is linked with the international assassination network linked with ardent Nazi Gruppenführer (Major General) SS Dr. Walter Robert Dohrnberger of Bell Helicopter and Permindex. White House Plumber G. Gordon Liddy worshiped Adolf Hitler and Heinrich Himmler’s SS.
WerBell, was put on Flynt’s payroll as his million dollar bodyguard. Mae Brussell said they had given Flynt painkillers that fucked his judgment up and made him want to jump from an airplane to his death to protest the New York Times’ refusal to let him buy a full page carrying his view of the KAL 007 disaster that killed U.S. Congressman Larry McDonald of the John Birch Society.
After Werbell, Liddy and Novel departed, Flynt was left in almost a vegetable state, his wife was dead from AIDS, and his prized Hustler Magazine was purged of its investigative articles and writing team and by early 1984 Rebel Magazine had been eliminated from existence altogether. By 1988, R.I.P. Mae Brussell turned up dead.
“The stone-age Negro denizens of Africa, Haiti, New Guinea and the southern Philippines are fascinated by clocks, radios and even sails.” –Willis Carto, The IMPERIUM 
Did they turn Dick Gregory? Judge it for yourself. Gregory and his buddy Mark Lane became part of the quasi-Nazi far right wing Liberty Lobby created by Willis A. Carto. Gregory is alleged to have been a board director.
In 1955, Carto founded the Liberty Lobby, an American political advocacy organization. He also ran an organization called Youth for [George] Wallace, which later became the White Nationalist organization the National Alliance. He also was involved in the Populist Party until political opponents took control over the party.
“All we know for certain about the Egyptians is that they were Caucasian, and that they, like all slavemasters, mingled their blood with that of their Negro slaves. As for the so-called Amerindian civilizations, we now know without doubt that civilization was superimposed upon the Indian savages by a White racial stock.” -Willis Carto, The IMPERIUM 
Carto had founded Western Destiny, a magazine which during the 1960s produced racist, Nazi-tinged articles; and Noontide Press, which continues to publish and offer for sale anti-Jewish and pro-Nazi books. One such book was Francis Parker Yockey’s 600-page Imperium, which was dedicated to Adolf Hitler and featured a 35-page introduction written by Carto. Yockey, an outspoken admirer of Hitler and Nazi SS Collaborator, was arrested in Oakland, CA across the street from Lake Merritt in 1960 on passport fraud charges; and subsequently committed suicide in a San Francisco jail. His book offers a rehash of Nazi doctrine — it denounced, for example, “the Church-State-Nation-People-Race of the Jew” as “distorters of culture.”
Carto was a vicious racist as well as an anti-Semite. During the 1950s, Carto complained that “only a few Americans are concerned about the inevitable niggerfication of America.” In October 1966, the late columnist Drew Pearson published the contents of a letter written by Carto which stated:
“Hitler’s defeat was the defeat of Europe. And of America. How could we have been so blind? The blame, it seems, must be laid at the door of the international Jews. It was their propaganda, lies and demands which blinded the West to what Germany was doing. . . . If Satan himself, with all of his superhuman genius and diabolical ingenuity at his command had tried to create a permanent disintegration and force for the destruction of the nations, he could have done no better than to invent the Jews.”
In a subsequent memo, Carto elaborated on these beliefs:
“Who is using who [sic]? Who is calling the shots? History supplies the answer to this. History tells us plainly who our Enemy is. Our Enemy today is the same Enemy of 50 years ago and before — and that was before Communism. The Communists are ‘using’ the Jews we are told. . . . [W]ho was ‘using the Jews 50 years ago –100 or 1,000 years ago. History supplies the answer. The Jews came first and remain Public Enemy No. 1.”
I said all of this to say that Dick Gregory has been a scared running dog controlled by the SS-Knights of Black Sun and the Luciferian ILLUMINATI elite for quite some time. Yet, we have continued to love and respect the brother.
However, he has become far too comfortable in Negrodom acting as an ILLUMINATI black Goon attacking and calling his pathetically powerless ILLUMINATI brother Spike Lee out of his name in the world spotlight, and selling out the masses of people with grand ILLUSIONS and False Images of Quentin Tarantino’s Django Unchained for a few pieces of silver, a big grin on his face and pat on his ass for a job well done by the Luciferian New World Order. This is game.
The little evil genius, Reichsminister Paul Josef Goebbels, and the Wickedness Man on Earth, the Great BEAST 666, Aleister Crowley wouldn’t have done a better job with Django Unchained at designing a more diabolical and sinister project that clandestinely destroy the mind, heart, spirit and unity of a people under the veil of their own racial history, entertainment and enjoyment for a New Luciferian World Order.
Especially for my Dear Brother, Katt Williams, I pray that you come HOME and your CHILDREN are returned without further harm,
The LORD is my shepherd I shall not want.
He maketh me to lie down in green pastures: he leadeth me beside the still waters.
He restoreth my soul: he leadeth me in the paths of righteousness for his name’s sake.
Yea, though I walk through the valley of death, I will fear no evil: for thou art with me; thy rod and thy staff they comfort me.
Thou preparest a table before me in the presence of mine enemies: thou anointest my head with oil; my cup runneth over.
Surely goodness and mercy shall follow me all the days of my life; and I will dwell in the LORD for ever.
(Psalm 23, The Original African Heritage Study Bible)